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Synopsis<br />

The Marriage of Figaro<br />

first performance: Burgtheater, Vienna, May 1, 1786<br />

place: The palace of Count Almaviva, near Seville, Spain<br />

t i m e: Mid-18th Century x language: Italian<br />

Act I<br />

A room in Count Almaviva’s castle. It is<br />

Figaro and Susanna’s wedding day for which<br />

they are preparing and measuring the room<br />

the Count has given them to use as their<br />

bedroom. Susanna tells Figaro that it is too<br />

near the Count’s and that the Count has his<br />

eye on her. Susanna leaves, and Figaro<br />

resolves to turn the tables on the Count.<br />

Dr. Bartolo, the Countess’s ex-guardian,<br />

and Marcellina, now in the Count’s service,<br />

enter. They wish to prevent Figaro’s<br />

marriage and hold him to his agreement:<br />

to marry Marcellina if he cannot repay<br />

a loan. Bartolo exits. Susanna enters and<br />

has a barbed encounter with Marcellina,<br />

who then departs.<br />

The young page Cherubino dashes in and<br />

tells Susanna of his love for the Countess<br />

and in fact, for any woman, during which<br />

the Count enters. Cherubino hides and<br />

the Count flirts with Susanna. On hearing<br />

the music teacher Don Basilio enter, the<br />

Count hides too, and Basilio gossips about<br />

the goings-on in the castle, including<br />

Cherubino’s love for the Countess. Hearing<br />

this, the Count emerges, uncovering<br />

Cherubino as he does so. Realizing that the<br />

young page has overheard his indiscretions<br />

with Susanna, he sends him off to the army.<br />

Figaro arrives, carrying Susanna’s wedding<br />

veil. He is accompanied by villagers who sing<br />

the Count’s praises. Figaro thanks the Count<br />

for renouncing the wedding-night custom<br />

and asks the Count to give Susanna the<br />

veil as a symbol of purity. The Count says<br />

he would prefer to postpone the ceremony<br />

until he can celebrate the occasion<br />

appropriately. After the villagers leave,<br />

Figaro and Susanna try to persuade the<br />

Count to allow Cherubino to stay, but it is<br />

no use. Figaro then tells the boy about the<br />

rigors of military life.<br />

Act II<br />

The Countess’s bedroom. The Countess<br />

mourns of her husband’s waning affections<br />

for her. Figaro and Susanna arrive and tell<br />

the Countess about the Count’s intentions<br />

with Susanna. They devise a plan. The Count<br />

will be given a note that says the Countess<br />

is having an affair. While the Count is<br />

investigating, Figaro and Susanna will be<br />

quickly married. Susanna is to agree to an<br />

assignation with the Count, but Cherubino<br />

is to go instead, disguised in her clothes.<br />

While Cherubino is being dressed, the Count<br />

knocks on the door and Cherubino hides<br />

in the closet. The Countess assures her<br />

husband, when he hears a noise, that it is<br />

Susanna trying on her wedding dress, but<br />

the Count is suspicious. Determined to<br />

open the door by force, he leaves with<br />

the Countess to find the necessary tools,<br />

allowing Susanna to change places with<br />

Cherubino, and Cherubino to escape<br />

through a window. The Count returns,<br />

discovers Susanna, and has to apologize to<br />

his wife for doubting her. The gardener<br />

Antonio bursts in, complaining that<br />

somebody jumped out of the window.<br />

Although Figaro tries to take the blame,<br />

the Count strongly suspects he is being<br />

duped. Antonio produces papers that Figaro<br />

claims were given to him by Cherubino to<br />

have officially sealed. Marcellina enters with<br />

Dr. Bartolo and Basilio to demand justice.<br />

Figaro must marry Marcellina or repay his<br />

debt. The Count must investigate.<br />

Act III<br />

A hall in the palace. The Countess urges<br />

a reluctant Susanna to go ahead with the<br />

plan and tell the Count that she will meet<br />

him in the garden later. Because Cherubino<br />

is gone, the Countess will impersonate<br />

Susanna. After the Countess leaves, Susanna<br />

overhears the Count talking to himself<br />

about Figaro marrying Marcellina.<br />

Continued on page 27<br />

17

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