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09_02_16_NICE_Doku_WEB
09_02_16_NICE_Doku_WEB
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The N.I.C.E. Award’s<br />
theme in 2015:<br />
“Solving the World’s Major<br />
Challenges — A Call for<br />
Innovations“<br />
The 2015 award challenged the cultural and<br />
creative sectors to propose surprising and<br />
experimental innovations that are solutions to difficult<br />
global problems – with special, but not exclusive, attention<br />
given to digital innovations.<br />
The following examples and questions give an idea of the<br />
breadth of the theme and were suggested to potential<br />
applicants as part of the call – other suggestions and<br />
proposals from within different fields and topics with<br />
effects across sectors were of course also more than<br />
welcomed:<br />
Cities are both growing exceptionally and also shrinking.<br />
Many are in danger of becoming dysfunctional and less<br />
liveable and sustainable. Which innovations coming from<br />
within the culture and creativity domain can help stop<br />
or turn around these trends? What is the role of digital<br />
innovations, such as creating seamless connectivity,<br />
re-designing mobility, enhancing information systems,<br />
improving way finding, monitoring health. What is the<br />
role, if any, of 3-D printing?<br />
Migration – either by choice or forced by wars and poverty<br />
– is a growing phenomenon in the melting pot of<br />
European cities. It increases cultural and ethnic diversity.<br />
This is a double edged sword as it both enriches our lives,<br />
but also creates misunderstandings, fears and violence:<br />
How can the cultural creative sectors contribute to<br />
resolving these challenges and foster mutual understanding?<br />
Is there a special potential for digital innovations<br />
from ebooks for children in native and foreign languages<br />
to new kinds of performances or events in traditional or<br />
unusual settings?<br />
schedules become more dominant. What does this mean<br />
for cultural consumption? It shifts our sense of self and<br />
how and where we consume culture from going to the cinema<br />
to attending concerts to experiencing urban art. In<br />
a digitalised world without dedicated spare time – what<br />
is the new shape of culture? Is it visiting cinemas or using<br />
Amazon Prime? Do you visit museums or access them via<br />
the Google Art Project? How could or must cultural and<br />
creative institutions (re-)act?<br />
Can the digital world enrich our experience of culture<br />
and if so how? Can it help increase our understanding of<br />
diversity of culture or of the potential of a more open society?<br />
Can it help make the world of the arts and culture<br />
more inclusive?<br />
In what other sectors can the cultural and creative sectors<br />
have a positive impact – for instance in supporting<br />
new models of intergenerational understanding or for<br />
the challenges of health and especially for the elderly?<br />
When the N.I.C.E. Call 2015 was designed and then published,<br />
Europe was in the pre-phase of mass migration<br />
and awakening of Big Data. Now – only six months later<br />
– Europe is changing rapidly by migration and as well by<br />
the digital shift – on a daily base we are reading about<br />
changes and challenges the European society thought<br />
to be years ahead. Not only the need for more solutions,<br />
but also the urgency for quicker innovations are at hand<br />
today.<br />
The N.I.C.E. Award must be seen today as part of a new<br />
growing movement in society to re-invent the social<br />
effectiveness of innovations: new and now!<br />
The digital revolution is radically changing work and the<br />
divide between work and play is breaking down as 24/7<br />
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