Viva Brighton Issue #45 November 2016
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LOCAL MUSICIANS<br />
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Ben Bailey rounds up the <strong>Brighton</strong> music scene<br />
THE WYTCHES<br />
Fri 4, Concorde2, 7pm, £10<br />
Puncturing the pressure<br />
of expectations that had<br />
been building since their<br />
wildly successful 2014<br />
debut, The Wytches put<br />
out an EP earlier this year that was recorded in a<br />
garage and released on cassette. Did this mean that<br />
album number two - arriving a few months later in<br />
September - was able to stand on its own merits?<br />
Well, yes and no. Kristian Bell’s anguished vocal<br />
howls and surf guitar lines are no longer the focus,<br />
and they’ve got a keyboard player onboard, but<br />
the new material hasn’t shifted gear quite enough<br />
to offset the angsty image that the band always<br />
claimed was misleading. For some, this will be a<br />
relief. Though most of The Wytches have now<br />
relocated back to Peterborough, there’s bound to be<br />
a riotous homecoming vibe to the <strong>Brighton</strong> leg of<br />
their UK tour.<br />
NORMANTON STREET<br />
Fri 11, Concorde2, 11pm, £8<br />
A lot of local bands seem<br />
to disappear when their<br />
music finds an audience<br />
elsewhere, but despite having<br />
upcoming dates in Paris<br />
and New York, Normanton Street are keen to keep<br />
their roots grounded in their adopted hometown<br />
of <strong>Brighton</strong>. This one-off club gig sees the soulful<br />
and stylish quartet inviting their likeminded musical<br />
friends to join them on stage for a late-night party.<br />
Donuts, the DJs responsible for the ever-popular<br />
Tuesday hip-hop night at the Green Door Store,<br />
are on the bill alongside Tru Thoughts’ J-Felix - a<br />
singer, musician and DJ whose contribution reflects<br />
the funk and soul side of Normanton Street’s fusion<br />
of styles.<br />
KUDU BLUE<br />
Thurs 17, Hope & Ruin, 8pm, £5<br />
Having landed<br />
support slots with<br />
Hiatus Kaiyote and<br />
Bipolar Sunshine,<br />
local five-piece Kudu<br />
Blue are now benefitting<br />
from some decent airplay on national radio.<br />
Their laidback and soulful electronica echoes<br />
both 90s trip hop and the garage sounds that came<br />
afterwards, which is probably part of the reason for<br />
the band’s success. Another factor is that they’re<br />
slick with it, too. Formerly of <strong>Brighton</strong> indie band<br />
Forestears, the primary school friends at the core<br />
of the group made a name for themselves as remixers<br />
before their current project started in earnest<br />
a few years ago. That background is evident in<br />
the shades of different styles present in the band’s<br />
songwriting and the subtle layering that goes into<br />
their recordings.<br />
SEALINGS<br />
Fri 25, Green Door Store, 7pm, £4<br />
Few bands have much success when describing<br />
their own music, but Sealings’ album-blurb<br />
reference to ‘misery offset by melody’ would seem<br />
pretty apt if the phrase itself didn’t have such a<br />
nice ring to it. There’s nothing nice about the<br />
music made by this anonymous <strong>Brighton</strong> trio<br />
- after all, the album in question is called I’m A<br />
Bastard. The stark drum machines and eerie synths<br />
might tempt a casual listener to peg them as some<br />
kind of industrial band, but it’d be closer to the<br />
mark to think of Sealings as wayward art rockers<br />
intent on out-noising My Bloody Valentine and/or<br />
Jesus and Mary Chain. The only thing that stops it<br />
getting too dark is the fact the aural clatter makes<br />
it impossible to work out what the sinister singer<br />
is on about.<br />
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