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THE CITY

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The City<br />

the analogical and the inductive forms of the classical design<br />

argument. Put simply, the analogical form points out features of<br />

some natural phenomena that are similar to features of human<br />

artifacts and then concludes that since human artifacts are<br />

products of intelligent agency, the natural phenomena in question<br />

must also come from an intelligent agent. The inductive form<br />

bases the design conclusion upon all previous experience of human<br />

designers and their products. It claims that, because products with<br />

certain features are known, by uniform experience, to come from<br />

intelligent designers, it can be concluded that natural phenomena<br />

with artifact-like features also came from an intelligent designer.<br />

Hume’s critique of the former is that the analogy between human<br />

design products and natural phenomena (especially the universe<br />

itself ) is too weak, that the cases are not similar enough to justify<br />

concluding that there is a mind behind the natural world, thus<br />

the argument for a designer based upon the features of the natural<br />

world is a very weak analogy. His contention against the inductive<br />

form of the argument is that we can only infer causes with which we<br />

have actual experience when attempting to explain known effects.<br />

Upon observation of complexity, harmony of parts, and adjustment<br />

of means to ends, we may postulate a designing agency, but only to<br />

the extent that the object in question “has been experienced to<br />

proceed from that principle.” 3 Past direct experience of the same<br />

species of cause is necessary if we are to infer that cause from any<br />

of its alleged effects.<br />

It is not uncommon for today’s opponents of design to employ<br />

the Humean objections. Robert Pennock claims that as soon as one<br />

attempts to move from a phenomenon in nature to an intelligent<br />

supernatural agent, the very concept of design “loses any connection<br />

to reality as we know it or can know it scientifically.” 4 Pennock<br />

does not see how we could justify positing a cause of which we have<br />

no observational knowledge. Similarly, John Wilkins and Wesley<br />

Elsberry emphasize what they see as an “in-principle difference<br />

between rarefied and ordinary design inferences, based on the<br />

background knowledge available about ordinary, but not rarefied,<br />

3<br />

David Hume, Dialogues Concerning Natural Religion, in Classics of Western Philosophy<br />

7th edition, ed. Steven Cahn (Indianapolis: Hackett, Inc.: 2006), 863.<br />

4<br />

Robert Pennock, Intelligent Design Creationism and Its Critics (MIT: 2001), 654.<br />

110

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