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Chapter Ten<br />

The Winter Palace – The Premiere Ballroom<br />

June 19, 1889<br />

3:45 PM<br />

“You fight me.”<br />

“I promise you that I do not.”<br />

The dance instructor dropped his hands from Emma’s waist and stepped back so that they stood<br />

for a moment in silence, each considering the other. She had never met a man quite like him.<br />

Eurasian, the term was. His straight black hair, pulled taut and knotted at the nape of his neck,<br />

certainly gave him an Oriental look, as did his high cheekbones and deep set brown eyes. But his<br />

height and pale skin were undeniably Russian. He told her he came from Siberia, that part of the map<br />

which lay between the finely-detailed countries of Europe and the blank empty expanse of Mongolia.<br />

His features, like the land, were a bit of a compromise.<br />

He frightened her. Or perhaps it was the waltz itself. When Emma told Trevor she knew how<br />

to waltz, she had anticipated a dance quite different from this. The English version of a waltz<br />

involved standing straight up, with the man bracing the woman at arm’s length, the two of them<br />

moving at a slow and measured pace through the shape of a box. She had not been in the ballroom of<br />

the Winter Palace for ten minutes before she realized that what Konstantin expected of her was<br />

something else indeed. Something swift, whirling, unpredictable in form and powerful in execution.<br />

The Russians claimed their women like they claimed everything else – hips thrust forward and in the<br />

pace of a gallop.<br />

“The imperial family,” Konstantin said, pointing to the balcony level, “sits there. Everything<br />

we do is to entertain them, so your face must be tilted upward. You know what this means?”<br />

“I must lean backwards.”<br />

A displeased toss of the head. “This is a myth, you know. The myth of the waltz. The woman<br />

does not actually lean back. It is a trick of the eye. I will show you. Come here.”

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