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Viva Brighton Issue #45 November 2016

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LOCAL MUSICIANS<br />

..........................................<br />

Ben Bailey rounds up the <strong>Brighton</strong> music scene<br />

THE WYTCHES<br />

Fri 4, Concorde2, 7pm, £10<br />

Puncturing the pressure<br />

of expectations that had<br />

been building since their<br />

wildly successful 2014<br />

debut, The Wytches put<br />

out an EP earlier this year that was recorded in a<br />

garage and released on cassette. Did this mean that<br />

album number two - arriving a few months later in<br />

September - was able to stand on its own merits?<br />

Well, yes and no. Kristian Bell’s anguished vocal<br />

howls and surf guitar lines are no longer the focus,<br />

and they’ve got a keyboard player onboard, but<br />

the new material hasn’t shifted gear quite enough<br />

to offset the angsty image that the band always<br />

claimed was misleading. For some, this will be a<br />

relief. Though most of The Wytches have now<br />

relocated back to Peterborough, there’s bound to be<br />

a riotous homecoming vibe to the <strong>Brighton</strong> leg of<br />

their UK tour.<br />

NORMANTON STREET<br />

Fri 11, Concorde2, 11pm, £8<br />

A lot of local bands seem<br />

to disappear when their<br />

music finds an audience<br />

elsewhere, but despite having<br />

upcoming dates in Paris<br />

and New York, Normanton Street are keen to keep<br />

their roots grounded in their adopted hometown<br />

of <strong>Brighton</strong>. This one-off club gig sees the soulful<br />

and stylish quartet inviting their likeminded musical<br />

friends to join them on stage for a late-night party.<br />

Donuts, the DJs responsible for the ever-popular<br />

Tuesday hip-hop night at the Green Door Store,<br />

are on the bill alongside Tru Thoughts’ J-Felix - a<br />

singer, musician and DJ whose contribution reflects<br />

the funk and soul side of Normanton Street’s fusion<br />

of styles.<br />

KUDU BLUE<br />

Thurs 17, Hope & Ruin, 8pm, £5<br />

Having landed<br />

support slots with<br />

Hiatus Kaiyote and<br />

Bipolar Sunshine,<br />

local five-piece Kudu<br />

Blue are now benefitting<br />

from some decent airplay on national radio.<br />

Their laidback and soulful electronica echoes<br />

both 90s trip hop and the garage sounds that came<br />

afterwards, which is probably part of the reason for<br />

the band’s success. Another factor is that they’re<br />

slick with it, too. Formerly of <strong>Brighton</strong> indie band<br />

Forestears, the primary school friends at the core<br />

of the group made a name for themselves as remixers<br />

before their current project started in earnest<br />

a few years ago. That background is evident in<br />

the shades of different styles present in the band’s<br />

songwriting and the subtle layering that goes into<br />

their recordings.<br />

SEALINGS<br />

Fri 25, Green Door Store, 7pm, £4<br />

Few bands have much success when describing<br />

their own music, but Sealings’ album-blurb<br />

reference to ‘misery offset by melody’ would seem<br />

pretty apt if the phrase itself didn’t have such a<br />

nice ring to it. There’s nothing nice about the<br />

music made by this anonymous <strong>Brighton</strong> trio<br />

- after all, the album in question is called I’m A<br />

Bastard. The stark drum machines and eerie synths<br />

might tempt a casual listener to peg them as some<br />

kind of industrial band, but it’d be closer to the<br />

mark to think of Sealings as wayward art rockers<br />

intent on out-noising My Bloody Valentine and/or<br />

Jesus and Mary Chain. The only thing that stops it<br />

getting too dark is the fact the aural clatter makes<br />

it impossible to work out what the sinister singer<br />

is on about.<br />

....41....

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