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11.<br />
[Protest]. MONTFORT, Michael<br />
(Photographer)<br />
[May 1968 Photo Archive]<br />
[Paris], [1968]<br />
106 vintage gelatin silver prints<br />
(with twelve duplicates) trimmed<br />
to sizes ranging from 11.75” x<br />
7.5” to 12” x 9.5”. Various holographic<br />
notations in photographer’s<br />
hand to versos, the most<br />
common being “Paris, Mai 68 ©<br />
Montfort.” A small group of six photographs covering the elections<br />
of 1969 printed double-weight and stamped STERN, the German weekly<br />
magazine. Prints curling slightly; some with minor edge-wear or<br />
creasing at corners. Very good to near fine.<br />
Striking in detail and proximity, this collection depicts the events<br />
of May 1968: barricades in the Latin quarter; the meeting of the Union<br />
Nationale des Étudiants de France at Stade Charlety (where tens of<br />
thousands demonstrated); the occupation of the Sorbonne and Odeon<br />
Theater, etc. The photographs capture scenes of anonymous demonstrators<br />
throwing paving stones and climbing on barricades, riot<br />
police in conflict with protesters, clearing streets, and like. Also:<br />
bystanders, observers, and a number of Red Cross and other aid workers.<br />
Notable as well are images of counter-demonstrators. Several<br />
photographs cover the pro-De Gaulle demonstration along the Champs-<br />
Élysées on May 30th, which signaled the dissipation of the dream of<br />
‘68. Four show a protest outside a factory in Mondeville near Caen,<br />
possibly from January 1968 when a strike at the Renault-owned Saviem<br />
factory later that year precipitated the largest general strike<br />
in French history. Monfort is best known for his collaborations with<br />
Charles Bukowski (SHAKESPEARE NEVER DID THIS, etc.) and had a long<br />
and noted career as a photojournalist. In all, a vibrant overview of<br />
these events, demonstrating the subtleties and passions of this watershed<br />
moment, one that Guy Debord described as “the most important<br />
experience of the modern proletarian movement.”<br />
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