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committed by the same person, and that they are both designed to relay a message, albeit one we have<br />

yet to fully crack.”<br />

“Come now, Rayley, everyone in Russia is theatrical,” Emma said, setting down her cup with a<br />

careless clatter. “You’re right, if this crime took place in London, in a shop or a school or a hospital,<br />

the elaborate staging would be noteworthy. Some great clue to the killer’s mind. But these are<br />

Russians, and dancers, and revolutionaries, and what seems excessively dramatic to us is more or<br />

less the way they all think.”<br />

“So have we come to an impasse?” Trevor said, after a moment of silence. “Yet once again?”<br />

“Not at all,” Tom said. “I find your mention of the Scottish case most apt. It reminds us to<br />

question every assumption. There may be two killers afoot, and not one, and they may be connected<br />

to a joint cause or acting on completely different motivations. The murders may be less connected<br />

that they appear. Yulian may not have been the only member of the Volya to have infiltrated the<br />

palace.”<br />

“I find that last thought the most chilling,” Emma said. “For you’re quite right. If Yulian Krupin<br />

managed to dance his way through these iron gates and into close congress with the imperial family,<br />

there could be others.”<br />

“One other point,” Rayley mused. “Yulian had been part of the imperial ballet corps for nearly<br />

a year. Why was he killed now?”<br />

“Rayley is returning to his training,” Trevor said, nodding toward Tom and Emma. “When the<br />

Yard cannot discover why something has happened, we busy ourselves with the timeline, the ‘when’<br />

of the crimes. For the ‘when’ often leads us to the ‘why.’”<br />

“Perhaps Yulian’s killer only recently discovered his identity,” Tom said.<br />

“I think it’s more likely there’s some sort of ticking clock we aren’t aware of,” Rayley said.<br />

“Some upcoming event which is forcing the killer’s hand.”<br />

“Quite a few events are converging,” Emma said, her voice also slow and speculative. She<br />

seemed to be talking as much as ever and sifting through the discussion perfectly well, at least to<br />

Trevor’s point of view, and he wondered about this misty, distracted manner that both Tom and<br />

Rayley had commented upon. She certainly wasn’t showing it to him.<br />

“There is of course the great ball,” Emma was continuing. “And the customary closing of the<br />

Winter Palace just afterwards, so that the imperial court can retire to the coast. You might also argue

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