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Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
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26<br />
26<br />
27<br />
Once the keystones were located in space (perhaps using<br />
a nail as an exact marker, as in Figure 25), the formworks<br />
would be filled in with curved profiles to receive the voussoirs<br />
of the ribs (or in the case of prismatic vaults, the<br />
bricks forming the folds in the vault). If the vault were<br />
designed according to the Prinzipalbogen, the pieces of<br />
the curved profiles could be shaped to the same radius en<br />
masse, and simply cut to the correct length (sweep of arc)<br />
when incorporated into the formwork (Figure 26). Planed<br />
lumber was readily available in Late Gothic times, even<br />
from water-powered sawmills on barges which could be<br />
towed along rivers. In Dr. Wendland’s experience, cutting<br />
these with a hand-axe, which was likely the tool of choice<br />
at the time, posed little difficulty. Furthermore, this formwork<br />
system would have been easily recyclable, carried<br />
from project to project until finally being used for firewood.<br />
Actually building the vault confirmed another hypothesis:<br />
that once the ribs or folds of the vault were defined,<br />
effectively establishing a network of arches, the masonry<br />
vault surface between the ribs could effectively be constructed<br />
freehand. Early during construction, it seemed<br />
as though it might be possible to construct the whole<br />
vault in this way, using the formwork only as a guide—until<br />
the masonry was noted to have settled snugly against<br />
the formwork overnight (Figure 27).<br />
Byera Hadley Travelling Scholarships Journal Series