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Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS

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South German Late Gothic Design and Building Praxis<br />

8.4<br />

St. Vitus Cathedral<br />

Prague Castle<br />

41<br />

Founded in 1344, begun by Matthias of Arras<br />

Peter Parler takes charge in 1353, finishing work underway<br />

(mostly) to Matthias’ design before continuing<br />

according to his own<br />

A High Gothic cathedral into which Late Gothic features<br />

were introduced by Peter Parler. These include the choir<br />

vaults and the sumptuous St. Wenceslas Chapel (1344–<br />

1364). Spectacular flying ribs appear to support the Mosaic<br />

of the Last Judgement (1372) of the Golden Gate<br />

(Figure 49), built by Peter Parler’s successors. The cathedral<br />

also bears a modern stained-glass window of by Alphonse<br />

Mucha (Figure 52).<br />

Introducing St. Vitus, Frankl writes:<br />

The importance of Bohemia in the Late Gothic style<br />

in Germany is due to the personality of the Emperor<br />

Charles IV (1316–78), the son of King John of Bohemia.<br />

…<br />

Though not everyone will have the patience to work<br />

out and visualize [the] geometrical pattern [in the<br />

vaults] and to understand the geometrical principles<br />

involved, anyone can understand that Peter Parler<br />

made two innovations which he developed logically<br />

from the nature of the rib-vault: he turned the whole<br />

vault through 45 degrees, and he added to the existing<br />

types of ribs the new (English) type of the flying<br />

rib. 61<br />

Scope of survey: Keystone levels, VR panoramas.<br />

See drawings and measurements on pages 94–95.<br />

48 (Above) Vault schema illustrated in: Benešovská, Klára. “Das Frühwerk<br />

Peter Parlers am Prager Vietsdom,” Umění. Časopis Ústavu dějin umění<br />

Akademie věd České republiky 47, no. 5 (1999): 355.<br />

46 (p39) South facade of St. Vitus Cathedral<br />

47 (Previous page) Crossing and transept

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