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Emma stepped toward Konstantin, wondering why she was so nervous. No one was there to<br />
witness her clumsiness. They were the only two people in the theater.<br />
He took her hand in his and pulled her close. “Flex your knees,” he said, “and push your hips<br />
into me. No, not straight in, not like that. You stand a little to the left of me. It is so we will not<br />
knock knees or step each on the other one’s feet.” Emma bent her knees and pushed her hips toward<br />
him. It was a most extraordinary position to be in and they were having an even more extraordinary<br />
conversation.<br />
“Now,” he said, “the woman remains to the left of the man during the entire dance to<br />
accommodate his sword, which hangs on his own left hip. I do not have a sword, but try to imagine.”<br />
He looked down at her, his eyes narrowing a bit over the bridge of his substantial nose. “If it is done<br />
correctly, there’s a bit of a hollow there, just right for you to slip into. No. Closer. You must not be<br />
so afraid. It is all very natural, is it not?”<br />
Was this natural? If so, why had she never felt it before?<br />
“So you see,” he said, when she had finally edged herself close enough for his satisfaction.<br />
“We are not bending the tops of our bodies away from each other, we are pushing the lower bodies<br />
closer to create that illusion. Keep your arms high, if you please. I do not want a drooping flower.”<br />
He turned her slightly to the left and then to the right but did not move his legs, which was a relief.<br />
Their four feet were so close that she was afraid if she moved even one of hers, she would topple.<br />
“I don’t think you understand. I have just arrived here. I am a stranger in your country and<br />
entered into this pageant at the last minute, as some sort of courtesy to the Queen. No one expects me<br />
to be good.”<br />
“Will you be dancing with me?”<br />
“Evidently.”<br />
“Then I expect you to be good. If you have finished talking, we shall now attempt to waltz.”<br />
We are all but fused, Emma thought. It is impossible to clang against each other when we start<br />
out so close, and I won’t lose him in the turn, and there’s some comfort in that, I suppose. They had<br />
only been working together for a few minutes and already she could tell her back would be sore when<br />
she climbed into bed tonight, and her legs exhausted from keeping her knees so unnaturally forward,<br />
wedged between his.<br />
But when Konstantin began to move, Emma could see at once the wisdom of this strange