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Synopsis<br />

The Marriage of Figaro<br />

Continued from page 17<br />

Emboldened, Susanna leads the Count<br />

on with promises of a rendezvous in the<br />

garden. He grows doubtful however, when<br />

he spies her conspiring with Figaro and vows<br />

revenge. Barbarina convinces Cherubino<br />

to come to her house to disguise himself<br />

as a girl so he can stay in the palace.<br />

The Countess enters, wondering if the<br />

plan to catch the Count will work, and<br />

recalling sadly the loss of their love.<br />

Marcellina and Bartolo arrive with Don<br />

Curzio, a lawyer. He announces that Figaro<br />

must either marry Marcellina or repay the<br />

loan. However, it is revealed that Figaro is<br />

actually Marcellina’s son. Marcellina and<br />

Figaro embrace, provoking Susanna until<br />

she too learns the truth. A double wedding<br />

can now be celebrated: Figaro and Susanna,<br />

and Dr. Bartolo and Marcellina.<br />

The Countess then joins Susanna in<br />

composing a letter that invites the Count<br />

to the garden that night. They seal the note<br />

with a pin, which the Count is to return if he<br />

agrees to meet her. Barbarina and a chorus<br />

of young girls (including Cherubino in<br />

disguise) come to pay homage to the<br />

Countess, and then everybody assembles<br />

for the wedding festivities.<br />

The Count’s spirits rise when he receives,<br />

during the course of the ceremony, the<br />

letter from Susanna. Figaro notices that<br />

the Count is preoccupied with a letter,<br />

but cannot guess who has sent it, and he<br />

retrieves the pin, which the Count drops<br />

when he pricks his finger on it.<br />

Act IV<br />

The garden of the castle. Figaro and<br />

Marcellina happen upon Barbarina who is<br />

searching for the pin that the Count asked<br />

her to return to Susanna. Figaro is not aware<br />

that the Countess has been sufficiently<br />

affected by her husband’s behaviour to<br />

make a plan of her own and when he<br />

discovers that Susanna appears to have<br />

suggested a secret meeting with the Count,<br />

he is furious. He, of course, does not know<br />

that the Count will be meeting not Susanna,<br />

but the Countess in Susanna’s clothes. Basilio<br />

counsels that it is wise to play the fool, and<br />

Figaro complains about women and leaves.<br />

Susanna, alone, rhapsodizes on her love<br />

for Figaro, but he, overhearing, thinks she<br />

means the Count. Susanna hides in time<br />

to see Cherubino woo the Countess – now<br />

disguised in Susanna’s dress. The Count<br />

enters makes a passionate declaration<br />

of love to ‘Susanna.’ Figaro enters and<br />

recognizes Susanna disguised as the<br />

Countess. He then behaves as if he believes<br />

she is the Countess and declares his ardent<br />

love for her. Outraged, the Count calls<br />

everyone to witness his denunciation of<br />

his faithless wife, but the real countess<br />

appears and reveals the ruse. Realizing<br />

he is mistaken and has been found out,<br />

he asks the Countess for her forgiveness,<br />

which she grants him and all celebrate<br />

the end of a crazy day.<br />

27

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