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48.<br />

[Architecture]:<br />

[1939 World’s Fair]<br />

PILGRIMAGE TO TOMORROW<br />

[World's Fair Souvenir Book<br />

with Original Photographs]<br />

[New York], 1939<br />

Small 8vo. spiral-bound wraps with<br />

flexible plastic covers and a metallic<br />

design illustrating the fairgrounds,<br />

measuring 7.25” x 5.25” approx. 44<br />

leaves with 250+ black-and-white snapshots,<br />

with various ephemeral items additionally<br />

pasted in. Most photos measure<br />

1.5” x 2.5” approx. and captioned<br />

by hand. Book very good plus. Pages a<br />

bit wavy, some adhesive residue and stains. Several photos and other<br />

elements apparently perished; else photos generally about fine.<br />

Souvenir book produced for the 1939-1940 New York World’s Fair, encouraging<br />

visitors to record their own experiences. As the preface<br />

states: “You, yourself, must round it out by adding your personal<br />

impressions to what you see. In years to come, therefore, this book<br />

will serve as a complete record and accurate reminder of the Fair.”<br />

And the owner of this book took full advantage of the allotted space<br />

for photographs and notes; pages are filled with snapshots and exhaustive<br />

captions, most quite objective, with information and statistics<br />

on buildings, monuments, artworks, performances, and exhibits.<br />

The book’s cover (a metallic rendering<br />

of the fair’s iconic structures<br />

the Trylon and Perisphere)<br />

reflects both the fair’s theme of<br />

“The World of Tomorrow” as well<br />

as its overall art deco aesthetic.<br />

Contents expand on this retro-futurism,<br />

particularly in the “Futurama”<br />

exhibition (designed by<br />

Norman Belle Geddes) and commercial<br />

exhibits from companies like<br />

General Motors, Westinghouse, and<br />

G.E., where visitors were invited<br />

to marvel at new technologies and<br />

innovations. Notations and photos<br />

reveal this book to be the work of<br />

a frequent visitor throughout both<br />

the 1939 and 1940 seasons. A careful<br />

record of a monumental spectacle<br />

of 20th-century optimism<br />

from an enthusiastic (obsessive?)<br />

fair-goer.<br />

-1800-<br />

67

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