09.11.2016 Views

BeatRoute Magazine Alberta print e-edition - November 2016

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

INTERSITE FESTIVAL<br />

intimate art experiences in unexpected spaces<br />

The last time you saw an art exhibit was<br />

likely in a museum or gallery – to which<br />

the very act of viewing art has become so<br />

inextricably linked. There is public art, but often<br />

it is easily recognizable, taking the form of large<br />

murals or sculptures in busy squares, drawing the<br />

ire of all-too-vocal taxpayers; meanwhile paintings<br />

hang on white walls in air-conditioned corridors<br />

and performances are viewed in dark rooms filled<br />

with rows of seats. Everything in its right place, or<br />

so it would seem. But these common conceptions<br />

of when and where it is appropriate to experience<br />

art is exactly what festivals like Intersite are trying<br />

to subvert.<br />

Intersite Visual Arts Festival is being held for its<br />

third year this <strong>November</strong> in Calgary, but the term<br />

festival itself might be a bit misleading. There is<br />

no dedicated, central location for the variety of<br />

works on offer. Instead, the artworks will appear at<br />

locations throughout the city including the Bow<br />

Building, the Central Memorial Library, and other<br />

seemingly random locations.<br />

“We believe that contemporary art practices<br />

are really diverse and broad, and a lot of that work<br />

really fits well in a gallery context but some of it<br />

isn’t ever really meant to live there, and so this<br />

festival is an opportunity for those works to live<br />

and be presented and to also be acknowledged for<br />

what they are,” says Ashely Bedet, programming<br />

coordinator at The New Gallery and Intersite<br />

committee member.<br />

Some of these works are performances and<br />

Intersite offers artists and viewers a way to engage outside the gallery context.<br />

interventions in which the artist is central, but<br />

others take the form of objects left inserted in<br />

the public realm, sometimes hidden in plain sight.<br />

Many of the works are less loud and overt than<br />

what is commonly accepted as public art, certainly<br />

less permanent, and are more dynamic than what<br />

often appears in galleries. Despite the wide-ranging<br />

nature of the work, all of the pieces have in common<br />

the fact that they offer unexpected encounters<br />

for unsuspecting viewers: you, the public.<br />

You might seek some of these works out<br />

intentionally, but you are just as likely to stumble<br />

upon them serendipitously as you make your way<br />

through the day. According to Bedet, that’s the<br />

beauty of the festival.<br />

“One of the most beautiful things is when<br />

people come across the work and are actually in<br />

dialogue or conversation with the artist. There’s<br />

something very genuine and lovely about that<br />

exchange that I think is something unique to<br />

Intersite that it can offer as a festival because it’s<br />

not a huge cross-city ordeal, it’s very one-on-one.<br />

You might come across it or you might not, but it’s<br />

something to look out for because even just the<br />

act of looking predicates that maybe you’ll find<br />

some art somewhere.”<br />

PLACES PLEASE<br />

You don’t always have to create a brand<br />

new story to be innovative. Sometimes,<br />

you can take a story we’ve heard before<br />

-- whether it’s a childhood fairytale, a real-life<br />

court case, or a play that debuted years ago --<br />

and give it a fresh new spin. Here are a few ways<br />

that Calgary’s theatre companies are doing just<br />

that in the next month.<br />

The Monkey Trial<br />

Theatre Junction and tg STAN<br />

Theatre Junction GRAND, Nov. 2-5<br />

In 1925, the infamous Scopes Monkey Trial<br />

-- centered on a substitute high school teacher<br />

who violated The Butler Act by teaching evolution<br />

to his students -- pitted fundamentalism<br />

against modernism, religion against science,<br />

dogma against intellectual freedom. Come<br />

experience the Canadian premiere of this play,<br />

created by Belgian theatre company tg STAN<br />

and based on the transcripts of the astonishing<br />

proceedings.<br />

The Kings of the Kilburn High Road<br />

Liffey Players Drama Society<br />

The Shed Theatre at the Pumphouse Theatres, Nov. 4-12<br />

Six young Irish men came to London in the<br />

early 1970s, leaving home for a life of hard<br />

work and harder drinking. They all intended<br />

to return home to Ireland after they made a<br />

little money, but twenty-something years later,<br />

they all find themselves still in London. Five<br />

by Sasha Semenoff<br />

For artist Maggie Flynn, who will be presenting<br />

In Circulation, which takes place on various<br />

Calgary Transit buses, Intersite is an opportunity<br />

to offer experimental work outside of a gallery<br />

context.<br />

“I do projects, often, that don’t have a clear relationship<br />

to the gallery. And so thinking about the<br />

ways that I want to get support for those projects<br />

or bring those projects into dialogue with the arts<br />

community is not always clear. But Intersite is such<br />

a lovely space where that’s already understood and<br />

that’s what they’re seeking. So it was such an easy<br />

fit when they reached out to me.”<br />

Flynn will be delivering cut-and-pasted news<br />

stories from independent media sources to transit<br />

commuters, exploring the various power dynamics<br />

in play that control who sees what and how in an<br />

age of social media newsfeeds dictated by algorithmic<br />

suggestion.<br />

Calgary artist Angela Fermor’s A Map of Hollow<br />

Spaces is markedly different from Flynn’s work in<br />

that it does not feature her direct presence; instead,<br />

Fermor will be leaving empty, hollowed-out<br />

books throughout the Central Memorial Library in<br />

an exploration of space, both outward and public,<br />

as well as inner and private. Such contrast between<br />

works is indicative of the wide range of experiences<br />

facilitated by the festival.<br />

Intersite Visual Arts Festivals runs from <strong>November</strong><br />

2 – 5 at various locations in Calgary. See website for<br />

details.<br />

of the friends gather in the side room of a pub<br />

in memory of one of the group who has died.<br />

Over one afternoon and evening at the pub,<br />

they drink to their fallen friend, the only one to<br />

make it home to Ireland -- albeit, in a coffin.<br />

Slipper: A Distinctly Calgarian Cinderella<br />

Story<br />

<strong>Alberta</strong> Theatre Projects<br />

Martha Cohen Theatre, Nov. 22 – Dec. 31<br />

With the help of a time machine, Edward<br />

travels from the olden days to modern times to<br />

meet Cinderella. But will her crazy step-mom<br />

and selfish sisters ruin their fairytale dream?<br />

Come boo the villains and cheer on the heroes<br />

in this light-hearted, music-filled, absolutely<br />

Calgarian show making its world premiere on<br />

the stage of the Martha Cohen Theatre this<br />

month.<br />

Six Characters in Search of an Author<br />

U of C School of Creative and Performing Arts<br />

Reeve Theatre, Dec. 2-4, 6-10<br />

An acting company is in rehearsals when they<br />

are interrupted by the arrival of six strangers.<br />

These characters break the theatre’s sacred<br />

fourth wall, each pleading for the chance to tell<br />

their stories. Fans of the absurd will not want<br />

to miss the contemporary interpretation of this<br />

metatheatrical play that first made its debut in<br />

Italy in 1921.<br />

• Sara Elizabeth Taylor<br />

10 | NOVEMBER <strong>2016</strong> • BEATROUTE CITY

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!