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Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS

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8.7<br />

Marienkirche<br />

Pirna<br />

52<br />

Peter Ulrich (Peter von Pirna)<br />

Built between 1504–1546<br />

The Marienkirche is one of the largest and most sophisticated<br />

of the Saxon hall churches. The nave is closed with<br />

fine net vaults flanked the star vaults of the aisles. In the<br />

choir, superfluous flying ribs emerge from the walls which<br />

can only be virtuoso architectural humour.<br />

Jan Białostocki gave the Marienkirche pride of place beside<br />

St.-Annen-Kirche, describing them as “the last brilliant<br />

illumination of the German Gothic” and lamenting<br />

that “with them the Gothic forces were extinguished.” 66<br />

the choir vault. In addition to these features, there<br />

are flying ribs rising from the corners of the choir<br />

and running into the meshes of the vault, and these<br />

ribs are formed like tree-trunks from which all the<br />

branches have been cut off except one, which winds<br />

spirally up the stem. In this church one can truly say<br />

that all the stops are out. 67<br />

Scope of survey: Keystone levels, VR panoramas<br />

Frankl describes the church thusly:<br />

In the parish church at Pirna, built between 1504 and<br />

1546, the architect formed an aisled hall with piers<br />

with eight concave sides, and a close net-vault creates<br />

a continuous stream of movement from west<br />

to east, while each bay in the aisles is centred by<br />

the form of the star-vault, thus producing a series<br />

of lateral currents crossing the main, longitudinal<br />

one. The nave and aisles form a visual unity in which<br />

the arches of the arcade seem to have become ribs;<br />

the liernes in the nave and those in the aisles meet<br />

on these arches, and emphasize the continuity of<br />

the crossings streams of movement. The choir has<br />

double-curved ribs. Throughout the church, the section<br />

of the ribs forms two shallow hollows on each<br />

side, and the concave forms of the piers and of the<br />

ribs are stylistically analogous with the mouchettes<br />

in the tracery and with the double-curved ribs of<br />

61 (Previous page) Nave vaults<br />

62 (Next page, top) Wide angle photograph of the interior<br />

63 (Next page, bottom) Decorative ribs in a choir vault<br />

Byera Hadley Travelling Scholarships Journal Series

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