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Synopsis<br />
The Marriage of Figaro<br />
Continued from page 17<br />
Emboldened, Susanna leads the Count<br />
on with promises of a rendezvous in the<br />
garden. He grows doubtful however, when<br />
he spies her conspiring with Figaro and vows<br />
revenge. Barbarina convinces Cherubino<br />
to come to her house to disguise himself<br />
as a girl so he can stay in the palace.<br />
The Countess enters, wondering if the<br />
plan to catch the Count will work, and<br />
recalling sadly the loss of their love.<br />
Marcellina and Bartolo arrive with Don<br />
Curzio, a lawyer. He announces that Figaro<br />
must either marry Marcellina or repay the<br />
loan. However, it is revealed that Figaro is<br />
actually Marcellina’s son. Marcellina and<br />
Figaro embrace, provoking Susanna until<br />
she too learns the truth. A double wedding<br />
can now be celebrated: Figaro and Susanna,<br />
and Dr. Bartolo and Marcellina.<br />
The Countess then joins Susanna in<br />
composing a letter that invites the Count<br />
to the garden that night. They seal the note<br />
with a pin, which the Count is to return if he<br />
agrees to meet her. Barbarina and a chorus<br />
of young girls (including Cherubino in<br />
disguise) come to pay homage to the<br />
Countess, and then everybody assembles<br />
for the wedding festivities.<br />
The Count’s spirits rise when he receives,<br />
during the course of the ceremony, the<br />
letter from Susanna. Figaro notices that<br />
the Count is preoccupied with a letter,<br />
but cannot guess who has sent it, and he<br />
retrieves the pin, which the Count drops<br />
when he pricks his finger on it.<br />
Act IV<br />
The garden of the castle. Figaro and<br />
Marcellina happen upon Barbarina who is<br />
searching for the pin that the Count asked<br />
her to return to Susanna. Figaro is not aware<br />
that the Countess has been sufficiently<br />
affected by her husband’s behaviour to<br />
make a plan of her own and when he<br />
discovers that Susanna appears to have<br />
suggested a secret meeting with the Count,<br />
he is furious. He, of course, does not know<br />
that the Count will be meeting not Susanna,<br />
but the Countess in Susanna’s clothes. Basilio<br />
counsels that it is wise to play the fool, and<br />
Figaro complains about women and leaves.<br />
Susanna, alone, rhapsodizes on her love<br />
for Figaro, but he, overhearing, thinks she<br />
means the Count. Susanna hides in time<br />
to see Cherubino woo the Countess – now<br />
disguised in Susanna’s dress. The Count<br />
enters makes a passionate declaration<br />
of love to ‘Susanna.’ Figaro enters and<br />
recognizes Susanna disguised as the<br />
Countess. He then behaves as if he believes<br />
she is the Countess and declares his ardent<br />
love for her. Outraged, the Count calls<br />
everyone to witness his denunciation of<br />
his faithless wife, but the real countess<br />
appears and reveals the ruse. Realizing<br />
he is mistaken and has been found out,<br />
he asks the Countess for her forgiveness,<br />
which she grants him and all celebrate<br />
the end of a crazy day.<br />
27