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“Some women are like that,” Rayley said, prodding his horse back into motion. “They look better<br />
from afar.”<br />
Trevor gave his own steed a gentle kick to the flanks. The horses had come courtesy of Brown’s own<br />
farm, since being a constable was no more than a part-time occupation in these small towns, and<br />
Trevor supposed he and Rayley had much to thank the man for. Who knows, perhaps in the process of<br />
retrieving Anne Arborton from her love nest, they might also find the sort of criminal evidence that<br />
would help Brown approach the Crown with a formal complaint on behalf of the village.<br />
As they neared the castle, Rayley saw two swans come into view, floating gently on the surface of the<br />
moat and he slowed his horse again to consider them.<br />
“Now that is quite lovely indeed,” Rayley said to Trevor, who had pulled up beside him. “They say<br />
swans mate for life, you know. An odd symbol for Hever, considering Anne Boleyn’s reputation for<br />
infidelity.”<br />
“Surely you don’t believe that,” Trevor said, his tone as sharp as if Rayley had condemned a personal<br />
friend. “The charges of adultery were trumped up so that Henry could be rid of her when she failed<br />
to give him a son.”<br />
“I meant no particular offense against the lady,” Rayley said. “After all, we are talking of a romance<br />
which soured more than three hundred years ago. Who among us living today can say if Queen Anne<br />
was unfairly accused?”<br />
“Well,” Trevor said, “at least she was thoroughly English.” His mind drifted back to the previous<br />
evening with Brown at the pub and how the man had insisted on calling the Boleyn family “the<br />
Bullens,” using their plain Kentish name rather than their affected French one. But the point was that<br />
Queen Anne’s family had been of farm stock, the salt of the earth, their roots as thoroughly British as<br />
those of the apple trees all around Trevor now. And that was what mattered at the end of the day.<br />
Rayley was surprised at Trevor’s reaction, for his friend was usually a bit of a prig. He would have<br />
assumed Trevor would be in greater sympathy with Catherine of Aragon, Henry’s devout but<br />
beleaguered first wife, who had been tossed aside for Boleyn. But of course, Trevor could also be a<br />
bit of a nationalist, so perhaps in his mind it was better to have an English-born whore on the throne<br />
than a foreign-born saint. The man could be morally confounding at times, very nearly selfcontradictory.<br />
And it furthermore occurred to Rayley, as he and Trevor remained paused in silence<br />
gazing down upon the walls of Hever, that the painter LaRusse Chapman was much like the monarch<br />
Henry VIII – taking one woman after another for his use, callously abandoning each when she failed<br />
to met his needs.<br />
“Emma says it’s haunted,” Trevor said abruptly.<br />
“By Anne Boleyn?”<br />
“Precisely. Legend claims you can see her at night, on a bridge. That oak one there, I should<br />
imagine, that crosses the moat. The young King Henry came here to pay suit to her, you know. It is<br />
where he proposed marriage, and they say that after her beheading, her spirit returned here,<br />
presumably to a place where she had once been happy.”