Weekend 46_4
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12 Art | Impressions of Dhaka<br />
‘Impressions of Dhaka’<br />
at the Bengal Foundation<br />
Saqib Sarker<br />
Set to start today,<br />
“Impressions of Dhaka”, an<br />
open studio art exhibition,<br />
will feature the outcomes<br />
of a recently held workshop<br />
participated by young Bangladeshi<br />
ceramic artists, and conducted by<br />
Bengal Foundations’ residency artist<br />
Richard Crooks and Bangladeshi<br />
artist Ashim Halder Sagor. The<br />
open studio will also showcase the<br />
creative processes along with the<br />
outcomes of Richard Crooks’ fourweeks-long<br />
research based residency<br />
in Dhaka.<br />
Bengal Foundation introduced the<br />
Residency Programme as part of its<br />
pedagogical approach in contributing<br />
to the new media art. British<br />
sculptor, Richard Crooks is the first<br />
artist of the new venture who is<br />
being hosted by Bengal Foundation<br />
for a five-week programme that<br />
began on February 15, 2017.<br />
A passionate student of South<br />
Asian sculpture, Richard Crooks<br />
set out to work “by observations<br />
of Bengali architectural practice<br />
that may be seen to reflect a unique<br />
cultural, sociological, and political<br />
evolution” in this residency<br />
programme. Through casting<br />
versions of ‘found’ textures and<br />
forms and small clay sculptures that<br />
allude to the proliferation of styles<br />
that he has modelled, Richard has<br />
been making sequences of sculptures<br />
that will form part of a solo<br />
Photos: Courtesy<br />
exhibition in the UK, later this year.<br />
He has also been making a<br />
horizontal structure which has been<br />
inspired by his observations while<br />
cycling underneath the flyovers in<br />
Dhaka City. “One just has to ride<br />
a bike! It’s the only way,” Richard<br />
Crooks told <strong>Weekend</strong> Tribune.<br />
Talking about the residency<br />
program, the British sculptor said<br />
that the program has allowed him a<br />
certain degree of immersion. Richard<br />
observed that Bengal Foundation<br />
has extraordinary access to the arts<br />
infrastructure within Dhaka and<br />
beyond, as he realised during the last<br />
five weeks of his stay in the capital.<br />
The unique residency program<br />
has clearly created immense interest.<br />
“The residency itself has almost<br />
become the subject of the residency.<br />
Invitations to the Curatorial<br />
Symposium hosted by BF, the<br />
Samdeni seminar and meeting artists<br />
and critics have informed activities<br />
here and will emerge in the weeks<br />
and months ahead,” Richard Crooks<br />
said.<br />
Richard’s involvement with the<br />
project happened through a chance<br />
meeting with Hadrien Diez in Bengal<br />
Art Lounge a couple of years ago. But<br />
now fully immersed into it, Richard<br />
said he is deeply thankful to Tanzim<br />
Wahab, the Chief Curator at Bengal<br />
Foundation, for inviting him. “I must<br />
especially thank Tanzim Wahab for<br />
this invitation and I know that the<br />
visual arts program has ambitious<br />
plans for this project under his astute<br />
leadership.”<br />
Richard particularly stressed<br />
that Bengal Foundation’s program<br />
is not just a project, but there is a<br />
conscious and smart effort to “move<br />
toward a stronger pedagogical<br />
practice.” He thinks that the projects<br />
undertaken, do not just focus on<br />
a mere tangible outcome but “the<br />
process of how the students arrive at<br />
the results” has been given immense<br />
importance. Richard said that the<br />
idea of the workshops was basically<br />
about the “process”.<br />
The exhibition is set to go on until<br />
next Friday, March 25. •<br />
WEEKEND TRIBUNE | FRIDAY, MARCH 17, 2017