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“Bravo, Davy,” said Trevor. “So they can. We have no idea who took the picture but<br />

presumably it was developed somewhere here at the palace. These people don’t leave for any reason<br />

at all, including birth, death, and everything that comes between. We simply must find where the<br />

photography is developed and see if the negative still exists.”<br />

“I shall do it, Sir,” said Davy.<br />

“And I shall go with him,” said Tom. “Four eyes are better than two and we may have to study<br />

the expanded image within the dark room.”<br />

“Good lads, for I” – and here Trevor paused to check his pocket watch – “am within minutes of<br />

my two o’clock audience with the Queen.”<br />

The Winter Palace – Ella’s Parlor<br />

2:02 PM<br />

“I am dreadfully sorry, Your Majesty,” Trevor said. “And may I extend my condolences to you<br />

as well, Your Imperial Highness.”<br />

He stood before the settee which held the Queen and a morose-looking Alix while Ella walked<br />

back and forth behind it, staring down at the rug and wringing her hands.<br />

“We do not understand how this might have happened,” the Queen said, perhaps slipping back<br />

into the royal “we” through agitation and perhaps simply speaking for both herself and her<br />

granddaughters. “You say she was found dressed in a stage costume? Why on earth should that be?”<br />

“We do not know for certain,” Trevor said, “but we imagine that the gypsy king costume is<br />

some sort of message. Perhaps things will become clearer when we have had the chance to interview<br />

the dancers and know whose costume it was and how the assailant might have come to possess it.”<br />

“I can save you the effort,” Ella said, still not meeting his gaze as she continued to pace. “The<br />

Gypsy King is a role played by Konstantin Antonovich in one of the sketches planned for the ball. I<br />

have seen him wear the costume in rehearsals many times. Everyone has.”

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