Whimsical Sketches of Fanciful Birds (Preview)
by Vincent Ho | Alto Saxophone and Piano
by Vincent Ho | Alto Saxophone and Piano
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>Whimsical</strong> <strong>Sketches</strong> <strong>of</strong> <strong>Fanciful</strong> <strong>Birds</strong> (2012)<br />
I. Inebriated Crows<br />
II. Curious Swallow<br />
III. The Watchful Owl<br />
IV. Waking Swan<br />
V. Short-Tempered Parakeet<br />
The composer writes:<br />
When I was a child, birds fascinated me and I spent a great deal <strong>of</strong> time learning<br />
about their many varieties. For each species I learned about, I would create imaginary<br />
cartoon-like characters based on them and dream up little stories to amuse myself.<br />
<strong>Whimsical</strong> <strong>Sketches</strong> <strong>of</strong> <strong>Fanciful</strong> <strong>Birds</strong> is my recreation <strong>of</strong> some <strong>of</strong> those childhood<br />
fancies in musical form.<br />
The opening movement, Inebriated Crows, has the saxophonist and pianist negotiating rolling<br />
contours, with conflicting rhythmic subdivisions adding to the movement’s disorienting<br />
quality. As the movement lurches toward its climax, the improvisation-like saxophone part<br />
incorporates glissandi to produce squawk-like calls, while the piano plunges with increasing<br />
frequency into its lower register.<br />
In contrast to Inebriated Crows, the gently restrained Curious Swallow creates an unbroken air<br />
<strong>of</strong> mystery. The pianist conjures a backdrop <strong>of</strong> quiet suspense with a light andantino crotchet<br />
pulse sprinkled with delicate decorative droplets, while the saxophonist’s statements evolve<br />
from initially tentative fragments into longer, more sensuous and expressive passages.<br />
The short third movement, The Watchful Owl, is underpinned by the piano’s s<strong>of</strong>t, irregular<br />
pulse, while the saxophone emerges and subsides with controlled, sustained pitches. Both<br />
instruments climb incrementally towards their upper registers, working with the movement’s<br />
tightening harmonic tension to heighten the state <strong>of</strong> muted suspense.<br />
PE152 – v