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Viva Brighton Issue #45 November 2016

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BITS AND BOBS<br />

...............................<br />

SECRETS OF THE ROYAL PAVILION:<br />

THE FASHIONABLE STEYNE, C.1797<br />

© Royal Pavilion and Museums, <strong>Brighton</strong> and Hove<br />

This small watercolour and gouache painting<br />

from c.1797 in the collection of the Royal Pavilion<br />

and <strong>Brighton</strong> Museums is by the amateur<br />

artist James Bennett (not to be confused with<br />

the Victorian oil painter of the same name), who<br />

created a number of simple but evocative images<br />

of <strong>Brighton</strong> between the 1790s and the 1810s.<br />

Most of them focus on the seafront, but in this<br />

one the artist ventures a little bit inland, its main<br />

intention being to capture the east front of the<br />

Marine Pavilion, as it was then known. It is not<br />

a hugely accomplished painting, and leaves a lot<br />

to be desired when it comes to perspective and<br />

architectural accuracy, but it paints a vivid picture<br />

of <strong>Brighton</strong> in its heyday as a seaside resort.<br />

The Pavilion as we see it here, viewed from the<br />

east side of the Steine looking west, is still more<br />

or less the architect Henry Holland’s building,<br />

created for the Prince of Wales in 1787. It has<br />

bow-fronted wings, a circular central room with<br />

a shallow dome (which still forms the roof of the<br />

Saloon but is now topped with John Nash’s large<br />

central onion-shaped dome, added in 1818) and<br />

a neo-classical colonnade. By the mid-1790s,<br />

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