Still Life in Watercolors
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Figure 10<br />
Paul Cezanne<br />
Sketchbook Page with Two<br />
Studies of Paul Cezanne<br />
(Son), a Female Half-Figure<br />
Study, a Bather, and a Class<br />
(recto), c. 1878<br />
Graphite, with <strong>in</strong>k blot,<br />
on paper, 24.8 x 30.8 cm<br />
(9 3 /4 x 121/8 <strong>in</strong>.)<br />
Vienna, Albert<strong>in</strong>a 24088<br />
back are penciled <strong>in</strong>, followed on the next page by another view of the sleep<strong>in</strong>g Paul,<br />
shown half lost to the blank of the page like a swimmer half submerged <strong>in</strong> water. The<br />
verso of that page, <strong>in</strong> turn, shows another view of the head and hand of Cezanne fils.<br />
This time the hand is to the left and the head to the right, the hand is shown from<br />
the side, palm side down but <strong>in</strong> a similar gesture as before, and the head, eye closed<br />
and mouth half open, is aga<strong>in</strong> shown half drowned <strong>in</strong> pillows as if they were ripples<br />
of water. Curiously, the hand, which is probably the hand of the sleep<strong>in</strong>g son, is pre<br />
sented as if it might be a draw<strong>in</strong>g (or writ<strong>in</strong>g) hand, with the <strong>in</strong>dex f<strong>in</strong>ger curled over<br />
a gently flexed thumb. (Someth<strong>in</strong>g of the same gesture is found <strong>in</strong> the sup<strong>in</strong>e hand<br />
on the first of these four pages.) Thus the hand movements of draw<strong>in</strong>g, the unconscious<br />
gestures of sleep, the <strong>in</strong>timate relations of the family, and the sequence of<br />
notebook pages are l<strong>in</strong>ked to one another <strong>in</strong> a somatic cha<strong>in</strong>.<br />
23<br />
THE BIOGRAPHY OF OBJECTS