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that Hever is full of secret activities which take place only under the cover of darkness.”<br />
“You are doubtless right, but I find the scene before us now a full pleasure. It reminds me of my<br />
boyhood, when I would often slip from my room while the rest of my family slept and walk the<br />
meadows around our farm. My first ambition, believe it or not, was to be a shepherd.”<br />
Rayley snorted.<br />
“No,” Trevor said. “I assure you it was true, the fantasy largely fueled by evenings just like this one,<br />
and the Biblical notion of keeping watch over one’s flock by night. You see, in the Christmas story –“<br />
“I know the Christmas story well enough,” Rayley said. “Jew or not, one could scarcely have been<br />
raised in London without full exposure to your romantic holiday tales. Do you think we shall witness<br />
a virgin birth on this exalted evening?”<br />
“Somehow I suspect virgins are running rather scarce in the district,” Trevor said. “But we are well<br />
out of earshot and not being followed, so let us discuss the facts before us now. Shall I begin?”<br />
“Fire away,” said Rayley. This was a stratagem they used back in London, when meeting with the<br />
Thursday Night Murder Games Club. Each person would take turns simply stating the facts of the<br />
case as he or she saw them, and it was curious how often this simple activity would shed new light on<br />
an investigation. Often an innocuous seeming remark by one person would spark an insight in the<br />
mind of another. Trevor liked to call these discussions “our shared mind,” and Rayley supposed that<br />
tonight he must take the roles of Geraldine, Tom, Davy, and Emma as well as himself.<br />
“We have a painter,” said Trevor. “A man possessed of considerable charisma, with enough talent to<br />
talk his way into the homes of London families as a portrait artist and enough charm to then seduce the<br />
daughters of those houses. Anne Arborton is certainly not the first girl he has dallied with, but do you<br />
think she is the first who has followed him here to Hever?”<br />
“I can’t say,” Rayley said. “Dorinda might know. As might John Paul.”<br />
“Try and find out in the morning,” Trevor said. “His cast aside girls don’t simply dematerialize, as<br />
much as they might wish to. They have to go somewhere. Who knows, some of them still may be<br />
here, among the flock.”<br />
“Do you think LaRusse is truly going mad?” Rayley asked, pausing to shake sheep dung from one<br />
boot. “It might serve his purposes to appear to be a bit mad, you know. Charismatic types often rant<br />
and rave and laugh and dance – the sheer display of emotion convinces their followers they are privy<br />
to a deeper truth, that they see things which the rest of us can’t fathom.”<br />
“Impossible to know at this juncture,” Trevor answered. “And if he is mad, it is equally difficult to<br />
know if it is the paint or the drink or the Christmas Roses or even if his bizarre behavior is simply the<br />
result of his natural disposition. We are at a disadvantage in that we don’t know the man’s past.<br />
Perhaps Emma’s work back in London will shed some light on his history. Otherwise, we can’t<br />
determine if he is going mad, which would imply some sort of shift in personality and possible foul<br />
play, or if he has been mad all along.”<br />
“And then we have Anne Arborton herself,” Rayley continued. “Based on what you overheard today,