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Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
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5<br />
Scope of Research<br />
16<br />
Because of the relative dearth of anglophone sources on<br />
this subject and my ignorance of German and Czech, I<br />
have leaned on interviews, partial translations, and the<br />
advice of my supervisor Dr. Anderson for an understanding<br />
of key German sources. Nevertheless, all errors of fact<br />
or interpretation are my own.<br />
Some of the most thorough and insightful research on the<br />
subject of Late Gothic vault construction is being conducted<br />
by Dr. David Wendland at the Technische Universität<br />
Dresden, and by Drs. José Carlos Palacios Gonzalo<br />
and Rafael Martín Talaverano of the Universidad Politéctinca<br />
de Madrid. Dr. Wendland and his researchers have<br />
built, at a scale of 1:1, a ceiling of prismatic vaults found<br />
in Albrechtsburg Castle using materials, tools, and techniques<br />
faithful to Late Gothic practice. By doing this they<br />
confirmed for example that once the folds in the vault<br />
were defined by timber centring (formwork), the vault<br />
surfaces in-between could easily and most likely were<br />
built freehand; and that construction problems posed<br />
by the need to cut many bricks were in fact no problem<br />
at all, as the soft bricks of the period were easily carved<br />
into shape by hand-held tools. An installation designed<br />
by Dr. Wendland and his researchers which represents<br />
the building site of a Late Gothic prismatic vault will soon<br />
be opened to the public at the castle. This installation is<br />
discussed on pages 23–26. Dr. Palacios Gonzalo is also<br />
engaged in experimental archaeology, and videos of his<br />
students trepidatiously removing the centring from under<br />
1:5 plaster vaults can be viewed online. 55 All three scholars<br />
have recently published conference proceedings on the<br />
design of Late Gothic vaults. 56<br />
It is my hope that the measured drawings, VR panoramas,<br />
and other photographs of the buildings surveyed 57 will by<br />
themselves represent a non-trivial contribution of materials<br />
for research into the Late German Gothic; but as a<br />
line of original research, there are only two ways in which<br />
this project can hope to have value beside the work of<br />
German, Czech and other academics working in this field.<br />
The first is the breadth of analysis which will be possible—<br />
at the expense of a degree of accuracy and detail—in a<br />
field in which papers typically focus on a single church.<br />
The hypotheses tested by the aforementioned experimental<br />
vaults were based on detailed surveys of Late<br />
Gothic vaults in Germany and Spain (where German construction<br />
techniques have been observed). Drs. Palacios<br />
Gonzalo and Martín Talaverano have used hand-held laser<br />
distance measurers in their surveys, but also full survey<br />
stations to fix points in plan and against reference points.<br />
Dr. Wendland uses full survey stations exclusively.<br />
In my visits to churches, typically of several hours and<br />
never with exclusive access, points directly below rib<br />
intersections were located by eye, as the use of a level<br />
on uneven stone floors without assistance would have<br />
multiplied the time taken to take measurements and increased<br />
the risk of the laser 58 missing the bottom surface<br />
of a keystone in the moment the measurement was taken.<br />
All conclusions drawn from comparisons with these measurements<br />
are treated as tentative, and only indicative of<br />
where further scrutiny ought be applied. Furthermore, as<br />
only the heights of keystones were measured, there are<br />
questions on which this data will not speak at all, such as<br />
those pertaining to the curvature of ribs.<br />
Byera Hadley Travelling Scholarships Journal Series