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Chapter Four<br />

After breakfast, such as it was, had been finished, and the dishes, such as they were, had been<br />

washed, Rayley followed Dorinda up to the high garret, lodged in one of the castle turrets, where she<br />

mixed her paints. In some ways, it was a logical location for the task, since the room had windows<br />

on both sides and thus suitable ventilation. But in other ways it was wretchedly impractical, for each<br />

morning the supplies had to be carried up the circular staircase that wound to the top of the turret, a<br />

treacherous ascent involving any number of worn and crumbling steps. Since there was no handrail,<br />

it would be impossibly dangerous to climb with one’s arms full, but Dorinda showed him, with<br />

significant pride, a rope and pulley system she had devised to raise the buckets of water needed for<br />

mixing.<br />

“It is ingenious,” he admitted, even while noting that half the water sloshed from the bucket to the<br />

stone floor below during the process.<br />

“My father was an engineer,” Dorinda said a bit breathlessly, struggling with one of the ropes. “He<br />

had no sons and taught me and my sister how to contrive any number of such machines.”<br />

“It doesn’t look very steady,” Rayley said. He didn’t wish to criticize the girl’s invention, and in fact<br />

he was filled with admiration for both her ingenuity and her pluck. It was hard to believe she had<br />

managed to transport the water by herself for so many days. But he also felt the need to point out that<br />

the pulley was screeching in protest as Dorinda pulled up the last bucket. It seemed a miracle the<br />

whole apparatus hadn’t come crashing down upon some unsuspecting colonist walking through the<br />

stairwell below.<br />

“It bears weight well enough,” she said with a shrug, and then motioned that he should follow her into<br />

the garret.<br />

What was even more surprising than the pulley was the fact that once they had climbed the circular<br />

staircase and entered the small room, Dorinda immediately set about mixing paints for LaRusse<br />

Chapman. Her own and then an entire second set, which were placed rather reverently aside for him<br />

to come and fetch later, at his leisure. When she noted Rayley’s disapproving frown, Dorinda merely<br />

laughed.<br />

“You find it odd that I would perform yet another task for LaRusse?”<br />

Rayley shrugged, making a concerted effort to look nonchalant. It would be a useful skill as a<br />

detective, this ability to appear relaxed when one was truly agitated, but he feared he had never fully<br />

gotten the knack. “LaRusse,” he finally said cautiously, “seems to inspire a great deal of loyalty<br />

among the members of the colony.” Particularly the women, he added in his own mind, but he<br />

refrained from speaking this last bit aloud.<br />

“But why shouldn’t this be the case?” Dorinda asked and her own nonchalance seemed utterly<br />

unfeigned. “He is the king of our kingless kingdom, the god of our godless universe.” She paused to

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