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Rayley had smiled at this insult-inside-a-compliment and had taken a swig of his own ale, then<br />
winced. Country stuff, probably brewed no more than a stone’s throw away from the inn where they<br />
now sat, far stronger and more bitter than what the pubs served in London. “I wonder if they will<br />
accept us as freely as Mrs. Arborton predicted.”<br />
“Bring food,” Brown had advised with a growl. “And then they will accept you freely enough. I<br />
gather that they are all but starving out there.”<br />
And so Rayley and Trevor now journeyed laden down with every sort of foodstuff the shops of<br />
Edenbridge could offer. Bread, cheese, tea, ham, a jug of ale, and jars of jam, all rattling in their<br />
sacks along with brushes, paints, and the sticks of am unassembled easel. The painting tools had been<br />
borrowed from Geraldine, who was an enthusiastic but somewhat mercurial hobbyist. She had done<br />
a bit of everything at one time or another, including landscapes, and it had been decided that Rayley<br />
would pose as a painter. He had no particular abilities in that direction, but he did have the thin,<br />
serious face which the profession seemed to require, and Geraldine has assured him that if he claimed<br />
to paint “in the modern style” he could swipe colors on the canvas with abandon and no one was<br />
likely to detect his utter lack of talent.<br />
Trevor, in contrast, was masquerading as a poet, which meant that the only supplies he required was<br />
his little leather notebook and pencil, two items which were rarely out of his grasp anyway. He was<br />
convinced that his rapid rise at Scotland Yard was due to his insistence on taking copious notes at<br />
every crime scene and interview, and he supposed that when a man is scribbling away in a notebook<br />
it is impossible for an outsider to tell if he is creating a poem or constructing an accusation of<br />
murder. Still, he felt oddly fretful as he tossed the apple core aside and shifted his weight on the<br />
horse. Rayley noted his notable sigh and turned from his own horse.<br />
“Steady on, Welles. It is only the twentieth of the month and I wager we will be back at Gerry’s table<br />
before you know it, sampling her fine holiday lamb. Or is Gage serving goose this year?”<br />
“It’s not that. I’m just unsure if I can truly pass as a poet.”<br />
“Well, it’s not as if anyone actually knows what a poet looks like, is it?” Rayley asked amiably. “So<br />
that much should work in your favor. Ah, look there, Welles, for it would seem we have found<br />
ourselves already at Hever.”<br />
They had just crested a small hill and now were poised looking down on a lush meadow, with<br />
patches of green still evident here and there across the brown and grey. At the bottom of the hill lay<br />
Hever Castle. Emma had described it as a small one – insignificant, had she said ? – but to Trevor’s<br />
eye it was an impressive place of pleasing proportions, with two balanced turrets and a serene moat<br />
encircling its base of gray stone. A suitable birthplace for a queen who had been heralded for her<br />
grace more than for her morals.<br />
“Easy to see how this first view would dazzle an impressionable girl like Anne Arborton,” Rayley<br />
said. “She must have felt as if she was being carried away like a princess in a child’s fairy tale.”<br />
“True enough,” Trevor said. “The disrepair everyone has claimed the castle suffers is hardly evident<br />
from this vantage point. I suppose we shall see more signs of ruin as we approach.”