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TRAKS MAGAZINE #8

The new issue of TRAKS MAGAZINE, as usual totally dedicated to the best independent Italian music. In this issue: Heidi for President, Freaky Mermaids, Mudimbi, Viridanse, Girless and many others

The new issue of TRAKS MAGAZINE, as usual totally dedicated to the best independent Italian music. In this issue: Heidi for President, Freaky Mermaids, Mudimbi, Viridanse, Girless and many others

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santacroce<br />

Alessio Santacroce publishes his new album,<br />

Migras: the guitarist, author and writer, has<br />

a twenty-year career with La Quarta Via, but<br />

this is his first as solo artist. An album of solid<br />

rock, attentive to social<br />

issues, a natural attitude for<br />

an author like Santacroce who<br />

is also chairman for Italy of<br />

O.N.G. Sawa Sawa, committed<br />

to building family homes<br />

in Kenya. Santacroce goes<br />

on with his parallel musical<br />

projects such as Cayenna,<br />

Holy Hand Grenade and of<br />

course, La Quarta Via. Album<br />

starts with Il Gregge, a rock<br />

song with traditional and rough<br />

profile, with a guitar that<br />

is the main actor. Even faster<br />

is La notte della repubblica,<br />

showing attention to reality<br />

and sudden dark moments.<br />

The Alessia Caracciolo voice<br />

characterizes Clorofilla, soft<br />

ballad with signs of nervousness.<br />

Mercanti di Anime<br />

begins to run and with high<br />

beat, making clear reference<br />

to smugglers and traffickers<br />

of men from the two shores<br />

of the Mediterranean. Different<br />

shades and a nonlinear<br />

structure distinguish instead<br />

Normandie, which gives<br />

more space to the lines drawn<br />

by approaching instruments<br />

to more contemporary genres such as indie<br />

and post-rock. Bianco miope background is<br />

rumbling and immerses the speech sounds<br />

rather gloomy. L’ingiusta fine delle mezze<br />

stagioni comes back to a context of more<br />

flamboyant rock, while La fiaba dulcamara<br />

returns in calmer moments, mostly vocals<br />

and guitar, but with critical ideas towards<br />

common life today. Lp closes with Migras,<br />

the title track,<br />

which opens<br />

with a sweet<br />

guitar riff and<br />

that is revealed<br />

little by<br />

little in the<br />

style of a hard<br />

rock ballad<br />

of 70s and<br />

80s. Robust<br />

and pleasant<br />

album, which although take part in rock tradition<br />

without major innovations, manages<br />

to build a coherent path without compromise<br />

and with something interesting.<br />

20

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