Spring Martlet 2017
Spring Martlet 2017 V2
Spring Martlet 2017 V2
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Pictured: Eric Hamilton, second from left.<br />
The most famous image of Felix<br />
as aristocratic sybarite shows him<br />
wearing the garb of a feudal boyar<br />
bedecked with genuine fur and<br />
gemstones in which he took a<br />
London ball by storm.<br />
frequently and so extravagantly for walking<br />
the few yards from his rooms to collect his<br />
latest social invitations from his pigeon-hole<br />
that the lure of working in his immediate<br />
vicinity threatened to paralyze the smoothrunning<br />
of the College. In this vein, the<br />
most famous image of Felix as aristocratic<br />
sybarite shows him wearing the garb of a<br />
feudal boyar bedecked with genuine fur and<br />
gemstones in which he took a London ball<br />
by storm. But despite external appearances,<br />
the young man who moved into VI.1 in<br />
October 1909 was in a damaged and<br />
vulnerable frame of mind.<br />
Felix had left his parents still reeling from<br />
the death only a year before of his elder<br />
brother Nikolai in a particularly grotesque<br />
and hopeless duel. Felix’s mother would<br />
never regain her health and composure,<br />
while he himself came to Univ not least to<br />
find escape from his feelings of guilt and<br />
inadequacy. In this he had considerable<br />
success as his letters home record. 1 Felix is<br />
at pains to avert any suspicions of idleness<br />
or fecklessness, and even sends his mother<br />
an hour-by-hour weekly timetable, including<br />
the names of his various tutors and teachers.<br />
The academic side of his week is dominated<br />
by English and French literature, with a little<br />
philosophy thrown in, but it also includes<br />
Chapel at 8 each morning, dinner in Hall<br />
and, more surprisingly, rowing from 2 to 4.30<br />
on six afternoons a week. Felix praises the<br />
bracing vigour of this routine, but is not long<br />
in switching to golf. The highlight of academic<br />
life at Oxford for him is how it fosters<br />
independence: ‘There is no spoonfeeding,<br />
and everything has to be achieved by your<br />
own unaided efforts.’ His mother shares his<br />
hopes and enthusiasm: ‘If you do learn to<br />
work independently then that will be the<br />
greatest benefit Oxford can bring.’ As for<br />
Felix’s busy social life, what seems to have<br />
bolstered his morale above all was not his<br />
exploits as a social lion, but his encounter<br />
with more immediate forms of friendship<br />
amidst the rough and tumble of college life.<br />
He evidently felt that in his own College<br />
he was for the first time genuinely liked<br />
by a wide variety of coevals: ‘It’s like living<br />
a second life,’ he writes, ‘and I am sure it<br />
will give me strength and moral clarity to<br />
face the future.’ He even finds struggling or<br />
unhappy fellow-students turning to him for<br />
counselling, though here his mother is on<br />
her guard. All too familiar with the louche<br />
bohemian reputation and cross-dressing<br />
pranks of his youth in St Petersburg, she is<br />
uneasy about her son’s tendency to attract<br />
the emotionally disturbed, and socially<br />
unconventional, worries constantly about<br />
the company he keeps and occasionally<br />
criticizes his taste in décor as insufficiently<br />
‘manly’. Of course, a student’s letters to his<br />
mother are hardly the most dependable<br />
reflection of college life, but there does seem<br />
to have been from the first a genuine mutual<br />
enthusiasm – Felix liked Oxford as much as<br />
Oxford liked him, and his first year living at<br />
Univ anchors that experience.<br />
In VI.1 of an evening he claims to have been<br />
ever ready to respond to a knock on his<br />
barred ground-floor window and sprint up<br />
16 THE MARTLET | SPRING <strong>2017</strong><br />
1. Extensive excerpts of the correspondence are assembled in a biographical compilation: Elizaveta Krasnykh, Knyaz’ Feliks<br />
Yusupov: «Za vse blagodaryu…» (Moscow: Indrik, 2012).