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60 December/January April/May 2011 2015/16 Kensington, Chelsea & Westminster <strong>Today</strong> www.KCW<strong>Today</strong>.co.uk 020 7738 2348<br />

December/January 2015/16<br />

Kensington, Chelsea & Westminster <strong>Today</strong><br />

61<br />

Arts & Culture<br />

Arts & Culture<br />

online: www.KCW<strong>Today</strong>.co.uk<br />

Architect Adalberto Libiera<br />

BRICKS AND<br />

BRICKBATS<br />

BY ATRIUM<br />

Patronage at<br />

a price worth<br />

paying<br />

The Flint House was a worthy<br />

winner of the RIBA House<br />

of the Year, shown as a Grand<br />

Designs special this year, following its<br />

abandonment of the RIBA Stirling<br />

Prize some years ago. Architecture can,<br />

and does, make good television when<br />

presented in the right way, and noone<br />

surpasses Kevin McCloud for his<br />

knowledge, enthusiasm and laid-back<br />

style.<br />

The architects were a small but<br />

distinguished London practice, Skene<br />

Catling de la Pena, for a patron whose<br />

family have commissioned probably<br />

more houses, they number more than 40<br />

across Europe, than any; the Rothschilds.<br />

Their estate at Waddesdon Manor,<br />

completed in the early 1880s, was<br />

designed by a French architect who<br />

gloried in the name of Hippolyte<br />

Destailleur. For followers of modern<br />

architecture, there’s an interesting<br />

precedent for the form, namely Casa<br />

Malaparte (at left) on the island of<br />

Capri, but of course the Flint House<br />

reflects its setting in the Chilterns,<br />

hence a traditional use of knapped flint.<br />

And the architect’s intention is that<br />

the mosses and lichens found locally<br />

should reclaim the building and the<br />

site, just the sort of rare humility one<br />

welcomes. Such quality does not come<br />

cheap, but who’s counting? Certainly<br />

not Lord Rothschild. He builds for<br />

generations.<br />

Photographs © James Morris<br />

The Planning<br />

Consent<br />

Conundrum<br />

An Architect’s View<br />

By Tom Pike<br />

Why is it that obtaining<br />

Planning Permission to<br />

extend or alter one’s home is<br />

such a painful and frustrating process?<br />

There is a short answer to this question,<br />

but I’m not altogether sure if it is<br />

printable!<br />

The main problem lies in the fact that<br />

since the 1970s successive governments<br />

have instigated one initiative after<br />

another in the attempt to ease the whole<br />

planning process i.e. to make it easier for<br />

homeowners to gain planning consent.<br />

But we all know that when governments<br />

meddle in due process, they are past<br />

masters at complicating matters.<br />

Consequently the issue of gaining<br />

planning consent to build or to alter a<br />

building is now more convoluted and<br />

protracted than it ever has been.<br />

Gone are the days of being able to<br />

ring up one's local authority planning<br />

department to ask for some basic<br />

guidance on a planning issue. Nowadays<br />

Above: Contemporary glazed extensions to a Regency villa<br />

Right: A rear dining room addition to a substantial Victorian house<br />

if you call the planners and ask for<br />

any form of advice or direction, you<br />

are referred to their website (planning<br />

portal) and are directed to their Pre-<br />

Planning Consultative Service. In<br />

principle this is fine until you discover<br />

that in order to take advantage of this<br />

service it requires a formal application,<br />

involving a full set of architects drawings,<br />

a substantial fee to be paid, which is<br />

significantly more than the planning<br />

fee for actually making a planning<br />

application, and worse is to come, the<br />

preplanning consultation process takes<br />

almost as much time as a planning<br />

application. To compound all this, the<br />

advice that one receives back from the<br />

planning department is usually couched<br />

in such negative rhetoric (a case of the<br />

glass being more than half empty!)<br />

that one is left wondering if it’s going<br />

to be worthwhile to make the planning<br />

application at all. Planning Officers are<br />

far more likely to tell you what you can’t<br />

do as opposed to telling you what you<br />

can do.<br />

Since planning authorities launched<br />

their Pre-Planning Consultation Service,<br />

casually referred to as a ‘pre-app.’ in<br />

2008 we as architects have only found<br />

the process to be counterproductive. In<br />

short, we have found it to be a waste of<br />

time, money and effort.<br />

In the last few years we have found<br />

it more effective to by-pass the pre-app.<br />

process, and instead to move swiftly on<br />

to lodging a full planning application<br />

with the local authority.<br />

Having submitted the application we<br />

then monitor it closely and tenaciously<br />

and do all in our powers to shepherd<br />

the scheme through to a formal consent<br />

being granted.<br />

Local authorities themselves are<br />

well disposed towards the pre-app.<br />

process for two understandable reasons.<br />

Firstly it buys them more time in which<br />

to deal with a planning application,<br />

and secondly it provides them with<br />

an additional income stream. So, one<br />

doesn’t have to be overly cynical to see<br />

why the planners encourage applicants<br />

to go down the pre-app. route.<br />

To successfully navigate the vagaries<br />

of the planning system, it is important<br />

to engage a firm of architects and/ or<br />

planning consultants with relevant<br />

experience and with a proven track<br />

record…a firm who can work within or<br />

around the planning policies of the local<br />

authority.<br />

Tom Pike is a partner in Giles<br />

Pike Architects, which is a practice<br />

specialising in residential design projects.<br />

Photographs © Giles Pike Architects<br />

Pied à terre?<br />

That’ll be £88m<br />

Ian Simpson is the most famous<br />

Manchester export, in design terms,<br />

since Norman Foster 60 years ago.<br />

The architect heads up Simpson<br />

Haugh, noted for a string of<br />

distinctive buildings in his home city, but<br />

now active on four residential sites in<br />

London.<br />

His Hilton Tower in Manchester is<br />

the tallest building in the UK outside<br />

London. At its peak, there is a two-storey<br />

penthouse occupied by, you guessed it,<br />

Ian Simpson!<br />

While he is busy on an early phase of<br />

Battersea Power Station, his other major<br />

project on the South Bank is receiving<br />

even more attention: One Blackfriars.<br />

As far as I know it has yet to acquire<br />

a nickname. We already have the<br />

Gherkin, the Shard, the Walkie-Talkie,<br />

the Cheese-grater and several others,<br />

but given its distinctive form, would the<br />

Hunchback be out of place?<br />

The 50-storey tower rises 170m.<br />

Prices from £2.3m. The developer is<br />

St George, part of the phenomenally<br />

successful Berkeley Group.<br />

Your correspondent just happened<br />

to be talking to a Berkeley sales rep the<br />

other day, and asked about the cost of<br />

the three-storey apartment at its apex.<br />

The reply: £88m.<br />

The difference between one-off<br />

houses, such as the Flint House for a<br />

distinguished architectural patron, the<br />

overseas investor, and those who rely on<br />

social housing, has never been greater.<br />

Thank heavens the London market is<br />

predicted to take a tumble.<br />

Soon won’t be soon enough.<br />

Architects Simpson Haugh and Partners<br />

ARCHITECTURE • PLANNING ADVICE • INTERIOR DESIGN • PROJECT MANAGEMENT<br />

Giles Pike Architects specialise in high-end residential projects, including<br />

new build, alterations and extensions to houses and apartments.<br />

www.gilespike.com<br />

020 7924 6257<br />

537 Battersea Park Road<br />

London SW11 3BL

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