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12 Art | Impressions of Dhaka<br />

‘Impressions of Dhaka’<br />

at the Bengal Foundation<br />

Saqib Sarker<br />

Set to start today,<br />

“Impressions of Dhaka”, an<br />

open studio art exhibition,<br />

will feature the outcomes<br />

of a recently held workshop<br />

participated by young Bangladeshi<br />

ceramic artists, and conducted by<br />

Bengal Foundations’ residency artist<br />

Richard Crooks and Bangladeshi<br />

artist Ashim Halder Sagor. The<br />

open studio will also showcase the<br />

creative processes along with the<br />

outcomes of Richard Crooks’ fourweeks-long<br />

research based residency<br />

in Dhaka.<br />

Bengal Foundation introduced the<br />

Residency Programme as part of its<br />

pedagogical approach in contributing<br />

to the new media art. British<br />

sculptor, Richard Crooks is the first<br />

artist of the new venture who is<br />

being hosted by Bengal Foundation<br />

for a five-week programme that<br />

began on February 15, 2017.<br />

A passionate student of South<br />

Asian sculpture, Richard Crooks<br />

set out to work “by observations<br />

of Bengali architectural practice<br />

that may be seen to reflect a unique<br />

cultural, sociological, and political<br />

evolution” in this residency<br />

programme. Through casting<br />

versions of ‘found’ textures and<br />

forms and small clay sculptures that<br />

allude to the proliferation of styles<br />

that he has modelled, Richard has<br />

been making sequences of sculptures<br />

that will form part of a solo<br />

Photos: Courtesy<br />

exhibition in the UK, later this year.<br />

He has also been making a<br />

horizontal structure which has been<br />

inspired by his observations while<br />

cycling underneath the flyovers in<br />

Dhaka City. “One just has to ride<br />

a bike! It’s the only way,” Richard<br />

Crooks told <strong>Weekend</strong> Tribune.<br />

Talking about the residency<br />

program, the British sculptor said<br />

that the program has allowed him a<br />

certain degree of immersion. Richard<br />

observed that Bengal Foundation<br />

has extraordinary access to the arts<br />

infrastructure within Dhaka and<br />

beyond, as he realised during the last<br />

five weeks of his stay in the capital.<br />

The unique residency program<br />

has clearly created immense interest.<br />

“The residency itself has almost<br />

become the subject of the residency.<br />

Invitations to the Curatorial<br />

Symposium hosted by BF, the<br />

Samdeni seminar and meeting artists<br />

and critics have informed activities<br />

here and will emerge in the weeks<br />

and months ahead,” Richard Crooks<br />

said.<br />

Richard’s involvement with the<br />

project happened through a chance<br />

meeting with Hadrien Diez in Bengal<br />

Art Lounge a couple of years ago. But<br />

now fully immersed into it, Richard<br />

said he is deeply thankful to Tanzim<br />

Wahab, the Chief Curator at Bengal<br />

Foundation, for inviting him. “I must<br />

especially thank Tanzim Wahab for<br />

this invitation and I know that the<br />

visual arts program has ambitious<br />

plans for this project under his astute<br />

leadership.”<br />

Richard particularly stressed<br />

that Bengal Foundation’s program<br />

is not just a project, but there is a<br />

conscious and smart effort to “move<br />

toward a stronger pedagogical<br />

practice.” He thinks that the projects<br />

undertaken, do not just focus on<br />

a mere tangible outcome but “the<br />

process of how the students arrive at<br />

the results” has been given immense<br />

importance. Richard said that the<br />

idea of the workshops was basically<br />

about the “process”.<br />

The exhibition is set to go on until<br />

next Friday, March 25. •<br />

WEEKEND TRIBUNE | FRIDAY, MARCH 17, 2017

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