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Whimsical Sketches of Fanciful Birds (Preview)

by Vincent Ho | Alto Saxophone and Piano

by Vincent Ho | Alto Saxophone and Piano

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<strong>Whimsical</strong> <strong>Sketches</strong> <strong>of</strong> <strong>Fanciful</strong> <strong>Birds</strong> (2012)<br />

I. Inebriated Crows<br />

II. Curious Swallow<br />

III. The Watchful Owl<br />

IV. Waking Swan<br />

V. Short-Tempered Parakeet<br />

The composer writes:<br />

When I was a child, birds fascinated me and I spent a great deal <strong>of</strong> time learning<br />

about their many varieties. For each species I learned about, I would create imaginary<br />

cartoon-like characters based on them and dream up little stories to amuse myself.<br />

<strong>Whimsical</strong> <strong>Sketches</strong> <strong>of</strong> <strong>Fanciful</strong> <strong>Birds</strong> is my recreation <strong>of</strong> some <strong>of</strong> those childhood<br />

fancies in musical form.<br />

The opening movement, Inebriated Crows, has the saxophonist and pianist negotiating rolling<br />

contours, with conflicting rhythmic subdivisions adding to the movement’s disorienting<br />

quality. As the movement lurches toward its climax, the improvisation-like saxophone part<br />

incorporates glissandi to produce squawk-like calls, while the piano plunges with increasing<br />

frequency into its lower register.<br />

In contrast to Inebriated Crows, the gently restrained Curious Swallow creates an unbroken air<br />

<strong>of</strong> mystery. The pianist conjures a backdrop <strong>of</strong> quiet suspense with a light andantino crotchet<br />

pulse sprinkled with delicate decorative droplets, while the saxophonist’s statements evolve<br />

from initially tentative fragments into longer, more sensuous and expressive passages.<br />

The short third movement, The Watchful Owl, is underpinned by the piano’s s<strong>of</strong>t, irregular<br />

pulse, while the saxophone emerges and subsides with controlled, sustained pitches. Both<br />

instruments climb incrementally towards their upper registers, working with the movement’s<br />

tightening harmonic tension to heighten the state <strong>of</strong> muted suspense.<br />

PE152 – v

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