THE HAIRPOLITAN MAGAZINE VOL 6 MAY 2017
Celebrating Mothers
Celebrating Mothers
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FEATURE STORY<br />
<strong>THE</strong> MAKING OF A<br />
PIONEER CREATIVE<br />
Interview with Grace Nyokabi Kihara<br />
Before joining the University of Nairobi, 1969<br />
I remember once in lower primary being asked to<br />
explain, to the entire class, what our parents did<br />
for a living. I was at a great loss! I knew my mother,<br />
Grace, was a Graphic Designer because she said<br />
so but I didn’t know how to explain exactly what it<br />
meant. I spent many a weekend at her design studio<br />
playing with sticky rubbers made from cow gum or<br />
with left over fonts from discarded letrasets. Yet to<br />
be perfectly honest, my young mind, did not grasp<br />
the illustrious career that Mum was crafting as a<br />
female creative of her generation. When the idea to<br />
interview our mothers for this issue came up I took<br />
the chance to ask her as many questions about her<br />
career as I could.<br />
CHILDHOOD<br />
“<br />
INFLUENCES<br />
I was curious to know what<br />
in her childhood, being<br />
the fifth born in a family of<br />
seven children, could have<br />
contributed to her being a<br />
creative mind. She credits<br />
this to her late Mum, Peris<br />
Wambui Kihara (whom I<br />
am named after), who had<br />
a strong creative streak in<br />
her. My grandmother loved<br />
to cut and sew her own<br />
dresses. She also, at some<br />
point, attended a course<br />
offered by a colonial white<br />
lady where she learned to<br />
knit, quilt, bake and make jam and marmalade.<br />
Grace says she ended up learning how to knit at an<br />
early age and was already sewing her own underwear<br />
by the time she was in upper primary. She was also<br />
encouraged by her older sister, Lois, who taught<br />
her how to read and follow knitting patterns. While<br />
in Alliance Girls’ High School, she went on to knit<br />
pieces, which were entered for a competition at<br />
the Home Craft Section of the Nairobi International<br />
Show<br />
Grace goes on to credit her creative exposure,<br />
especially in the field of photography, to her late<br />
father Joshua Kihara Wang’ang’a. “Dad was taking<br />
us to the studio for family pictures in the 40’s and<br />
50’s. I found myself going for studio portraits before<br />
joining campus and actually seeking out a couple<br />
of good studios. We did basic photography at the<br />
University but I was to find myself slowly developing<br />
interest and buying my own cameras and snapping<br />
away especially during my travels out of the country,”<br />
she expounds.<br />
BECOMING A DESIGNER<br />
Growing up, I had a vague<br />
idea of her being part of<br />
the first batch of Graphic<br />
Designers out of the<br />
University of Nairobi (UoN).<br />
I finally sought to know<br />
exactly how this happened.<br />
She explained that after her<br />
studies in High School, she<br />
was at a loss on her career<br />
choice. The ones on offer<br />
namely Nursing, Secretarial<br />
and Teaching didn’t suit her<br />
tastes. She instead went to<br />
take up her A Levels at the<br />
then Highlands School (now<br />
Moi Girls), Eldoret. It was<br />
formerly an all European<br />
School that the Kenyan<br />
Government was taking<br />
over and africanizing. There she studied Fine Art,<br />
Geography and English Literature. She graduated<br />
and once again was faced with the dilemma of a<br />
career choice.<br />
“<br />
In those days, they who were artistically inclined<br />
attended Makerere University (Kampala,Uganda)<br />
where they could study Fine Art majoring in Painting<br />
and Sculpture. “I am not sure if I was good at drawing<br />
but I loved drawing maps in Geography and really<br />
coloring them,” she muses. At the time Nairobi was<br />
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