Cabello/Carceller

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1 BORRADOR PARA… — DRAFT FOR… Escenario — Setting Just what is it that makes today’s bodies so different, so appealing? pág. 3 Manuel Segade Abismar la disidencia: performance, narración y reflexividad pág. 35 en Cabello/Carceller Juan Albarrán Precariedad queer, la búsqueda de trabajo y la cuestión del personaje Griselda Pollock pág. 59 Caminar el habla: ‘Rapear Filosofía’, pág. 77 de Cabello/Carceller Kathryn Weir pág. 93 Casting Jesús Carrillo Perspectivas y paradojas de la práctica artística. Entrevista pág. 109 a Cabello/Carceller María Virginia Jaua Just what is it that makes today’s bodies p. 19 so different, so appealing? Manuel Segade Dissidence myse-en-abyme: Performance, narration, and reflexivity p. 47 in Cabello/Carceller Juan Albarrán Queer Precarity, The Search for Work and the Question of Persona Griselda Pollock p. 69 Walking the talk: Cabello/Carceller’s p. 85 ‘Rapping philosophy’ Kathryn Weir p. 101 Casting Jesús Carrillo Perspectives and paradoxes of the artistic practice. Interview with p. 119 Cabello/Carceller María Virginia Jaua ES — EN
Page 1: Cabello/Carceller Borrador para una
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Page 9 and 10: 3 ESCENARIO Just what is it that ma
Page 11 and 12: 5 ESCENARIO concibe como una contam
Page 13 and 14: 7 ESCENARIO la lectura de piezas de
Page 15 and 16: 9 ESCENARIO por un «interés» com
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Page 19 and 20: 13 ESCENARIO que conforma la memori
Page 21 and 22: 15 ESCENARIO 1.— El título «¿Q
Page 23: 17 ESCENARIO 34.— El término es
Page 26 and 27: MANUEL SEGADE 20 Cabello/Carceller
Page 28 and 29: MANUEL SEGADE 22 dictionaries, mean
Page 30 and 31: MANUEL SEGADE 24 en the knots of me
Page 32 and 33: MANUEL SEGADE 26 lution, was to acc
Page 34 and 35: MANUEL SEGADE 28 In regards to the
Page 36 and 37: MANUEL SEGADE 30 read like a book,
Page 38 and 39: MANUEL SEGADE 32 Valencia, Septembe
Page 41 and 42: 35 ESCENARIO Abismar la disidencia:
Page 43 and 44: 37 ESCENARIO se levantaba un comple
Page 45 and 46: 39 ESCENARIO tad […] No es fácil
Page 47 and 48: 41 ESCENARIO Extrañamiento, inadec
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Page 51: 45 ESCENARIO Entrevista con Cabello
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JUAN ALBARRÁN 50 nale, where the n
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JUAN ALBARRÁN 52 Actors, thus, ref
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JUAN ALBARRÁN 54 the characters—
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JUAN ALBARRÁN 56 1.— Martí Mane
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59 ESCENARIO Precariedad queer, la
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61 ESCENARIO fondo y sets de cine p
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63 ESCENARIO El proyecto de Cabello
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65 ESCENARIO como pensadora feminis
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67 ESCENARIO 1.— En inglés, pers
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GRISELDA POLLOCK 70 In the case I a
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GRISELDA POLLOCK 72 vidual’s gran
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GRISELDA POLLOCK 74 disclosure by m
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77 ESCENARIO Caminar el habla: ‘R
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79 ESCENARIO do: «[…] cuando hab
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81 ESCENARIO y exclusión, abren el
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83 ESCENARIO 1.— Rapear Filosofí
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KATHRYN WEIR 86 ca, Cuba, Puerto Ri
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KATHRYN WEIR 88 blues among young b
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KATHRYN WEIR 90 fear of inflicting
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93 ESCENARIO Casting * — Jesús C
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95 ESCENARIO A pesar de la sombría
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97 ESCENARIO plicidad ad infinitum
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99 ESCENARIO 1.— Laura Mulvey, Pl
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JESÚS CARRILLO 102 active, typical
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JESÚS CARRILLO 104 For example, in
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JESÚS CARRILLO 106 Despite the mel
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109 ESCENARIO Perspectivas y parado
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111 ESCENARIO restos de manera obse
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113 ESCENARIO cas disputas en torno
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115 ESCENARIO Bailar El género en
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117 ESCENARIO tando demasiado lejan
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MARÍA VIRGINIA JAUA 120 It is impo
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MARÍA VIRGINIA JAUA 122 contact pe
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MARÍA VIRGINIA JAUA 124 their inab
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MARÍA VIRGINIA JAUA 126 tion took
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129 BORRADOR PARA… — DRAFT FOR
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131 BORRADOR PARA… — DRAFT FOR
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133 TRAMA - PLOT fa Hannah Arendt:
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135 TRAMA - PLOT — Donde todos so
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137 TRAMA - PLOT tual. Perpetuo lug
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139 TRAMA - PLOT — Lost in Transi
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145 TRAMA - PLOT búsqueda de los r
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147 TRAMA - PLOT — Rapear Filosof
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153 TRAMA - PLOT falsedades y melan
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155 TRAMA - PLOT se halla actualmen
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157 TRAMA - PLOT — El Estado de l
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163 TRAMA - PLOT Miranda, Joyce Jan
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165 TRAMA - PLOT — Bailar El gén
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173 TRAMA - PLOT hipotéticamente a
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175 TRAMA - PLOT — Performer Vide
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177 TRAMA - PLOT Una/Otra Ciudad, C
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179 TRAMA - PLOT — Una/Otra Ciuda
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183 TRAMA - PLOT — Distrito Feder
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187 TRAMA - PLOT — Después de y
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189 TRAMA - PLOT — Después de y
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191 TRAMA - PLOT — 00:03:50 Vista
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193 TRAMA - PLOT res trabajos, a la
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195 TRAMA - PLOT — Suite Rivolta.
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197 TRAMA - PLOT había tenido luga
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199 TRAMA - PLOT — Off Escena: Si
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201 TRAMA - PLOT — Off Escena: Si
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203 TRAMA - PLOT — Sujetos imprev
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205 TRAMA - PLOT el fotógrafo prot
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207 TRAMA - PLOT — A/O (Caso Cés
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209 TRAMA - PLOT — A/O (Caso Cés
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211 TRAMA - PLOT — A/O Blow Up #2
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213 TRAMA - PLOT — Archivo: Drag
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215 TRAMA - PLOT — Cole como Ridd
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217 TRAMA - PLOT — Sam como James
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219 TRAMA - PLOT — Sin título (L
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221 TRAMA - PLOT — No es él (Aft
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223 TRAMA - PLOT Casting: James Dea
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225 TRAMA - PLOT — Casting: James
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227 TRAMA - PLOT del movimiento sin
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229 TRAMA - PLOT — Ejercicios de
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231 TRAMA - PLOT — Ejercicios de
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233 TRAMA - PLOT rraciones occident
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235 TRAMA - PLOT — After Apocalyp
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237 TRAMA - PLOT — After Apocalyp
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239 TRAMA - PLOT — Instrucciones
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241 TRAMA - PLOT — The End (despu
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243 TRAMA - PLOT — Se vende Insta
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245 TRAMA - PLOT — Utopía: ida y
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247 TRAMA - PLOT invadieron un espa
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249 TRAMA - PLOT — Autorretrato c
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251 TRAMA - PLOT — Autorretrato c
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253 TRAMA - PLOT — Alguna parte V
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255 TRAMA - PLOT — Alguna parte F
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257 TRAMA - PLOT — Sin título (U
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259 TRAMA - PLOT — Sin título (U
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261 TRAMA - PLOT nosotras, nos mere
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263 TRAMA - PLOT — Utopía (After
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265 TRAMA - PLOT — Utopía (After
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267 TRAMA - PLOT — Sin título Vi
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269 TRAMA - PLOT — Sin título (D
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271 TRAMA - PLOT — Sin título (D
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273 TRAMA - PLOT — Sin título (G
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275 TRAMA - PLOT — Bollos Videost
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277 TRAMA - PLOT la obra remite a l
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279 TRAMA - PLOT — Prototipo #1:
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281 TRAMA - PLOT — Prototipo #3:
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283 TRAMA - PLOT — Un beso Videos
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285 TRAMA - PLOT — Historias del
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287 TRAMA - PLOT — Historias del
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289 TRAMA - PLOT — Paisaje #1 Vis
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291 TRAMA - PLOT — Paisaje #3 Vis
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293 TRAMA - PLOT guras se tocan per
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295 TRAMA - PLOT — Vista parcial
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297 TRAMA - PLOT — Sin título (A
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299 TRAMA - PLOT — Sin título Vi
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301 TRAMA - PLOT — Come y calla?
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303 TRAMA - PLOT — Come y calla?
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CABELLO/CARCELLER 306 _El armario (
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CABELLO/CARCELLER 308 _Grises (Ficc
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CABELLO/CARCELLER 310 te en la psic
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CABELLO/CARCELLER 312 _El Archivo (
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CABELLO/CARCELLER 314 sus carpetas
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CABELLO/CARCELLER 316 el pulso de V
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CABELLO/CARCELLER 318 o no querían
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CABELLO/CARCELLER 320 _Habitación
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CABELLO/CARCELLER 322 _Distrito Fed
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CABELLO/CARCELLER 324 que manifesta
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CABELLO/CARCELLER 326 Navidad y tam
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CABELLO/CARCELLER 328 el que tampoc
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CABELLO/CARCELLER 330 La relación
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CABELLO/CARCELLER 332 buscamos, aun
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CABELLO/CARCELLER 334 como ella sig
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CABELLO/CARCELLER 336 todos los arc
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CABELLO/CARCELLER 338 Cárdenas, a
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CABELLO/CARCELLER 340 los trapos, o
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CABELLO/CARCELLER 342 _Basado en he
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345 PLOT Fictions 1 1998 - ongoing
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347 PLOT elapsed. Our annotations d
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349 PLOT _Concerning Humidity And I
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351 PLOT ment and transformed our l
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353 PLOT let-down V. J. thought, wr
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355 PLOT project financed by a publ
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357 PLOT _Circumstance (Fiction #5)
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359 PLOT _Of Scaffoldings And Other
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361 PLOT _Pool (Fiction #8), 1998 W
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363 PLOT What is all that talk of g
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365 PLOT It is said that to analyze
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367 PLOT vide us with more informat
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369 PLOT through which we can now u
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371 PLOT Alamán 11, col. Del Parqu
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373 PLOT other geopolitical context
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375 PLOT other archive. There was a
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377 PLOT on the Internet the inform
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379 PLOT impossible to access the i
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381 PLOT Regreso a Casa” [Our Dau
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383 PLOT _An Approppriate Place (Fi
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CABELLO/CARCELLER 386 Carta a Lola
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CABELLO/CARCELLER 388 Carta a Carme
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CABELLO/CARCELLER 390 Carta a J. A.
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CABELLO/CARCELLER 392 Carta a José
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CABELLO/CARCELLER 394 Carta a Alici
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CABELLO/CARCELLER 396 1.— Cabello
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CABELLO/CARCELLER 398 Letter to Lol
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CABELLO/CARCELLER 400 Letter to Car
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CABELLO/CARCELLER 402 Letter to J.
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CABELLO/CARCELLER 404 Letter to Jos
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CABELLO/CARCELLER 406 Letter to Ali
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CABELLO/CARCELLER 408 1.— Cabello
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411 FUENTES — SOURCES Textos de C
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413 FUENTES — SOURCES ———
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CABELLO/CARCELLER 420 Comunidad de
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CABELLO/CARCELLER 422 Regional Gove
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