Registration
Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
Akahane-Bryen_Sean-South_German_Late_Gothic_Design_Building_Praxis_BHTS
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
8.7<br />
Marienkirche<br />
Pirna<br />
52<br />
Peter Ulrich (Peter von Pirna)<br />
Built between 1504–1546<br />
The Marienkirche is one of the largest and most sophisticated<br />
of the Saxon hall churches. The nave is closed with<br />
fine net vaults flanked the star vaults of the aisles. In the<br />
choir, superfluous flying ribs emerge from the walls which<br />
can only be virtuoso architectural humour.<br />
Jan Białostocki gave the Marienkirche pride of place beside<br />
St.-Annen-Kirche, describing them as “the last brilliant<br />
illumination of the German Gothic” and lamenting<br />
that “with them the Gothic forces were extinguished.” 66<br />
the choir vault. In addition to these features, there<br />
are flying ribs rising from the corners of the choir<br />
and running into the meshes of the vault, and these<br />
ribs are formed like tree-trunks from which all the<br />
branches have been cut off except one, which winds<br />
spirally up the stem. In this church one can truly say<br />
that all the stops are out. 67<br />
Scope of survey: Keystone levels, VR panoramas<br />
Frankl describes the church thusly:<br />
In the parish church at Pirna, built between 1504 and<br />
1546, the architect formed an aisled hall with piers<br />
with eight concave sides, and a close net-vault creates<br />
a continuous stream of movement from west<br />
to east, while each bay in the aisles is centred by<br />
the form of the star-vault, thus producing a series<br />
of lateral currents crossing the main, longitudinal<br />
one. The nave and aisles form a visual unity in which<br />
the arches of the arcade seem to have become ribs;<br />
the liernes in the nave and those in the aisles meet<br />
on these arches, and emphasize the continuity of<br />
the crossings streams of movement. The choir has<br />
double-curved ribs. Throughout the church, the section<br />
of the ribs forms two shallow hollows on each<br />
side, and the concave forms of the piers and of the<br />
ribs are stylistically analogous with the mouchettes<br />
in the tracery and with the double-curved ribs of<br />
61 (Previous page) Nave vaults<br />
62 (Next page, top) Wide angle photograph of the interior<br />
63 (Next page, bottom) Decorative ribs in a choir vault<br />
Byera Hadley Travelling Scholarships Journal Series