Traks Magazine #1

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Sileo to guitarists Jorma Gasperi and Daniele
Sinigallia. And Strombolifeatures the
trumpet of Paola Fecarotta. Departure is
soft with Crossroads, that convene to voice
and guitar-style folk classic. Strong personality
and also some electric ideas are
instead in Eye for an Eye, short but rather
intense. The voice of Dap is the main actor
of Stand Back, which returns to soft tones
and not always simple structures of guitar.
It’s not too volcanic Stromboli, which indeed
further sweetens the landscape with
a female voice and a piano. Back to winning
ways and acoustic guitar folk When I
call, with aftertaste of prairie landscapes.
Independence Day sees a very soft flow
of notes, at least until a final surprise. Not
again has a feminine and very Celtic opening,
however, but it gains a faster pace.
Pearl, with darkness absent in the rest of
lp, becomes a pop-rock song well executed.
Attention to detail and an eye to the
general framework ensures a good overall
result.
CLICK HERE
YES DADDY YES
“GO BANANAS”
AND LISTEN TO
“RESONANCES”
Born around 2009, Yes Yes Daddy today
publish Go Bananas, a record that they
define “simple” but that sounds pretty
convincing. With power pop, a sharp atti-
tude and large doses of guitar, the lp kicks
off, thanks to Noah, cooler in the first part
and more pounding in the final. Day
Before Weeding plays with small britpop
resonances. Chorus for the introduction of
Between Mind and
Body, which proceeds
in a totally vintage
mood, with some
Beatles influence.
Monkey See, Monkey
Do maintains a
high level of volume,
with a lot of guitar
sound. Modernize is qualified by a sharp
drumming and some romantic inclination.
More power in Sermonize, but it’s gentle
power, with melancholy accents. Leave
‘em expands its sound, with a very articulate
drumming and guitar trying to play
with volumes and effects, becoming one of
the more structured songs of lp.
Tearful presents hushed tones and autumnal
atmosphere, but it makes noise in
the second part of the song.
Then, a cover of Imagine, mostly acoustic:
the comparison with a totem of this
magnitude is done with lightness, giving
an original version of an enormous classic
that might seem immutable. Lp closes
with Inner Freak, sweet and nocturnal,
where the melancholic side of band finds
its fullest expression. Good test for Yes Yes
Daddy, that with this record doesn’t give
up pop roots but also welcome other useful
influences.
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