Still Life in Watercolors

landscape of, 45-50; 53, 64
line and color in, 113-15
medium of, 1-2
mistakes (stray marks) in, 104,
105, 105
opacity of vessels in, 132
order of drawing/painting, 104
. origin of name, i
paper used in, 103, 103-4
pencil marks in, 104, 105, 106-7,
108, 115, 122, 1.3511.6
as picture vs. sketch/study, i, 65,
75;76
plate of, xii
preparatory sketches for, lack of, 75
vs. Still Life: Sugar Bowl, Pears,
and Blue Cup, 13
vs. Still Life with Apples, 52-53
vs. Still Life with Apples and
Oranges, 52-53
vs. Still Life with Carafe, Bottle,
and Fruit, 132, 133
Still Life with Milk Pot, Melon,
and Sugar Bowl as companion
to, 76
vs. Still Life with Plaster Cast, 61
as tableau, 76
technique used for, 76
vs. Three Skulls, 65
top of, 109, 109, 110-11
unique nature of, 122
vs. Young Italian Woman at a
. Table, 62-64
Still Life with Blue Pot and Bottle of
Wine (Cezanne), 92, 95
as incomplete, 92, 97
vs. Still Life with Green Melon, 97
Still Life with Carafe, Bottle, and
Fruit (Cezanne), 125, 127, 128-34
act of drawing captured in,
128-29, 130-31, 131
detail of, 131
paper used in, 133
pencil marks in, 127, 128-29,
133, i3 5 n. 9
transparency of watercolor in,
131-32
Still Life with Compotier (Cezanne),
3> 13-H
in Denis's Homage to Cezanne,
2, 2, 13
Fry (Roger) on, 2, 13, 14, 56
Still Life with Cut Watermelon
(Cezanne), 35, 36
variations on theme of, 95, 96
Still Life with Ewer, Vessels, and
Pomegranate (Kalf), 53, 54
Still Life with Fruit, Carafe, Sugar
Bowl, and Bottle (Cezanne),
95-98, 96
as tableau nonfini, 95-98
variations on theme of, 95, 96, 97
Still Life with Glasses, Carafes, and
Compotiers of Fruit
(Caillebotte), 58, 58
Still Life with Green Melon
(Cezanne), 95-98, 97
as tableau nonfini, 95-98
variations on theme of, 95, 96, 97
Still Life with Milk Pot, Melon, and
Sugar Bowl (Cezanne), 10
as companion to Still Life with
Blue Pot, 76
Still Life with Peaches, a Silver
Goblet, Grapes, and Walnuts
(Chardin), 53, 54, 54
Still Life with Plaster Cast
(Cezanne), 14-16, 85-88, 86
composition of, 14-15
expanded space of, 15-16, 56-57
vs. Fantin-Latour's Still Life with
Torso and Flowers, 60-62
graphite drawings before and
after, 85, 87
inventory of objects in, 14-15
kitchen implied in, 15
Plaster Cupid after, 85, 87
Plaster Cupid before, 85, 87
studio as context for, 15-16
as tableau, 85
watercolor studies before and
after, 14, 85, 87
Still Life with Torso and Flowers
(Fantin-Latour), 59, 60-62
studio. See also Les Lauves studio
as experimental space, 133-34
kitchen in context of, 37
in Still Life with Plaster Cast,
15-16
tied to domestic space, 15-16
subject matter, academic hierarchy
of, 78
sugar bowl
in Still Life: Sugar Bowl, Pears,
and Blue Cup, 12-13
in Still Life with Apples, 17
in Still Life with Basket; or, The
Kitchen Table, 14
Switzerland, family trip to (1890), 21
Symbolism, Cezanne's relation to, 78
symmetry, in Still Life with Blue
Pot, 46
tableaux
in classical academic system, 78
esquisses before and after, 85-88
etudes as, 79, 98
nonfini, 94-98
Still Life with Blue Pot as, 76
watercolors as, 92, 93, 94-98
Tanguy, Pere, 19
tapestry
in Still Life with Apples and
Oranges, 51
in Still Life with Blue Pot, 9, 46,
48, 49, 62-64, 76, 112-20, 113,
115, 116, 117, 118, 119
in Three Skulls, 65
in Young Italian Woman at a
Table, 62-64
temporal changes, in series vs.
variations, 94
Thaw Collection (New York), 87, 95
themes, Cezanne's variations on,
94-98
Three Pears (Cezanne), 125-28, 126
paper used in, 125, 126
pencil marks in, 125, 126, 13511.9 •
Three Skulls (Cezanne), 65, 66
as ebauche, 90
oil painting related to, 90, 94
as tableau, 94
Trees Forming an Arch (Cezanne),.
i35n.io
Two Apples (Manet), 57, 57
Valenciennes, Pierre-Henri de, 50
Vase of Flowers (Cezanne), 81, 81-85
Vingt, Les, 42n.n
Vollard, Ambroise, 19, 13411.4
Vollard's gallery (Paris)
first exhibition at (1895), 4> 611.4,
19
watercolor exhibition in (1905), 19
wainscoting, in Still Life with Blue
Pot, 48, 48, 108, 109, 109, 112
wallpaper, in -Still Life with
Compotier, 14
watercolor(s)
admirers of, 2
Cezanne's opinion of, 4, 138,
i4on.6
as ebauches, 88-92
as etudes, 79
in exhibitions, 4, 6n«4, 19
influence on oil work, 99n.3
vs. oil, 1-2
ratio of pencil to, 85, 127, 128
as tableau, 92, 93, 94-98
watermelon
in Still Life with Cut Watermelon,
35, 36, 95
in Still Life with Fruit, Carafe,
Sugar Bowl, and Bottle, 95-98
in Still Life with Green Melon,
95-98
variations on theme of, 95-98,
99n.io
white (color)
Cezanne on use of, 104, 13411.4
in Still Life with Blue Pot, 104
white linen
in Still Life with Apples and
Oranges, 51
in Still Life with Blue Pot, 9, 45,
104, 105, 108, 112, 113
white pot, in Still Life with Blue
Pot, 9, 45-46, 107, 107-8, 108
wine bottle, in Still Life with
Carafe, Bottle, and Fruit, 132,
133
wordplay, 28, 43n.2O
Young Italian Woman at a Table
(Cezanne), 62-64, &3
Seated Woman (Madame
Cezanne) and, 90
Zola, Emile
in Aix-en-Provence, 17, 18
Cezanne's friendship with, 17, 20
and Cezanne's Still Life with a
Black Clock, 43n.2i
financial support from, 20
The Masterpiece, 4, 20, 4211.15
in Paris, 19
147
INDEX