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The Museum of Musical Instruments

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<strong>The</strong> <strong>Museum</strong> <strong>of</strong> <strong>Musical</strong> <strong>Instruments</strong><br />

<strong>of</strong> Leipzig University<br />

<strong>The</strong> foundations <strong>of</strong> the Leipzig collection were laid during the 19th century and are closely connected<br />

with Paul de Wit, a Dutchman who lived in Leipzig at the time. In 1886, de Wit opened a museum at<br />

Thomaskirchh<strong>of</strong> 16, the location <strong>of</strong> today's Bosehaus and Bach-<strong>Museum</strong>. <strong>Musical</strong> instruments were<br />

displayed and occasionally even used for performance. However, de Wit sold the entire collection to<br />

paper manufacturer Wilhelm Heyer (1849-1913) in 1905 due to unsuccessful sales negotiations with<br />

the city <strong>of</strong> Leipzig. In 1913, the Musikhistorisches <strong>Museum</strong> Wilhelm Heyer (<strong>The</strong> Wilhelm Heyer<br />

<strong>Museum</strong> <strong>of</strong> Music History) opened its doors to the public. <strong>The</strong> exhibition included the extraordinarily<br />

precious musical instrument collection <strong>of</strong> Baron Alessandro Kraus from Florence as well as various<br />

instruments made by the piano manufacturer Ibach <strong>of</strong> Barmen. <strong>The</strong> museum remained open for<br />

several years after the unexpected death <strong>of</strong> Wilhelm Heyer, until his successors decided to sell the<br />

property. Henri Hinrichsen, proprietor <strong>of</strong> the renowned music publisher C.F. Peters, made a generous<br />

donation <strong>of</strong> 200,000 Mark, and the State <strong>of</strong> Saxony provided an additional 600,000 Mark, which<br />

allowed for the Heyer musical instrument collection to be purchased for the University <strong>of</strong> Leipzig in<br />

1926. <strong>The</strong> city <strong>of</strong> Leipzig designated the North wing <strong>of</strong> the newly built Grassi museum as the new<br />

residence <strong>of</strong> Heyer's instrument collection. <strong>The</strong> <strong>Museum</strong> <strong>of</strong> <strong>Musical</strong> <strong>Instruments</strong> <strong>of</strong> the University <strong>of</strong><br />

Leipzig celebrated its grand opening on May 30, 1929.<br />

World War II caused catastrophic damage to the collection. <strong>The</strong> building was completely destroyed<br />

by fire as a result <strong>of</strong> the air raid during the night <strong>of</strong> December 3rd/ 4th, 1943. <strong>The</strong> pianos <strong>of</strong> the<br />

Ibach collection as well as the archives and the library could not be salvaged. <strong>The</strong> inventory that had<br />

been evacuated from the museum was only partially retrieved; theft and improper storage caused<br />

great losses. During the beginning <strong>of</strong> the 1950s, the museum was rebuilt and gradually opened to the<br />

public again. Since then, systematic purchases and individual bestowments helped to expand the<br />

collection greatly.<br />

Today the museum owns nearly 5000 European and non-European musical instruments, an<br />

iconographic collection, as well as a collection <strong>of</strong> historic sound storage mediums, including<br />

approximately 3500 piano rolls for player pianos and numerous graphemes.<br />

<strong>The</strong> chronologically organized permanent exhibition „In Search <strong>of</strong> the Perfect Sound“ <strong>of</strong>fers visitors <strong>of</strong><br />

all ages insights into the music history <strong>of</strong> the city <strong>of</strong> Leipzig and into the multi-facetted world <strong>of</strong><br />

musical instruments. <strong>The</strong> most important eras <strong>of</strong> music history and instrument making are presented<br />

in 13 extensive chapters. In addition to experiencing a visual journey through time, a newly<br />

developed 3-D sound system allows visitors to listen to music from previous centuries.


<strong>The</strong> exhibition contains the following sections:<br />

• Renaissance: Frembde canzones und gute teutsche Liedlein ("Foreign Canzonas and Good German<br />

Songs")<br />

• Heinrich Schütz: Longing for Harmonic Order<br />

• Bartolomeo Crist<strong>of</strong>ori: Instrument Making at the Medici Court<br />

• Johann Sebastian Bach: Director chori musici<br />

• Zimeliensaal (Treasure Room) – Display <strong>of</strong> Especially Precious <strong>Musical</strong> <strong>Instruments</strong><br />

• <strong>Musical</strong> Art around 1800 – Master Performers and Enthusiasts<br />

• Stein & Streicher – Four Generations <strong>of</strong> Effort and Assiduity<br />

• Romantic Period – "…Feelings Lost in Love…"<br />

• Saxony, a Major Music Supplier<br />

• "<strong>The</strong> voice sounds and fades away…" – Automated <strong>Instruments</strong><br />

• Changing Times<br />

• New Renaissance – A New Interest in Old Music.<br />

<strong>The</strong> Klanglabor (sound laboratory) <strong>of</strong>fers visitors a hands-on experience by allowing them to try out<br />

various musical instruments.<br />

Opening Hours<br />

Tuesday-Sunday and on movable feasts: 10 a.m. - 6 p.m., Closed on December 24 and December 31<br />

Admission<br />

€5,00 (€3,00 concessions)<br />

Reduction is <strong>of</strong>fered for students, unemployed, disabled persons, apprentices.<br />

Combined ticket (for the 3 museums inside the GRASSI) - Main exhibition: €12,00 (€9,00 concessions)<br />

Audio guide €1,00<br />

Guided tours<br />

lump sum €50,00 (25 persons max., 8 persons min.) plus reduced price for each participant<br />

Guided tours are <strong>of</strong>fered in English as well as various other languages. For further information, please<br />

call +49 (0) 341/9730750.<br />

Museen im Grassi | <strong>Museum</strong> für Musikinstrumente der Universität Leipzig<br />

04103 Leipzig | Johannisplatz 5-11 | www.grassimuseum.de<br />

musik.museum@uni-leipzig.de

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