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60 December/January April/May 2011 2015/16 Kensington, Chelsea & Westminster <strong>Today</strong> www.KCW<strong>Today</strong>.co.uk 020 7738 2348<br />
December/January 2015/16<br />
Kensington, Chelsea & Westminster <strong>Today</strong><br />
61<br />
Arts & Culture<br />
Arts & Culture<br />
online: www.KCW<strong>Today</strong>.co.uk<br />
Architect Adalberto Libiera<br />
BRICKS AND<br />
BRICKBATS<br />
BY ATRIUM<br />
Patronage at<br />
a price worth<br />
paying<br />
The Flint House was a worthy<br />
winner of the RIBA House<br />
of the Year, shown as a Grand<br />
Designs special this year, following its<br />
abandonment of the RIBA Stirling<br />
Prize some years ago. Architecture can,<br />
and does, make good television when<br />
presented in the right way, and noone<br />
surpasses Kevin McCloud for his<br />
knowledge, enthusiasm and laid-back<br />
style.<br />
The architects were a small but<br />
distinguished London practice, Skene<br />
Catling de la Pena, for a patron whose<br />
family have commissioned probably<br />
more houses, they number more than 40<br />
across Europe, than any; the Rothschilds.<br />
Their estate at Waddesdon Manor,<br />
completed in the early 1880s, was<br />
designed by a French architect who<br />
gloried in the name of Hippolyte<br />
Destailleur. For followers of modern<br />
architecture, there’s an interesting<br />
precedent for the form, namely Casa<br />
Malaparte (at left) on the island of<br />
Capri, but of course the Flint House<br />
reflects its setting in the Chilterns,<br />
hence a traditional use of knapped flint.<br />
And the architect’s intention is that<br />
the mosses and lichens found locally<br />
should reclaim the building and the<br />
site, just the sort of rare humility one<br />
welcomes. Such quality does not come<br />
cheap, but who’s counting? Certainly<br />
not Lord Rothschild. He builds for<br />
generations.<br />
Photographs © James Morris<br />
The Planning<br />
Consent<br />
Conundrum<br />
An Architect’s View<br />
By Tom Pike<br />
Why is it that obtaining<br />
Planning Permission to<br />
extend or alter one’s home is<br />
such a painful and frustrating process?<br />
There is a short answer to this question,<br />
but I’m not altogether sure if it is<br />
printable!<br />
The main problem lies in the fact that<br />
since the 1970s successive governments<br />
have instigated one initiative after<br />
another in the attempt to ease the whole<br />
planning process i.e. to make it easier for<br />
homeowners to gain planning consent.<br />
But we all know that when governments<br />
meddle in due process, they are past<br />
masters at complicating matters.<br />
Consequently the issue of gaining<br />
planning consent to build or to alter a<br />
building is now more convoluted and<br />
protracted than it ever has been.<br />
Gone are the days of being able to<br />
ring up one's local authority planning<br />
department to ask for some basic<br />
guidance on a planning issue. Nowadays<br />
Above: Contemporary glazed extensions to a Regency villa<br />
Right: A rear dining room addition to a substantial Victorian house<br />
if you call the planners and ask for<br />
any form of advice or direction, you<br />
are referred to their website (planning<br />
portal) and are directed to their Pre-<br />
Planning Consultative Service. In<br />
principle this is fine until you discover<br />
that in order to take advantage of this<br />
service it requires a formal application,<br />
involving a full set of architects drawings,<br />
a substantial fee to be paid, which is<br />
significantly more than the planning<br />
fee for actually making a planning<br />
application, and worse is to come, the<br />
preplanning consultation process takes<br />
almost as much time as a planning<br />
application. To compound all this, the<br />
advice that one receives back from the<br />
planning department is usually couched<br />
in such negative rhetoric (a case of the<br />
glass being more than half empty!)<br />
that one is left wondering if it’s going<br />
to be worthwhile to make the planning<br />
application at all. Planning Officers are<br />
far more likely to tell you what you can’t<br />
do as opposed to telling you what you<br />
can do.<br />
Since planning authorities launched<br />
their Pre-Planning Consultation Service,<br />
casually referred to as a ‘pre-app.’ in<br />
2008 we as architects have only found<br />
the process to be counterproductive. In<br />
short, we have found it to be a waste of<br />
time, money and effort.<br />
In the last few years we have found<br />
it more effective to by-pass the pre-app.<br />
process, and instead to move swiftly on<br />
to lodging a full planning application<br />
with the local authority.<br />
Having submitted the application we<br />
then monitor it closely and tenaciously<br />
and do all in our powers to shepherd<br />
the scheme through to a formal consent<br />
being granted.<br />
Local authorities themselves are<br />
well disposed towards the pre-app.<br />
process for two understandable reasons.<br />
Firstly it buys them more time in which<br />
to deal with a planning application,<br />
and secondly it provides them with<br />
an additional income stream. So, one<br />
doesn’t have to be overly cynical to see<br />
why the planners encourage applicants<br />
to go down the pre-app. route.<br />
To successfully navigate the vagaries<br />
of the planning system, it is important<br />
to engage a firm of architects and/ or<br />
planning consultants with relevant<br />
experience and with a proven track<br />
record…a firm who can work within or<br />
around the planning policies of the local<br />
authority.<br />
Tom Pike is a partner in Giles<br />
Pike Architects, which is a practice<br />
specialising in residential design projects.<br />
Photographs © Giles Pike Architects<br />
Pied à terre?<br />
That’ll be £88m<br />
Ian Simpson is the most famous<br />
Manchester export, in design terms,<br />
since Norman Foster 60 years ago.<br />
The architect heads up Simpson<br />
Haugh, noted for a string of<br />
distinctive buildings in his home city, but<br />
now active on four residential sites in<br />
London.<br />
His Hilton Tower in Manchester is<br />
the tallest building in the UK outside<br />
London. At its peak, there is a two-storey<br />
penthouse occupied by, you guessed it,<br />
Ian Simpson!<br />
While he is busy on an early phase of<br />
Battersea Power Station, his other major<br />
project on the South Bank is receiving<br />
even more attention: One Blackfriars.<br />
As far as I know it has yet to acquire<br />
a nickname. We already have the<br />
Gherkin, the Shard, the Walkie-Talkie,<br />
the Cheese-grater and several others,<br />
but given its distinctive form, would the<br />
Hunchback be out of place?<br />
The 50-storey tower rises 170m.<br />
Prices from £2.3m. The developer is<br />
St George, part of the phenomenally<br />
successful Berkeley Group.<br />
Your correspondent just happened<br />
to be talking to a Berkeley sales rep the<br />
other day, and asked about the cost of<br />
the three-storey apartment at its apex.<br />
The reply: £88m.<br />
The difference between one-off<br />
houses, such as the Flint House for a<br />
distinguished architectural patron, the<br />
overseas investor, and those who rely on<br />
social housing, has never been greater.<br />
Thank heavens the London market is<br />
predicted to take a tumble.<br />
Soon won’t be soon enough.<br />
Architects Simpson Haugh and Partners<br />
ARCHITECTURE • PLANNING ADVICE • INTERIOR DESIGN • PROJECT MANAGEMENT<br />
Giles Pike Architects specialise in high-end residential projects, including<br />
new build, alterations and extensions to houses and apartments.<br />
www.gilespike.com<br />
020 7924 6257<br />
537 Battersea Park Road<br />
London SW11 3BL