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Synopsis<br />
The Marriage of Figaro<br />
first performance: Burgtheater, Vienna, May 1, 1786<br />
place: The palace of Count Almaviva, near Seville, Spain<br />
t i m e: Mid-18th Century x language: Italian<br />
Act I<br />
A room in Count Almaviva’s castle. It is<br />
Figaro and Susanna’s wedding day for which<br />
they are preparing and measuring the room<br />
the Count has given them to use as their<br />
bedroom. Susanna tells Figaro that it is too<br />
near the Count’s and that the Count has his<br />
eye on her. Susanna leaves, and Figaro<br />
resolves to turn the tables on the Count.<br />
Dr. Bartolo, the Countess’s ex-guardian,<br />
and Marcellina, now in the Count’s service,<br />
enter. They wish to prevent Figaro’s<br />
marriage and hold him to his agreement:<br />
to marry Marcellina if he cannot repay<br />
a loan. Bartolo exits. Susanna enters and<br />
has a barbed encounter with Marcellina,<br />
who then departs.<br />
The young page Cherubino dashes in and<br />
tells Susanna of his love for the Countess<br />
and in fact, for any woman, during which<br />
the Count enters. Cherubino hides and<br />
the Count flirts with Susanna. On hearing<br />
the music teacher Don Basilio enter, the<br />
Count hides too, and Basilio gossips about<br />
the goings-on in the castle, including<br />
Cherubino’s love for the Countess. Hearing<br />
this, the Count emerges, uncovering<br />
Cherubino as he does so. Realizing that the<br />
young page has overheard his indiscretions<br />
with Susanna, he sends him off to the army.<br />
Figaro arrives, carrying Susanna’s wedding<br />
veil. He is accompanied by villagers who sing<br />
the Count’s praises. Figaro thanks the Count<br />
for renouncing the wedding-night custom<br />
and asks the Count to give Susanna the<br />
veil as a symbol of purity. The Count says<br />
he would prefer to postpone the ceremony<br />
until he can celebrate the occasion<br />
appropriately. After the villagers leave,<br />
Figaro and Susanna try to persuade the<br />
Count to allow Cherubino to stay, but it is<br />
no use. Figaro then tells the boy about the<br />
rigors of military life.<br />
Act II<br />
The Countess’s bedroom. The Countess<br />
mourns of her husband’s waning affections<br />
for her. Figaro and Susanna arrive and tell<br />
the Countess about the Count’s intentions<br />
with Susanna. They devise a plan. The Count<br />
will be given a note that says the Countess<br />
is having an affair. While the Count is<br />
investigating, Figaro and Susanna will be<br />
quickly married. Susanna is to agree to an<br />
assignation with the Count, but Cherubino<br />
is to go instead, disguised in her clothes.<br />
While Cherubino is being dressed, the Count<br />
knocks on the door and Cherubino hides<br />
in the closet. The Countess assures her<br />
husband, when he hears a noise, that it is<br />
Susanna trying on her wedding dress, but<br />
the Count is suspicious. Determined to<br />
open the door by force, he leaves with<br />
the Countess to find the necessary tools,<br />
allowing Susanna to change places with<br />
Cherubino, and Cherubino to escape<br />
through a window. The Count returns,<br />
discovers Susanna, and has to apologize to<br />
his wife for doubting her. The gardener<br />
Antonio bursts in, complaining that<br />
somebody jumped out of the window.<br />
Although Figaro tries to take the blame,<br />
the Count strongly suspects he is being<br />
duped. Antonio produces papers that Figaro<br />
claims were given to him by Cherubino to<br />
have officially sealed. Marcellina enters with<br />
Dr. Bartolo and Basilio to demand justice.<br />
Figaro must marry Marcellina or repay his<br />
debt. The Count must investigate.<br />
Act III<br />
A hall in the palace. The Countess urges<br />
a reluctant Susanna to go ahead with the<br />
plan and tell the Count that she will meet<br />
him in the garden later. Because Cherubino<br />
is gone, the Countess will impersonate<br />
Susanna. After the Countess leaves, Susanna<br />
overhears the Count talking to himself<br />
about Figaro marrying Marcellina.<br />
Continued on page 27<br />
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