Complete Piano Music Vol.6 (Preview)

Douglas LilburN Piano Music 6
VOLUME 5
Works for String Orchestra

Douglas LilburN
Complete Piano Music Edition
Volume 6

Douglas Lilburn Complete Piano Music Edition
Volume 6 (PEL06)
Sonata for Piano in F Sharp Minor (1939) © Alexander Turnbull Library Endowment Trust
‘Poco Lento’ (1960) © Alexander Turnbull Library Endowment Trust
The Young Pine Tree (1945) © Alexander Turnbull Library Endowment Trust
Hommage à D.A.F. (c.1965) © Alexander Turnbull Library Endowment Trust
Theme from ‘Variations on a Theme by Douglas Lilburn’ (1948) © Alexander Turnbull
Library Endowment Trust
‘Christmas 1942’ (1942) © Alexander Turnbull Library Endowment Trust
The copyrights of Douglas Lilburn’s music are owned by the Alexander Turnbull Library
Endowment Trust. Royalties from Douglas Lilburn’s music are paid to the Lilburn Trust for
the fostering and preservation of New Zealand music.
This edition © 2016 Promethean Editions Limited
Publisher: Ross Hendy
Series Editor: Robert Hoskins
Music Editor: Roderick Biss
Music Typesetter: Ben Woods
Cover Image: Leo Bensemann (1912–1986), Rain in the Paradise Garden, Takaka, 1979,
oil on hardboard, 575 x 605 mm. Collection of Christchurch Art Gallery
Te Puna O Waiwhetu. Reproduced by permission of the estate of the artist.
Photograph: Douglas Lilburn Collection, Alexander Turnbull Library, PAColl-2547-01
ISBN 978-1-877564-65-9 (print)
ISBN 978-1-77660-526-2 (eBook)
ISMN 979-0-67452-129-1
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
Promethean Editions would like to thank Creative New Zealand
for a grant made toward the publication of this volume.
rhlm

Douglas LilburN
Complete Piano Music Edition
Volume 6
FOREWORD
Douglas Lilburn biography
Editorial notes
iv
vii
MUSIC
SONATA FOR PIANO
IN F SHARP MINOR (1939) 1
‘Poco Lento’ (1960) 17
The Young Pine Tree (1945) 18
Hommage à D.A.F. (C.1965) 20
THEME FROM ‘VARIATIONS ON A
THEME BY DOUGLAS LILBURN’ (1948) 22
‘Christmas 1942’ (1942) 24
PEL06 – iii

FOREWORD
Douglas Lilburn occupies a pre-eminent position in New Zealand music, with a legacy extending
well beyond his compositional output. As a composer, teacher and mentor he presided in innumerable
ways over the artistic growth of New Zealand from 1940 onwards. From the early works redolent
of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his later years,
his works have been instrumental in establishing a genuinely vernacular voice in New Zealand classical
music. In 2005 Trust Records launched the first volume in the award-winning recording series
showcasing all of Lilburn’s piano music, receiving ‘Best Classical Album’ in the 2005 Recording
Industry of New Zealand Music Awards and in the same year, Gramophone acclaimed that ‘[These]
performances and recordings are unobtrusively excellent.’
This edition is the sixth of eight companion volumes to accompany the recorded series and draws
on the expertise of Dr. Robert Hoskins, an Associate Professor at Massey University, and Rod Biss,
formerly of Schott London, Faber Music and Price Milburn Music, who was instrumental in first
publishing Lilburn’s piano music in the 1970s. Having worked with Lilburn directly on these early
publications, Biss has now revisited original source materials in the preparation for this series.
Together, the editors have carefully considered and clarified Lilburn’s manuscripts and early publications
in preparing these volumes as both scholarly and practical editions for performance, and
presented with the exacting and elegant house style of Promethean Editions.
This collection does not generally include juvenilia, trivia, incomplete or rejected pieces/movements.
Exceptions are specified in the notes.
Biography
Douglas Lilburn (1915–2001) grew up on ‘Drysdale’, a hill–country farm bordering the mountainous
region at the centre of New Zealand’s North Island. He often described his boyhood home as
‘paradise’ and his first major orchestral work, Drysdale Overture (1937), written while a student
under the aegis of Ralph Vaughan Williams at the Royal College of Music in London, conjures up the
hills, bush and stream as primal sites of imaginative wonder. Recalling the impression of Drysdale
Overture, Lilburn wrote: ‘I’m left with that lovely Mark Twain image of Jim and Huckleberry drifting
their barge down that great river, looking up at the stars and wondering “whether they was made, or
only just happened.”’ At this time Lilburn wrote his Festival Overture and the Sonata 1939, together
with other works that expressed national pride: a cantata entitled Prodigal Country (1939), and the
Aotearoa Overture (1940), which has become a New Zealand classic. Although these works were
written in his student years, their content, style and general confidence reveal Lilburn as an achieved
artist.
Returning to Christchurch, Lilburn banded together with an innovative group of painters, poets and
publishers who were to prove influential. Settings of Allen Curnow and Denis Glover, for instance,
resulted in two iconic works: Landfall in Unknown Seas (1942), a voyage of spiritual discovery for
narrator and string orchestra, and the song cycle Sings Harry (1953), the musings of a middle-aged
bachelor who, returning to the mountains where he grew up, begins to reassess and evaluate the
course his life has taken. Two more works, an orchestral tone poem A Song of Islands (1946) and the
Chaconne (1946), find their parallel in the regional paintings of Rita Angus.
PEL06 – iv

In 1947 Lilburn joined the staff at Victoria University College in Wellington and completed several
works that received high critical acclaim, including two symphonies, two piano sonatas, and the
Alistair Campbell song cycle Elegy (1951) – a vision of the titanic indifference of nature.
Lilburn composed the Symphony No.3 (1961), along with Sonatina No.2 (1962) and Nine Short
Pieces for Piano (1965–66), in response to a stimulating period of sabbatical leave. Masterpieces of
concentrated form, these works explore the boundaries of his instrumental writing. From this point
until his retirement, Lilburn chose to take on the new territory of electroacoustic composition.
Lilburn’s final years were spent quietly at home in Thorndon, Wellington, tending to his garden and,
until the onset of arthritis, playing his beloved August Förster piano. He received the Order of New
Zealand in 1988.
Sonata for Piano in F Sharp Minor (1939)
Lento – Allegro ma non troppo e con rubato
Theme and Variations
Completed in London on 7 March 1939 in London, this sonata is a work of pure Romantic sensibility.
The first movement, with its conflicting upheavals, suggests a parallel in private life. The second
movement, a set of variations, seems in so many ways to anticipate Chaconne. Lilburn entitles this
his second sonata but it predates the A minor sonata completed in November 1939. Perhaps Lilburn
is indicating that it followed the juvenile C minor sonata (c.1932) or the lost/unfinished G minor
sonata (1937), of which only the slow movement survives. Lilburn’s attempt to premiere the work
in a student recital at the Royal College of Music (29 June 1939) was aborted by a fit of nerves that
forced him to stop playing. Pianist Colin Horsley told Lilburn afterwards that he particularly liked
what he had heard of the second movement.
‘Poco Lento’ (1960)
This limpid piece is crafted from the two opening bars.
The Young Pine Tree (1945)
This heart- felt piece was composed at the close of the Second World War. The sub-heading reads:
‘The young pine- tree at Diamond Harbour [on Banks Peninsula] dreams of a forest giant in the
North.’ The arch- shaped opening motif represents the pine, while Tane Mahuta (New Zealand’s
famously large kauri tree) speaks in the restorative, deep- rooted response; the smell of sweet pine
seems to waft restoratively.
Hommage à D.A.F. (c.1965)
Captioned ‘Salute to the system!’ this whimsical spoof of the permutations of serial technique
was written to amuse David Andross Farquhar and his composition class at Victoria University of
Wellington; the ‘Vivo’ section irreverently uses the asses bray from Mendelssohn’s A Midsummer
Night’s Dream overture.
PEL06 – v

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Heading the piece, Lilburn writes out the twelve- tone note-row adopted after the ‘Vivo’ fanfare and
to the right of the title he writes out the last six notes of the Inversion, used in the ‘Vivo’ to correspond
with Farquhar’s initials. Furthermore, the series is rich in micro-structures, for example the first six
notes and the second six consist of the same intervals while each row and its retrograde is built as a
palindrome reading from both ends to the middle (looking at the semitones it goes 51226 5 51226
and the retrograde ones are the reverse 62215 5 62215).
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Theme from ‘Variations on a Theme by Douglas Lilburn’ (1948)
Members of the composers’ group at the 1948 Cambridge Summer Music School collectively composed
the Variations on a Theme by Douglas Lilburn. Lilburn, as tutor, provided a theme ripe with
challenges. David Farquhar, Ronald Dellow, Edwin Carr, Dorothea Franchi, Ronald Tremain, and
Larry Pruden supplied variations. Franchi recalled performing the set at the School’s closing concert
‘all except the final variation, which was still being written as I was playing the theme! Larry Pruden
was always late & he ended up by playing his own variation, improvising the end.’
‘Christmas 1942’ (1942)
This is the second of four sets of Christmas pieces gifted to Lawrence Baigent and Leo Bensemann.
It opens with ‘Christmas Piece for a Russian Mystic’ (probably Lawrence Baigent, whom Bensemann
had painted as a ‘Russian Saint’), continuing with ‘Five Preludes’ alive with the imagery of pealing
bells — Lilburn lived in close proximity to Christchurch Cathedral (the fourth appears in Occasional
Pieces), and closing with a quasi-oriental piece for ‘musical box’ subtitled ‘Lin Tang thanks his friends
for a birthday gift’ (presumably Lin/Lilburn received something Chinese).
Robert Hoskins, Palmerston North, 2016
PEL06 – vi

Editorial notes
Sonata for Piano in F Sharp Minor (1939)
The copy-text for this edition is Lilburn’s holograph
in the Alexander Turnbull Library (fMS-
Papers-2483-078).
The composer’s phrasing for the L.H. pattern
established in bar 8 is frequently rather vaguely
positioned. We have regularized it with a short
hangover tie to the first crotchet of the bar, with a
slur under the remaining notes of the bar.
Lilburn’s style in this early sonata is more romantic
than his later music. There is also often a
complexity of ideas and counterpoints which,
although always pianistic, do at times look like the
short score of an orchestral work. Because of this
complexity Lilburn has been more generous with
phrasing than in later works, phrasing which follows
the shapes of his ideas, sometimes between
clefs and hands. This edition retains Lilburn’s
phrasing which is sure to give the performer an
interesting insight into his musical intentions.
‘Poco Lento’ (1960)
The copy-text for this edition is Lilburn’s holograph
in the Alexander Turnbull Library (fMS-
Papers- 7623- 20).
4 L.H. Last beat, the ink ms is smudged here
but it seems probable that the two quavers
are both E’s.
The Young Pine Tree (1945)
The copy- text for this edition is Lilburn’s holograph
in the Alexander Turnbull Library (fMS-
Papers- 3983- 6).
6 The ms has a natural to the E but not to the
G, however it seems probable that Lilburn
intended a C major chord so we have added
a natural to the G.
34–37 L.H. notes and ties with ° sign have been
added to match 43–46.
67 R.H. last note in the ms is F, however we
think it is likely that G was intended.
Hommage à D.A.F. (c.1965)
The copy- text for this edition is Lilburn’s holograph
in the Alexander Turnbull Library (fMS-
Papers-2483- 034).
9 2nd beat we have added a Í to crotchet
which is not in ms but seems probable.
22 Lilburn’s πƒ has been altered to ƒπ.
Theme from ‘Variations on a Theme by
Douglas Lilburn’ (1948)
The copy- text for this edition is Lilburn’s pencil
holograph in the Alexander Turnbull Library (fMS-
Papers-8360- 66), with reference to a manuscript
in the hand of Dorothea Franchi in the Alexander
Turnbull Library (MS- Papers-2483- 028).
18,19 R.H. We have added a crotchet rest for the
3rd beat of the lower part to match a similar
passage in bars 16,17.
‘Christmas 1942’ (1942)
The copy-text for this edition is Lilburn’s holograph
in the Alexander Turnbull Library (fMS-
Papers-3983-2).
Christmas Piece for a Russian Mystic
15 L.H. This bar has too many beats, however
based on the ms alignment we have deleted
dots from the first minim chord.
Five Preludes – Prelude 1
Tenuto stress marks have been added to bars 5/6,
16/17/18/19, 20/21, 28/29/30/31, 32/33 to match
the same music in bars 1/4.
Prelude 2
24,28 L.H. a ˆ has been added to the second
crotchet A which is not in the ms but is
needed to match the R.H.
Prelude 4
This Prelude, clearly a favourite of the composer’s,
was recopied by Lilburn for this Christmas collection.
Compared with the collection in PEL01 it
has here a slightly different marking, Allegro, and a
different mm of Π= 132.
Rod Biss, Auckland, 2016
PEL06 – vii

Publisher’s note
In the early 1940s Douglas Lilburn established what become lifelong friendships with a number of artists, writers
and poets in Christchurch who, along with Lilburn, were instrumental in establishing a genuine vernacular for the
arts in New Zealand. Notable among this circle were Lilburn’s close friends and fine artists Rita Angus and Leo
Bensemann, both of whom shared an exchange of artistic influence with Lilburn. Care was taken in the Recorded
series to present Lilburn among his contemporary artists with each volume featuring a selection of Bensemann’s
landscape paintings on the cover along with paintings by Rita Angus inside the full-colour booklets. Similarly,
we have chosen to feature Bensemann’s Rain in the Paradise Garden, Takaka on the front cover of our series of
publications to provide a sense of unity with the Recorded series. We therefore acknowledge the generous support
of the Bensemann Estate.
The Publisher also gratefully acknowledges the assistance from the Alexander Turnbull Library, Rod Biss, Guy
Donaldson, Claire Harris, Dr Robert Hoskins, Michael Houstoun, the Lilburn Trust, Massey University, and the
HRL Morrison Music Trust in the publication of this edition. This sixth volume of the edition has been funded
by Creative New Zealand.
Promethean Editions, Wellington, 2016
PEL06 – viii

PEL06 – ix

The first page of the composer’s manuscript of Sonata for Piano in F Sharp Minor.
(Reproduced by permission of the Alexander Turnbull Library, Douglas Gordon Lilburn Papers fMS-Papers-2483-078)
PEL06 – x

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This edition © 2016 Promethean Editions Limited PEL06 – 1
ISMN 979-0-67452-129-1

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X X C C C C S
più rit.
! W W W Allegro non troppo W C W X X
X W C
W C C X C
X C
Y
W C X C X C XXX
O
C X C W C
sf
mf
C C X
# W W
W
C C Y
CC
C
Y
X Y C C C
O
W
O
W
W
Y O
X C C Y CC
C WX C
X X C C C C S
Y
C
C
G
X C X C
X C X C
G X C
C X C
X C C C
C CG
C
Y
X
PEL06 – 3
PEL06 – 3

C
C
C
C
B
C
C
B
C
C
C
C
C
C
C
C
C
C
C
C
C
B
C
h
C
C
C
C
C
C
g
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
CC
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
S
C
C
B BB
C
B
B
C
C
C C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
CC
C
C
S
C
CB
C
C
C
B
C
B
C
C
C
C
T
C
B
C
C
C
C
C
C
C
C
C
C
S
C
C
C
C
C
C
C
C
#
68
! W W W S
p
# W W
W
Y
Y
Y
X C
C
Y
Y
C C
C C C C C
Y
C C
Y
Y
X C
W X C C
X W C C
Y C C C C
G
XY BB
C X C
XY CC
Y C Y Y C C C C C C
Y
X
Y
X C C
Y
Y
Y B B
più cresc.
Y
C C C C C
72
! W W W Y
C C
# W W
W
Y
X C C
X
Y
C C O
C C C C C
X
CCC
W
VW
W
V C
WW C
C W C
CCB
W B S
C C C C C X C
C
C
G
C C
C C
X
X
f
X
O
X
C
C
X
X
C
C
C
C
C C
X
76
! W W W W C T C C C
Ċ
C C X C C C
W C
W
C X C W C C X C
X C X C
C C C C Y C X C W C W B W C W C B
piùf
sfz
C
Y
# W W
W
W
Y C C XXX B W C C
O
X
W C X C C
Y
X C X C.
80
! W W W S
84
88
mf
# W W
W
X
X
! W W W Y
Y C
Y C
sff
# W W
W
X
C
C
X
X C
X C
X
X
C
C
Y
C C
X C C W C C W C
Y C X C
C C C C C
W C W C
W C C C
W C C C
YX CC
G
X CC CC C C C
C C S
Y
X
Y
C C
X C
cresc.
S
più rit.
C CC
C
C
X
X X C C C X C
X C C C C
C C X C C C C
G
X X C C
C W C
C S
C C
C
C
W C
WG C
C
C
X
Y C
Y C
W C C
W C CC
X CC
X C T C C
YY C
Y
C C
cresc. molto
Y
C
C
Y
liberamente
! W W W ?
a tempo
#
X - C X S S C- C X C
C BB S C
X BB A
- C C
X C CC
pp
pp
cresc.
# W W
W
O C C C C C C C C C
C
W C
C C
¯
fff
C - C C
I
X B B
X B
!
Y CC
Y
C C
mf
C C
!
Y C C
C C
Y C
C
W
W -
C C C
I
C C
Y C
C
PEL06 – 4 PEL06 – 4

-C
-C
C
B
B
CC
CC
C
C
C
C
C
C
C
C
C
C
C
CC
C
C
C
C
C
C
C
C
C
C
CC
C
C
C
C
C
C
C
C
C
C
S
C
C
C
C
C
C
-C
C
C
C
C
C
g
C
C
C
C
C
C
T
B
C
C
C
C
BC
B
C
-C
CC
C
C
C
C
CC
¯
C
C
B
C
C
C
C
C
C
C
S
C
C
C
C
C
C
C
C
C
C
C
B
B
B
C
C
C
C
-C
CC
C
C
C
C
C
C
C
C
C
C
C
C
C
B
C
C
C
C
C
C
C
C
-
S
C
C
S
C
C
C
C
?
CC
C
C
C
C
C
C
allarg.
! W W W W C C
C C
W C C C C C C
C C W C C
I a tempo
W C
C BB
C
C C
C W C B C
C C
mf
sfz
- C C W C C C C CCG
C C W C C
fff I
# W W
W
W
W C C C W C - W C C C - C C C C
C C W X C
93
X CC CC
X
X
mf
C C C
X C
X
97
! W W W S
# W W
W Y Y C C
101
! W W W C -
C W C
105
# W W
W
X C
C C -
C C
X C
C
-
cresc. poco a poco
X C C C
X C C C C
meno mosso
X
C C
C
X C C C C C CCB X C XY CC
G >
C C C C C
C C
X C C Y
X C O
C C X C C C
! W W W Y X C C Y C C
X C X CC X O C C
CC
Y C
X C
C
C Y Y Y C C X C X X X X CC
p
# W W
W X Y C X C Y C
Y CC B X C X
C
C
Y
Y
Y B
B Y
B B
C
C
X CC
C C S
Y C
Y C
W
W C -
C C C
C Y X C X C C C CC C C
C
C C
C
W C C -
W
C-C C C
più rit.
CCC C CC C
Y C C C CC C
B Y C Y C C X
CC
C Y
C C C
sfz
sffz ¯
X C C
X
C
- C
G
?
XY CC
CC
Y C C Y
Tranquillo e sempre meno vivo
Y C Y C
Y C YGC
pp
Y C
Y C
Y
C
C
Y
Y
Z
Z C X C Z C YY
C
espressivo
YX
C X C
Y Y
B C X C
! W W W X C Y
X C B C C X C W C
X O
W X
C Y C C C X X C C
X O
W O C B
X B
S T C
# W W
W X
X BB
X X C C
B
X
X X
C
X B C C
C C C
109
113
! W W W C C C
C C
X
C X - C X
X
X X C-
I
-C
# W W
W
X C C B O
I
C C C C C
X -C
X C
C CC C W C Y C
Y
X
X
Y
O
O
Y
Y
Y
Y
G
X
Y
pp
C C C
PEL06 – 5 PEL06 – 5

-
C B
C
C
C
C
C
C
C
C
B
B
B
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
g
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
B
C
C
C
C
B
C
C
C
C
C
C
C
C
B
C
C
?
C
C
C
C
C
S
B
C
CC
C
C
C
CC
CC
C
C
C
C
BC
B
B
B
C
C
CC
h C
B
B
B
C
C
CB
B
C
C
C
C
C
C
C
C
C
C
C
C
CC
C
C
C
#
C
C
C
C
C
C
h
C
C
C
C
h C
C
CC
CB
B
C
C
?
B
C
B
T
B
C
B
B
C
C
C
- g
CC
h
C
C
B
B
B
CC
C
C
C
CC
C
CB
C
C
C
C
C
C
C
C
g
C
C
C
C
116
! W W W X O
X X Y X Y B #
C
Y
Y C Y B
Y
C C Y C Y X YX O
S T Y C
Y
ppp
# W W
W Y C
Y
X
Y
Y Y Y
B B Y
O
C B Y
Y O C Y C
Y Y
Y
120
# W W
W
Y Y Y I
!
Y Y C
X Y C - Y Y
Y
Y
Y
Y Y C - Y Y
Y Y
C C X YX
O
!
Y I
Y C
C C C
-
- Y Y
ppG
# W W
W
Y C
Y C Y
Y Y
X
C X C C C C
Y Y O
X
123
127
! W W W -
B O
Y C W C X C X C B C O X B
X
C C X C C C X BBOO
C C B O
ppp
mp
X B
# W W
W X O
X O B
# X C
!
X
X C
O C X
X X
! W W W O C C W C W CC
X C CC X CC Y CC Y C C
W C C C X CC O
pp
# W W
W
C C C X C C C C X X C C C ? C C C X CC
X C
131
136
! W W W C W CC X CC CC BB CC XY CC Y C C
X CC O
X
pp
# W W
W C
C C X X C C C C BBOO
X
! W W W W B B C W C C B
# W W
W C OW C C S
W
p
X
C
C
W C C C
C
C
W C C C
W C O
C
C
C
C
C C C
C-C W C C- C C- W C B- O
al niente
ppp
O
C C C
C O
C X CC
W C C S
Tempo I
C C C
O
mf
O
¯
O
X
X
C C X C
CC
C
C X C
C
CC
C C
W W C C
W C
C C C¯
PEL06 – 6 PEL06 – 6

!
!
!
C
C
C
C
CĊ
CĊ
C
C
CC
C
B
C
C
C
C
g
C
C
h
B
g
C
C
C
C
B
B
C
S
!
C
C
-
B
!
C
CĊ
B
B
Ḃ
B
C
C
S
C
h
C
h
B
C
h
h
h
CCCĊ
C
BBBḂ
C
C
S
C
C
S
C
C
C
C
C
Ċ
C
C
C
C
B
C
C
?
B
BB
g
C
g
C
C
C
C
C
B
S
CC
B
C
C
C
C
Theme and Variations
Moderato
# W W
W ĊCḂ 44 : B
Ċ C
Ċ C
Ḃ B
Ċ C
Ċ W C C C W C C C C C C Ċ C
Ḃ B
Ċ C
Ċ C Ḃ B
! O
p sostenuto
# W W
W 44 S : R S C O C O
O
C
II
C A C C C C B
più cresc.
C O
C B O ĊC
7
W W
W
# : :
C OO h j C C C C O
C B
p
# W W
W W Ḃ B Ċ C Ċ C
Ḃ B S : : R S
ĊCḂ B
Ċ C
Ċ C Ḃ B ĊC Ċ C Ḃ B
W C C
C O
C B O
C O
C B O
12
# W W
W
CCC W C CC CC ĊC ḂB ĊC ĊC ḂB ĊC
.
C
X C CĊ
CC :
cresc.
f p
# W W
W W
O
# ig
O C C
! :
X O
OO C O
C B¯
17 poco recitativo
# W W
W Q
! R B- B B- C C
23
!
27
!
W W
W
W CC
C
C
W W W C C C C C O
C C
C C
pp
CC
BB W ĊC W ĊC ḂB CC C
C C C C C
G
più cresc.
C C C C C O
C C
W C CC CC W CC
C C C C A t W C C
X
C C C C
W BB W C C C O
C B X B
rit.
C C C C-
C-C- C-
W W
W
#
CCC W C C C C C C C B BB O C C
C A C O
W W
W YX C
X
# W W
W
Y
X C
CC
Y
X
X
C X C C W CC BB
C X C
W
-
a tempo
C B
C C
C C C C At
YY AA
X
X
C
W C C
pp
CC CC CC CC CC BB CC
C O
X
Y -B
O
O
O
t
B
C C
poco meno
mosso
Y
pp
C C X
C B X B
Y
t
B
C C
PEL06 – 7 PEL06 – 7

CC
CCC
C
C
C
C
CC
h
g
C
h
CC
Ċ
h
Ċ
C
C
C
C
Ċ
C
Ċ
C
C
h
C
C
C
Ċ
Ċ
g
C
CC
h
C
C
C
Ċ
C
CC
C
C
C
C
C
C
h
C
C
C
C
C
C
C
h
C
C
C
C
C
C
C
C
C
C
C
g
C
C
h
C
C
C
C
C
C
C
C
C
C
g
C
C
C
C
C
C
g
C
C
C
C
Ċ
Ċ
g
C
C
C
Ċ
Ċ
C
g
C
C
C
Ċ
Ċ
C
CC
C
g
C
32
! W W W C X C C C C C C C C C C W C
Y C Y C
CCC X
W C C C Y Y C C X Y C X X C X
#
X
cresc. poco a poco
! W W W #
W X C C C C C C C C C
C X
X C
C C C W C C -
g
C-C X -
36
Allegro Vivace
# W W
W
X C O
C C C
- W C.
! C
C C C
- - - -
X O
W CCC Y C X
C
C C C W C C C Ċ C Ċ C Ċ C C C Ċ C Ċ C
C C C C C C C C C
ff
dim.
ppp leggiero con pedale
# W W
W
Y
W W
O Y C C
X
B O
A
A
A
rit.
Y C -
40
! W W Ċ C C C C C
C Ċ C Ċ C Ċ C C C Ċ C Ċ C Ċ C C C Ċ C Ċ C Ċ C C C C C
C Ċ C Ċ C
# W W
A
A
R
A
C B
B
A
R
43! W W C C C C Ċ Ċ C O
C X C
Ċ
# W W T C C C Y CC
C
h
Y
X C C X C. C Y C
cresc.
X
X
S
Y
X C C S
X
Y
X
C >
C C C C C C
dim.
C C C C C Ċ C Ċ C
C. C.
C. C.
C. C.
C. C.
46
! W W Ċ
C C C C C
C Ċ C Ċ C Ċ C C C Ċ C Ċ C Ċ C C C Ċ C Ċ C Ċ C C C C C
C Ċ C Ċ C
pp
# W W
A
R
A
C B
B
A
R
49
! W W Ċ C C C C . C C C C C C C Ċ C
X .
X
Y
X C C . C Y C C C C C C C . C
C. C
C. C C C C . Y C C C C C C C C. C
Y C . C
# W W
X A
Y
Y
BO
BO
PEL06 – 8 PEL06 – 8

Ċ
h
g
C
C
C
g
CC
T
C
T
C
C
C
C
C
S
C
C
C
C
C
C
C
Ċ
C
C
C
C
C
S
>C
g
C
C
Ċ
C
S
C
S
C
S
Ċ
C
g
C
g
C
C
C
C
C
C
C
Ċ
T
C
CC
C
C
C
C
C
C
C
A
C
BB
C
C
C
C
C
Ċ
C
C
Ċ
Ċ
S
C
C
A
S
S
Ċ
Ċ
C
C
C
C
>
BB
BB
C
C
Ċ
C
C
C
52
t
! W W X . Y C C
# C C
C
X C C C C C C C C C A WW O
X C .
!
Y C C C C C C C C C X C C X C Y C X C Y
cresc.
f t
# W W Y C C C C X C C X C Y C C Y C C C !
X C C C C C C C C C
W > W
O
55! W W C . C C C
f
! W W C
C.
brillante
W
eva
W
Ċ C C C
W C C W C
C C
Ċ C C C
C C C
W
C O C X C
XY CC
eva
Y S X C C C
Y
Y
Y
X C C
Y C . X C
Y
Y
C C
W C
W C
C C
58
! W W
{eva}
Y . X C Y
! W W S X C
Y
X C . C
Y
Y
Y C . C
C X C
C C
C Ċ C
Y C . C
C C C C X C
.
X C . C X C
X
X
C C Ċ C C C
C C
eva
C C
X C . C X C
X
C C
C C
! W W
! W W
{eva}
Ċ C C C
X
C C
61
W .
W
C C
W .
W
W C.
W C C C W C
W
C C
C Ċ C Ċ C
C C C C
W .
W
W O
C C Ċ C
W C.
W C.
W C C .
C C W .
63
! W W
Y C.
Y
Y
Y
C C Ċ C C C
C C
Y C.
Y
Y
Y
C C
X C. C X C
X
C C
Ċ C C C S
! W W
Y X
.
T C C C C
C C
Y
Y C T S Y C
X
C X C
! W W C. C C C
66
C C C C C C C C C C C Ċ C Ċ C
dim.
! W W T # Ċ
Y . X C C X C
Ċ
C.
C. C. C
Ċ C C C Ċ C
p
C Ċ C Ċ C
PEL06 – 9 PEL06 – 9

#
#
C
C
C
C
h
S
C
T
T
C
C
C
Ċ
h
C
C
C
C
Ċ
C
C
C
Ċ
h
C
Ċ
C
C
C
T
T
T
S
Ċ
C
h
C
C
CC
Ċ
T
CC
S
C
T
T
C
h
C
h
C
C
C
C
T
T
C
CĊ
h
C
h
C
C
C
C
C
C
C
S
C
C Ċ
h
T
T
T
C
h
C
C
C
C
C
T
C
S
C
C
C
C
C C
h
C
T
C
C
C
C
h
C
C
C
C
C
C
C
C
C
C
C
T
C
C
C
C
C
68
! W W Ċ C #
C C C C C Ċ C Ċ C C C C C Ċ Ċ O C X C
Y X C X C . C Y C X X Y
cresc.
X
ĊCC
# W C Y C C
X Y
W X C C S
A
71
# C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
C C C C C
W W . . . . . . . . . . . . . !
f
pp
dim.
C C C
# W W
A A A
A
74
Con brio
! W W C C C C
#
Y Y X X C
4
7 X C : . C
C.
f
# W W R Y Y 4
7 :
B
C. C
B
C.
marcato
Y Ċ C Ċ
g
C.
CC.
C
C.
Ċ
C
C.
g
Ċ
CCĊ C T
CC
C.
CC
C.
X . C C C C
g
X . C C C C
76
#
Y Y ĊCĊ
C. C C Ċ
CCĊ C T X . C C C C 4 Ċ T S X g
!
C.
C> X
Y Y g g
g 4 g T C
C. C
C.
CC. C. C.
C.
C. C. X . C C C C C. X
78
! Y Y C > C X C
Y Y X T
! C C
X
eva
C C C C C C C R S X C C C C Ċ C C C UX
g
B
>
C>
C>
C T S
B
C C Ċ C
C>
C C
X
Ċ C
>
81
! Y Y X C C C Ċ C C C U C C C Ċ X C
#
C C C. C C. : 4
7
X C
C. X
! Y Y C
B > C > #
C C X . T : 4
7 > > X C >
C
PEL06 – 10 PEL06 – 10

!
C
B
C
B
B
CC
CC
S
S
S
S
C
T
S
R
T
g
C
C
h
C
C
C
Ċ
-
C
S
T
T
Ċ
C
h
g
C
C
CC
CC
CCĊ
CC
C
-
C
CC
S
S
C
S
S
T
S
S
S
R
C
g
C
g
-C C
C
B
C
C
T
C
C
C
C
CC
C
h
-
C
C
C
C
C
C
T
CC
S
C
C
S
B B
C
h
C
g
C
S
C
C
C
C
A
C
C
T
C
C
h
C
S
A A
g
C
C
C
C
!
C
C
T
C
CC
C
g
-C C
h
C
C
C
T
C
T
C
S
C
h
C
g
C
C
C
h
S
C
Ċ
C
C
C
T
Ċ
C
C
83
ĊCĊ
# Y Y 4
7 : C. C T C Ċ
!
C.
h X Ċ C T X . C C C C C
h . CC
T . C.
C
X CC C . C.
C.
CCC .
CC .
T
# X . C C C C 4 # Y Y 4
7 : T ĊCĊ X C Ċ
4 C. C
C.
CC. C. C.
C.
C. C. X . C C T ĊCC C
C C C C . CC
C. C. X . C C C .
C
85
# Y Y 4 C. CC S .
!
T g
X . C C C C p
# Y Y 4 4 C. CC .
X . C C C C
C . C C.
C . C C.
CC
C C
p
C
C
BB
B B
C
C
C
C
C C C C C C C
CC
C
#
C C C C C C C C C . Y C C.
C C.
C.
C Y C
C . C.
C C.
C
C.
89
1.
#
X C C X C Ċ C
Y Y C C Ċ X
! C C C . C C
#
. :
X C
ff
X
# Y Y
>B
#
! B X C
B
C- X C-
B
2.
Ċ C
C C Ċ
C-C X -
X
C X C
C . C
! : #
X C
C . X C
X
92
! Y Y X X X
C C
X C C C C C
X C
. C.
X C.
C. mf
# Y Y
X
X X
C
CC
X
. C.
C
CC
. C.
A
p
ritmico
C O C C O
C C C C C C
W C. C
C. C
C. C C. C C. C
96
! A A
C
#
C O C C C O
mf
W C C C
I
C C O Ċ C-
O
C. C
C A C
C
CC
sf
CCO
O
O
sf
W . C Ċ C Ċ C
mp
Ċ Ċ Ċ Ċ Ċ
100
!
O
C C C
W C C C C C O
più rit.
a tempo
C C O
B-C O p
C
p
#
C B
C
AA
AA
A
A
C
CC
p
PEL06 – 11 PEL06 – 11

#
#
#
#
B
-
S
S
S
A
A
-
B
B
B
B
T
T
h
h
B
B
-
B
S
A
T
B
#
h
B
B
B
B
B
#
B
B
B
B
AA
A
B
B
S
#
B
B
B
T
h
S
B
S
S
104
!
C C
C CO
C
AA
A
!
W C . C Ċ C Ċ C Ċ
C C Ċ
Ċ Ċ Ċ Ċ Ċ
C C C CW C C C C CO
C
C C
COW C C
S S
C
mf
C
C
BB O
C
C
C
C
mf
C W C
C O
AA
A
!
W C . C Ċ C Ċ C Ċ
C C Ċ
Ċ Ċ Ċ Ċ Ċ
108
!
!
C C C CW C C C C CO
C C
S
C BBB
f
O C
W C C C
C
BB O
C
C
C
C
f
C C
BBO
O
O
sf
C C
C
C
C C B O
mp
Y C
mf
B O
A C C C Y C
112
! AA X A
C
C
mf
CO
C C
CO
Ċ C C C C C
W C . C Ċ C Ċ C Ċ C Ċ C A C A
W C C C
I
cresc.
f CO
Ċ C CO
più f
Ċ A
C A
C
C CO
Ċ
-
C
C
CO
C .
C
C
C
C
! S S C C
C CO
C
W C. C Ċ C Ċ C Ċ
C C Ċ C C C CW C C C C C
C C CW
C O
C
C C
C
sf sf mf
C
mp
C Ċ Ċ Ċ
C B B A
Ċ
!
Ċ B R S
C
C B
B
116
C
C
C
C
p
120
!
C C
C CO
C
!
W C. C Ċ C Ċ C Ċ
C C Ċ C C rit.
C CW C C C C C C
C C W W
W
CW
C CO
34
C
C
pp
C C C C
B
C B B
B
C C B
dim.
Ċ Ċ Ċ Ċ Ċ B R # S
C B C C W W
W C B B C 34
124
! W W W Tempo I
4
3 C
C
p
# W W
W 34 O
dolce e cantabile
C
C C C B C B C C C
B C B B B O
B W C BB W C BB CC
BB
C W C C C C W C
O
CO
il basso legato
C B CO
C
O
CO
C B
Y
CO
Y
C
PEL06 – 12 PEL06 – 12

C
T
CC
C
C
B
B
C
h
C
C
C
B
C
CC
C
T
C
B
S
C
B
C
CC
C
CC
h
C
C
C
C
BC
S
C
CC
C
C
C
C
C
C
C
C
C
#
g
C
h
C
B
B
C
C
B
C
B
C
C
C
C
C
C
S
C
S
C
CCCC
C
B
S
h
C
CCCC
g
C
CC
CCCC
C
C
C
CCCC
C
C
C
C
C
C
C
g
C
C
B
C
C
C
-C
T
C
C
C
C
C
C
h
C
C
T
C
C
h
?
C
C
C
¯
C
S
g
C
h
CC
C
C
C
C
C
C
C
T
C
C
T
C
g
131
! W W W Y -
Y #
X C C X B C O
YY B B Y Y
Y C X C C
BBO
Y - Y C Y Y Y
C Y C
Y O B XY CC
Y X B X X C Y Y C C C X C
più cresc.
# W W
W
O
YB
Y O
Y Y X O
X X O C C C
Y
B O
C W O
C B
O
O W
BBO
W C
! W
W
W C W C W C W O C
W O B C W B B S C C
S C BC C V O
espressivo
# W W
W W C C W O C B O
C C W C O
W
C C C W O
C O C B C
138
# W W
W
un poco
più mosso
T S
pp
V CC
144
! W W W S
# W W
W W CC
W W C C
W CC
W V C C
W CC
WV CC
CC WW CC
T g
X
YX CC
X
XX CC
X
X C C
X CC X CC X CC T g
C
C
X CC X C S W C C C C C C C X C C C C C X C C C CC C
W CC W CC
W CC CC CC CC C
X
150
! W W W #
CCC X
p
# W W
W
X CC BB C
156
# W W
W
# W W
W
W
X
X X C C C
162
! W W W Q #
# W W
W
X
W CC
W CC
!
!
W CC X CC CC
X C C- C O
C O
C W C
p
C B- C
C C C C
X CC CC X C C CC W CC
X
C C
W
W CC W
CC C C
g
C C C
W
C T S
W CC W C C
C C C
C
f
C
C
W C
W C
W CC W CC X CC BB X C-
C
C T S S S CC CC
cresc. poco a poco
W CC W CC
B B
BBO
O
C
C
C C
C B B
B
X B- C
C C
mp
C CC B B X C C
X
X
BB
B
- S
O
W C CC C C CC
B B O
X C C
O C O
C B
C C C
X
X
C C
C
W T S
WW
CCO
O
O
BBO
C C
O C C B
!
W
C C
W CC
W
espress.
PEL06 – 13 PEL06 – 13

C
C
C
CC
C
C
C
C
C
C
A
Ċ
C
C
Ċ
C
C
C
C
C
B
C
C
Ċ
C
C
C
Ċ
C
C
C
C
C
C
C
C
C
C
g
C
C
B
B
T
C
h
-
C B
-C
C
Ċ
C
B
C
Ċ
h
C
C
C
-
B
C
C
C
C
h
-
C
CC
C
C
C
-
C
B
B
B
g
C
C
S
C
C
-
C
T
C
-
C
C
B
B B
B
C
169
! W W W C C W C W
W C C O
C C WC
W O B B C B C O
4
S C C C C C B C C C
O
dim.
# W W
W C C W
C C C
# C C C O
! C O C B
O
4 O
rit.
175
Allegro Vivace
! W W W 4 C
. C C C C . C C . C C . C C C C . C C . C C . C C C C C
W C . C C C . C C . C C . C C C C . C C . C C . C C C C . C C . C
pp
# W W
W
R
W C
B
44 W C
C B
R R
W C
C B
A A A
178
! W W W C. C C C C C
W C . C
C C. C C . C C W C C C Ċ Ċ C O
C X C
X
C C C . C C X C
# W W
W
W C
B R
CCC C X CC
cresc.
C C X C C
C C C
181
! W W W p
C.
# W W W
W C C
C. C. C C C C. C. C C C
C.
C C. C. C
W
C
C. W C
. C.
C
C. C. C C C C.
C. C. C. C. C. C.
Ċ Ċ Ċ Ċ Ċ Ċ C C. C . C C. C.
184
! W W W C. C C C
# W W
W
C C
W
C. W C
. C.
C C C C C
C. C. C.
>
mḟ
Ċ Ċ Ċ Ċ Ċ Ċ C O
C O
C C C
C. C
C. C
X
C
C
X
C. C X C
X .
X
X
t
X B
f
C C B
C C
PEL06 – 14 PEL06 – 14

CCC
h
S
A
S
A
g
C
C
T
Ċ
C
>
BB
>
BB
C
T
C
C
C
C
C
C
C
g
C
C
C
BB
T
C
Ċ
C
h
C
Ċ
C
C
Ċ
C
C
C
C
>
B
C
Ċ
C
C
C
C
S
Ċ
C
C
C
C
h
S
C
C
C
C
C
C
C
C
C
S
C
C
C
C
C
C
C
Ċ
C
S
Ċ
C
C
C
C
Ċ
C
187
! W W W C .
C C C Ċ X C C C
#
X C C C . X C C C . X C C
C C C
C C C. C . C C
# W W
W X B B Ċ Ċ
cresc.
C C X C
Ċ T X C C C C C C C C C C C C C C X C
. .
C B t
C B
t
190
# W W
W
# W W
W
f
!
!
t
W O
t
W O
C C
C C
f
.
C.
C C C
C C Ċ C C C
C C
Ċ C C C
brillante
C C C g
C C CC C C C
C O
C W C
W CC
193
! W W W S
W
W
W C Ċ W C C C
Y
X
Y C.
Y
Y
Y
Y C.
X
X C.
C Ċ C Ċ C
! W W W C
C C W C
W
X
X
Y
Y
Y
X
Y C C C
C C C C
195
! W W W Y C
! W W W Y X C
.
X
Y
Y
X
eva
X C Ċ C C C
C C
Y C.
C C C C C
X
Y
Y
C C
X C.
C X C
X
X
Y
X C Ċ C C C W C
C C C C
! W W W Ċ
C Ċ C Ċ C
198
Ċ
C C C Ċ C
Ċ C C C
W C Ċ C C C C W C
! W W W C
#
C C C
C C C C W O
C. CC.
W C T W C
!
W
W
W
PEL06 – 15 PEL06 – 15

B
B
>
C
C
g
C C
CC
T
T
T
g
C
h
C
C
C
S
C
C
C
C
T
C
B
B
h
C
C
T
T
C
h
C
C
C
CC
h
C
T
T
C
g
C
g
C
C
C
T
T
T
C
C
C
C
C
B
B
C
g
S
g
C
T
C
C
g
C
T
C
C
C
C
C
C
Ċ
g
C
g
C
T
T
#
g
C
g
g
C
g
C
T
T
C
200
! W W W C . C C C C C
! W W W S #
più rit.
C. C C .
C . C . C . C C C
C C C C C
C. C
C. C C .
C . C . C
C C C
C C
C C
C C
cresc.
W . BpB X ĊC ĊC B B C
C. C
X W B B ĊC ĊC
C C C
C C
C
C
C
203
! W W W B O
ff
# W W
W CC O
Più Allegro
C.
C
C
C
C
C
C .
C
C.
C
C.
C
C.
C
C
C
C.
W g C
W . C.
Ċ Ċ
C C
C
C.
Ċ
C
C C
C. C.
Ċ X
C
.
X
C
C
O
C
C.
C
C.
C
C
C
C
C
C.
C
C.
C
C.
C.
B
B
W g
T
W .
C.
C.
C.
C.
207
! W W W C CC W C C C C C C C W C
# W W
W BB
B
C C C
C O
C X C
CCC C X ĊC
X
X C
X C
eva
X
C C C
C
C
X
C X C C
C
C
I
X
O B>C
C
C
C
C.
C
C.
C
C
C
C.
C
C.
C
C.
210
! W W W C
C .
# W W
W
C
C
C
C.
W g
W .
Ċ
C
C
C.
Ċ
C
C
C.
Ċ
C
C
C.
Ċ
C
C
C.
X .
X
C
C
O
C
C.
C
C.
C
C
C
C
C
C.
C
C.
C
C .
C.
C.
W g
W .
W g
W .
T C
C.
T C
C.
C C C
T B
B B B
B
W C C C C C C C
W C C C C C C C
C
C
!
C
C
C
C
W
214
! W W W C
I
C C
C
#
C
sfz
! W W W #
C C C C
C
>
O
g T
C B >
CĊ
C
C
C.
CĊ
C
C
C.
CĊ
C
C
C.
CC X C
X C
X C
C C C
C C C C
!
C C X C
C C C X C C C C
C C C X C C Ċ CC
CCT C R
sffz
C.
X Ċ sffz C CĊ
C T R
C.
PEL06 – 16 PEL06 – 16

!
#
#
#
C
C
C
-
h
C
h
C
!
C
C
h
C
h
g
C
C
C
T
C
C
T
C
C
C
C
C
g
C
C
C
g
C
!
C
C
T
BB
C
g
C
C
C
C
g
C
C
C
g
C
C
C
C
C C
C
h
C
C
h
g
C
C
h
#
C
h
C
B
C
C
C
!
h
C
h
C
h
C
C-
T
C
h
!
CC
C
C
C
C
C
C
C
g
C
h
C
C
C
C
T
h
C
h
C
C
T
C
#
h
C
C
A
C
h
#
C
C
S
C
R
C
C
T
C
h
C
‘Poco Lento’ 1960
Poco lento
C C C Y C
! 4 Y C
p
# 4 S T C-O C
>
C
Y
C C C
W C - C C C W C
C S T
Y - O
C-O C
W
W C
> C
C
Y
C C C W C C B
Y C C - C - C - C W C C C C C S
Y
6
O
Y
C C C C S
g
C
W O W
>
mp cresc.
C Y C C C C
Y
C C C W C
W
C
W C C h
W
O
C C C C C
B
C T
S
h
B
S S
-
O
f
p
Y Y
W
W B C
C-C C
Y
11
! T
g
C
C
>
Y
cresc.
Y C C O
W
Y
O
W X
W
Y
C
C
O
X CC
W
Y
W
f
W C C
T T g
C C C C C C C C Y C
pp
15
! C Y C
O
Y
Y
Y
Y
C C C O
C C- W C C C C C C C W C
W
mp
W C
> C
C
C C C C C W C C C C W C
Y C
Y BB O
g
X C B - W - C S R
PEL06b
‘Poco Lento’ © Alexander Turnbull Library Endowment Trust
This edition © 2016 Promethean Editions Limited PEL06 – 17
ISMN 979-0-67452-129-1

#
#
#
#
C
T
B
C
C
C
C
T
B
T
T
d
C
C
C
C
h
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
T
T
B
C
C
C
h
C
C
C
C
C
C
C
C
C
B
B
C
C
B
B
C
B
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
CC
C
CC
C
C
C
CC
C
CC
C
C
CC
C
C
C
C
B
C-
C
C
C
C
C
CCC
C
C
C
C
C
#
C
C
C
C
BBB
C
C
CC
C
C
C
C
g
C
C
BBB
C
BBBB
B
C
h
g
C
C
C
#
#
The Young Pine Tree 1945
! YY Y Y Y 2 4 2 4
# Y Y Y Y Y 2 4
Lento, poco rubato
p
espressivo
= c.63
C C C C C C C
C B T
C C C
- - -
T
Q Q Q C C C
B
C
C
C-C - C - C - C - C - B C
C
C
C
C
C
C
X C C X C
BBB B BB
g
C
C C C C C C C
11
#
Y Y Y Y Y
-C
C
Y Y Y Y Y C C C C C
C
-C
C
-C
C
-C
C
-C
C
X - C
X C
C
C
Y
C
C
Y
-C
C
-C
C
Y C
Y C
-C
C
C
C
X B B
X B
B
B
mf
C
-C
C-C
C
C
-C
C-C
C
-C
C
CC
C
CC
C
C
C C
C
X C C C
X C
CC
C
C
C
C
X C C C
X C
CC
C
-C
C
-C
C
CC
C
-C
B
BBT
B
B
p
C
C
C
C
20
#
Y Y Y Y X BB
X C C
Y ! C
f
Y Y Y Y Y !
CC
C
CC
C
C
C
C C
X CC C
CC
C
CC
C
cresc.
C C X C C CC C C
CC
C
CC
C
CC X C
CC
C
CC
X C
X CC C CC C
C
CC
C
C
C
XX
X CC CCC C
ff
X C X C
CC B B
29
#
largamente
C
C
C
C
B
B
d
B
B
con moto
Y Y Y Y ten.
X C C X C X CC CC
Y ! X X X X X C C
X X C BBC
C C C C C C C C
Y C C
X
f mf dim.
p
Y Y Y Y g g
Y C C C C
X X X X X
Y
B
B
B
B
C
C
X C
X C
38
! C
B
B
C
C
B
B
C
C
C
C
C
C
C C
C
C
C C C
C
BB
B
C
C
B
B
W
g
C
W C C C C C C
B
B
B
B
W
C
C
C C
C
C
B
B
Y
C
C
Y
PEL06c
The Young Pine Tree © Alexander Turnbull Library Endowment Trust
This edition © 2016 Promethean Editions Limited PEL06 – 18
ISMN 979-0-67452-129-1

#
#
#
#
#
C
C
B
B
g
C
T
B
T
C
C
CCC
CC
C
C
C
C
C
C
C
C
C
CCC
C
C
C
C
C
C
C
C
C
C
C
g
C
CC
C
C
C
C
C
C
C
C
C
C
C
B
B
C
C
C
C
C
C
C
C
g
C
C
C
C
C
C
C
C
C
C
#
C
C
C
C
C
B
T
T
CCC
g
C
C
C
h
C
B
B
CC
C
C
C
C
C
T
B
T
h
g
C
C
g
C
BBB
?
C
C
C
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B
B
g
C
B
g
C
C
C
CC
C
g
C
C
BBB
C
g
C
B
C
BBB
C
CCĊ
48
! Y
Y
Y Y Y Y Y
C
C
Y C
Y C
Y
Y Y Y Y Y
C
C
C C
cresc.
C
C
C C
C C
C
C
C C C
C
C
C C
C
C
X C C C C
C C
f
X
O
Ċ
C
>
ĊCC
C C C C Ċ X C .
C C
O
56
! YY Y Y Y
Ċ >
CCC X C C
ĊC C
C C C C Ċ X C .
C C
>
C
C C C C Ċ C
ĊC C
W W
W WW
W
Ċ
C
>
ĊCC
C C C C Ċ C
W C . C
>
C
C C C C C C .
CC
C.
CCĊ
X ĊC C ĊC C
Y Y Y Y Y
cresc.
W W
W
O O O WW
B B B O O
B B B
O
X
C
C
C
C
63
! W W W W W X
Y3
C 4
C C X C C C C X C C C X C C C
dim.
p - C
# W W
W WW Y 4
3
X
C
C
C
X C X
C C X
C
C X
C C
¯C
rit.
a tempo
O
C C C C
C C C C
C C C
69
C C C C C C C C C C C C C C C
! Y
C C C C C C C C C C C C C C C C C C Y Y Y Y Y 2
C C C C C C C #
4 X C
pp
rit.
a tempo
Y Y Y Y
O
O
Y Y 2 4
75
#
Y Y Y Y B
B
X X B
Y !
Y Y Y Y Y
X
83
! Y Y Y Y Y
Y Y Y Y Y
CC
C
C
C
X C C C
CC
C
CC
C
cresc.
C
C
C
C
X C
X C
Y CC CC Y C C
C
C
C
C
C
C
C
C
CC
C
C
C
C
C
CC
C
Y C
Y C
C
C
C
C
B
B
f
B
B
X B
BBB
X B
B
B
B
B
X C C
p
X C C
X C C
mp
g
C C
g
C
largamente
ten.
C C C C C C C
Y
p
C
C
C
C
C
C
C
C
X C
X
C T CC
C
BBB C
C
rit.
X CC CC X C C
Y C B C
B
CC
C
C
C
CC
C
C
C
B
BB
B
B
CC
C
C
C
PEL06 – 19
PEL06 – 19

#
#
C
S
C
C
B B?
B
?B
B
Ċ
Ċ
h
Ċ
C
h
T
S
C
#
T
C
h
C
C
C
C
Q
C
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h
C
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C
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>C
C
C
C
h
C
C
C
C
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C
C
C
C
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C
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C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
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T
C
C
C
C
C
C
C
C
C
C
C
C
g
C
>
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h
C CC
C
T
T
C
T
C
#
Hommage à D.A.F. c.1965
Salute to the System!
Vivo
! 4 W
W O
f
! 4 B O
S R S T C W C
p
. C .
B
W C
W C
f
W C . C W C Ċ C C Ċ C C Ċ Ċ
C. C .
B B > B >
5
! W C
> O
C
>
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C
> T C C W C . C W C Ċ C C Ċ C C Ċ Ċ W C .
C
>
Ċ T C
W . Ċ C > WW .
h
!
ĊCT
C>h
8
!
Quick
“ C W C
f
T h
C X C C C W C
C X C
R S T h
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W C W C >
C.
sf
T h
Ċ T
T S Y C
!
mp
X
W C C > W .
h
C C C g
> C.
W C C C
f
T S T W R .
12
g
! W C C C C C C >
C.
sf
! S T W g g
W C T g
W
C.
>
T S W C C W C C C X C
mp
cresc.
W
X C. Ċ Ċ
C > C.
C C.
C W C.
C W C .
Y C.
C
C.
Y
eva
C.
15
C- B
W C-
W C-
X C-
W W X . W W X . C W C X .
! 4
3
f C
p
cresc.
Y #
! . W C.
W C W C
W
g
C
C C 4
3
> W .
PEL06d
Hommage à D.A.F. © Alexander Turnbull Library Endowment Trust
This edition © 2016 Promethean Editions Limited PEL06 – 20
ISMN 979-0-67452-129-1

#
#
#
#
S
S
C
B
C
T
C
C
C
h
g
g
C
C
C
C
C
C
h
C
C
C
C
h
g
C
C
C
C
C
C
g
C
g
C
C
C
#
C
C
C
C
C
T
C
g
C
C
C
C
h
C
C
T
>
C
C
h
C
C
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C
S
C
C
g
C
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C
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C
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g
C
g
C
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g
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C
C
C
S
g
C
S
T
B
B
S
h
g
#
C
C
C
B
T
C
C
C
h
C
C
C
h
C
h
C
S
T
T
C
C
C
CC
C
g
C
C
C
T
#
C
C
g
C
C
C
C
g
C
C
h
h
C
T
18
! 3 4
Poco lento
W O C W C
O
X C
mp sost.
# 4
3 !
O
Y
g
C
O
Y
O
O
X
!
W
C C
X
g
W C
O
W
Y
C C
X C
W
O
W
Y
B C C
fp
W O O X
O
Y
p
CC
C
- C - C -
23
Lively
! X
W
O
O
O X C
W g
7
W
O
T O W C W O 8
mp
Y #
! Y
7
O
Y
Y C C C Y C C C C C C Y C
8
W .
T
Y
C. C .
T
28
! Y C
Y
g
C.
T X C W C . .
T S g
C W .
W C. W C.
C C
C C C C Y C
W .
T
W .
g
C.
Ċ T
X C. W C.
Y
Y C C C
T
!
S g
C.
C. W C.
33
Andantino
C
!
C C C. 4 C.
W C C C C C C C C C C C C
BBB
#
!
W . T W . Ċ T S W . W C. W C. C > p
4
Y C C
C B T W C W C W C C C C C C C C
BB
37
! T
Y
C X C W C C C C C C C C C C C
BB B W
B B B O S T W C C h
B mf p pp G
Y C BB
! T g W C C C C C C C W C - B-
W
W Y A
41
! T
Y
A
O
W
W C C C C W C
A
W
O
W C C C W C C C - C W C C W C C C W C
Ā
W
W
?
d
PEL06 – 21 PEL06 – 21

!
!
#
#
#
CCC
h
C
CB
C
C
BB
B
CCC
C
CCC
C
C
C
C
CCC
C
CCC
C
C
T
C C
g
C
C
C
h
B
B
g
CCC
C
CCC
CC
C
C
CCC
CCC
C
C
C
C
CCC
C
T
C
g
C
C
C
B
C
C
CC
C
B
B
B
CCC
h
g
CCC
C
CC
C
C
C
CCC
C
C
CCC
CCC
h
C
C
!
C
C
CCC
-
C
B
B
B
-
B
CCC
C C-
g
CCC
CCCC
h
C
C
CCC
CC
C
CC
CC
C
BB
CCC
CCC
C
C C
C
C
C
C
BBB
C
C
C
C
C
C C
C
C
h
g
CCC
C
THEME FROM ‘VARIATIONS ON A THEME
BY DOUGLAS LILBURN’ 1948
Andante
W W
W 34 O C C C C C C C C
p semplice
# W W
W 34 Q Q
O
C C C C C C C C C C C C C C
C
B O
C C
C C
C C
C C C C B O
C C
C C C
C C B
7
W W
W
X X
X
X O
C C C X C C C C C Y
X CC
C
C
C C C C C
X C C
O
O
pp
# W W
W X
X X
X
X O
X O
O
O
X O
O
Y OO
Y
Y
C C O
Y
C C
cresc.
O Y Y C C C C Y C
12
!
C C
O
X
CC Y S B O
S
Y
OO
OO
Y
Y
O Y
C C
C C Y CC
Y
OO
OO
C O Y CC CC CC C C Y CC
C
f
C
Y CC C C C
Y
C
CC-
CCOO
O
C C C Y CC C
C
C C Y C C Y C
16
!
CC Y C C
Y
Y
Y
CC
C
Y
CCC Y
Y C C C OO
X
p
C
C
O
CCO
C O CC CC CC C C
CC O
W
W
CCOO
B S B S
cresc.
OO
OO
C O C C
C C
C C
CC
OO
OO
O C CC CC CC C C
20
!
W
CCC C
CC C C
C
-CC
W W CC
ff
C
CC-
W CCOO
CCO W
W
O
C C C C CC
C C C
X
C
C
X
W W CCO
C O W
W
W
W
O
C C C X CC C C
CCC C
dim.
C C C C C C
CC
C
CCC
W W
W
# W W
W
PEL06e
Theme from ‘Variations on a Theme by Douglas Lilburn’ © Alexander Turnbull Library Endowment Trust
This edition © 2016 Promethean Editions Limited PEL06 – 22
ISMN 979-0-67452-129-1
PEL06 – 22

C
C
C
C
C
C
C
C
C
BB
B
CCC-C
CCC-C
C
h
CCC-C
CC
C
B
B
C
C
C
C
C
C
B
B
C
C
h
!
CCC-C
CCCC
C
B
B
C
#
C
C
C
B
24
!
W W
W
# W W
W
CCOO
p
O
O
CCOO
O
O
C
W CC-C - C
C - C W C C C CC
C
CC
C-CCC - C
W BBO
BBO
O
C C C C C - C- C O
B
B
28
!
W W
W
# W W
W
X C
C C
p
OO
OO
CC
C
-C
C
-C
C
-C
C
C
CC
-C
C
C
C C X
C C C T g
-C
C
X
X - X O
X O
X
O
C C C X C
C C C
O
C
BBO
O
O
C
C
B
B
PEL06 – 23
PEL06 – 23

#
#
#
#
CC
C
CCC
B
B
C
C
C
CCC
CCC
C
C
CCC
CCC
BB
C
C
BBB
C
!
C
C
C
!
!
C
C
C
BBB
B
C
C
BBB
B
BBB
BB
B
#
#
B
B
B
B
#
S
#
C
CCC
B
B
BB
C
C
B
B
B
CCC
B
B
!
C
B
B
BBB
B
B
B
B
B
#
B
B
B
CCC
#
!
‘Christmas 1942’ 1942
CHRISTMAS PIECE FOR A RUSSIAN MYSTIC
Allegro giocoso
C C C C C C C C C C C C
! 4
6 S
C
C C C
BBC C C C C C C CC CC C C C C
mf
# 4
6
BBB C O
O
C
! CC
BBO
O
B
B
C O
CC C C C C C CC .
BB
O
O
C
C.
B
B
5
! S
B
B
C
C
C
C
C
C
C C C C C
C C C
B O
B C C
B
C C C C C C C C
BBB C CC O
O
B
B
C
C
C C C C C C C C CC C C
C C C C C C C C C C C C B
O
O
BBO
O
9
! S C
mp
B
B
C
C
C
C
C C C CC CC CC C C C. B
Ċ
C
B CC
O
B
B
B
B
C
C
C
C
C
C
C
C
C
C
B CC
C
C
O
CC
C
CC
C
CC
C
CC
C
BB
B
CC
C
CC
C
CC
C
ff
13
!
C C C
C C C
CCCC CC CC C C C Fine
BB
CCCC CC C C C ĊCO
C CCC
C BBO
C C C C CC C C.
B
B
BBB CC C O
O
BBO
BB
B
C
C
O
O
B
B
C
C.
O
17
! S
f
B
B
C
C
C
C
CC
C
B
B
O
C
C
C
C
Y
O
Y BBO
C
C
Y
C
C
Y
C
C
BBOO
PEL06f
‘Christmas 1942’ © Alexander Turnbull Library Endowment Trust
C
C
B
C
B S C
This edition © 2016 Promethean Editions Limited PEL06 – 24
ISMN 979-0-67452-129-1
PEL06 – 24
B
B
C
C
CC
C
O
BBOO
C
C
C
C
C
C
Y
C
C
Y
Y BBO
O
C
C
C
C
O
O
CCC C CC
O B

!
#
BBB
CCC
BB
B
B
!
B
B
BBB
#
BBB
B
S
S
S
B
CCC
BB
C
C
B
!
BBB
B
C
B
CĊ
C
B
B
B
#
BBB
BBBB
#
21
! S
p
O
C C B C C C Y C C C B
Y BBO
O
BBO
O
BBOO
O
BBO
O
C C C O C C C Y C C C B O
BB Y B
C CC
C CC
O
Y CC
O
25
! S C
C
B
B
C
C
C
C
C C C C C C C C C C C C . B
Ċ
C
B C C C
O
B
B
B
B
C
C
C
C
C
C
C
C
B C C C
C
C
C
C
O
CC
C
CC
C
CC
C
f B BB CCC .
29
! S
C
C
# B
B
C C
C
C
C
B
B
BBO
O
C
C
C
C
O
BBO
O
C
C
C
C
C
C
O
C
C
B
B
B
B
C
C
C
C
CC
C
O
O
BBO
O
C
C
C
C
C
C
C
C
O
BBO
C
C
D.C. al Fine
C
C
O
BBO
O
PEL06 – 25 PEL06 – 25

!
!
S
A
B
B
-
C
C
C
S
A
C
B
-
C
C
C
-
C
C
C
C
C
-
C
C
C
B
-
CC
C
C
CC
A
C
R
-
CC
C
C
CC
B
B
C
BB
C
-
CC
C
C
C
C
B
C
A
C
C
S
C
C
-
C
C
C
-
CC
C
C
C
C
C
C
-
CC
-
CC
A
C
C
-
CC
-
CC
B
C
C
-
CC
-
CC
C
C
C
A
B
-
C
C
C
C
C
B
C
B
BB
B
B
C
C
C
C
C
C
C
C
A
C
C
-
C
C
S
B
-
C
CCC
BB
B
BC
C
-
C
C
C
CC
FIVE PRELUDES
W 44
Andante = c.72
- -
C C C C B C - C - C
- B O
B C
C C B
C C W C B C
S C C
CCC
CCC
1
molto espress.
pp
S B
# W 44
W C C C C W C C C C C C
B S C
C
C
C
C
6
W C - C C - C C C C C C C C C C C B B
A AA S
# W B B B B
A A A
BB CC C C C C C
O
B
B
B
B
O
C C AA
C
C
A
A
O
C
C
14
!
W
C C C
B
C C BB AAA
# W B
B
B
B
A
A
-
B
p
C
C
C
C
C
C
- -
C C C C B C - C - C - B O
B C
C C B
C C W C
C
C
C
C
C
C
B
B
W CC CC W CC C C CC
20
!
W
CCC
CCC
CCC
-CC C- C CC CC CC CC CC BB B S
mp
f
# W S B B B B A
BB
B
CC
C
CC
C
A
A
CC
C
CC
C
CCCC CCC
B
B
BB
B
B
B
-
W C
S B B
CC CC S
C C B - C - C - C C B
C B O
B C
C B
C C C B
mf
# W A
mp
S C C
C C
C C
C C
C
C C C B CC CC CC C C CC B
26
!
PEL06 – 26 PEL06 – 26

!
!
!
!
A
S
-
C
C
C
C
C
C
C
-
C
C
C
C
CC
-
C
C
C
B
B
C
B
C
CC
C
S
S
CC
S
C
C
A
CC
BB
B
C
C
C
C
32
!
W C - C C - C C CCC
C C C C C C C C C B CCC
CCC BB S
O
p
mp
# W S B B B B A
C C C C BBBC C B A A AR B B A A
B
B
dim.
B
B
R B - A -
A
A
A
A
2
Allegro
W W
W W W 2 4 C
p
# W W
W W W 2 4 C
C C C C C
leggiero
C C C C
C C C
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
C C C
S C C C
6
W W
W W W C C C C C C
C C C C
C C C C C C C X C C C C C C C C C C C C C C C C C C C C C C C
C C
# W W
W C C C
C C C
W W X
C
CCCC X
!
11
!
W W
W W W C C C C C C
C C C C
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W CC
C C C S CC
C C C S
CCC C
16
!
eva
W W X X C W W C C
W
X C
X C C C C C X C C
C
C X C
C
mp
W W
W W C
W X CC
# C
C
X X
X C C C X C C C C X C
X C C C C
X C C C C C C C C C C C
X CC
X
C X CC CC CC C
21
!
W W
W W W C C C C C C C C C C C C C C C C C C C C C C C C
p
# W W
W W W C
C C C
B B CC X C
X C C C C C C C C C C C C C C C C
C
PEL06 – 27 PEL06 – 27

!
!
!
!
B
B
B
BB
C
C
C
h
B
C
S
C
CCC
C
BBB
C
C
CCC
BBB
C
C
CCC
B
C
CC
h
CCC
C
B
B
C
C
C
C
C
C
h
C
BBB
B
C
C
C
BBB
C
C
C
h
B
CCC
C
CCC
CC
!
C
C
C
CC
C
B
BBB
B
C
C
Q
S
26
!
W W
W W W
C C C C C C C C C C C C C C C C
# W W
W W W
C
X C C C C C C C C C C C C C C C C C C C C
BBC C C X C C
C C C C C C C C C C C C C C
C C S C C
32
!
W W
W W W
# W W
W W W
C
C C C C C C C C
S C C
CCCCCCCC C
dim.
CCCCCCCC C C C C C C C C C C C C C C C C
O
g
C C C O
3
Lento non troppo
W 34
C
O
C O B C O
O
C C O C
p dolce
W 34 S C C C #
C
CCC BBOO
C
BB
CC
BBB CC C
O
O
7
# W
W C C O
B OC B
O
W
O
O
C
C
C O
C C CC C C C CC C C B S
mp
C
C C B
B
C C
C C C C C C C C B
C C CC
12
!
W
# W
O
C C
CC
CC CC
CC
C
C C B
B
C C CC C C C
C C
C C CC C C C CC C C C W C
O
C
C
W CCOO
O
B
B
CC
C
CC
C
f
C
C
C O C C C C C
BBC C
17
!
W
C C C CCB
C C C C C C C C C O
C O C C C C C C C C C C CC CC
mp
BBBB
W #
BBC C
CC
C
CC
C
W
C O C W C
CC
X
O
W C
C
B O
PEL06 – 28
PEL06 – 28

!
!
!
!
BB
B
B
BBB
BBB
B
C
BBB
C
C
C
BB
B
B
BBB
BBBB
BBB
B
B
B
BBB
B
C
C
BB
B
C
B
B
B
BB
BB
B
BB
B
B
B
BB
B
B
B
BB
B
BB
BBB
B
B
BBB
BBB
C
CC
C
BBB
B
B
B
BBB
BB
B
B
B
C
#
4
W W
W W W
W 34
C
Allegro = c.132
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
p
W W
W W W
W 34 #
O
O
O
BB O
O
BBOO
7
W W
W W W
W C C C C C C B O
# W W
W W W
W C
BBOO
BBOO
C C
C C C
O
!
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
O
O
O
O
14
!
W W
W W W
W C C C C C C C C C C C C B O
# W W
W W W
W
BBO
O
BBOO
C O C C
BBO
CC
C CC C C C
C C C C C C C C CC
mp
O
O
O
O
O
C C C C C CC
O
C B C C C
21
!
W W
W W W
W
C C
C
CC C C C
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
p
# W W
W W W
W O
O
C
B
!
O
O
C B
O
O
28
!
W W
W W W
W C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W
W #
O
X
BBO
X BBO
O
O
BBOO
O
C C C C C
O
34
!
W W
W W W
W
# W W
W W W
W O
C C C C C C
O
poco più lento
C C C C C C
C C C C C C
C C
C
C C
O
X
X
O
X
X
C C C
O
X
B
B
CC X C C C.
C
C.
W BBO
O
B O
PEL06 – 29 PEL06 – 29

#
#
#
#
#
B
BBB
B
B
C
C
C
C
C
C
C
C
C
B
BB
g
CC
g
C
C
g
CC
g
C
C
C
B
B
CC
C
C
CCC
CCC
C
C
g
C
g
C
C
C
g
C
g
C
C
CC
CCC
C
CC
C
C
CCCC
g
C
C
g
CC
CC
g
C
g
C
C
B
B
B
C
C
C
B
BB
B
B
C
C
BBB
C
C
C
C
C
C
g
CC
g
C
C
g
CC
g
C
C
C
B
B
5
Allegretto
! Y Y I
Y 4
3 C C C C
mp
Y Y Y 4 3 S O
O
CC
BB CC
C
C
B
B
C
C
B
B
CCC C C
CC
C
X BB B S
I
C C C C
Y
O
O
C C
C
C
6
! Y Y Y
Y Y Y
BBCC C C
B
B
C
C
B
B
CCC C C
CC
C
C C
B
B
CC
C
C
C
CC
C C C C C C C CC
B
B C C C C C
C
C
C
C C C C O B
C
C
C
C
C
C
O
O
12
! Y Y Y
Y Y Y B
B
C
C
I
C C C C
O
O
C C
C
C
O
O
C
C
O
O
C C B
mp
C
BBC
C
C
I
C C C
O
O
C C
C
C
18
! Y Y Y
Y Y Y
BBCC C C
CC C CC
C C
CC C
B
B
C
C
B
B
CC
C
cresc.
CC
C
C
C
B
B
C
X CC
C
C
BBOO
mf
B
B
cresc.
C C C
B
B
O
C C C
24
! Y Y #
Y O
O
O
O
f cresc.
Y Y B
Y
C C C B
C C C
O
C
O
C
C
C
X
O
ff
O
CCC S
C
C
S
PEL06 – 30 PEL06 – 30

PEL06 – 31

!
!
!
!
!
!
!
!
C
C
C
C
C
C
C
C
C
C
C
C
Q
C
C
C
B
C
C
C
C
B
MUSICAL BOX:
Lin Tang Thanks His Friends For A Birthday Gift
W W
W W W
W 44
Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Ċ sim.
C C C C C C C C
W W
W W W
W 44 Q Q Q Q
C C C
C C C
con 2 pedale
6
W W
W W W
W C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W
W C
C C C
C C C C C
C C C
C C C
C C C
C C C C C C C C C C C C C C C C C C C C
11
!
W W
W W W
W C C C C C C C C C C C C C C C C C C C C
ED
B O C C C C C C C
C C C
W W
W W W
W C C C C C C C C C C C C C C C C C C C C
C C C
C C C
15
!
W W
W W W
W C C C C C C C C C C C C C C
C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W
W C
C C C
C C C
C C C
C C C
C C C
C C C C C C C C C C
19
!
W W
W W W
W C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W
W
C C C C C C C C C C C C C C C C C C C C C C C C C C
C C C
C C C
23
!
W W
W W W
W
C C C C C C C C C C C C C C C C C C C C
ED
B C Ċ Ċ Ċ Ċ Ċ C. C. C . C.
W W
W W W
W C
C C C
C C C
C C C C C
C C C
C C C
C C C
C C C
PEL06 – 32 PEL06 – 31

!
!
!
!
!
!
C
C
C
C
C
C
C
BB
C
C
C
C
C
C
h
C
C
R
C
C
C
C
B
C
T
C
CC
C
C
C
C
C
C
C
C
C
C
C
C
C
C
CC
C
C
C
C
28
!
W W
W W W
W C C B C C O C
C C O C C C O C C C C C C
C C C C O C C C O C C R
W W
W W W
W
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C C C C C
33
!
W W
W W W
W B B C C C C C O C B C C C C C O C C C C C C O C C C O C C C C C C
C C C C O C
W W
W W W
W
C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
38
!
W W
W W W
W C C C C
C C C C C C C C C C C C C C C C C C C C C C C C C C S T
CCC C
W W
W W W
W
C C C
C C C
C C C
C C C
C C C
C C C
C C C
41
!
W W
W W W
W C C CC
CCC C C C
C C C C BB
W W
W W W
W C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
C C C
44
!
W W
W W W
W C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
W W
W W W
W
C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C
C C C
C C C
49
!
W W
W W W
W C C C C C C C C C C C C C C C C C C C C
ED
W W
W W W
W C
C C C
C C C
C C C C C
B C Ċ Ċ Ċ Ċ Ċ C. C. C . C. A
PEL06 – 33 PEL06 – 32

Douglas LilburN
Complete Piano Music Edition • 6
Douglas Lilburn occupies a pre-eminent position in
New Zealand music, with a legacy extending well
beyond his compositional output. As a composer,
teacher and mentor he presided in innumerable
ways over the artistic growth of New Zealand from
1940 onwards. From the early works redolent of
the influence of Sibelius and Vaughan Williams, to
the electro-acoustic pieces of his later years, his works have been instrumental
in establishing a genuinely vernacular voice in New Zealand classical music. In
2005 Trust Records launched the first volume in the award-winning recording
series showcasing all of Lilburn’s piano music receiving ‘Best Classical Album’
in the 2005 Recording Industry of New Zealand Music Awards and in the same
year, Gramophone acclaimed that ‘[These] performances and recordings are
unobtrusively excellent.’
This edition is the sixth of eight companion volumes to accompany the
recorded series and draws on the expertise of Dr. Robert Hoskins of Massey
University and Rod Biss, formerly of Schott London, Faber Music and Price
Milburn Music, who was instrumental in first publishing Lilburn’s piano music
in the 1970s. Having worked with Lilburn directly on these early publications,
Biss has now revisited original source materials in the preparation of this
series. Together, the editors have carefully considered and clarified Lilburn’s
manuscripts and early publications in preparing these volumes as both scholarly
and practical editions for performance.
The publication of this sixth volume of the Douglas Lilburn Complete Piano Edition is funded by
Creative New Zealand. The publisher also gratefully acknowledges the support of the Lilburn Trust,
the HRL Morrison Music Trust and Massey University in the publication of this edition.
ISMN 979-0-67452-129-1
Promethean Editions Limited
PO Box 10-143
Wellington New Zealand
www.promethean-editions.com
Lilburn Trust
DOUGLAS LILBURN Complete Piano Music Volume 6 PEL06
Sonata for Piano in F Sharp Minor (1939) • ‘Poco Lento’ (1960) • The Young Pine Tree (1945)
Hommage à D.A.F. (c.1965) • Theme from ‘Variations on a Theme by Douglas Lilburn’ (1948)
‘Christmas 1942’ (1942)