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Madison Museum of Contemporary Art, Winter 2016 newsletter

Current and upcoming exhibitions, recent acquisitions, museum events.

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MADISON MUSEUM<br />

OF CONTEMPORARY ART winter <strong>2016</strong>


EXHIBITIONS<br />

FRANK STELLA PRINTS<br />

A RETROSPECTIVE<br />

2<br />

Frank Stella, an American artist best known for his<br />

powerful metal-relief paintings and meticulous,<br />

innovative prints, was recognized in the early 1960s as<br />

an important proponent <strong>of</strong> the new geometric abstraction.<br />

In a career <strong>of</strong> over five decades, his art has evolved<br />

from minimalism toward greater complexity and exuberance<br />

<strong>of</strong> color, creating a body <strong>of</strong> work that established<br />

him as one <strong>of</strong> the most prominent abstract artists<br />

<strong>of</strong> our time.<br />

On view February 6 through May 22, Frank Stella<br />

Prints: A Retrospective is the first major overview <strong>of</strong> the<br />

artist's prints since 1982, and draws upon generous<br />

loans from the Jordan D. Schnitzer Collection and Jordan<br />

Schnitzer Family Foundation Collection. The Jordan<br />

Schnitzer Family Foundation is also the publisher<br />

<strong>of</strong> Frank Stella Prints: A Catalogue Raisonné, authored<br />

by MMoCA’s senior curator, Richard H. Axsom. Organized<br />

by MMoCA and traveling to museums across the<br />

country, this ambitious and career-spanning exhibition<br />

includes over 100 prints that demonstrate how Stella’s<br />

highly experimental endeavors opened up traditional<br />

print media to new possibilities.<br />

Stella began making prints in 1967. Since then<br />

he has produced over 300 editioned prints, primarily<br />

in collaboration with master printer Kenneth Tyler at<br />

Gemini G.E.L. and Tyler Graphics Ltd. In the beginning,<br />

Stella’s paintings directly informed his printmaking,<br />

as seen in Star <strong>of</strong> Persia II, a lithograph based on<br />

the Notched V Paintings <strong>of</strong> 1964–65. In the early 1980s,<br />

the prints, although still linked to the painting series,<br />

became larger scaled and increasingly independent in<br />

their imagery and incorporated actual scrap materials<br />

and methods from the paintings and prints into their<br />

production. New directions in Stella’s printmaking also<br />

included a complex use <strong>of</strong> intaglio printing, variously<br />

combining etching, relief, lithography, screenprinting,<br />

woodcut, and hand-coloring, resulting in prints <strong>of</strong>ten<br />

editioned on color-stained handmade paper. Pergusa<br />

Three (1983) dramatically reveals these shifts. In his<br />

later work, Stella continued to challenge the boundaries<br />

<strong>of</strong> artistic medium and imagery. The inclusion in the<br />

exhibition <strong>of</strong> a mixed-media painting makes evident the<br />

ways in which Stella's prints are forever entangled with<br />

the pictorial ideas and materiality <strong>of</strong> the paintings, metal<br />

reliefs, and sculptures.<br />

Stella’s titles are allusive and <strong>of</strong>ten add a haunting<br />

dimension to his richly layered art. They range<br />

in meanings from the historical, geographical, and<br />

political to the personal and literary, the latter reflecting<br />

the artist’s emerging interest in “abstract narration”<br />

in the 1980s. Each work in the The Moby Dick<br />

Prints series, for example, is named after a chapter


or section from Herman Melville , s magisterial novel.<br />

Steller’s Albatross (1977) is one <strong>of</strong> several prints from<br />

the Exotic Birds Series, whose titles poignantly name<br />

extinct and endangered birds.<br />

Frank Stella's dedication and imagination have<br />

shaped an artistic endeavor <strong>of</strong> singular achievement and<br />

perpetual invention. His abstraction has ranged from<br />

precise geometry to free and ebullient gesture, from<br />

stark black and gray to luminous color. He has created<br />

a body <strong>of</strong> work <strong>of</strong> remarkable dimension that encompasses<br />

solemnity and antic humor, the elegiac and the<br />

ecstatic. His reinvigoration <strong>of</strong> the expressive potential<br />

and power <strong>of</strong> abstraction remains his most pr<strong>of</strong>ound<br />

legacy. Stella’s prints recapitulate and expand upon the<br />

remarkable scope <strong>of</strong> his work in other media. They stand<br />

as an authentic index to the genius <strong>of</strong> his art.<br />

Support for Frank Stella Prints: A Retrospective has<br />

been made possible by a grant from the Jordan Schnitzer<br />

Family Foundation.<br />

Opening Reception<br />

Friday, February 5<br />

6–9 pm<br />

with a Lussier Family Lecture<br />

at 6:30 PM<br />

Frank Stella<br />

IN CONVERSATION WITH<br />

Jordan Schnitzer, print collector<br />

Kenneth Tyler, master printer<br />

Richard H. Axsom, MMoCA curator<br />

Stephen Fleischman, MMoCA director<br />

The lead corporate sponsor <strong>of</strong> the exhibition is<br />

BMO Private Bank.<br />

Generous support has also been provided by Sylvia<br />

Vaccaro; the Theda and Tamblin Clark Smith Family<br />

Foundation; Marc and Astrid Vaccaro; TravelWisconsin.<br />

com; the Steinhauer Charitable Trust; <strong>Madison</strong> Print Club;<br />

Peggy and Tom Pyle; Mildred and Marv Conney; National<br />

Guardian Life Insurance; Terry Haller; Sara Guyer and Scott<br />

Straus; Nancy Doll and Michael Bernhard; Perkins Coie<br />

LLP; Dane <strong>Art</strong>s with additional funding from the Evjue<br />

Foundation, charitable arm <strong>of</strong> The Capital Times; Hooper<br />

Corporation/General Heating & Air Conditioning; RSM;<br />

a grant from the Wisconsin <strong>Art</strong>s Board with funds from the<br />

State <strong>of</strong> Wisconsin and National Endowment for the <strong>Art</strong>s;<br />

and MMoCA Volunteers.<br />

EXHIBITIONS<br />

COVER: Frank Stella, Pergusa Three, TP II, from Circuits, 1983. Relief and woodcut on white TLG, handmade, hand-colored paper, 66 x 52 inches. Collection<br />

<strong>of</strong> Jordan D. Schnitzer. © <strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS), New York. OPPOSITE TOP: Frank Stella, Extracts, from Moby Dick Deckle Edges,<br />

1993. Lithograph, etching, aquatint, relief, and screenprint on white TGL, handmade paper, 34 ½ x 42 ¾ inches. National Gallery <strong>of</strong> Australia, Canberra.<br />

Purchased with the assistance <strong>of</strong> the Orde Poynton Fund 2002. © <strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS), New York. THIS PAGE TOP: Frank<br />

Stella, Star <strong>of</strong> Persia II, from Star <strong>of</strong> Persia Series, 1967. Lithograph on English Vellum graph paper, 26 x 31 inches. Collection <strong>of</strong> the Jordan Schnitzer Family<br />

Foundation. © <strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS), New York. THIS PAGE BOTTOM: Frank Stella, Steller’s Albatross, from Exotic Bird Series,<br />

1977. Lithograph, screenprint on white Arches 88 mould-made paper, 33 7 /8 x 44 7 /8 inches. National Gallery <strong>of</strong> Australia, Canberra. Purchased 1979. ©<br />

<strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS), New York.<br />

3


EXHIBITIONS<br />

Curious Worlds: The <strong>Art</strong> <strong>of</strong> Ellen Lanyon<br />

4<br />

Drawing from its strong holdings in the expressive,<br />

figurative art <strong>of</strong> the Chicago School, MMoCA<br />

presents an exhibition <strong>of</strong> paintings and prints by Ellen<br />

Lanyon, a key figure in Chicago’s artistic community.<br />

On view through April 17, Curious Worlds: The <strong>Art</strong> <strong>of</strong><br />

Ellen Lanyon focuses primarily on works from Lanyon’s<br />

Magic Period, an artistic phase that marked an important<br />

shift in her style and subject matter.<br />

In the late 1960s, Lanyon began to find inspiration<br />

in her personal collection <strong>of</strong> curios and decorative<br />

objects. In a unique blend <strong>of</strong> realism and surrealism, she<br />

created fantastical still lifes that juxtapose illustrations <strong>of</strong><br />

her eclectic collectables with imagery <strong>of</strong> a resplendent<br />

nature filled with birds, rabbits, amphibians, reptiles,<br />

and insects. Seemingly imbuing her compositions with<br />

metaphysical powers, Lanyon <strong>of</strong>ten animated the inanimate,<br />

depicting her objects as though they could come<br />

alive and interact in unexpected ways with a multitudinous<br />

animal world.<br />

Lanyon’s subject matter underwent another evolution<br />

in 1976, the year she received a commission from<br />

the U.S. Department <strong>of</strong> the Interior to document wildlife<br />

in the Everglades and create a painting for America ’76, a<br />

bicentennial exhibition. In her own words, she was “awakened<br />

to the environmental crisis,” an experience that led<br />

to an increasing focus on flora and fauna. As her work<br />

continued to progress, she brought together flowers and<br />

machines in nocturnal settings, as seen in the painting<br />

Arabian Nights (1998). Mayflies hover over a bed <strong>of</strong> irises<br />

and cavort around what appears to be a vintage candlestick<br />

telephone, oddly without its headset. Are they mesmerized<br />

by a story broadcast from the mouthpiece, much<br />

as the sultan was by the magical tales <strong>of</strong> Schérazade that<br />

were gathered in the folkloric compilation known as The<br />

Arabian Nights? As with her other works, in this painting<br />

Lanyon reflects an uncanny sense <strong>of</strong> transformation, <strong>of</strong> a<br />

continuously surprising world around us that the artist<br />

poeticizes and imbues with the mythic.<br />

Although not linked to the Monster Roster <strong>of</strong> the<br />

postwar period or the Imagists who dominated the later<br />

1960s and 70s, Lanyon was likewise drawn to eccentric<br />

figuration, the fantastical, and Surrealism. Referring to<br />

her works as “dreamscapes,” Lanyon said <strong>of</strong> her art: “The<br />

putting together <strong>of</strong> a visual poetry is intended to be independent.<br />

It stems from and hopes to speak to private<br />

regions <strong>of</strong> the intellect—that landscape <strong>of</strong> day and night<br />

dreams where symbolism liberates itself from textbooks<br />

and develops an autonomous and unique intensity.”<br />

ABOVE: Ellen Lanyon, Arabian Nights, 1998. Acrylic on canvas, 44 x 52 inches. Collection <strong>of</strong> the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>. Gift from<br />

the Estate <strong>of</strong> Ellen Lanyon. OPPOSITE PAGE, TOP LEFT: Claire Stigliani: Drawing, 2015. Acrylic, colored pencil, and wax on rice paper, 19 x 25<br />

inches. OPPOSITE PAGE, TOP RIGHT: William Kentridge: Felix in Exile, 1994. Still from 35mm film transferred to video. Collection <strong>of</strong> <strong>Museum</strong> <strong>of</strong><br />

<strong>Contemporary</strong> <strong>Art</strong>, Chicago, Gift <strong>of</strong> Susan and Lewis Manilow. Courtesy <strong>of</strong> the artist and Marian Goodman Gallery. OPPOSITE PAGE, BOTTOM:<br />

Warrington Colescott, Death in Venice: A Frightful Dream, from the portfolio Death in Venice, 1971. Etching, 12 x 16⅜ inches (image size). Collection<br />

<strong>of</strong> the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>. <strong>Museum</strong> Purchase, in memory <strong>of</strong> Lois Hartshorne.


Claire Stigliani<br />

William Kentridge<br />

EXHIBITIONS<br />

In May, <strong>2016</strong>, MMoCA will open an exhibition featuring<br />

work by Claire Stigliani, a Brooklyn-based artist<br />

and UW-<strong>Madison</strong> <strong>Art</strong> Department alum. Stigliani<br />

is known for her mixed-media drawings that fuse references<br />

to fairytales, personal iconography, and pop culture<br />

to interrogate contemporary notions <strong>of</strong> femininity.<br />

For her show at MMoCA, the artist is combining drawing,<br />

collage, painting, sculpture, and video to present<br />

semi-autobiographical stories, all <strong>of</strong> which probe more<br />

deeply into the psychological longing and latent sexuality<br />

that underpin her established practice.<br />

In a style that is as whimsically clumsy is as it is<br />

exuberantly complex, Stigliani develops hybrid narratives—voyeuristic<br />

scenes that blur fiction and reality.<br />

Often depicting herself within the deeply layered compositions,<br />

dioramas, and videos, she becomes a reoccurring<br />

character who plays out the artist’s own struggles<br />

with navigating the uncertain relationship between<br />

power and vulnerability, desire and innocence. As such,<br />

the spaces she creates within her work become places<br />

where she can safely transgress the real life limitations<br />

surrounding expectations <strong>of</strong> gender, sexuality, and class.<br />

Stigliani’s work exudes an innocent authenticity while at<br />

the same time reveling in the dualities <strong>of</strong> life.<br />

From January 22 through April 24, <strong>2016</strong>, MMoCA<br />

will present two films by South African artist<br />

William Kentridge. On loan from the <strong>Museum</strong> <strong>of</strong><br />

<strong>Contemporary</strong> <strong>Art</strong> Chicago, Felix in Exile (1994) and<br />

History <strong>of</strong> the Main Complaint (1996) are the fifth and<br />

sixth works, respectively, in Kentridge’s animated film<br />

series titled 9 Drawings for Projection, which address<br />

the history <strong>of</strong> South Africa's shift from apartheid to<br />

post-apartheid society.<br />

Set in the ravaged landscape south <strong>of</strong> Johannesburg,<br />

the films depict the ongoing racial inequalities <strong>of</strong><br />

contemporary life, while also reflecting on the human<br />

condition—the psychological traumas that remain as<br />

vestiges <strong>of</strong> South Africa’s devastating sociopolitical past.<br />

Kentridge created both works by photographing his<br />

charcoal and pastel drawings with 35 mm film. Each<br />

scene is comprised <strong>of</strong> a drawing he continuously altered<br />

by erasing and layering with new imagery. Traces <strong>of</strong><br />

the drawing’s successive stages remain, functioning as<br />

a physical reminder <strong>of</strong> Kentridge’s theme <strong>of</strong> individual<br />

and collective memory.<br />

Generous support has been provided by Nancy<br />

Gross, Raven S<strong>of</strong>tware, and Hiebing.<br />

Warrington Colescott<br />

T<br />

he exhibition Death in Venice: Warrington Colescott<br />

and Thomas Mann is on view through<br />

April 17. A leading American printmaker and satirist,<br />

Colescott reflects his own personal response to<br />

Mann's dark narrative in his illustrations for a deluxe<br />

livre d’artiste. The exhibition brings together the preparatory<br />

material and sketches, vibrant color prints as<br />

well as dramatic monochromatic versions.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established by<br />

the Pleasant T. Rowland Foundation.<br />

5


EDUCATION PROGRAMS AND EVENTS<br />

6<br />

Friday, February 5, 6:30–7:30 pm<br />

Lecture hall<br />

Frank Stella: A Conversation<br />

Characterized by art critic Robert<br />

Hughes as “one <strong>of</strong> the great<br />

partnerships in modern American<br />

<strong>Art</strong>,” Frank Stella’s and master printer<br />

Kenneth Tyler’s collaboration exemplified<br />

the artist’s drive to continuously<br />

experiment and innovate, and opened<br />

up traditional print media to new possibilities.<br />

MMoCA director Stephen Fleischman<br />

will be joined by Stella, Tyler,<br />

MMoCA curator Richard H. Axsom,<br />

and print collector Jordan Schnitzer in<br />

a conversation about the artist’s prints.<br />

The talk is free for MMoCA members/$10<br />

MMoCA Nights admission<br />

for non-members. Overflow viewing will be provided.<br />

Thursday, March 3, 1–1:45 pm • Main galleries<br />

Cause and Effect: Frank Stella’s Prints<br />

Frank Stella’s inventive explorations <strong>of</strong> the<br />

boundaries <strong>of</strong> printmaking will be examined<br />

by artist John Hitchcock.<br />

John Hitchcock is a pr<strong>of</strong>essor in the UW-<strong>Madison</strong><br />

art department where he teaches printmaking<br />

and installation art.<br />

Thursday, March 10, 1–2 pm • Main galleries<br />

What You See Isn't All You See:<br />

Frank Stella and Abstract Narration<br />

Richard H. Axsom, MMoCA's senior curator and<br />

organizer <strong>of</strong> the exhibition, will discuss Frank<br />

Stella's turn to narrative themes in the early 1980s. In<br />

his earlier abstract work, Stella disavowed any literary<br />

content and emphasized the expressive power <strong>of</strong> pure<br />

shape and color—famously declaring “What you see<br />

is what you see.” In later series, however, notably Illustrations<br />

after El Lissitzky's Had Gadya, Italian Folktales,<br />

and The Moby Dick Prints series, he began to explore<br />

the potentials <strong>of</strong> “abstract narration.” Dr. Axsom will<br />

discuss what this means, how it is visualized in Stella's<br />

prints, and its great influence on contemporary art.<br />

Education programs at<br />

MMoCA are free<br />

except where noted.<br />

Talks and Tours<br />

Friday, March 11, 6:30–7 pm • Main galleries<br />

Frank Stella’s Moby Dick<br />

TL Solien will discuss Frank Stella’s The Moby Dick<br />

Prints series, in which the artist continued his innovative<br />

experiments with form, imagery, and process, incorporating<br />

motifs from Hermann Melville’s epic novel.<br />

TL Solien is pr<strong>of</strong>essor <strong>of</strong> art at the UW-<strong>Madison</strong><br />

whose recent work has explored Melville’s Moby-Dick<br />

alongside Sena Jeter Naslund’s revisionist book, Ahab’s<br />

Wife: Or, The Star Gazer.<br />

Friday, April 8, 6:30–7:30 pm • Lecture hall<br />

Cesar Pelli: In Conversation<br />

In celebration <strong>of</strong> the 10-year anniversary <strong>of</strong> the iconic<br />

MMoCA building, its architect returns to <strong>Madison</strong>.<br />

Join us for a rare opportunity to hear internationally recognized<br />

and celebrated architect Cesar Pelli in dialogue<br />

with MMoCA director Stephen Fleischman.<br />

The talk is free for MMoCA members/$10<br />

MMoCA Nights admission for non-members. Reserve<br />

seating will open first to members. Overflow viewing<br />

will be provided.<br />

Saturday, April 9, 1–1:30 pm • Main galleries<br />

Italian Folktales<br />

Join Pr<strong>of</strong>essor Ernesto Livorni in a lively discussion <strong>of</strong><br />

the literary references in Frank Stella’s Italian Folktales<br />

series, which was inspired by and named after Italo<br />

Calvino’s collection <strong>of</strong> Italian folk stories.<br />

Ernesto Livorni teaches in the UW-<strong>Madison</strong><br />

department <strong>of</strong> French and Italian as well as Comparative<br />

Literature and Folklore Studies. His research<br />

includes modern and contemporary Italian literature,<br />

avant-garde literature and the visual arts, literary theory<br />

and criticism, and cultural studies.


Thursday, April 21, 1–1:30 pm • Main galleries<br />

Frank Stella and the Had Gadya<br />

What is the history <strong>of</strong> the Passover Seder? Was this<br />

the last meal that Jesus ate? What is the meaning<br />

<strong>of</strong> the Passover song Had Gadya? Why is modern<br />

matzah <strong>of</strong>ten square? Come hungry to learn the answers<br />

to these, and other, questions!<br />

Jordan Rosenblum is associate pr<strong>of</strong>essor the UW-<br />

<strong>Madison</strong> Department <strong>of</strong> Hebrew and Semitic Studies<br />

where he teaches courses on Rabbinic Judaism, Biblical<br />

Interpretation, and Food and Religion, among other<br />

subjects.<br />

Drop-In Tours<br />

Drop by MMoCA for lively and informal discussions<br />

about the museum’s exhibitions and Cesar<br />

Pelli-designed building. The tours are free and depart<br />

from the museum’s lobby.<br />

Saturday, February 13 • 12–12:30 pm<br />

Frank Stella Prints: A Retrospective with<br />

docent David Griffeath<br />

Saturday, March 12 • 12–12:30 pm<br />

Curious Worlds: The <strong>Art</strong> <strong>of</strong> Ellen Lanyon with<br />

docent Patricia Carlson<br />

Saturday, April 9 • 12–12:45 pm<br />

MMoCA Behind-the-Scenes: An Architectural Tour<br />

with Ralph Jackson, Flad & Associates<br />

3–3:30 pm<br />

Frank Stella Prints: A Retrospective with<br />

docent Gil Hillman<br />

Sunday, April 10 • 12–12:30 pm<br />

Curious Worlds: The <strong>Art</strong> <strong>of</strong> Ellen Lanyon with<br />

docent Beckie <strong>Art</strong>os<br />

3–3:30 pm<br />

Frank Stella Prints: A Retrospective with<br />

docent Bob Leschke<br />

Celebrate MMoCA's<br />

Anniversaries<br />

10 years in the iconic<br />

building on State Street.<br />

115 years serving <strong>Madison</strong>.<br />

Friday, April 8–Sunday, April 10<br />

<strong>2016</strong> marks the 115th anniversary <strong>of</strong> MMoCA's<br />

founding in 1901 and the 10th year in its Cesar<br />

Pelli-designed facility, which was the gift <strong>of</strong><br />

Jerome Frautschi. The weekend-long celebration<br />

will include a special MMoCA Nights reception,<br />

tours, and family activities.<br />

MMoCA Nights<br />

Friday, April 8 from 6–11 pm<br />

6:30 pm conversation with Cesar Pelli<br />

Look for details about priority reservations for<br />

members in MMoCA Notes emails. Sign up for<br />

emails at mmoca.org.<br />

Poetry Speaks: An Open Call<br />

Friday, April 8 through Sunday, April 10<br />

To celebrate MMoCA's anniversaries, poets are<br />

invited to submit works that animate, celebrate,<br />

and deliberate on the value <strong>of</strong> the arts to a community.<br />

Sara Sadie Busse and Wendy Vardaman,<br />

<strong>of</strong> Cowfeather Press and <strong>Madison</strong>'s fourth Poets<br />

Laureate, will select poems for presentation.<br />

For more information go to mmoca.org.<br />

Poetry Speaks: An Open Call continues MMoCA’s<br />

long-standing commitment to highlighting the<br />

connections between visual art and poetry.<br />

EDUCATION PROGRAMS AND EVENTS<br />

OPPOSITE PAGE: Frank Stella, La penna di hu, from Italian Folktales, 1988. Relief, etching, woodcut, screenprint, stencil, hand-coloring on<br />

handmade paper, 55½ x 66 inches. Collection <strong>of</strong> the Jordan Schnitzer Family Foundation. © <strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS),<br />

New York. THIS PAGE: Frank Stella, Swan Engraving Square I, from Swan Engravings series, 1982. Etching on white TGL, handmade paper, 53½<br />

x 51 inches. National Gallery <strong>of</strong> Australia, Canberra. Purchased with the assistance <strong>of</strong> the Orde Poynton Fund 2002. © <strong>2016</strong> Frank Stella /<br />

<strong>Art</strong>ists Rights Society (ARS), New York.<br />

7


EDUCATION PROGRAMS AND EVENTS<br />

Free Family Resources<br />

Kids' <strong>Art</strong> Adventures<br />

Kids’ <strong>Art</strong> Adventures invite families to make art together in MMo-<br />

CA’s classroom following guided discussions <strong>of</strong> art on view in the<br />

museum’s exhibitions. Six- to ten-year-olds and their families should<br />

meet promptly at 1 pm in MMoCA’s lobby; children must be accompanied<br />

by an adult. Space at Kids’ <strong>Art</strong> Adventures is limited to thirty<br />

children.<br />

Sunday, February 14, 1–2:30 pm<br />

Help raise awareness <strong>of</strong> extinct animals by memorializing them in an<br />

abstract collage. We’ll take inspiration from Frank Stella’s Exotic Bird<br />

Series, in which the artist created colorful abstractions <strong>of</strong> endangered<br />

and extinct birds. In the workshop, choose your animal from a list <strong>of</strong><br />

recently extinct species, and study their defining features. Then, make<br />

a Stella-inspired abstract collage to help keep that unique animal in our<br />

collective memory.<br />

Sunday, March 13, 1–2:30 pm<br />

Imagine a nighttime dreamscape and bring your surreal creation to life<br />

with watercolors and glow in the dark paint! Explore the magical flora<br />

and fauna in Ellen Lanyon’s painting, Arabian Nights, then create your<br />

own surrealist work inspired by her “curious worlds.”<br />

Learning Centers<br />

MMoCA's Learning Centers<br />

<strong>of</strong>fer families a variety <strong>of</strong> fun<br />

and engaging resources for exploring<br />

MMoCA’s exhibitions. Children’s books<br />

and a range <strong>of</strong> kid-friendly activities promote<br />

imaginative play inspired by works<br />

<strong>of</strong> art. Learning Centers are available for<br />

Frank Stella Prints: A Retrospective and<br />

Death in Venice: Warrington Colescott and<br />

Thomas Mann.<br />

Families may also use the<br />

MMoCAkids <strong>Art</strong>Pack, a shoulder bag<br />

filled with a flexible set <strong>of</strong> interactive<br />

creativity tools for use in the galleries<br />

and at home.<br />

American Family Insurance<br />

is the Presenting Sponsor <strong>of</strong><br />

MMoCA’s Free Family Resources.<br />

Sunday, April 10, 1–2:30 pm<br />

Check out the expressive and colorful compositions in Frank Stella’s<br />

Imaginary Places series, and learn how the artist used many different<br />

creative processes to create a single artwork. Then, dream up your<br />

own imaginary place and create a three-dimensional collagraph print<br />

inspired by Stella’s visual language.<br />

8<br />

MMoCAkids <strong>Art</strong>Pack<br />

Stop by the museum’s lobby welcome desk and ask for the MMoCAkids<br />

<strong>Art</strong>Pack, the museum’s hands-on discovery kit for exploring art. Inside,<br />

find a special art activity designed for Frank Stella Prints: A Retrospective.


Save the date for two upcoming MMoCA Nights celebrations.<br />

MMoCA Nights are held in conjunction<br />

with exhibition openings, film screenings, and other<br />

special events. The evenings feature music, seasonal hors<br />

d’oeuvres from Fresco, a cash bar, and engaging visual<br />

art programs.<br />

MMoCA Nights are sponsored by Newcomb Construction<br />

Company and The Alexander Company with<br />

additional support from Fresco and media support from<br />

Isthmus.<br />

Photography © Robert Stebler.<br />

MMoCA Nights<br />

Friday, February 5, <strong>2016</strong> • 6–9 pm<br />

Frank Stella has created a significant body <strong>of</strong> abstract<br />

art for over 50 years, and at this MMoCA Nights celebration<br />

guests will view the artist’s first major print<br />

retrospective since 1982. Beginning at 6 pm, guests<br />

may view Frank Stella Prints: A Retrospective in the<br />

main galleries. At 6:30 pm, Frank Stella will be in conversation<br />

with MMoCA director Stephen Fleischman,<br />

master printer Kenneth Tyler, MMoCA senior curator<br />

Richard H. Axsom, and art collector Jordan Schnitzer.<br />

Guests will be treated to live music from Brandon<br />

Beebe and passed hors d’oeuvres in the lobby.<br />

Free for MMoCA members/ $10 for non-members.<br />

To reserve a seat in the lecture hall, please RSVP at<br />

mmoca.org/events/mmoca-nights. Seating is open first<br />

to MMoCA members. Overflow viewing <strong>of</strong> the Stella<br />

talk will be provided.<br />

Experience MMoCA after-hours at Under the<br />

Influence on Thursday, February 11. Begin the evening<br />

with a brief discussion <strong>of</strong> works in Death in Venice:<br />

Warrington Colescott and Thomas Mann in MMoCA’s<br />

Henry Street Gallery. Then, move to the museum’s<br />

education workshop to enjoy selected food and beverage<br />

pairings from Fresco as you create your very own<br />

masterpiece, influenced by the works you’ve just seen.<br />

Doors open at 6:00. Program begins at 6:30. Supplies<br />

for Under the Influence are generously donated by <strong>Art</strong>ist<br />

& Craftsman Supply. For more information, please<br />

visit mmoca.org/undertheinfluence or contact Kaitlin<br />

at 608.257.0158 x224 or kaitlin@mmoca.org.<br />

Mark your calendars for the <strong>2016</strong> series:<br />

February 11<br />

May 12<br />

August 11<br />

Under the Influence<br />

Death in Venice: Warrington Colescott<br />

and Thomas Mann<br />

Frank Stella Prints: A Retrospective<br />

TBD<br />

November 10 <strong>2016</strong> Wisconsin Triennial<br />

Gallery Night<br />

PROGRAMS AND EVENTS<br />

Friday, April 8, <strong>2016</strong> • 6–11 pm<br />

<strong>2016</strong> marks the 115th anniversary <strong>of</strong> its founding and<br />

the 10th year in its Cesar Pelli-designed home. As a part<br />

<strong>of</strong> its anniversary celebrations, MMoCA will host a special<br />

MMoCA Nights event this spring. The evening will<br />

culminate with a not-to-be-missed discussion with internationally<br />

recognized and celebrated architect Cesar<br />

Pelli, and MMoCA director Stephen Fleischman. Guests<br />

can explore four exhibitions, and enjoy music, hors<br />

d’oeuvres, behind-the-scenes tours, and more.<br />

Free for MMoCA members / $10 for non-members.<br />

Look for details about priority reservations for members<br />

in MMoCA Notes emails.<br />

Friday, May 6, <strong>2016</strong> • 5–9 pm<br />

Showcasing the city's vibrant arts community, Gallery<br />

Night is a long-time <strong>Madison</strong> tradition. Organized<br />

each spring and fall by MMoCA, Gallery Night <strong>of</strong>fers art<br />

lovers and art novices alike an opportunity to enjoy a wide<br />

variety <strong>of</strong> exhibitions, receptions, special events, demonstrations,<br />

and refreshments at venues throughout the city.<br />

Gallery Night is sponsored by The Roman Candle and<br />

Isthmus.<br />

Under the Influence and Gallery Night photography © Tom Klingele.<br />

9


PROGRAMS AND EVENTS<br />

Design MMoCA<br />

Guests enjoying the Design MMoCA Preview Gala 2014.<br />

Photography © Amandalynn Jones.<br />

The<br />

museum<br />

will host<br />

the fifth biennial<br />

Design MMoCA<br />

from April 30–<br />

May 8, <strong>2016</strong>. This<br />

event gives designers<br />

from a variety<br />

<strong>of</strong> disciplines the<br />

power to break free<br />

from routine and<br />

produce one-<strong>of</strong>-akind<br />

design installations<br />

inspired by<br />

works from the<br />

museum’s permanent<br />

collection.<br />

See how these creative pr<strong>of</strong>essionals use the museum’s<br />

art to influence their thinking and push themselves to<br />

Break the Pattern.<br />

Installations created by Design MMoCA participants<br />

will be on view in the museum’s galleries and lobby<br />

for 9 days, open free to the public. During the event,<br />

the museum will also host a variety <strong>of</strong> related activities,<br />

including a public<br />

meet-and-greet with the<br />

designers, gallery talks,<br />

and more.<br />

Past participants<br />

have created a wide<br />

variety <strong>of</strong> installations<br />

including rich interior<br />

spaces, interactive<br />

digital design projects,<br />

and products—real<br />

and imagined—from<br />

industrial design firms.<br />

The <strong>2016</strong> Design<br />

MMoCA participants<br />

represent the disciplines<br />

<strong>of</strong> architecture,<br />

landscape architecture, and interior, graphic, industrial,<br />

fashion, and textile design. Participants include Ayres<br />

Associates; Chapa Design + TheoryThree Interactive;<br />

Credo; Cricket Design Works; Design Concepts,<br />

Inc.; Jordan D. Gehman; Karina Cutler-Lake; Mali<br />

Mrozinski; OPN Architects; Strang, Inc.; Wei Dong;<br />

Yeonhee Cheong; and Yifei Zha + Kyle Neuser.<br />

Bus Trip<br />

April 30, 7:30 am–8 pm<br />

Save the date for a trip to Chicago with MMoCA.<br />

Join us for a day in the Windy City as we travel<br />

to the <strong>Art</strong> Institute <strong>of</strong> Chicago and<br />

the <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong><br />

to view exciting new exhibitions.<br />

For more information, visit mmoca.org<br />

Visit Chicago with MMoCA!<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

10<br />

Photography © Robert Stebler.


MMoCA’s corporate members – known as the MMoCA Business Council – support a vibrant community by<br />

contributing to museum exhibitions, education programs, and ongoing operations. With these important<br />

contributions, MMoCA can <strong>of</strong>fer compelling, thought-provoking programming – and Business Council members<br />

become known as generous community leaders. For information on corporate membership and its many benefits,<br />

contact Elizabeth Tucker at elizabeth@mmoca.org or 608.257.0158 x245. MMoCA thanks the following businesses<br />

for their generous lead support over the last year:<br />

Benefactors<br />

Ajenda Interactive Media<br />

American Family Insurance<br />

BioSentinel, INC.<br />

BMO Private Bank<br />

CUNA Mutual Group<br />

Eugenie Mayer Bolz Family<br />

Foundation<br />

Flad Architects<br />

Hiebing<br />

J.H. Findorff & Son Inc.<br />

<strong>Madison</strong> Community Foundation<br />

<strong>Madison</strong> Magazine<br />

<strong>Madison</strong> Print Club<br />

Michael Best & Friedrich LLP<br />

MMoCA Volunteers<br />

National Endowment for the <strong>Art</strong>s<br />

National Guardian Life Insurance<br />

Nimick Forbesway Foundation<br />

Perkins Coie, LLP<br />

Pleasant T. Rowland Foundation<br />

Promega Corporation<br />

Raven S<strong>of</strong>tware<br />

Steinhauer Charitable Trust<br />

W. Jerome Frautschi Foundation<br />

Whyte Hirschboeck Dudek S.C.<br />

Sponsors<br />

Affiliated Engineers<br />

The Alexander Company<br />

American Transmission Company<br />

<strong>Art</strong>ful Home<br />

Brava Magazine<br />

The Century House<br />

CYC Fitness<br />

Dane <strong>Art</strong>s<br />

The Evjue Foundation, Inc., the<br />

charitable arm <strong>of</strong> The Capital<br />

Times<br />

Faith Technologies<br />

Great Dane Pub & Brewing<br />

Company<br />

Habush, Habush & Rottier S.C.<br />

Ho-Chunk Gaming <strong>Madison</strong><br />

ImagesPlus<br />

Isthmus<br />

MG&E Foundation<br />

maiahaus<br />

Mid-West Family Broadcasting<br />

MillerCoors<br />

MINI <strong>of</strong> <strong>Madison</strong><br />

Newcomb Construction Company<br />

On the Avenue Marketing<br />

Pepsi Cola <strong>of</strong> <strong>Madison</strong><br />

Phillips Distributing Corporation<br />

Reinhart Boerner Van Deuren<br />

Staff Electric Co., Inc.<br />

Summit Credit Union<br />

Venture Investors, LLC<br />

MMoCA’s Business Council<br />

Webcrafters-Frautschi Foundation,<br />

Inc.<br />

Wildwood Productions<br />

WISC-TV3 and Channel3000.com<br />

Wisconsin <strong>Art</strong>s Board<br />

Wisconsin Public Radio<br />

Wisconsin State Journal<br />

WKOW 27<br />

Leaders<br />

Access Information Management<br />

Associated Bank<br />

Capital Newspapers<br />

Cricket Design Works, Inc.<br />

Culver's VIP Foundation<br />

The Cummings Christensen<br />

Family Foundation<br />

Design Concepts<br />

Dines Incorporated<br />

Domain Apartments<br />

Double Tree by Hilton <strong>Madison</strong><br />

Food Fight Restaurant Group<br />

Hooper Corporation—General<br />

Heating & Air Conditioning<br />

Johnson Bank<br />

Roman Candle<br />

RSM<br />

Smith & Gesteland, LLP<br />

Terry Family Foundation<br />

Think Ink & Design<br />

US Bank<br />

Whole Foods Market<br />

Wisconsin Lottery<br />

Woodman’s Food Markets<br />

Yelp <strong>Madison</strong><br />

Partners<br />

Aveda Institute <strong>Madison</strong><br />

Atmosphere Commercial Interiors<br />

Axley Brynelson<br />

Bicycle Federation <strong>of</strong> Wisconsin<br />

The Capital Times Kids Fund<br />

Colony Brands, Inc.<br />

Custer Financial Services<br />

DeWitt Ross and Stevens<br />

Econoprint<br />

First Business Bank<br />

Fiskars Brands Inc.<br />

Future Foam<br />

GMA Engineers<br />

Hausmann Johnson Insurance<br />

Klein Dickert Company<br />

Knothe & Bruce Architects<br />

Knox Family Foundation<br />

Lycon<br />

M3 Insurance<br />

<strong>Madison</strong> <strong>Art</strong>s Commission<br />

Metcalfe's Market<br />

Milwaukee Value Company<br />

RBC Wealth Management<br />

The Rock Agency<br />

Sara Investment Realty<br />

Sport & Spine Clinic<br />

Tom McInvaille Photography<br />

Total Administrative Services<br />

Corporation<br />

Urban Land Interests<br />

UW-<strong>Madison</strong> Department <strong>of</strong><br />

Vue Apartments<br />

Wisconsin Chamber Orchestra<br />

Zebradog<br />

Special Project<br />

Underwriters<br />

Amajor anonymous gift continues<br />

to support the museum’s<br />

free admission policy. A major<br />

gift from the Nimick Forbesway<br />

Foundation supports the museum’s<br />

general operations.<br />

American Family Insurance<br />

is the Presenting Sponsor <strong>of</strong> all <strong>of</strong><br />

MMoCA’s Free Family Programs and<br />

School Programs.<br />

Brand strategy and design support<br />

is contributed by Hiebing.<br />

Design and technical guidance for<br />

MMoCA’s website, mmoca.org, is<br />

donated by Ajenda Interactive Media.<br />

Private Events<br />

<strong>Art</strong>ful dinners. Stylish celebrations.<br />

Refined receptions.<br />

Elegant weddings.<br />

MMoCA is the perfect place to<br />

host your next event. With<br />

gorgeous spaces such as the lobby and<br />

the ro<strong>of</strong>top sculpture garden as well as<br />

an elegant and high-tech lecture hall,<br />

MMoCA discounted rental rates are<br />

available for Langer Society members,<br />

Business Council members, and nonpr<strong>of</strong>it<br />

groups.<br />

Contact Bob Sylvester at<br />

bob@mmoca.org for more information.<br />

MEMBERSHIP AND GIVING<br />

11


MEMBERSHIP AND GIVING<br />

12<br />

MMoCA Board<br />

<strong>of</strong> Trustees<br />

Officers<br />

Jim Yehle, President<br />

Joe Alexander, Vice-President<br />

Jan DeAtley, Vice-President<br />

Jason Knutson, Vice-President<br />

Kathie Nichols, Secretary<br />

John Sylla, Treasurer<br />

Trustees<br />

Eric Barber<br />

Elizabeth Barden<br />

Marian Bolz, Life Trustee<br />

Karen Christianson<br />

Charlotte Cummins<br />

Tami Dodge<br />

John Fritsch<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Chair, The Langer Society<br />

Rick Phelps<br />

Margaret Pyle<br />

JoAnne Robbins<br />

John Ronzia<br />

Ellen Rosner<br />

Katie Howarth Ryan<br />

John Sims<br />

Leslie Smith III<br />

Sylvia Vaccaro<br />

Marc Vitale<br />

Kathleen Woit<br />

New Langer Society<br />

Members<br />

August 1–November 30, 2015<br />

Sarah Balgord and<br />

Matthew Stran<br />

Fred Behrens and Amy Papsun<br />

Frank Bendewald and<br />

Madelaine DeWinkel<br />

Lauri Beranek and<br />

Samy Desouky<br />

Allison and Alec Budzinski<br />

Marie Bush<br />

Christine Caneba and<br />

John Dibb<br />

Carla Dillman and Greg Wold<br />

Sonja and Charles Durkee<br />

Lexie Garber and Tom Kallio<br />

Wendy Johnson and<br />

Aaron Gilson<br />

Elizabeth Koller and Matt Kalua<br />

Andrew Licht and<br />

Stephanie Kreuser<br />

Tsubasa Matsui and<br />

Austen Chase<br />

Nina Spelter and Alex Kress<br />

Isabelle Spotts and<br />

Benjamin Lisser<br />

Megan Tenboer and Craig Trost<br />

Wendy Weiler and Avery Erb<br />

Kimber Wilkerson and<br />

Craig Berridge<br />

Taylor Zientara and<br />

Sultan Ahmed<br />

New Regular Members<br />

August 1–November 30, 2015<br />

Faisal Abdu’Allah, Adan Abu-Hakmeh, Julio Angeles and Rachel Castillo, Will<br />

Anzenberger, Jane Bartell, Marilyn Bazinski, Amanda Bender, Katy Berggruen,<br />

Aris Blevins and Ashley Russell, Chase Boston, Mary Braskamp, Timothy Brayton<br />

Mark Bridges and Helen Hawley, Joyce Bromley, Kyle Burke, Lara Carlson, Ellen<br />

Carthew, Jeff Chandler, Robert Chybowski, Ric Cleary, David Cloninger. Betty<br />

and Steve Cohen, Halie Conyers, Kate Coveney, Kathy Cramer, Kathe Crowley<br />

Conn and Jeffrey Conn, Dr. Jack E. Daniels, III, Monika Dargis, Nancy David,<br />

Michelle Dayton, Susan De Vos, Lois DePiesse, Andrea Dow, Susan Ecroyd and<br />

David Flanders, Marianne Fairbanks and Anthony Burton, Xiaojing Fan, Lisa<br />

Fishering and Kraig Kumfer, Carol Fleishauer, Samantha Floody, Kristina Fullerton<br />

and Devin Judge-Lord, Priscilla Garhart, Rev. Dr. Alex Gee, Nils Gibson,<br />

Alexey Glukhov, Ada Gonzalez and Franciso Luna, Hannah Graber and Pat Johnson,<br />

Brenna Graham and David B<strong>of</strong>fa, Brandi Grayson, Brandon Gries and Ashley<br />

Gries, Grant Gustafson, Olivia Harris, Erika Herrera, Sharon Hirsch, John and<br />

Valerie Hoch, Laurie Hutzler and Jim Charne, Rachel Imsland, Natalie Ivanov and<br />

Chase Young, Ashley Johnholtz, Dan Johnson, Michael Johnson, Kristen Johnson<br />

Chloe Kiefer, Constance Kilmark, John Kim and Kori Acquah, Shannon Kim,<br />

Woo Young Kim, Candis Klalia, Travis Korosh, Russ and Peg Kowalski, Erik<br />

Kramer, Jeri Krohn, Angela Kullmann and Russell Grace, Doreen Kunert, Abbie<br />

Lang, Emma Laube, Vanessa Lauber, Doris Laufenberg, Kimberly Lauth, Stephanie<br />

Lifshutz, Feng Lin, Wiley Lin, Efrat Livny and Ken Baun, Kristen Loutensock<br />

Brian Lu, Lloyd Wesley Luke, MaryBeth and James Madden, Jacklyn McLean,<br />

Jeremy Mendoza, Annette Miller, Xu Mingxi, Mahlon Mitchell, Gary Morton,<br />

Samantha Negrin, Reggie Newson, Krista Nowicki, Morgan O'Leary, Ismael<br />

Ozanne, Joseph Pabst, Janie and Dave Peck, Lisa Perkins, Brianna Piddington, Yi<br />

Hao Poh, Samuel Poore, Lex Poppens, JoAnne Pow!ers, Ashley and Brady Price<br />

Anne Pringle and David Johnson, Laurie Ranney, Nancy Rinehart and David<br />

Young, Allison Roberts, Paul and Katie Rogers, Dr. Floyd Rose, Judith Rothschild,<br />

John Rush, Lupe Salmeron, Anna Sanders-Eigler, Andrea Sapon, Jennifer and<br />

Steve Sauer, Jessica Schmidt, John Shea, Haley Shilts, Brian Shore, Carol Siewert<br />

Karen Singer, Lauren Sklba, Netzahualcoyotl Smith and Iana Vladimirova, Phil<br />

Stadler, Sarah Sullivan, Lena Taylor, Martha Taylor, Kristin Thompson and David<br />

Bordwell, Randall Tiedt and Lisa Tiedt, Bruce Tulloch, Emily Walden, Katie Waller<br />

Theresa Walske, Eric Welch, Ryan Williams, Claire Wilson, Rachel Yen, Jonathan<br />

Zarov, Siyu Zhu<br />

Planned Giving<br />

Join the MMoCA Circle and leave<br />

a legacy for future audiences. The<br />

MMoCA Circle recognizes and honors<br />

individuals who have established<br />

a planned gift for the museum.<br />

Gifts can be designated to support a<br />

favorite program or add funds to the<br />

museum endowment, providing free<br />

admission to MMoCA audiences for<br />

generations to come.<br />

MMoCA Circle members<br />

are welcomed as special guests at<br />

museum events.<br />

If you’d like more information<br />

about the MMoCA Circle, and<br />

making a legacy gift to the museum,<br />

contact Elizabeth Tucker at elizabeth@mmoca.org<br />

or 608.257.0158<br />

x245.


Frank Stella, Double Gray Scramble, 1973. Screenprint on white Arches 88 mould-made paper, 29 x 50 3/4 inches. National Gallery <strong>of</strong><br />

<strong>Art</strong>, Washington, D.C. Gift <strong>of</strong> Gemini G.E.L. and the <strong>Art</strong>ist, 1981.5.98 © <strong>2016</strong> Frank Stella / <strong>Art</strong>ists Rights Society (ARS), New York.<br />

February<br />

M T W T F S S<br />

1 2 3 4 5 6 7<br />

8 9 10 11 12 13 14<br />

15 16 17 18 19 20 21<br />

22 23 24 25 26 27 28<br />

29<br />

March<br />

M T W T F S S<br />

April<br />

1 2 3 4 5 6<br />

7 8 9 10 11 12 13<br />

14 15 16 17 18 19 20<br />

21 22 23 24 25 26 27<br />

28 29 30 31<br />

M T W T F S S<br />

1 2 3<br />

4 5 6 7 8 9 10<br />

11 12 13 14 15 16 17<br />

18 19 20 21 22 23 24<br />

25 26 27 28 29 30 1<br />

2 3 4 5 6 7 8<br />

5 6–9 pm MMoCA Nights • Opening Reception:<br />

Frank Stella Prints: A Retrospective<br />

6:30–7:30 pm A Conversation with Frank Stella<br />

11 6:30–9 pm Under the Influence<br />

13 12–12:30 pm Drop-In Tour: Frank Stella Prints<br />

14 1–2:30 pm Kids' <strong>Art</strong> Adventure<br />

3 1–1:45 pm Talk: Cause and Effect: Frank Stella’s Prints<br />

10 1–2 pm Talk: What You See Isn't All You See:<br />

Frank Stella and Abstract Narration<br />

11 6:30–7 pm Talk: Frank Stella’s Moby Dick<br />

12 12–12:30 pm Drop-In Tour: Curious Worlds<br />

13 1–2:30 pm Kids' <strong>Art</strong> Adventure<br />

8 6–11 pm<br />

6:30–7:30 pm<br />

MMoCA Nights • Anniversary Celebration<br />

A Conversation with Cesar Pelli<br />

9 1–1:30 pm Talk: Italian Folktales<br />

12– 12:45 pm Drop-In Tour: MMoCA<br />

Behind-The-Scenes: An Architectural Tour<br />

3–3:30 pm Drop-In Tour: Frank Stella Prints<br />

10 12–2:30 pm Drop-In Tour: Curious Worlds<br />

1–2:30pm<br />

Kids' <strong>Art</strong> Adventure<br />

3–3:30 pm Drop-In Tour: Frank Stella Prints<br />

CALENDAR OF EVENTS ( TEAR OUT AND ENJOY)<br />

22 1–1:30 pm Talk: Frank Stella and the Had Gadya<br />

29 7–10 pm Design MMoCA Preview Gala<br />

30 7:30 am–8 pm Bus Trip to Chicago<br />

* Design MMoCA is on view April 30–May 8, <strong>2016</strong>.<br />

Check mmoca.org in April for related talks and tours.<br />

13


ABOUT<br />

Located on the ro<strong>of</strong>top <strong>of</strong> the<br />

<strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong><br />

<strong>Art</strong>, Fresco is a modern dining<br />

space boasting panoramic views <strong>of</strong><br />

the city. Enjoy exceptional views <strong>of</strong><br />

<strong>Madison</strong> while sipping cocktails and<br />

sampling artfully prepared food.<br />

Serving dinner or small plates<br />

and cocktails. Visit www.frescomadison.com<br />

to see a menu, regularly<br />

changing with the seasons,<br />

always fresh.<br />

MEMBERS MAKE IT<br />

POSSIBLE.<br />

Support from members <strong>of</strong><br />

the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong><br />

<strong>Contemporary</strong> <strong>Art</strong> ensures<br />

outstanding exhibitions and<br />

educational programs remain<br />

free for all.<br />

THANK YOU!<br />

About the <strong>Museum</strong> The <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong><br />

is an independent, nonpr<strong>of</strong>it organization presenting exhibitions by local,<br />

regional, national, and international artists. A permanent collection <strong>of</strong> over<br />

5,000 works <strong>of</strong> art is maintained and enlarged through gifts and purchases.<br />

The museum’s education department presents programs to increase public<br />

understanding and appreciation <strong>of</strong> modern and contemporary art.<br />

Hours <strong>Museum</strong> hours are Tues–Thurs: noon–5; Fri: noon–8; Sat: 10–8;<br />

and Sun: noon–5. The museum is closed on Mondays. Administrative <strong>of</strong>fices<br />

are open Mon–Fri: 9–5.<br />

MMoCA Members<br />

Receive a 10% discount<br />

at Fresco and all Food<br />

Fight ​restaurants.<br />

Accessibility Exhibitions, lectures, tours, and special events at the<br />

<strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> are accessible to people with<br />

disabilities. Please contact the museum at 608.257.0158 regarding accommodations<br />

for persons with limited mobility, sight, or hearing. Relay Service<br />

is available by dialing AT&T @ 711.<br />

Membership MMoCA members enjoy many privileges, including free<br />

admission to exhibition openings and MMoCA Nights; discounts at the<br />

<strong>Museum</strong> Store, at Fresco and other Food Fight restaurants, and on films,<br />

education programs, and travel opportunities; invitations to special membership<br />

events and previews; opportunities to meet artists; a subscription to<br />

MMoCA’s <strong>newsletter</strong>; and tax deductions for contributions.<br />

Change <strong>of</strong> Address Please notify the <strong>of</strong>fice <strong>of</strong> address changes so that<br />

your mailings are not interrupted.<br />

Join Our Email List MMoCA Notes, the museum’s email bulletins,<br />

will keep you informed about upcoming events and exhibitions. Sign up<br />

online at mmoca.org.<br />

To Contact the <strong>Museum</strong><br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong>. <strong>Art</strong>works © the artist unless<br />

otherwise noted. <strong>Art</strong>works may not be reproduced without permission <strong>of</strong><br />

the copyright holder.<br />

14<br />

Join today at<br />

mmoca.org


Holiday <strong>Art</strong> Fair<br />

Photography © Annik Dupaty. Photography © Cherry Lam.<br />

Thousands came out to enjoy the Holiday <strong>Art</strong> Fair, as MMoCA celebrated<br />

the 45th anniversary <strong>of</strong> the event. The fair featured over 70<br />

artists, performances, and purveyors <strong>of</strong> epicurean delights. The fair was<br />

supported by hundreds <strong>of</strong> volunteers, and was generously sponsored by<br />

Summit Credit Union; Custer Financial Services; Ho-Chunk Gaming<br />

<strong>Madison</strong>; Cricket Design Works; and Think Ink & Design; with media<br />

support from <strong>Madison</strong> Magazine; Magic 98; Wisconsin Public Radio;<br />

WKOW; and Yelp.<br />

Photography © Annik Dupaty.<br />

Photography © James Knuteson. Photography © James Knuteson. Photography © MMoCA.<br />

EVENTS AND SUPPORTERS<br />

Bret and Rachel Newcomb and friends.<br />

Paul Reckwerdt and Ellen Rosner.<br />

<strong>Art</strong>s Ball<br />

On Saturday, November 14, friends <strong>of</strong> MMoCA<br />

and the MSO celebrated the 45th anniversary<br />

<strong>of</strong> the <strong>Art</strong>s Ball at Nakoma Golf Club. Following a<br />

cocktail hour featuring drinks, hors d'oeuvres, and<br />

a first look at silent auction tables, guests enjoyed<br />

a gourmet dinner and a night <strong>of</strong> dancing. <strong>Art</strong>s Ball<br />

was generously sponsored by National Guardian Life<br />

Insurance Company; Anonymous; Images Plus; JH<br />

Findorff & Son Inc.; Michael Best & Friedrich, LLP;<br />

Phillips Distributing Corp.; Tom and Peggy Pyle; and<br />

Woodman's Food Market. All proceeds directly support<br />

the <strong>Madison</strong> <strong>Museum</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Art</strong> and<br />

the <strong>Madison</strong> Symphony Orchestra.<br />

Beth Donley and friend get down with the band.<br />

Jennifer Tutewohl, Leigh Arora, Tonya Prosser, and Jessica Yehle.<br />

All <strong>Art</strong>s Ball photography © Larry Chua.<br />

15


227 State Street<br />

<strong>Madison</strong>, WI 53703<br />

Nonpr<strong>of</strong>it Org.<br />

U.S. Postage<br />

PAID<br />

<strong>Madison</strong>, Wisconsin<br />

Permit No. 1143<br />

Treat yourself or your sweetheart<br />

to a vibrant new necklace<br />

with exquisite detail<br />

by Ayala Bar<br />

Monthly Specials<br />

January: Holiday merchandise will be on<br />

sale through January 24. And…*20% <strong>of</strong>f<br />

hats, gloves and scarves.<br />

February: 1-14 Jewelry Sale. Just in time<br />

for Valentine's Day.<br />

15% <strong>of</strong>f our regularly priced jewelry.<br />

As an added bonus–members may<br />

add their discounts on top <strong>of</strong> this sale!<br />

Frank Stella Prints: A Catalogue Raisonne<br />

Signed by the artist and available in the<br />

<strong>Museum</strong> Store.<br />

March: *15% <strong>of</strong>f all Toys and Books.<br />

April: *15% <strong>of</strong>f all Kitchen Items.<br />

*no other discounts apply<br />

<strong>Museum</strong> Store Hours**<br />

Sun–Mon • noon–5 pm<br />

Tues–Thurs • 11 am–5 pm<br />

Fri • 11 am–8 pm<br />

Sat • 10 am–8 pm<br />

**The <strong>Museum</strong> Store will be<br />

closed all Mondays in January

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