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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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2 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


<strong>State</strong> Of The <strong>Art</strong><br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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4 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


<strong>State</strong> Of The <strong>Art</strong><br />

<strong>Art</strong>ist’s <strong>Book</strong><br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - International <strong>Art</strong>ist’s <strong>Book</strong><br />

ISBN: 978-989-98331-0-4<br />

Copyright 2013 Galeria Aberta<br />

Publish by<br />

Galeria Aberta<br />

Av. Nossa Senhora dos Remédios, 236, 1. esq.<br />

2775-611 CARCAVELOS, PORTUGAL<br />

Galeria Aberta<br />

All signed texts are published under written authorization from <strong>the</strong> authors who retain <strong>the</strong> copyright. All biographic information was provided by <strong>the</strong><br />

respective artist under <strong>the</strong>ir sole responsibility. All photographs <strong>of</strong> artworks were provided by <strong>the</strong> respective artist and licensed for this publication.<br />

All artists featured in <strong>the</strong> “<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>” retain <strong>the</strong> copyright© for each <strong>of</strong> <strong>the</strong> individual images. No part <strong>of</strong> this book may be<br />

reproduced or transmitted in any form or by any means, without written permission from <strong>the</strong> copyrights owners. All rights reserved.<br />

6 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


Contents<br />

Foreword<br />

Prologue<br />

Note from <strong>the</strong> publisher<br />

A. Jim<br />

Acácio Cainete<br />

Alberto Besso (Bachet)<br />

Alcida Maria<br />

Alexander Breskin<br />

Alexis Cole<br />

Amcoc<br />

Ana Maria Malta<br />

Ana S<strong>of</strong>ia Neves<br />

Anunciação Gomes<br />

Awatef Alsafwan<br />

Bela Maleth<br />

Beth Sales<br />

Cândida Brito<br />

Carlos Helmut<br />

Cecila Flaten<br />

Célia Alves<br />

César Teles<br />

Christine Eyres<br />

Christine M. Vorwerk<br />

Clara Ferreira<br />

Conceição Rosa<br />

Damião Vieira<br />

David<br />

De Mar<br />

Dulcídio<br />

Edmundo Cruz<br />

Eduardo Motcceli<br />

Elena Bissinger<br />

Elisabeth Coppens<br />

Emma Crudgington<br />

Faba<br />

Fernando Cacela<br />

Giuseppe Ranzini<br />

Gnievyshev Oleksii<br />

Gordo Letters<br />

Gustavo Fernandes<br />

Helena Lobato<br />

Henry Gallucio<br />

Ieva Sara Breiksa<br />

Irena Orlov<br />

Irina Corduban<br />

Janice Baker<br />

Jiselda Salbu Gigi<br />

João Bello<br />

João Galh<strong>of</strong>o<br />

João Iglésias<br />

Johnlijo Bluefish<br />

José Fortunato<br />

6<br />

7<br />

8<br />

10<br />

11<br />

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15<br />

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17<br />

18<br />

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22<br />

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28<br />

29<br />

30<br />

31<br />

33<br />

34<br />

35<br />

36<br />

37<br />

38<br />

42<br />

43<br />

44<br />

45<br />

46<br />

47<br />

48<br />

49<br />

51<br />

52<br />

53<br />

54<br />

55<br />

56<br />

57<br />

58<br />

59<br />

60<br />

61<br />

62<br />

63<br />

64<br />

65<br />

José Travassos<br />

Joseph A. Burgos<br />

Julia Dijkstra<br />

Julian Baslyk<br />

Julie-Mila Bouffard<br />

Julien Séror<br />

Justyna Piaskowska<br />

Kelly A. Kopacz<br />

Kim Juchul<br />

Lance MG<br />

Lúcia Lupenny<br />

Luís Guilherme Teves<br />

Manuel Alexandrino<br />

Maria Bobrovskaya<br />

Maria Manuel Pires<br />

Maria Tereza<br />

MariAn Simpson<br />

Mariana Oros<br />

Marítza Reachi<br />

Marvel<br />

Meliza<br />

Mickaël Caruge<br />

Militão dos Santos<br />

Nicolau Campos<br />

Orlando Castro-Ortiz<br />

Osama Hashem<br />

Patricia Molina<br />

Paulo Tercio<br />

Paulo Themudo<br />

Rachelle Woo Chuang<br />

Rogério Sousa<br />

Rosário Falcão<br />

Roseni de Mello Schauerte<br />

ROY<br />

Rute Inês<br />

Ryan Demaree<br />

Semini Kwsta<br />

Sergei Yujanin<br />

Sérgio O. Sá<br />

Shiva Eini<br />

Silvia Alba<br />

Sônia Castro<br />

Taita M. Cunha<br />

Teresa Martins<br />

Vovanne<br />

Wedad Alnasser<br />

Weslei Rodrigues<br />

Zita Dantas<br />

66<br />

67<br />

68<br />

69<br />

70<br />

71<br />

72<br />

73<br />

74<br />

75<br />

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78<br />

79<br />

80<br />

81<br />

82<br />

84<br />

85<br />

86<br />

88<br />

89<br />

90<br />

91<br />

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94<br />

95<br />

96<br />

100<br />

101<br />

102<br />

103<br />

104<br />

105<br />

107<br />

108<br />

109<br />

110<br />

111<br />

112<br />

113<br />

114<br />

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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Foreword<br />

All art is influenced by what has gone before and is constantly pushing <strong>the</strong> boundaries in both technical advancement and<br />

in taste. Today’s art is no exception. We have experienced <strong>the</strong> “shock <strong>of</strong> <strong>the</strong> new” where artists sought to astound us by<br />

breaking down <strong>the</strong> barriers <strong>of</strong> convention and <strong>of</strong> what was deemed acceptable. <strong>Art</strong>ists such as Goya and David who sought<br />

to discard <strong>the</strong> old type <strong>of</strong> subject matter through to J.M.W. Turner, who in his quest to surpass <strong>the</strong> sublime painting <strong>of</strong><br />

Claude Lorrain, developed a unique style which in his later days became quite abstract. On through <strong>the</strong> looser styles <strong>of</strong> <strong>the</strong><br />

Impressionists who wanted to paint what <strong>the</strong>y saw with <strong>the</strong>ir own eyes and not through <strong>the</strong> eyes <strong>of</strong> o<strong>the</strong>rs, <strong>the</strong> influence<br />

<strong>of</strong> Japanese and Chinese art, <strong>Art</strong>ists such as Braque, Picasso and Mondrian saw us through <strong>the</strong> periods <strong>of</strong> Expressionism,<br />

Cubism and so on to <strong>the</strong> abstract. We <strong>the</strong>n saw <strong>the</strong> differing approaches <strong>of</strong> Jackson Pollack and Andy Warhol, Pop art, Op<br />

<strong>Art</strong>, Dadaism, Conceptualism etc. through to <strong>the</strong> spawning <strong>of</strong> <strong>the</strong> Young British <strong>Art</strong>ists who are noted for shock tactics, and<br />

include Damien Hirst with his animals in formaldehyde, Tracey Emin, famous for her unmade bed, and Chris Ofili for his use<br />

<strong>of</strong> elephant dung.<br />

So what <strong>of</strong> art today?<br />

If we look primarily at two dimensional work, we can see that <strong>the</strong>se influences have percolated down and artists have taken<br />

from <strong>the</strong>m whatever it is to which each responds. Many artists seek, not to challenge, but to learn from <strong>the</strong>ir predecessors;<br />

picking up <strong>the</strong> reins and forging ahead in <strong>the</strong>ir chosen direction whilst applying <strong>the</strong>ir own interpretation developed through<br />

<strong>the</strong>ir own reactions to <strong>the</strong> stimulus which drives <strong>the</strong>m to create. Of course, <strong>the</strong>re are still those who seek to ram boundaries<br />

but <strong>the</strong>re have always been those who prefer to build upon <strong>the</strong> foundation and validity <strong>of</strong> <strong>the</strong> various art movements <strong>of</strong> <strong>the</strong><br />

past. The result is a treasure trove <strong>of</strong> different styles and techniques, not all <strong>of</strong> which seek to break new ground, but ra<strong>the</strong>r<br />

to consolidate, and stand on <strong>the</strong> shoulders <strong>of</strong> what has gone before in order to reach a higher level.<br />

In <strong>the</strong>se days <strong>of</strong> electronic communications, where we are bombarded with imagery <strong>of</strong> a fleeting and constantly changing<br />

nature, it is refreshing to be confronted with something which we can take time to enjoy, to observe in different lights, to<br />

savour <strong>the</strong> texture, <strong>the</strong> colour, <strong>the</strong> atmosphere, <strong>the</strong> technique, <strong>the</strong> talent and to attempt to understand what lies behind<br />

<strong>the</strong> creation confronting us.<br />

<strong>Art</strong> is a means <strong>of</strong> expression, yet it is unfortunate that many viewers don’t know how to look at original works; <strong>the</strong>y are so<br />

used to seeing “clean” reproductions or “enhanced” imagery that <strong>the</strong>y no longer know how to read or appreciate an original.<br />

Some images, <strong>of</strong> course, do not reproduce well and this may well be <strong>the</strong> intention <strong>of</strong> <strong>the</strong> artist, thus inviting <strong>the</strong> viewer to<br />

seek out art which can be viewed “in <strong>the</strong> flesh”, which, after all, is that from which we can derive <strong>the</strong> most pleasure. So go,<br />

seek out <strong>the</strong> artists whose work you’ve only seen in reproduction and experience <strong>the</strong> real thrill <strong>of</strong> seeing!<br />

MariAn Boyle Simpson<br />

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Prologue<br />

There are those who argue that contemporary art emerged after <strong>the</strong> 2nd world war in order to distance itself from <strong>the</strong><br />

modern art movement.<br />

Without wishing to cause controversy with art historians, it is my belief that contemporary art comes from <strong>the</strong> beginnings<br />

<strong>of</strong> <strong>the</strong> culture <strong>of</strong> colour and design from <strong>the</strong> very first marks made in caves to <strong>the</strong> marks made today on modern canvasses.<br />

The styles, schools and movements found in contemporary art are like an experimental language from pre-history to <strong>the</strong><br />

present day and are evidenced in all artistic expression.<br />

What defines contemporary art in itself, regardless <strong>of</strong> <strong>the</strong> materials used, is <strong>the</strong> commotion within each artist, <strong>the</strong>ir awareness<br />

and <strong>the</strong>ir technical skill.<br />

There are certain periods when art has been more in focus than o<strong>the</strong>rs, depending on <strong>the</strong> prevailing social, political and<br />

religious factors.<br />

There may have been a kind <strong>of</strong> clash between contemporary art and modern art but both are connected, because it is true<br />

that art has only one direction - creativity!<br />

Is <strong>the</strong>re creativity in every art movement?<br />

All movements are creative, radical or even disturbing, be <strong>the</strong>y hyper-realism, urban, digital or naïve.<br />

Even though <strong>the</strong> drawing and perspective found in contemporary naïve art might be considered clumsy, it can still be said to<br />

result in a beauty outside <strong>of</strong> recognised artistic standards.<br />

Could it be that this imbalance between <strong>the</strong> drawing and perspective is related to ano<strong>the</strong>r kind <strong>of</strong> imbalanced art, that <strong>of</strong><br />

“art brut”?<br />

Dubuffet, a scholar <strong>of</strong> this genre, defends this umbilical connection and, after having made a study <strong>of</strong> this vanguard in <strong>the</strong><br />

context <strong>of</strong> its contemporary relationship with modernity, I agree.<br />

The origins, objectivity and development <strong>of</strong> contemporary art and its styles, are in <strong>the</strong> hands <strong>of</strong> <strong>the</strong> artist to take what <strong>the</strong>y<br />

want and to do with it what <strong>the</strong>y will.<br />

In artistic terms, I maintain that, no matter <strong>the</strong> kind <strong>of</strong> artistic expression, contemporary always relates to <strong>the</strong> current era,<br />

hour, day and year.<br />

Subjectivity exists, as with all concepts and I accept that that is how it is. It is <strong>the</strong> artist who is principally responsible for <strong>the</strong><br />

origins <strong>of</strong> a culture that is contemporary – like art!<br />

Through his work and his personal expression an artist reveals his state <strong>of</strong> mind.<br />

This work, once it is exhibited is subjected to a multitude <strong>of</strong> interpretations.<br />

It cannot be considered as a work <strong>of</strong> art, only as an artistic expression.<br />

<strong>Art</strong>istic expressions cannot be catalogued in <strong>the</strong> history <strong>of</strong> art, but <strong>the</strong>y have <strong>the</strong>ir own niche.<br />

When a painter paints a flower, a piece <strong>of</strong> fruit or an object, he is interested in <strong>the</strong> beauty <strong>of</strong> what he is painting.<br />

If this doesn’t happen, <strong>the</strong> painter expresses himself in a vacuum, negating <strong>the</strong> beauty <strong>of</strong> <strong>the</strong> drawing, <strong>the</strong> colour and <strong>the</strong><br />

technique.<br />

<strong>Art</strong> is a work in progress, in constant evolution, from <strong>the</strong> most classical to <strong>the</strong> most daring artistic expression.<br />

In <strong>the</strong>se chaotic times, when I look at new artworks, I find that I am driven to remain mute, to take my time to just look in<br />

silence, before I try to reach a conclusion.<br />

A work out <strong>of</strong> context is dead; <strong>the</strong> true artist loves what is current because it exists in context, with or without reference to<br />

modernism, and <strong>the</strong>refore must always be contemporary.<br />

Angelo vaz (art critc and curator)<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Note from <strong>the</strong> publisher<br />

To give new artists, alongside established ones, an opportunity to show <strong>the</strong>ir art in a book like this, was <strong>the</strong> great challenge<br />

we set ourselves. Selecting contemporary artists based on <strong>the</strong>ir most recent artwork is never an easy task. The curator´s goal<br />

in presenting a wide range <strong>of</strong> contemporary artists and <strong>the</strong>ir work was made a little easier by drawing on Galeria Aberta’s<br />

extensive experience <strong>of</strong> promoting art and artists; a mission which it has undertaken for <strong>the</strong> past thirteen years.<br />

Of course our own ideas, aes<strong>the</strong>tics and tastes can influence our decisions. Never<strong>the</strong>less, we believe that we’ve struck <strong>the</strong><br />

right balance and have succeeded in showcasing a wide variation in terms <strong>of</strong> origins, styles and careers. From Naïve <strong>Art</strong> to<br />

Modern <strong>Art</strong>, <strong>the</strong> selected works demonstrate a recognisable high quality and innovation. The end result is a most eclectic<br />

art book.<br />

Represented in <strong>the</strong> “<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>”, are 97 artists from 23 countries, demonstrating that <strong>the</strong>re are no<br />

boundaries where art is concerned.<br />

I want to thank Angelo Vaz, Bela Xavier, Dulcídio Coelho, Paulo Tércio, Paulo Themudo, Margarida Serra and MariAn Simpson<br />

for <strong>the</strong>ir team work and commitment to <strong>the</strong> project.<br />

António Dulcídio/Tommy Dul<br />

Galeria Aberta/<strong>Art</strong> Vip Gallery<br />

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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 11


A. Jim USA<br />

Annette Princess Jimerson (born<br />

1966 in Chicago Illinois) is a<br />

Fine <strong>Art</strong>ist who works in variety<br />

<strong>of</strong> mediums, most known for<br />

her whimsical and prolicthic<br />

painting abilities realism,<br />

abstract. Primarily painting in<br />

acrylic and oils, she also does<br />

with subjects ranging from still<br />

life’s, landscapes, portraits and<br />

abstracts. Ms Jimerson has had<br />

over twelve exhibitions across<br />

America, with work featured<br />

in Paris France and six o<strong>the</strong>r<br />

countries. News and magazine<br />

coverage Channel 7, Blick’s<br />

Winter edition magazine (2013),<br />

Dick Blick’s website “find <strong>Art</strong>ist”.<br />

Currently Ms Jimerson, is featured<br />

in five books, including “Marquis<br />

Who’s Who in American Fine <strong>Art</strong>”<br />

(2013).<br />

fineartamerica.com/pr<strong>of</strong>iles/<br />

annette-jimerson.html<br />

annettejimerson@gmail.com<br />

“Who is <strong>the</strong> Cutest?”<br />

20x24in - acrylic on canvas board - 2012<br />

“Illusion’s - crylic on canvas board”<br />

24x36in - acrylic on canvas - 2013<br />

12 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Dark Forrest”<br />

30x40in - acrylic on gallery canvas - 2012


Portugal<br />

Acácio Cainete<br />

Acácio Cainete is an artist who has explored many paths, many techniques and many <strong>the</strong>mes but all <strong>of</strong> <strong>the</strong>m have strong ties with surrealism.<br />

Indeed, it is his creative work (surrealism and fantastic art) for which Acácio Cainete is notable, especially in his broad yet balanced palette <strong>of</strong> bright<br />

and vivid colors. The artist, himself, says that <strong>the</strong> inspiration for his creativity and originality comes from his dreams, his nightmares, his subconscious,<br />

<strong>the</strong> supernatural and <strong>the</strong> irrational. It is not only his use <strong>of</strong> colour, but also <strong>the</strong> combination <strong>of</strong> different textures such as paper, fabric and sand which<br />

help to anchor his work in <strong>the</strong> present day.<br />

Acácio Cainete paints with a freedom born from not being burdened by any external pressure or influence, ei<strong>the</strong>r personal or commercial. He paints<br />

and draws solely for his own pleasure, liberated in <strong>the</strong> knowledge that he is accountable only to himself. He embraces and expands his ideas, creating<br />

surrealist paintings and objects with assurance and strong emotional impact.<br />

He considers that he is “not a slave to time but ra<strong>the</strong>r savours each moment”<br />

Drawing or painting is, for him, a sense <strong>of</strong> peace and harmony <strong>of</strong> <strong>the</strong> mind, “it’s like cutting loose <strong>the</strong> ties <strong>of</strong> pr<strong>of</strong>essional and social pressures imposed<br />

on us over <strong>the</strong> years.”<br />

www.acaciocainete.com |acaciocainete@gmail.com<br />

“Rest day”<br />

30x20cm, (2 <strong>of</strong> 2) - ink on paper (drawing) - 2013<br />

“Rest day”<br />

65x45cm, (1 <strong>of</strong> 2) - ink on paper (drawing) - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Acácio Cainete<br />

Portugal<br />

“Nightmare ll”<br />

120x100cm - mixed media (collages on canvas) - 2012<br />

“Encounters by <strong>the</strong> evening”<br />

60x80cm - mixed media (acrylic and collages on canvas) - 2011<br />

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Portugal<br />

Acácio Cainete<br />

“Fleeing”<br />

60x40cm - acrylic on canvas - 2011<br />

“Censorship”<br />

60x40cm - acrylic on canvas - 2011<br />

“Fatal attraction”<br />

90x60cm - acrylic on canvas - 2011<br />

“Disguises”<br />

80x60cm - mixed media on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Alberto Besso (Bachét)<br />

Italy<br />

Alberto Besso (Bachét) was born in Novara, Italy in 1943. A textile designer by pr<strong>of</strong>ession, he worked for many <strong>of</strong> Italy’s top fashion houses and was<br />

involved in <strong>the</strong> designing <strong>of</strong> fabrics, pattern-making and <strong>the</strong> manufacturing <strong>of</strong> clo<strong>the</strong>s. His passion for colour, drawing and painting began in 1962.<br />

Using a variety <strong>of</strong> self-taught techniques, Alberto creates works in watercolour, oil, and acrylic. He also enjoys relief painting and airbrushing. Alberto<br />

Besso Bachét has now retired to Portugal and lives close to where he met his wife over 44 years ago.<br />

albertobesso1@gmail.com<br />

“Catwalk illusions”<br />

60x100cm - mist technique on canvas - 2013<br />

“Break down”<br />

60x100cm, acrylic on canvas - 2010<br />

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“Purple rose”<br />

50x70cm - mist technique on lea<strong>the</strong>r - 2012


Portugal/Brazil<br />

Alcida Maria<br />

Suddenly, we find ourselves in an enchanted kingdom suffused with explosions <strong>of</strong> colour,<br />

where magic elves deliver beams <strong>of</strong> light creating an astonishing universe affording<br />

delicateness and glimpses <strong>of</strong> creativity.<br />

Alcida’s art exposes <strong>the</strong> existence <strong>of</strong> an inner self that eschews routine. It fluctuates<br />

between <strong>the</strong> abstract (particularly in moments <strong>of</strong> unrest) and a contemporary, figurative<br />

style indicative <strong>of</strong> tranquillity and peace. The mix <strong>of</strong> <strong>the</strong> composition (inspired by sentiment<br />

ra<strong>the</strong>r than plan), toge<strong>the</strong>r with <strong>the</strong> play <strong>of</strong> colour and <strong>the</strong> subtlety <strong>of</strong> <strong>the</strong> human figures<br />

she portrays, makes for a joyous complement to her life.<br />

alcidamorais.wix.com/alcida | sonhar-a-pintura.blogspot.pt<br />

“Ano<strong>the</strong>r look”<br />

38x22cm - mixed media (watercolor, charcoal<br />

and graphite) on Bockingford paper,300g - 2013<br />

“The weight <strong>of</strong> life”<br />

101x71cm - acrylic on canvas - 2012<br />

“The basket maker”<br />

58x39cm - Watercolour on Saunders Waterford 300g paper - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Alexander Breskin<br />

Ukraine<br />

Alexander Breskin was born in 1947. He lives and works in Ukraine. Being a graduate <strong>of</strong> Kyiv <strong>Art</strong> Academy, he has also studied in a private art studio<br />

<strong>of</strong> Yuriy Malishevskiy for 5 years. Various paintings by Alexander Breskin are placed in National <strong>Art</strong> Museum <strong>of</strong> Ukraine and o<strong>the</strong>r Ukrainian museums<br />

as well as in <strong>the</strong> private collections in Ukraine and abroad.<br />

www.breskinart.com | breskinart@mail.ru<br />

“Buildings and people”<br />

85x90cm - oil on canvas - 2008<br />

“Inspiration”<br />

90x70cm - oil on canvas - 2012<br />

18 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Musical kiss”<br />

96x112cm - oil on canvas - 1997


UK<br />

Alexis Cole<br />

Vibrant, unique and appealing;<br />

Alexis abstract acrylic works<br />

were successfully unveiled<br />

for <strong>the</strong> first time at her solo<br />

exhibition “Transcendence” at<br />

<strong>the</strong> Brick Lane Gallery, London<br />

during Spring 2013. Alexis,<br />

from <strong>the</strong> UK, studied and<br />

explored techniques in abstract<br />

art whilst abroad in Croatia.<br />

Since “Transcendence”, a<br />

number <strong>of</strong> Alexis’ works now<br />

reside in private collections in<br />

<strong>the</strong> UK and abroad; creativity<br />

is ongoing as Alexis works<br />

passionately on commissioned<br />

pieces for private collectors.<br />

Alexis is inspired to continue to<br />

experiment with her artwork<br />

fur<strong>the</strong>r and hopes to hold<br />

a very exciting, second solo<br />

exhibition during 2014.<br />

www.alexisart.co.uk<br />

alexis@alexisart.co.uk<br />

“766.6 MPH”<br />

61x91x3cm - acrylic on canvas - 2013<br />

“Arabian Night”<br />

102x82x1cm - acrylic on canvas - 2012<br />

“Igneous Intrusion”<br />

61x61x1cm - acrylic on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 19


Amcoc<br />

Portugal<br />

To paint is an act <strong>of</strong> creation. I like <strong>the</strong> calming<br />

quality <strong>of</strong> your sunsets. I feel that you have<br />

much to give. Your work has a sweetness, a<br />

link with tenderness and it instils a desire to<br />

discover more in your images...<br />

…to create is a gift bestowed only upon<br />

<strong>the</strong> chosen ones. You have <strong>the</strong> ability to<br />

control <strong>the</strong> natural expression <strong>of</strong> beauty;<br />

you embody <strong>the</strong> living force <strong>of</strong> <strong>the</strong> flight <strong>of</strong><br />

a seagull that distances itself from <strong>the</strong> flock.<br />

“Aurora, algures no Alentejo”<br />

19x60cm - oil on wood - 2007<br />

“António Sem”<br />

ana.amcoc28@gmail.com<br />

“Cair de dia Alentejano”<br />

19x60cm - oil on wood - 2007<br />

“Sonho púrpura”<br />

27x34cm - dry pastels on paper - 2013<br />

20 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Alegres meteoritos in<strong>of</strong>ensivos”<br />

80x60cm - acrylic on canvas - 2013


Portugal<br />

Ana Maria Malta<br />

Ana Maria Malta was born on 26 th March, 1949 in Vila Franca de Xira in Portugal. She<br />

has participated in over 300 exhibitions, both collective and individual, throughout<br />

Portugal, Spain, France, Italy, Germany, Denmark, Brazil, Japan and <strong>the</strong> United <strong>State</strong>s.<br />

Ana Maria has received several awards. Her work can be found in public and private<br />

collections all over <strong>the</strong> world. She is also quoted in several national and international art<br />

publications. She was honored in Vila Franca de Xira with <strong>the</strong> Medal <strong>of</strong> Cultural Merit.<br />

cnap.pt/artistas/ana-maria-malta | tecnalidade@netcabo.pt<br />

“Turbilhão d’Águas”<br />

100x80cm - pastels and acrylic on canvas - 2013<br />

“Jardins d’Esperança I”<br />

80x120cm - pastels and acrylic on canvas - 2012<br />

“Jardins d’Esperança II”<br />

80x100cm - pastels and acrylic on canvas - 2012<br />

“Perfume da Terra”<br />

100x80cm - pastels and acrylic on canvas - 2011<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 21


Ana S<strong>of</strong>ia Neves<br />

Portugal<br />

Ana S<strong>of</strong>ia Neves was born on February 6th, 1994, in Vila Franca de Xira, Portugal, where<br />

she currently resides. From 2005 to 2012, she studied art <strong>the</strong>re under Hermínia Mesquita,<br />

concentrating on learning to work with oil pastel, charcoal and sepia and she has continued<br />

to have private lessons with <strong>the</strong> same teacher. Ana also attended classes in oil painting<br />

with <strong>the</strong> teacher Isa Fonseca from 2009 to 2012 under <strong>the</strong> auspices <strong>of</strong> G.A.R.T. - Group <strong>of</strong><br />

<strong>Art</strong>ists and Friends <strong>of</strong> <strong>the</strong> <strong>Art</strong>s. In addition, she currently attends a drawing course under <strong>the</strong><br />

guidance <strong>of</strong> Teresa Gamito and she has participated in 4 solo and 14 collective exhibitions<br />

in Portugal. Ana has won two awards and received an honourable gold mention in <strong>the</strong> 2nd<br />

Iberian <strong>Art</strong> Exhibition, organized by “Galeria Aberta” and held in <strong>the</strong> Algarve, Portugal.<br />

Pinturas-de-Ana-S<strong>of</strong>ia-Neves/480188955408638 | a.neves4@gmail.com<br />

“Marcas do Passado”<br />

44x64cm - oil pastels - 2013<br />

“Olhar sobre o tempo”<br />

50x60cm - oil on canvas - 2013<br />

22 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Sending out light”<br />

44x52cm - sepia and charcoal on cardboard - 2013


Portugal<br />

Anunciação Gomes<br />

Ever since childhood, Anunciação<br />

has been fascinated by colour,<br />

light and shade, but it wasn’t<br />

until she was nearly fifty, that she<br />

started her journey into <strong>the</strong> world<br />

<strong>of</strong> art. Having experimented with<br />

different painting techniques,<br />

she found that it was watercolour<br />

which harmonized best with her<br />

own particular sensitivities and<br />

sensibilities.<br />

Finding inspiration in her<br />

everyday surroundings, toge<strong>the</strong>r<br />

with memories <strong>of</strong> her childhood,<br />

Anunciação conveys her images<br />

to <strong>the</strong> paper with a delicacy and<br />

a mildness, characteristic <strong>of</strong> her<br />

own personality.<br />

sa<strong>of</strong>gomes@iol.pt<br />

“Doors with history”<br />

23,5x33,5cm - watercolor on Fontenay paper, 300g - 2013<br />

“Young girl’s dreams”<br />

50x70cm - acrylic on canvas - 2011<br />

“Spring in Monsaraz”<br />

25x32cm - watercolor on Fontenay paper, 300g - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 23


Awatef Safwan<br />

Saudi Arabia<br />

“Hopes Samarra 1”<br />

70×90in - Batik - 2013<br />

“Hopes Samarra 2”<br />

70×90in - Batik - 2013<br />

My artistic vision<br />

The artwork depends on containing <strong>the</strong> title <strong>of</strong> many characters, faces and crowded events that need attention… It tells <strong>the</strong> story <strong>of</strong> <strong>the</strong> man in his<br />

different expressions. Therefore, I can see that all humans, no matter where <strong>the</strong>y come from, are <strong>the</strong> same in one point and that is expressing and<br />

reflecting <strong>the</strong>ir inside world.<br />

Awatef Safwan<br />

www.artbreak.com/work/show/310482-awatef-awatef | awatef.j@gmail.com<br />

24 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Moment”<br />

60×60in - Batik - 2013


Hungary<br />

Bela Maleth<br />

Bela Maleth was born in<br />

1957 in Bekescsaba, Hungary.<br />

Bela’s artistic talent revealed<br />

itself early in his life. Since<br />

childhood he showed interest<br />

in art and writing poems. Over<br />

<strong>the</strong> course <strong>of</strong> his life he was a<br />

self-taught artist who never<br />

attended art school. During<br />

<strong>the</strong> 90’s he experimented<br />

with oil painting and started<br />

developing an unmistakable<br />

style <strong>of</strong> his own. His paintings<br />

are characterized by colourful<br />

and mesmerizing use <strong>of</strong> what<br />

could be described as a net<br />

style <strong>of</strong> abstract images in<br />

both tonal and contrasting<br />

colours.<br />

He exhibited at:<br />

2009. Amateur Atrium XX.<br />

National Exhibition <strong>of</strong> Fine<br />

and Applied <strong>Art</strong>s<br />

(Munkacsy Mihaly Museum –<br />

Bekescsaba, Hungary)<br />

2005. Cosmic Instruments<br />

(Bekescsaba, Hungary)<br />

www.gottiart.com<br />

gotti_art@yahoo.com<br />

“Without title I”<br />

26x44cm - oil on cardboard<br />

“Without title II”<br />

26x44cm - oil on cardboard<br />

“Dance <strong>of</strong> <strong>the</strong> Peacock”<br />

44x26cm - oil on cardboard<br />

“Silver Paintbrush”<br />

44x26cm - oil on cardboard<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 25


Beth Sales<br />

Brazil<br />

Beth surrender to <strong>the</strong> flow <strong>of</strong> images, <strong>the</strong> essence that goes<br />

beyond that is in transit, which escapes. The city <strong>of</strong> Dønna is her<br />

actual refuge, but being in Salvador, her art has <strong>the</strong> same force<br />

and freedom. Almost as an automatic feature, objects, animals,<br />

people are juxtaposed inside a fictitious spatial structure,<br />

disillusion, with strange and contradictory scales in size, causing<br />

us a strangeness instigating. Cats, birds, houses, fish and<br />

landscapes have <strong>the</strong> same degree <strong>of</strong> power in <strong>the</strong> lyrical work<br />

<strong>of</strong> Beth, rejecting any qualification hierarchy.<br />

Territories <strong>of</strong> memory, <strong>of</strong> immediate affection, personal<br />

experience and collective experience are places <strong>of</strong> power <strong>of</strong><br />

imagination to this painter who participates with a long and<br />

immense pr<strong>of</strong>ligacy <strong>of</strong> all senses for a reunion with poetry.<br />

Giovana Dantas<br />

www.123hjemmeside.no/bethart-elisabeth<br />

beth.sales@hotmail.com<br />

“Oppfinner”<br />

40x50cm - acrylic on paper - 2011<br />

“Konkylier”<br />

40x50cm - acrylic on paper - 2012<br />

26 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Lundefugler i såpeboble”<br />

40x50cm - acrylic on paper - 2013


Portugal<br />

Cândida Brito<br />

Cândida Brito is a Portuguese self-taught painter. She thinks that painting with soul and passion is more important, than talking about herself.<br />

candidabrito@sapo.pt<br />

“Rosa mística”<br />

60x60cm - oil on canvas<br />

“Ocaso”<br />

100x100cm - oil on canvas<br />

“Angie e Lilly”<br />

50x70cm - oil on canvas<br />

“Sombra de um sorriso”<br />

50x60cm - oil on canvas<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 27


Carlos Helmut<br />

Carlos Helmut was born in 1948 in<br />

Porto Alegre in <strong>the</strong> Brazilian <strong>State</strong> <strong>of</strong><br />

Rio Grande do Sul. He graduated in<br />

Business Administration in 1975 and<br />

for 18 years worked as foreign trade<br />

manager in several machine and tool<br />

plants. In 1983 Carlos started his<br />

own business, manufacturing turned<br />

wooden lamps for home decoration.<br />

Since 1996 he has worked from home<br />

as a freelance technical translator.<br />

In 2003 Carlos started his artistic life<br />

with ceramic moulding and painting.<br />

In 2004 he entered <strong>the</strong> “Escola<br />

de <strong>Art</strong>e São Paulo” (São Paulo <strong>Art</strong><br />

School) where he became pr<strong>of</strong>icient in<br />

creating drawings using pencil and ink<br />

and in 2005 he progressed to painting<br />

on canvas. Since <strong>the</strong>n, his works have<br />

been shown in over 50 collective and<br />

individual, physical as well as virtual<br />

exhibitions and he has won many<br />

awards. As visual art is <strong>the</strong> way he can<br />

best express his feelings, he hopes to<br />

be able to draw and paint for <strong>the</strong> rest<br />

<strong>of</strong> his life.<br />

Brazil<br />

“Wanderful view <strong>of</strong> Pão de Açúcar and Corcovado from <strong>the</strong> windows <strong>of</strong> <strong>the</strong> Contemporary Niterói <strong>Art</strong> Museum”<br />

70x50cm - oil on canvas - 2012<br />

www.yessy.com/chjapp<br />

chjapp@terra.com.br<br />

“Lighthouse <strong>of</strong> Galinhos at <strong>the</strong> <strong>State</strong> <strong>of</strong> Rio Grande do Norte, Brazil”<br />

70x50cm - mixed media on canvas - 2013<br />

28 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Mission Achieved on <strong>the</strong> shore <strong>of</strong> Porto Belo, <strong>State</strong> <strong>of</strong> Santa Catarina, Brazil”<br />

80x60cm - mixed media on canvas - 2012


Chile<br />

Cecilia Flaten<br />

Cecilia Flaten.... Magic Landscapes inspired in <strong>the</strong> Norwegian Mithology and in Patagonia´s Lands. In <strong>the</strong> search <strong>of</strong> a more tangible art, Cecilia Flaten<br />

regards painting as her current great love. At <strong>the</strong> beginning <strong>of</strong> her relationship with <strong>the</strong> medium Flaten worked in an innocent and playful way, which<br />

is demonstrated in her naïve works. In such works she experiments with techniques and colors that allude directly to her Scandinavian ancestors.<br />

Entering into a more mature stage, Flaten began working with oil till know, during 20 years, a medium that provides her with <strong>the</strong> stability and desired<br />

pattern <strong>of</strong> expression - allowing her to represent properly <strong>the</strong> legends, myths and <strong>the</strong> dreams that nest in her mind and in her blood. Her work is<br />

a great meditation on natural elements. Blending <strong>the</strong> fluidic atmosphere <strong>of</strong> <strong>the</strong> sky with <strong>the</strong> blended appearance <strong>of</strong> <strong>the</strong> horizont: she captures <strong>the</strong><br />

interaction <strong>of</strong> light and <strong>the</strong> absorption inside landscapes. It is a magical and poetic work.<br />

www.flaten.cl | flaten@flaten.cl<br />

“L<strong>of</strong>oten Dreams”<br />

100x70cm - oil and Pigment <strong>of</strong> Lapislazuli - 2013<br />

“L<strong>of</strong>oten Dreams I”<br />

100x70 cm - oil and Pigment <strong>of</strong> Lapislazuli - 2013<br />

“L<strong>of</strong>oten Dreams II”<br />

100x70 cm - oil and Pigment <strong>of</strong> Lapislazuli - 2013<br />

“Voix de L’<strong>Art</strong>ic”<br />

100x70cm - oil and Pigment <strong>of</strong> Lapislazuli - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 29


Célia Alves<br />

Portugal<br />

As a geographer, she has spent many hours watching and<br />

photographing <strong>the</strong> figures that mould <strong>the</strong> soil, getting to<br />

know <strong>the</strong> conditions under which <strong>the</strong>y work, recording <strong>the</strong>ir<br />

knowledge and identifying <strong>the</strong> conditions under which <strong>the</strong>y<br />

grow old. And that was how <strong>the</strong> need to experience <strong>the</strong>ir way<br />

<strong>of</strong> living came to life, by trying to capture <strong>the</strong>ir shapes, <strong>the</strong>ir<br />

movements and emotions. Célia started her painting activity<br />

in 2001, as a member <strong>of</strong> <strong>the</strong> <strong>Art</strong> Club, which she attended until<br />

2004. She is attentive to all situations <strong>of</strong> human subjection<br />

in its different forms, which she tries to symbolise in <strong>the</strong>ir<br />

ambivalences, without forgetting <strong>the</strong> serious environmental<br />

problems that our planet is facing, which she also intends to<br />

denounce.<br />

www.artmajeur.com/es/art-gallery/celia-alves/138178<br />

celiapenalves@gmail.com<br />

“Recolhimento”<br />

80x80x4cm - acrylic on canvas - 2013<br />

“Mulher - sombra”<br />

63x73x2cm - acrylic on canvas - 2012<br />

30 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Os sinos da minha aldeia”<br />

90x90x2cm - acrylic on canvas - 2012


Portugal<br />

César Teles<br />

Pedro César, a self-taught artist, was born in Angola, in January, 1974. His passion for<br />

art began in early adolescence, since when he has embraced <strong>the</strong> craving that propels<br />

his artistic creativity, resulting in a truly fulfilling life. From <strong>the</strong> time <strong>of</strong> <strong>the</strong> dawning <strong>of</strong><br />

his passion, that “sweet addiction” has resulted in <strong>the</strong> creation <strong>of</strong> hundreds <strong>of</strong> works.<br />

In 2013, he was awarded <strong>the</strong> bronze medal in <strong>the</strong> 1st International Salon <strong>of</strong> Nazaré, in<br />

Portugal, promoted by Galeria Aberta. Pedro César has participated in several collective<br />

exhibitions and has featured in three individual ones. His work can be found in a<br />

considerable number <strong>of</strong> private collections.<br />

www.artmajeur.com/pt/artist/pedrocesar | pedroctf@gmail.com<br />

“(Des)encontros prospectivos”<br />

55x45cm - acrylic on paper - 2013<br />

“Espelho meu”<br />

100x100x4cm - acrylic on canvas - 2013<br />

“Soberano Eros”<br />

92x73x3cm - acrylic on canvas - 2013<br />

“Por amor”<br />

92x73x3cm - acrylic on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 31


Christine Eyres<br />

Australia<br />

Christine graduated with a Bachelor<br />

<strong>of</strong> Fine <strong>Art</strong>s from Curtin University,<br />

Western Australia, 1984, and has since<br />

completed post-graduate studies at<br />

Curtin and James Cook Universities.<br />

She has exhibited widely in Australia<br />

and abroad, and conducts workshops<br />

in painting techniques, life drawing,<br />

portraiture and printmaking. Her<br />

art tends to be figurative, examining<br />

relationships as well as more political<br />

issues. Some <strong>of</strong> Christine’s recent<br />

paintings have been informed by<br />

<strong>the</strong> experience <strong>of</strong> volunteer work in<br />

outback Australia, with children too<br />

isolated to attend school. The Brahman<br />

bulls on <strong>the</strong> outback stations fascinate<br />

her. Toge<strong>the</strong>r with mythology, <strong>the</strong>y<br />

creep into her work.<br />

www.christine-eyres.com.au<br />

christine.eyres@bigpond.com<br />

“Bush Baby”<br />

73x94cm - oil and acrylic on canvas - 2013<br />

“Waiting for <strong>the</strong> Mail”<br />

75x97cm - oil and acrylic on canvas - 2013<br />

“Europa and <strong>the</strong> Bull 2”<br />

78x98cm - oil and acrylic on canvas - 2013<br />

32 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Cunnamulla Shearer”<br />

104x96cm - oil and acrylic on canvas - 2013


Germany<br />

Christine M. Vorwerk<br />

Christine M. Vorwerk is a German artist, whose work consists <strong>of</strong> paintings,<br />

drawings, and photography.<br />

Homepage: artcmv.com<br />

C.M. Vorwerk’s paintings focus on abstractions that invite <strong>the</strong> viewer to<br />

communicate with shapes and colors in <strong>the</strong>ir multiple layers, which create<br />

associations and hidden images to be discovered. The compositions display<br />

<strong>the</strong>ir own sense <strong>of</strong> balance as to color, scale and placement <strong>of</strong> elements.<br />

www.artcmv.com | christine.vorwerk@googlemail.com<br />

“Milon”<br />

79x99cm/31x39” - gouache on canvas - 2012<br />

“Snoop”<br />

59,5x79cm/23,2x31” - gouache on canvas - 2012<br />

“Stages”<br />

79x99cm/31x39” - acrylics on canvas - 2013<br />

“Temptation”<br />

59,5x79cm/23,2x31” - gouache on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 33


Christine M. Vorwerk<br />

Germany<br />

A second line <strong>of</strong> her work consists <strong>of</strong> drawings based on assemblages <strong>of</strong><br />

objects that have some meaning for her personally and at <strong>the</strong> same time<br />

can tell <strong>the</strong>ir own story so that <strong>the</strong> viewer will discover reminiscences <strong>of</strong><br />

personal memories.<br />

“Leaves’n More”<br />

39x21cm/15,5x8,5” - mixed-media drawing on Fabriano F4 Cardboard - 2012<br />

“Remains Of a Summer Day”<br />

26x16cm/10,4x6,5” - mixed-media drawing on Fabriano F4 - 2012<br />

“Nursery With No Rhyme”<br />

24x26cm/9,5x10,2” - mixed-media drawing on Fabriano F4 - 2013<br />

34 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Tin Drummers”<br />

39x28cm/15,5x11” - mixed-media drawing on Fabriano F4 - 2013


Portugal<br />

Clara Ferreira<br />

Clara Ferreira, started her journey in<br />

art in 1990 as a self-taught artist and<br />

went on to study design at Lisbon’s<br />

ARCO art school whilst simultaneously<br />

gaining experience and knowledge in<br />

oil and watercolour painting. In 2005,<br />

she was invited to create 50, 30 x 20<br />

cm, watercolours for a community<br />

event. This was closely followed by<br />

a number <strong>of</strong> exhibitions throughout<br />

Portugal in locations such as Lisbon<br />

and São Martinho do Porto. Clara<br />

considers it very important to be<br />

constantly challenged as she feels<br />

that is through triumphs and defeats<br />

that one grows as an artist. She<br />

considers herself as bold, irreverent,<br />

stubborn and slightly chaotic.<br />

claravferreira@sapo.pt<br />

“Tufão”<br />

60x100cm - oil on canvas - 2013<br />

“Mozart”<br />

65x80cm - oil on canvas - 2009<br />

“Transcendência”<br />

65x80cm - oil on canvas - 2011<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 35


Conceição Rosa<br />

Portugal<br />

Conceição Rosa was born in<br />

Covilhã in 1967 and graduated<br />

in <strong>Art</strong> and Technology in Castelo<br />

Branco in 1995, since when she<br />

has been living in <strong>the</strong> Algarve.<br />

She has participated in several<br />

exhibitions in Portugal and<br />

Spain and is represented in<br />

private collections in Portugal<br />

and abroad. Her paintings were<br />

highlighted by <strong>the</strong> newspaper El<br />

Pais for her work in <strong>the</strong> Seville<br />

Fair in 2002 and 2003 and also<br />

for her work in <strong>the</strong> Independent<br />

<strong>Art</strong> Fair in Madrid in 2002. She<br />

was mentioned too, in <strong>the</strong><br />

Jornal Sur in 2003 and by <strong>the</strong><br />

ABC newspaper in 2004 for her<br />

paintings in <strong>the</strong> Contemporary<br />

<strong>Art</strong> Fair <strong>of</strong> Seville. Conceição<br />

Rosa also won <strong>the</strong> silver medal<br />

in <strong>the</strong> second Iberian Painting<br />

Salon held in Portugal’s Algarve<br />

in 2013. Her work is featured in<br />

<strong>the</strong> “Erotic <strong>Art</strong> <strong>Book</strong> - The Body<br />

Object <strong>of</strong> Desire” and in <strong>the</strong><br />

“Golden <strong>Book</strong> <strong>of</strong> Contemporary<br />

<strong>Art</strong> in Portugal”.<br />

“Carícia”<br />

70x100cm - oil on canvas - 2004<br />

conceicaorosa3@gmail.com<br />

“Despertar”<br />

80x100cm - oil on canvas - 2010<br />

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“Sedução”<br />

70x100cm - oil on canvas - 2005


Portugal<br />

Damião Vieira<br />

Damião Vieira was born in Gondomar (Porto) in 1964. He attended <strong>the</strong> “Soares dos Reis” School <strong>of</strong> <strong>Art</strong>s and began his painting career in 1984. He<br />

was inspired and influenced by <strong>the</strong> renowned painter “Pinho”. For particular reasons he paused <strong>the</strong> artistic activity and resumed painting in 1995,<br />

with <strong>the</strong> support <strong>of</strong> <strong>the</strong> painter “Armando Aguiar” which he considered a friend, and a great teacher. Currently he his painting o<strong>the</strong>r styles such Pop<br />

<strong>Art</strong>, with great success. He has participated in individual and collective exhibitions.<br />

http://damiaovieira64.blogspot.pt | damiaovieira64@gmail.com<br />

“Realidade e Fantasia”<br />

50x60cm - acrylic on canvas - 2012<br />

“Vintage”<br />

50x60cm - acrylic on canvas - 2012<br />

“Mad Men”<br />

60x80cm - acrylic on canvas - 2012<br />

“Pão de Forma”<br />

60x80cm - acrylic on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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David<br />

Portugal<br />

Born in 1953 in Lamego, near Oporto in Portugal. David is a self-taught artist who has participated in several local exhibitions. He has some <strong>of</strong> his works in<br />

<strong>the</strong> Ne<strong>the</strong>rlands, France and Germany.<br />

david.rib1953@gmail.com<br />

“Sinfonia de cor”<br />

30x23cm - acrylic on cardboard - 2008<br />

“Pernalonga”<br />

28x42cm - glazed ceramic tiles - 2002<br />

“Musicubo”<br />

56x70cm - glazed ceramic tiles - 2003<br />

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“Meseta Ibérica”<br />

69x49cm - acrylic on canvas - 2011


Portugal<br />

De Mar<br />

Higher Education Pr<strong>of</strong>essor and Researcher,<br />

PhD, Aggregation. He coordinates research<br />

on creative edu<strong>the</strong>rapy and creative<br />

mentoring for personal development. He<br />

has exhibited regularly since 1999. He<br />

participated in about 85 art exhibitions<br />

(solo, collective and biennials), nationally<br />

and internationally. He syn<strong>the</strong>sizes various<br />

creative techniques but he is particularly<br />

fascinated by <strong>the</strong> splendor <strong>of</strong> <strong>the</strong><br />

watercolors technique. Five art referees<br />

made <strong>the</strong> critic registration <strong>of</strong> <strong>the</strong> artist’s<br />

creative spontaneity that opens doors to<br />

imagination. De Mar is mentioned in who’s<br />

who (Ed Anifa Taju 2007); Anuário (MAC<br />

2011); International art book Prospero<br />

(INSAT, 2012).<br />

demar7@gmail.com<br />

“Recortes de Aveiro”<br />

74x92cm - mixed media - 2010<br />

“A idade do papagaio”<br />

68x52cm - watercolor - 2011<br />

“Caminhada”<br />

67x38cm - watercolor - 2012<br />

“Os moinhos de Miranda do Corvo”<br />

52x68cm - watercolor - 2009<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Dulcídio<br />

Portugal<br />

Dulcídio has a meticulous way <strong>of</strong> painting. He chooses bright colours which are nei<strong>the</strong>r glaring nor unpleasant to <strong>the</strong> eye. He knows how to arrange<br />

each element and how to juxtapose <strong>the</strong> colours to produce a luminescent quality. He has an innate sense <strong>of</strong> proportion which ensures that his<br />

paintings have a natural balance. His careful selection <strong>of</strong> <strong>the</strong> background colours results in <strong>the</strong> main subject being spectacularly illuminated and thus<br />

become <strong>the</strong> focus <strong>of</strong> <strong>the</strong> painting.<br />

‘‘A. Vaz’’<br />

www.dulcido.com | tommydul@outlook.com<br />

“Animal evolution”<br />

81x60cm - acrylic on canvas 2012<br />

“Crisis opportunities”<br />

80x80x4cm acrylic on canvas - 2010<br />

40 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Thurman’s Ascension”<br />

120x100x4cm - acrylic on canvas - 2011


Portugal<br />

Dulcídio<br />

“Stop! we can!(I)”<br />

50x120x4cm - acrylic on canvas - 2010<br />

“Stop! we can”<br />

59,5x59,5cm - oil on wood - 2010<br />

“Tribute to Paula Rego”<br />

50x80cm - oil on canvas - 2010<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 41


Dulcídio<br />

Portugal<br />

“Anticyclone”<br />

100x8cm - oil on canvas - 2011<br />

“My Life Flashed Before My Eyes”<br />

90x90cm - acrylic on canvas - 2011<br />

“Days <strong>of</strong> rage”<br />

65x72x4cm - oil on wood - 2012<br />

42 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Eyjafjallajoekull”<br />

80x80x4cm - oil on canvas - 2011


Portugal<br />

Dulcídio<br />

“Jellyfish III”<br />

70x70cm - oil on canvas - 2009<br />

“Jellyfish IV”<br />

60x60cm - oil on canvas - 2009<br />

“Jellyfish VI”<br />

60x60cm - oil on canvas - 2009<br />

“Ladybug”<br />

70x70cm - oil on canvas - 2009<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 43


Edmundo Cruz<br />

Portugal<br />

The work <strong>of</strong> Edmundo Cruz has a distinctive style and appearance. He is one <strong>of</strong> <strong>the</strong> most important names in Portuguese contemporary figurative<br />

painting. Whilst he produces magnificent work in watercolour, it is for his oil painting that he is most renowned. His works are <strong>the</strong> result <strong>of</strong> a detailed<br />

compositional process and, through his unique brushwork, he captures and recreates such a sublime atmosphere, that <strong>the</strong> viewer is transported to<br />

ano<strong>the</strong>r world. With a perfect knowledge <strong>of</strong> <strong>the</strong> art <strong>of</strong> composition, and his mastery <strong>of</strong> colour and light, Edmundo Cruz is, undoubtedly, deserving <strong>of</strong><br />

<strong>the</strong> recognition afforded by his immense talent, <strong>of</strong> which we are so proud!<br />

Paulo Carreira Rodrigues<br />

www.edmundocruz.pt | edmcruz@gmail.com<br />

“O regresso”<br />

26x50cm - oil on canvas - 2012<br />

“Na ceifa”<br />

55x60cm - oil on canvas - 2008<br />

44 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Um bom companheiro”<br />

30x40cm - oil on canvas - 2009


Brazil<br />

Eduardo Motcceli<br />

Eduardo Motcceli, a self-taught artist from Rio de Janeiro, Brazil, paints in <strong>the</strong> impressionist style and his work is featured in <strong>the</strong> on-line catalogue<br />

<strong>of</strong> Julio Louzada. Over a period <strong>of</strong> 20 years he has received more than 30 awards for his work and he has taught painting for more than 10 years<br />

encouraging those who wish to join this fabulous world <strong>of</strong> art. His paintings, which cover a vast array <strong>of</strong> subjects including seascapes, landscapes,<br />

townscapes, still life and abstract, demonstrate a tremendous amount <strong>of</strong> enthusiasm. Motcceli’s work displays a certain rigor, a tension, a balancing<br />

act between strength, simplicity, <strong>the</strong> past and <strong>the</strong> present. His surfaces are roughly textured, scratched and scraped and sculpted with a palette knife<br />

using a limited range <strong>of</strong> earth colours such as ochres, umbers, and siennas, plus blue.<br />

www.galeriaaberta.net/pr<strong>of</strong>ile/EduardoMotcceli<br />

vendas@atelierexportaarte.com.br<br />

“Pão de Açucar”<br />

Rio de Janeiro - 90x60cm - oil on canvas - 2013<br />

“Caminho da felicidade”<br />

120x80cm - oil on canvas - 2012<br />

“Formas e volumes modernos”<br />

90x60cm - oil on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 45


Elena Bissinger<br />

Romania<br />

Elena Bissinger, (née Oros) artist and poet and <strong>the</strong> eldest <strong>of</strong> 5 girls, was born on January 2nd 1964, in Beius, Bihor, Romania. Her fa<strong>the</strong>r, a painter by<br />

pr<strong>of</strong>ession, nurtured her budding artistic talents and was her first mentor in <strong>the</strong> fine arts. Elena has painted since she was in middle school, and went<br />

on to graduate from <strong>the</strong> Francis Hubik Oradea <strong>Art</strong> School and Faculty <strong>of</strong> Visual <strong>Art</strong>s Oradea. She had her first art exhibition in 1997 and, since <strong>the</strong>n,<br />

has continued to exhibit both at home and<br />

abroad. Elena’s style and use <strong>of</strong> colour have<br />

elicited reactions defining her work as being<br />

full <strong>of</strong> optimism. Her energetic employment<br />

<strong>of</strong> <strong>the</strong> palette knife is used to create tangible,<br />

impressionistic flower paintings. In her<br />

abstract work she uses sweeping strokes to<br />

create images full <strong>of</strong> vitality thus exposing<br />

her inner passions and thirst for life. Elena<br />

was diagnosed with cervical cancer in 2008<br />

which served to intensify her love <strong>of</strong> life and<br />

her desire to express that passion through her<br />

art and poetry. The challenges she has faced<br />

as a painter conspire to give her more power,<br />

dignity, and strength <strong>of</strong> character.<br />

fineartamerica.com/pr<strong>of</strong>iles/elena-bissinger.html<br />

aditonilena@yahoo.com<br />

“Ochiul din umbra”<br />

110x65cm - oil on canvas - 2013<br />

“Si cantau mandolinele”<br />

90x90cm - oil on canvas - 2012<br />

46 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Dansand cu delfinii”<br />

120x140cm - oil on canvas - 2011


Belgium<br />

Elisabeth Coppens<br />

The work presented here is from a girl called Elisabeth Coppens. She currently lives in Belgium. She is not what you call a pr<strong>of</strong>essional artist. She is<br />

in <strong>the</strong> first place trained as a psychologist.<br />

All her live she has really love art, and this is any type <strong>of</strong> art. You can say her style is mainly impressionistic, with people as her favourite subjects, but<br />

she does like to experiment with different styles and different subjects.<br />

elise.coppens@live.be<br />

“Nadia”<br />

35x40cm - mixed media - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Emma Crudgington<br />

United Kingdom<br />

Emma Crudgington is a self taught artist born in england<br />

in 1986. Working with many different mediums to<br />

create striking and unique images and installations. A<br />

dress to die for consists <strong>of</strong> 250 tobacco pouches hand<br />

sewn toge<strong>the</strong>r- highlighting <strong>the</strong> addiction to fashion<br />

and brands. People who shape us are human figures<br />

made by sticking 100 wooden mannequins toge<strong>the</strong>r- a<br />

representation <strong>of</strong> how o<strong>the</strong>rs help to shape us into <strong>the</strong><br />

person we become.<br />

http://www.artvipgallery.com/pr<strong>of</strong>ile/EmmaCrudgington<br />

emmor6@aol.com<br />

“Orchestrating your View”<br />

21x30cm - acrylic on canvas - 2012<br />

“People who shape us”<br />

60x40x30cm - wooden mannequins - 2012<br />

48 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“A dress to die for”<br />

100x50cm - recycled materials - 2011


USA<br />

Faba<br />

My Hanging Box Series is a collection <strong>of</strong> my life stories. This Series allowed me to relive <strong>the</strong> many phases my life has taken and <strong>the</strong> path it will continue<br />

to travel on. When I began working on this project I rekindled my vast array <strong>of</strong> adventures, sorrows, joys, uncertainties, hopes, and dreams, which<br />

I have had in my lifetime. My hope is that <strong>the</strong> audience will also share this experience and be touched by thoughts and dreams and be inspired by<br />

what is yet to come.<br />

The Installation was done January 2012. Its a Set <strong>of</strong> 11 Boxes: 5 Sets - <strong>of</strong> 4 paintings (55 x 45 cm); 4 Sets - <strong>of</strong> 4 paintings (40 x 40cm); 2 Sets - <strong>of</strong> 4<br />

paintings (30 x 30cm).<br />

mfaba13@aol.com<br />

Series - Hanging my boxes<br />

Series - Hanging my boxes I<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Fernando Cacela<br />

Portugal<br />

Born in Setúbal, Portugal, in 1978. Teacher with degree in Teaching Visual<br />

and Technological Education, at <strong>the</strong> School <strong>of</strong> Education <strong>of</strong> Setúbal, in<br />

2001. Won <strong>the</strong> merit scholarship in <strong>the</strong> third year <strong>of</strong> college. Master<br />

Teacher in Teaching Visual and Technological Education in Basic Education<br />

at <strong>the</strong> School <strong>of</strong> Education <strong>of</strong> Setúbal, in 2010. Participates in individual<br />

and collective exhibitions, contests, live painting shows, charitable actions<br />

by donating pieces for auction. Member <strong>of</strong> <strong>the</strong> Association <strong>of</strong> <strong>Art</strong>ists <strong>of</strong><br />

Setúbal. Member <strong>of</strong> <strong>the</strong> Association <strong>of</strong> <strong>Art</strong>ists <strong>of</strong> Almada. Represented in<br />

several private and institutional collections.<br />

http://fernandocacela.blogspot.pt<br />

fernando_cacela@hotmail.com<br />

“Philosopher - Stone on <strong>the</strong> asphalt next to <strong>the</strong> CAO 1”<br />

24x30cm - oil on canvas - 2009<br />

“Walk - Setúbal”<br />

80x60cm - mixed on canvas - 2013<br />

50 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Detail <strong>of</strong> a wall located next to my parents’ house”<br />

30x20cm - oil on canvas - 2013


Italy/Brazil<br />

Giuseppe Ranzini<br />

Giuseppe Ranzini was born in Milano, Italy, arrived in Brazil in 1952. Besides having studied Fine <strong>Art</strong>s, is graduated in Law, Marketing, Administration<br />

and Finance. After working in Brazil, France and Peru, turns his hobby into a pr<strong>of</strong>ession, dedicated to <strong>the</strong> art <strong>of</strong> painting, creating and disseminating in<br />

several individual and collective exhibitions, his own style called “disciform”, which is based on <strong>the</strong> painting and use <strong>of</strong> concentric disks as “leitmotiv”<br />

<strong>of</strong> <strong>the</strong> originality <strong>of</strong> his work. <strong>Art</strong>ist awarded in several halls. Recently, was awarded in <strong>the</strong> IX International Biennial <strong>of</strong> Rome, Italy. His works are part<br />

<strong>of</strong> public and private collections in Europe and Latin America.<br />

www.giusepperanzini.com.br | giusepperanzini@terra.com.br<br />

“Amy, singer forever…past, present & future”<br />

100x200cm - acrylic on canvas - 2012<br />

“Nelson Rolihlahla Mandela, o pai da pátria e a arte disciforme”<br />

100x150cm - acrylic on canvas - 2012<br />

“The king <strong>of</strong> pop…yesterday, today, forever”<br />

100x80cm - acrylic on canvas - 2012<br />

“O mito Marilyn Monroe e a arte disciforme”<br />

100x150cm - acrylic on canvas - 2011<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Giuseppe Ranzini<br />

Italy/Brazil<br />

“Haja luz! Gênesis…primeiro comando Divino”<br />

90x70cm - acrylic on canvas - 2012<br />

“Terpsícore, a rodopiante musa da dança”<br />

130x100cm - acrylic on canvas with backligth - 2010<br />

“Cappella Sistina”<br />

100x120cm - acrylic on canvas - 2012<br />

52 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Mandala disciforme tridimensional”<br />

150x150x35cm - acrylic on fiber - 2011


Ukraine<br />

Gnievyshev Oleksii<br />

“<strong>Book</strong>shelf”<br />

30x90cm - oil on canvas - 2012<br />

Gnievyshev Oleksii is a young talented artist, born 1991 in <strong>the</strong> Ukraine (Eastern Europe). His artworks are a fusion <strong>of</strong> fresh conceptions in realistic<br />

painting rising from abstract perception <strong>of</strong> <strong>the</strong> reality and long forgotten, unique painting technique. Now Oleksii is a student in The National<br />

Academy <strong>of</strong> Fine <strong>Art</strong>s and Architecture <strong>of</strong> Ukraine.<br />

He participated in a plenty <strong>of</strong> art events and exhibitions, nominated for <strong>the</strong> “Gold foundation <strong>of</strong> Ukraine”. His works were printed in international<br />

catalogues in Ukraine, India and United Kingdom. Oleksii seeks to realize himself in Western countries.<br />

www.artwanted.com/artist.cfm?artid=71308 | gnev@e-mail.ua<br />

“Esfir”<br />

85x100cm - oil on canvas - 2013<br />

“Ladder”<br />

30x20cm - oil on cardboard - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Gordo Letters<br />

Portugal<br />

Pedro Cerqueira, aka Gordo Letters, was born in Lisbon, Portugal. Since his early years he has been<br />

especially drawn towards <strong>the</strong> arts and creative expression. His skills combine calligraphy, graffiti<br />

tag and tattoos.<br />

Gordo has a very organized work methodology which is enriched by his self-teaching approach and<br />

inspired mind. What he’s looking for with is work is to create innovative and abstract letters that<br />

push <strong>the</strong> viewers mind by blending traditional hand-lettering with new style calligraphy.<br />

In conclusion, Gordo practices calligraphy as an art form, constructing balanced and one-<strong>of</strong>-a-kind<br />

letterings which will never stop evolving, especially because <strong>of</strong> his love and enthusiasm for <strong>the</strong> art<br />

he practices.<br />

cargocollective.com/Gordoletters<br />

gordoletters@gmail.com<br />

“E”<br />

82x134cm - acrylic on canvas - 2013<br />

“E”<br />

162x280cm - acrylic on canvas - 2013<br />

54 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“K”<br />

55x87cm - acrylic on canvas - 2013<br />

“J”<br />

82x137cm - acrylic on canvas - 2013


Portugal<br />

Gustavo Fernandes<br />

“Sedução”<br />

80x250cm - oil on canvas - 2012<br />

He has an excellent academic and pr<strong>of</strong>essional career developed in<br />

Canada and Portugal. Pr<strong>of</strong>essional experience gained over 27 years,<br />

largely devoted to painting that led him to expose and develop contacts<br />

in several countries. Self-taught, creative and daring in his work stand<br />

out details, objects, landscapes that give a real touch surreal and hyperrealistic.<br />

Gustavo Fernandes constantly seeking <strong>the</strong> freedom that <strong>the</strong><br />

artist want and practice it consistently. For this, works through paint,<br />

brushes, bronzes and flashes, moving with great skill in painting and<br />

drawing as in sculpture and photograph. His color palette is varied, and<br />

ranges in shades with a technique that he use rigorous and trait strong<br />

and firm.<br />

• Studied in <strong>the</strong> Montreal School <strong>of</strong> Fine <strong>Art</strong>s Mission Renaissance.<br />

• Attended <strong>the</strong> program and Graphic <strong>Art</strong>s <strong>of</strong> Dawson College.<br />

• Expertise in <strong>the</strong> techniques and methods and Betty Edwards’ Drawing<br />

from <strong>the</strong> <strong>Art</strong>ist Within “and” The Natural Way to Draw “from NIcolides.<br />

Training under <strong>the</strong> guidance <strong>of</strong> Francisco de Oliveira Portraiture.<br />

He has Public Works in Portugal, Angola, Kazakhstan, England and<br />

Germany.<br />

“Na ponta da língua”<br />

50x50cm - oil on canvas - 2012<br />

Exhibitions:<br />

Held a total <strong>of</strong> more than 270 exhibitions. Invited by Unicef and a German<br />

institution to be part <strong>of</strong> a cultural initiative in which a solitary work<br />

created by him travels <strong>the</strong> world. Among <strong>the</strong> 140 countries elected by<br />

UNICEF include: Turkey / USA / Australia / Argentina / Jerusalem / Seoul<br />

/ Egypt / Poland / Uruguay / South Korea and Paris. Much <strong>of</strong> his work is<br />

represented in institutional, public and private collections. Has received<br />

numerous Awards. He has special Participações in Several <strong>Book</strong>s, Movies<br />

and Television programs.<br />

“Doce embriaguez”<br />

50x70cm - oil on canvas - 2012<br />

www.gustav<strong>of</strong>ernandes.com<br />

gustav<strong>of</strong>@netcabo.pt<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Helena Lobato<br />

Portugal<br />

“No Largo de Porto Côvo”<br />

40x100cm - oil and shale on canvas - 2011<br />

Figurative painter, born in Lisbon in 1970. Graduated in Ergonomics, soon devoted to her<br />

true calling - immortalize on canvas what she saw and felt. Began painting pr<strong>of</strong>essionally in<br />

1998. The sea and Alentejo sights marked her work over <strong>the</strong> last ten years.<br />

Helena is a rigorous painter with an extraordinary power <strong>of</strong> creative imagination. Her skies<br />

are such a force <strong>of</strong> attraction that harmoniously enrich <strong>the</strong> flying landscape rigor without<br />

withdrawing its natural role, Helena’s landscape and skies toge<strong>the</strong>r, undoubtedly define her<br />

work.<br />

https://sites.google.com/site/atelierdahelenalobato | lobatos@sapo.pt<br />

“Ode ao Gato com Vicente van Gogh”<br />

90x150cm - oil on canvas - 2012<br />

56 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Nas Encostas de S. Pedro do Sul”<br />

80x50cm - oil on canvas - 2012


USA<br />

Henry Gallucio<br />

I studied under Robert Barnes and Berry Gealt at Indiana University as an undergraduate and<br />

work in a variety <strong>of</strong> styles as befits <strong>the</strong> idea or ideas I try to communicate or subject I try to<br />

depict. I most like <strong>the</strong> work <strong>of</strong> Jasper Johns, Giacommetti and Emile Nolde and try to keep<br />

<strong>the</strong> painting understandable and unified. I have a collection <strong>of</strong> 20th c. classical music and<br />

attempt to make my work somewhat akin to that in particular <strong>the</strong> works <strong>of</strong> Scheoke, Berg and<br />

Hindemith, that varies though.<br />

www.henrygallucio.com | hgallucio@yahoo.com<br />

“Cairo II”<br />

18x24in - painting oil - 2011<br />

“Aleppo”<br />

11x14in - painting oil - 2012<br />

“Cairo III”<br />

painting oil - 2011<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Ieva Sara Breiksa<br />

Latvia<br />

Ieva Sara Breiksa is a Latvian artist, born on 21.08.1978. She has graduated<br />

a fine art academy in France (Ecole Nationale Superieure des Beaux-<strong>Art</strong>s) in<br />

Paris on 2002. During her studies she has been practicing many techniques<br />

besides painting and drawing, like for example: <strong>the</strong> fresco, lithography,<br />

photography, video and sound. The researches <strong>of</strong> an artist starts from <strong>the</strong><br />

nature, firstly making a drawings, afterwards elaborating <strong>the</strong>m in her studio.<br />

For many years her favorite subject were dance, precisely flamenco and<br />

tango dance. She had her first personal exhibition called “Flamenco” on 2004<br />

in Riga. Since end 2009 artist lives in Italy, her personal exhibitions were in<br />

Rome “Tango: <strong>the</strong> movement, <strong>the</strong> colour” on 2011, and “ Tango no limits”<br />

on 2012 in Treviso city and in Venice. This year artist ads ano<strong>the</strong>r subject into<br />

her repertory - Venitian Villas painted in “Plein air”. She is fascinated about a<br />

beauty <strong>of</strong> a Palladio villas and shows her variations on many <strong>of</strong> <strong>the</strong>m in her<br />

exhibition“Venitian Villas: <strong>the</strong> remembering <strong>of</strong> <strong>the</strong> time” 2013 in <strong>the</strong> gallery<br />

“Elle” in Preganziol in Veneto area. Nature for an artist is a highest master, she<br />

gives her expressionistic and emotional interpretation.<br />

ieva.sara78@gmail.com<br />

“Labyrinth”<br />

70x100cm - oil on canvas - 2013<br />

“The big arch”<br />

120x70cm - oil on canvas - 2013<br />

“Villa Barbarigo at Valsanzibio”<br />

60x70cm - oil on canvas - 2013<br />

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Ukraine - Israel - USA<br />

Irena Orlov<br />

Irena Orlov, innovative, contemporary fine artist, architect, designer, illustrator, photographer is known for creating captivating works which are full<br />

<strong>of</strong> energy.<br />

Extraordinary versatile in her mediums, Irena could never imagine life without art. She is an artist whose path in <strong>the</strong> fine arts has led her to a unique<br />

expression <strong>of</strong> mood and color. The combination <strong>of</strong> antique and a very clean, crisp modern design sense creates a highly prized, individual art style.<br />

Her images begin spontaneously and give expression to personal creativity and insight. Each piece is unique in design. Irena <strong>of</strong>ten prefers to think <strong>of</strong><br />

herself as a craftsman, constructing, or interpreting imagery and messages from her conscious and subconscious mind.<br />

www.irenaorlov.com | irenaorlov@att.net<br />

“Color shapes”<br />

16x20’’ - acrylic on canvas - 2013<br />

“Life on Mars”<br />

16x20’’ - acrylic on canvas - 2013<br />

“Emotions in Color Abstract 1813”<br />

16x20’’ - acrylic on canvas - 2013<br />

“Emotions in motion”<br />

16x20’’ - acrylic on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Irina Corduban<br />

UK<br />

<strong>Art</strong> is not a career choice, it is a life choice<br />

I have always enjoyed <strong>Art</strong> from an early age. I can remember spending<br />

most <strong>of</strong> my childhood just drawing and being inspired to make and<br />

design anything and everything! This love <strong>of</strong> <strong>Art</strong> has stayed with me<br />

and developed and grown and, now, I cannot imagine wanting to do<br />

anything else. I have always wanted to work as an art teacher because it<br />

has always felt like <strong>the</strong> right direction for me to take.<br />

I have a Master degree in <strong>Art</strong> and a degree in teaching and I had<br />

been studying traditional fresco on wet plaster that gave me a great<br />

opportunity to work on mural scale. Mural art work had a big influence<br />

on my creations at that time and even though I now use different<br />

mediums I still paint on a large scale but now using canvasses, almost a<br />

wall size. My style is very academic because I love details but into large<br />

scale and also I enjoy to paint on color canvass and <strong>the</strong> most on black<br />

canvass by painting only on <strong>the</strong> light side and trying to engage <strong>the</strong> viewer<br />

to recreate on his mind <strong>the</strong> rest <strong>of</strong> <strong>the</strong> painting.<br />

I run my own art tuition classes at Harrow <strong>Art</strong> Centre, Hatch End, for<br />

adults, and I also have a small group for private tuition. On my art tuition<br />

I encourage my learners to discover traditional painting and drawing, as<br />

proportions, mix up colors and learn different techniques (watercolor,<br />

acrylic, pastel, oil, mix media, engraving and silk painting).<br />

For those <strong>of</strong> us that choose art, it is not a career or a hobby, but a passion,<br />

a way <strong>of</strong> life. There is no right or wrong in art and it can be translated a<br />

million different ways. We all see <strong>the</strong> world differently, and when I take a<br />

moment to look around me, my mind starts to buzz with ideas about my<br />

material surroundings.<br />

“If you ever want to know what a creative person’s mind feels like,<br />

imagine a browser with 2,857 tabs open. All . The. Time.” (a quote<br />

reflecting my mind graciously posted on Facebook). By Irina Corduban<br />

irinacorduban.wix.com/art-and-tuition|ina_ornament@yahoo.com<br />

“Nude with pink and blue silk”<br />

125x185cm - acrylic media - 2013<br />

“Me in blue”<br />

190x260cm - acrylic media - 2013<br />

60 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Nude on reflection”<br />

164x196cm - acrylic media - 2013


USA<br />

Janice Baker<br />

I have been painting over 35 years<br />

and know <strong>of</strong> no better way to<br />

express ones inner self than <strong>the</strong><br />

wonderful world <strong>of</strong> art. I am a strong<br />

advocate <strong>of</strong> black and white acrylic,<br />

used as an underpainting. Acrylic<br />

and oil paintings as well benifit from<br />

this technique. It helps shape, and<br />

tone down, and give substance to<br />

your creations. Also I noticed it gave<br />

strength to <strong>the</strong> paint application.<br />

Once tried I was hooked and rarely<br />

work without it. All <strong>of</strong> my work is<br />

original and I love <strong>the</strong> power <strong>of</strong><br />

creating and signing my name to<br />

ano<strong>the</strong>r original.<br />

Janice Baker<br />

jansy20@att.net<br />

“A Basket Full”<br />

12x16in - oil on canvas - 2011<br />

“Child By The River”<br />

20x24in - oil on canvas - 2009<br />

“Autumn Sunset”<br />

18x24in - oil on paper - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Jiselda Salbu Gigi<br />

Brazil<br />

She has done more than 1000 paintings, some <strong>of</strong> which are in museums<br />

and collections in Latin America. One <strong>of</strong> <strong>the</strong> paintings is on a wall in<br />

<strong>the</strong> UN-building in New York. She has received numerous awards at<br />

exhibitions in several countries, and for her contribution for promotion<br />

<strong>of</strong> artists and art in Latin America. She has also received several Brazilian<br />

Oscar statuettes, and been awarded a title as baroness for her portraits<br />

<strong>of</strong> <strong>the</strong> <strong>of</strong> <strong>the</strong> imperial family in Brazil. Her portrait series was published<br />

on <strong>the</strong> Brazilian postal stamps in 2012. She was recently appointed<br />

ambassador <strong>of</strong> Brazilian art abroad. As a guest writer and journalist,<br />

she has contributed in a number <strong>of</strong> books and her poems have been<br />

published in several.<br />

www.brasilartist.no | ateliegigi@uol.com.br<br />

“Decorative adobe pot”<br />

80x60cm - oil on canvas (knife technique)<br />

“Alameda Fernando Costa”<br />

60x80cm - oil on canvas (knife technique)<br />

“Small castle”<br />

80x60cm - oil on canvas (knife technique)<br />

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“Historical gate”<br />

60x80cm - oil on canvas (knife technique)


Portugal<br />

João Bello<br />

João Bello is a self-taught artist born in 1978 in <strong>the</strong> town <strong>of</strong> Benedita, in <strong>the</strong> municipality <strong>of</strong> Alcobaça,<br />

Portugal, where he currently resides. At 9 years old he began to draw using pencil and charcoal, progressing,<br />

at <strong>the</strong> age <strong>of</strong> 12, to painting in oil, watercolor and acrylic and it was at this tender age that he began to<br />

exhibit his works. It was clear that João had developed a predilection for painting! When he was 19 he<br />

progressed into abstract painting - experimenting with different techniques and styles. Today, however, he<br />

identifies himself mainly with realism. His paintings depict realistic characters set in a contemporary and<br />

aspirational world transmitting strong and vibrant sensations.<br />

www.joaobello.pt | joaobello.artistaplastico@gmail.com<br />

“Maria”<br />

70x100x2cm - oil on canvas - 2012<br />

“Get ready to have fun!”<br />

80x120x2cm - oil on canvas - 2013<br />

“Let´s Party!”<br />

65x130x2cm - oil on canvas - 2012<br />

“Food for <strong>the</strong> soul”<br />

90x120x2cm - oil on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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João Galh<strong>of</strong>o<br />

Portugal<br />

João Galh<strong>of</strong>o was born in <strong>the</strong> south, in <strong>the</strong> village <strong>of</strong> Redondo, Evora, in 1962.<br />

From an early age showed great aptitude for <strong>the</strong> arts.<br />

He began his artistic activity in <strong>the</strong> 1980s, joining <strong>the</strong> Faculty <strong>of</strong> Fine <strong>Art</strong>s <strong>of</strong> Lisbon. Here<br />

was a pupil <strong>of</strong> <strong>the</strong> painter Luisa D’Orey in <strong>the</strong> areas <strong>of</strong> Drawing <strong>the</strong> Human Figure and<br />

Anatomy and student <strong>of</strong> Pr<strong>of</strong>.. Dr. <strong>Art</strong>hur Ramos in <strong>the</strong> areas <strong>of</strong> Drawing and Painting,<br />

Body and Portrait teachers that marked his artistic career in <strong>the</strong> areas <strong>of</strong> Painting and<br />

Sculpture.<br />

Completed in 2103 about 200 exhibits.<br />

www.artesgalh<strong>of</strong>o.com | joao@artesgalh<strong>of</strong>o.com<br />

“Arco do Triunfo”<br />

80x100cm - oil on canvas - 2012<br />

“Padrão dos Descobrimentos”<br />

80x100cm - oil on canvas - 2012<br />

“Lisboa Oriente”<br />

80x100cm - oil on canvas - 2012<br />

64 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Guincho em Cascais”<br />

100x80cm - oil on canvas - 2012


Portugal<br />

João Iglésias<br />

Born in Lisbon, in June 1943, João Iglésias is an eclectic artist not constrained by any artistic movement. His work varies in terms <strong>of</strong> shape and<br />

size using materials including steel, bronze and stone; each piece playing its part in his constant search for artistic coherence. A refined sculptor,<br />

with an aes<strong>the</strong>tic sense, he transmits a deep sensitivity and maturity in this art to which he is so dedicated and his bond with sculpture is clearly<br />

demonstrated in <strong>the</strong> logical progression <strong>of</strong> his work. There is no doubting his talent, especially his technical ability, and <strong>the</strong>se qualities are reinforced<br />

through a personal style, resulting in original creations which have a voice and vitality <strong>of</strong> <strong>the</strong>ir own. Through his sculptures, João Iglésias <strong>of</strong>fers<br />

us ideas, thoughts and concepts filled with passion and energy. His works, created within a framework <strong>of</strong> artistic discipline, are forceful in <strong>the</strong>ir<br />

construction and morphology.<br />

www.escultorjoaoiglesias.com | joaoiglesias@kanguru.pt<br />

“Povo, povo, eu te pertenço”<br />

90x36x10cm - stainless steel and o<strong>the</strong>r - 2011<br />

“Motard”<br />

800x430x180cm - stone and stainless steel - 2007<br />

“Os fundadores da desgraça”<br />

104x25x15cm - bronze and o<strong>the</strong>rs - 2013<br />

“Permutador de calor K8002”<br />

310x100x125cm - stainless steel - 2008<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Johnlijo Bluefish<br />

India<br />

<strong>Art</strong>ist & compositor he has been a photographer for 10 years. Although formally trained and qualified in <strong>the</strong> visual arts. He has been many different<br />

roles over <strong>the</strong> years. All <strong>of</strong> this diversion was a wonderful learning experience, perhaps a necessity, in leading him back to where he find himself<br />

today. He have come full circle, returning to what he loves best: art.<br />

www.blufishmotion.com | studiobluefish@blufishmotion.com<br />

“Candy lips made from beauties factory!”<br />

40x60in - digital c type - 2010<br />

“Charlize Theron”<br />

60x40in - digital c type - 2009<br />

“Marilyn Monroe”<br />

40x60in - digital c type - 2011<br />

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“Monet Mazur”<br />

40x60in - digital c type - 2011


Portugal<br />

José Fortunato<br />

José Manuel Fortunato was born<br />

in 1946, at Oporto, Portugal,<br />

and graduated as Mechanical<br />

Engineering at IST, Lisbon.<br />

He is a self taught painter<br />

and has long used oil pastel,<br />

water colour and water colour<br />

graphite. He started painting<br />

with oil on canvas in 1997.<br />

Fortunato was a former<br />

Associate Member <strong>of</strong> ISMP –<br />

International Society <strong>of</strong> Marine<br />

Painters (A non pr<strong>of</strong>it US<br />

Corporation).<br />

He is an effective member <strong>of</strong><br />

Galeria Aberta.<br />

Fortunato joined several Exhibi<br />

tions, at Marina de Lagos,<br />

Algarve at “Ordem dos<br />

Engenheiros”, Lisboa and “ Mu<br />

seu da Marioneta “, Lisboa.<br />

He published several seri<br />

graphy’s, is represented in art<br />

books and has some <strong>of</strong> his art<br />

works in private collections.<br />

www.artwanted.com/fortunato<br />

josemfortunato@gmail.com<br />

“Flooding”<br />

30x40cm - oil on canvas - 2013<br />

“We don’t surrender”<br />

30x40cm - oil on canvas - 2011<br />

“Nightfall at Cascais Bay”<br />

30x40cm - oil on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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José Travassos<br />

Portugal<br />

Life is a wonderful journey whilst seen as a process <strong>of</strong> ceaseless apprenticeship and rediscovery. José Travassos never ceases to amaze us. He believes<br />

that life is beautiful, attractive, and in constant mutation. José Travassos’ personal aes<strong>the</strong>tic and technique are quite remarkable. His treatment <strong>of</strong><br />

light and shadow shows great skill. The harmony <strong>of</strong> colours, layered one on top <strong>of</strong> <strong>the</strong> o<strong>the</strong>r, <strong>of</strong>fer special greatness to <strong>the</strong> beautiful landscapes.<br />

The visual result is both transcendent and wonderful. The artist expresses a wide range <strong>of</strong> feelings and emotions, and leads <strong>the</strong> viewer to embark<br />

on a very special journey through magic, vulnerable atmospheres, which lie far beyond <strong>the</strong> boundaries <strong>of</strong> <strong>the</strong> first glimpse. José Travassos took<br />

great interest in <strong>the</strong> natural surrounding and became passionately involved with it. The artist’s work is mainly focused on lit landscapes particular<br />

enhancement to <strong>the</strong> majestic sea and <strong>the</strong> unique Azorean skies worthy <strong>of</strong> contemplation. The realism and <strong>the</strong> evident attention to detail, however,<br />

do not overshadow <strong>the</strong> artist’s skillful composition, designed to make <strong>the</strong> paintings emotionally and aes<strong>the</strong>tically satisfying.<br />

josetravassos.blogspot.pt | travassos.jose@gmail.com<br />

“Baía dos carneiros”<br />

60x60cm - oil on canvas - 2013<br />

“Plátanos”<br />

80x60cm - oil on canvas - 2013<br />

“Praia do Malhão”<br />

92x46cm - oil on canvas - 2012<br />

68 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


Puerto Rico<br />

Joseph A. Burgos Jr.<br />

Joseph A. Burgos Jr. was born in Hato Rey, Puerto Rico. He was educated in New York and<br />

received diplomas. Joseph pursued a hobby in painting and construction craft work with<br />

exhibitions at Brooklyn Heights<br />

Library, Museum <strong>of</strong> <strong>the</strong> City <strong>of</strong> New York, Boricua Colleges, Connecticut <strong>State</strong> University,<br />

Princeton University and many o<strong>the</strong>r cultural institutions, He writes poetry and has<br />

been published in magazines,<br />

newspapers and nationwide poetry anthologies with certificate <strong>of</strong> merit and<br />

accomplishments awarded to him. Joseph A. Burgos Jr. is <strong>the</strong> son <strong>of</strong> author José Federico<br />

Burgos and nephew <strong>of</strong> <strong>the</strong> famous poet Julia de Burgos.<br />

www.angelfire.com/movies/<strong>the</strong>wizard/1.html | AGNER@webtv.net<br />

“Eugenio Maria de Hostos”<br />

24x36 inches - acrylic on canvas - 1989<br />

“Julia de Burgos”<br />

24x36 inches - acrylic on canvas - 1989<br />

“Robot”<br />

9 feet height - construction <strong>of</strong> robot - 1990<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Julia Dijkstra<br />

Holland<br />

Julia Dijkstra was born in Holland on july 1992. In 1995, when <strong>the</strong> family<br />

moved to Rio de Janeiro, she was already making remarkable drawings<br />

<strong>of</strong> all kinds <strong>of</strong> animals. At <strong>the</strong> age <strong>of</strong> eleven she was introduced to Lydio<br />

Bandeira de Mello, a great Brazilian artist who became her master <strong>of</strong> live<br />

model drawings until 2010, when she moved back to Holland and started<br />

education <strong>of</strong> Fine <strong>Art</strong>s at <strong>the</strong> Royal Academie in The Hague. She is now a<br />

second year student.<br />

julia_lu92@yahoo.com.br<br />

“Phil Collins”<br />

100x70cm - acrylic on paper - 2012<br />

“Bull”<br />

100x70cm - acrylic on paper - 2012<br />

“Woman and <strong>the</strong> dog”<br />

100x70cm - acrylic on paper - 2011<br />

70 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


Canada<br />

Julian Baslyk<br />

Somewhat inspired by surrealism, abstract expressionism and cubism, Julian wants to create a visual stimulation by using color and form. Julian <strong>of</strong>ten<br />

uses elements such as thorns and ribbons in harmony and motion, in paintings, intaglio prints or drawings. To show beautiful composition and exuberant,<br />

lively <strong>the</strong>mes is his objective, as Julian searches for his own artistic and self improvement. Also present in some paintings are out <strong>of</strong> worldly<br />

landscapes, one can observe <strong>the</strong> pieces <strong>of</strong> land and sky that are shown. Julian wants to bring new, different ideas into <strong>the</strong> minds <strong>of</strong> <strong>the</strong> viewers, and<br />

to invoke thought, feeling and wonder.<br />

jules<strong>of</strong><strong>the</strong>@gmail.com<br />

“A Piece in Hand”<br />

30x30in - oil on canvas - 2012<br />

“The Bird”<br />

36x36in - oil on canvas - 2012<br />

“Deep in Wonder”<br />

30x30in - oil on canvas - 2013<br />

“Alternate <strong>State</strong>”<br />

30x40in - oil on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Julie-Mila Bouffard<br />

Canada<br />

Born in 1986 in Baie-Comeau, an industrial city on Quebec’s North-Shore,<br />

Julie-Mila Bouffard has been drawing and painting since a young age. Her<br />

studies in visual arts at <strong>the</strong> Cégep de Rivière-du-Loup, from 2003 until<br />

2006, allowed her to deepen her technique and brought her to complete<br />

a Bachelor’s degree in visual and media arts later at Université Laval in<br />

Québec from 2007 to 2010.<br />

The artist works mainly with drawing both in traditional and digital<br />

media, acrylic painting as well as screen printing. Her work is articulated<br />

especially around feminine, <strong>of</strong>ten provocative characters. She aims<br />

for her work to release a sense <strong>of</strong> feminity, a sensual energy and even<br />

sexuality.<br />

www.juliemilabouffard.com | juliemilabouffard@outlook.com<br />

“Look at me”<br />

22x30in - mixed media on canvas - 2010<br />

“How to make him lose his head - mixed media on wood”<br />

12x48in, 36x48in, 12x48in - 2010<br />

“LV”<br />

48x24in - mixed media on canvas - 2013<br />

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“Funky hair”<br />

36x24in - mixed media on canvas - 2013


France<br />

Julien Séror<br />

Independent illustrator and<br />

graphic designer print free<br />

lance, I suggest you consulting<br />

my portfolio. Illustration,<br />

rough, story-board, character<br />

design, concept art for games vi<br />

deo, deliver for child or o<strong>the</strong>rs...<br />

Graphic designer-illustrator<br />

by training, I am capable <strong>of</strong><br />

developing an artistic project<br />

under various forms. I master<br />

<strong>the</strong> s<strong>of</strong>tware <strong>of</strong> print creation,<br />

<strong>the</strong> academic drawing, <strong>the</strong><br />

acrylic paint, <strong>the</strong> painting<br />

digital, <strong>the</strong> comic strip and <strong>the</strong><br />

sculpture.<br />

www.julienseror.com<br />

j.seror@free.fr<br />

“Threatening”<br />

21 X 29,7 cm - digital painting - 2011<br />

“Dark Warrior’s Armor<br />

20 cm - sculpture with salvaged materials - 2001<br />

“The Ultimate Fight”<br />

21 X 29,7 cm - digital painting - 2011<br />

“Sentinel <strong>of</strong> seas”<br />

10 cm - sculpture with salvaged materials - 2001<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Justyna Piaskowska<br />

Poland<br />

Justyna Piaskowska is specialised in pencil portraits, both graphite pencil portraits and coloured pencil portraits.<br />

www.justynapiaskowskadrawings.co.uk | justyna33@hotmail.com<br />

“Poland”<br />

21×29,7cm - black pencils, coloured pencils, black ink - 2012<br />

“India”<br />

21×29,7cm - black pencils, coloured pencils, black ink - 2012<br />

“Japan”<br />

21×29,7cm - black pencils, coloured pencils, black ink - 2013<br />

74 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Dubai”<br />

21×29,7cm - black pencils, coloured pencils, black ink - 2013


USA<br />

Kelly A. Kopacz<br />

Kelly A. Kopacz is a Freelance <strong>Art</strong>ist / Graphic Designer living in<br />

Countryside, IL. She received her Bachelor <strong>of</strong> <strong>Art</strong>s Degree at Concordia<br />

University in River Forest, Illinois. The need for art started after she won a<br />

poster contest in grade school. Her work consists <strong>of</strong> many mediums such<br />

as acrylics, ink and pastels to name a few. She is consciously employing<br />

both traditional and innovative techniques to her pieces. Her <strong>the</strong>mes can<br />

be considered creative with a hint <strong>of</strong> symmetry. As time goes on, Kelly<br />

continues to explore artistic talents to see which direction it will take her.<br />

www.kopaczonlinestudio.com | myart79@yahoo.com<br />

“The Valley”<br />

12x16in - acrylic on canvas - 2012<br />

“Flowers”<br />

11x15in - ink and water color pencils on paper - 2011<br />

“Fairy”<br />

11x15in - ink on paper - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Kim Juchul<br />

South Korea<br />

“Eiffel Tower and <strong>the</strong> Seine River Landscape”<br />

38 x 45.5cm - oil on canvas - 2012<br />

Ralph Waldo Emerson once stated,<br />

“A life in harmony with Nature, <strong>the</strong><br />

love <strong>of</strong> nature and <strong>of</strong> virtue, will purge<br />

<strong>the</strong> eyes to understand her text.”<br />

Contemporary artist Juchul Kim draws<br />

inspiration from this philosophy in his<br />

unique compositions which explore<br />

and celebrate nature across <strong>the</strong> world.<br />

Mr. Kim is fascinated with <strong>the</strong> <strong>the</strong>ories<br />

<strong>of</strong> <strong>the</strong> Impressionists and <strong>the</strong> Post<br />

Impressionists and <strong>the</strong>ir determination<br />

to study and capture <strong>the</strong> effects <strong>of</strong> light<br />

on <strong>the</strong> natural environment through<br />

expressive brush strokes.<br />

With symphonic precision, he translates<br />

familiar scenes onto his canvas with a<br />

unique perspective, orchestrated by<br />

<strong>the</strong> delicacy <strong>of</strong> his brush strokes and<br />

<strong>the</strong> kaleidoscopic hues <strong>of</strong> his palette.<br />

His sudden bursts <strong>of</strong> pure, brilliant color<br />

with splendid differences <strong>of</strong> touch and<br />

tone exemplify his natural originality and<br />

closeness with nature. Mr. Kim achieves<br />

strong contrasts <strong>of</strong> light and shade.<br />

With an insatiable curiosity for color, Mr. Kim’s paintings communicate<br />

emotion as he uses color as a tool for linking <strong>the</strong> viewer with <strong>the</strong> sublime<br />

experience <strong>of</strong> being in <strong>the</strong> landscape. As a colorist, he is a virtuoso in using<br />

<strong>the</strong> full range <strong>of</strong> his palette to create powerful fragments <strong>of</strong> dynamic tones<br />

alongside vibrantly orchestrated planes which immediately demand <strong>the</strong><br />

viewer’s attention. Excelling at depicting <strong>the</strong> environment around him, it<br />

is not <strong>the</strong> tangible qualities that are highlighted in his paintings, but <strong>the</strong><br />

s<strong>of</strong>t memories <strong>of</strong> specific locals across <strong>the</strong> world.<br />

<strong>Art</strong> acquisitor magazine<br />

www.artslant.com/website/juchul-kim | kjc0530@daum.net<br />

“Amsterdam Ne<strong>the</strong>rlands”<br />

72.7x53.0cm - oil on canvas - 2013<br />

76 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Brooklyn Bridge New York”<br />

72.7x53.0cm - oil on canvas - 2013


USA<br />

Lance MG<br />

Lance started with photography in 2010, by one day going out with a camera he got as a gift from his husband, Peter. It was small but effective, and<br />

although it did not have a lot <strong>of</strong> “bell’s and whistles”, it certainly produced amazing photos. Finding his style was challenging, trying all different types<br />

<strong>of</strong> subjects, angles, lighting, etc. Over <strong>the</strong> next 3 years, he became more focused and passionate about photography, which he eventually found a<br />

style that works. He enjoys taking a day with his camera in hand and walking around town, snapping hundreds <strong>of</strong> pictures, looking for that perfect<br />

shot.<br />

plobm99@gmail.com<br />

“Peggy’s Cove”<br />

4x6’’ - photography - 2012<br />

“Window”<br />

4x6’’ - photography - 2010<br />

“Central Park”<br />

4x6’’ - photography - 2004<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Lúcia Lupenny<br />

Brazil<br />

Write about this artist is no easy task. Lúcia Lupenny Rodrigues, considered herself a eclectic artist who has been gracing us with a genuine part <strong>of</strong><br />

art and that has been helping us to decode <strong>the</strong> meaning <strong>of</strong> what does not translate. The artist is able to compose and create behind <strong>the</strong> scenes. Love<br />

<strong>the</strong> smell <strong>of</strong> ink, <strong>the</strong> colors <strong>of</strong> life, and this energy is that it reveals. It bears a gift that makes her <strong>the</strong> gift <strong>of</strong> silence, a friend that never betrays. It is<br />

<strong>the</strong> silence that this artist creates makes all great dreamers.<br />

lupenny_rodrigues@hotmail.com<br />

“Medusa”<br />

62x62cm - oil on canvas - 2013<br />

“Hurricane”<br />

60x60cm - mixed media - 2013<br />

“Pitty”<br />

50x40cm - oil on canvas - 2013<br />

78 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Quatro elementos”<br />

100x100cm - oil on canvas - 2013


Portugal<br />

Luís Guilherme Teves<br />

“Busto de mulher”<br />

40x24x28cm - polychrome terracotta - 2005<br />

“Retrato do Dr. Ruy Galvão de Carvalho”<br />

25x 20cm - graphite on paper - 1988<br />

Luís Guilherme Teves was born<br />

on <strong>the</strong> island <strong>of</strong> São Miguel in <strong>the</strong><br />

Azores in 1961, but <strong>the</strong>se days<br />

he lives in Lisbon. He gained his<br />

B.A. in Fine <strong>Art</strong> and Sculpture at<br />

Lisbon University and has been<br />

a teacher <strong>of</strong> <strong>the</strong> visual arts since<br />

1983. Luis has participated in<br />

several exhibitions since 1980<br />

and he is represented in painting,<br />

sculpture and drawing in private<br />

collections throughout Portugal<br />

and abroad. Luís also has <strong>the</strong><br />

honour <strong>of</strong> being represented in<br />

public spaces with his sculptures,<br />

notably; a tribute to Vasco da<br />

Gama, which can be seen in<br />

<strong>the</strong> Vasco da Gama School in<br />

<strong>the</strong> Parque das Nações, Lisbon;<br />

a sculpture in basalt, entitled<br />

“Stone Weapons” in <strong>the</strong> Palace<br />

<strong>of</strong> José do Canto, on São Miguel;<br />

and a collaboration with <strong>the</strong><br />

master Soares Branco, on a<br />

statue <strong>of</strong> “Saint Anthony and <strong>the</strong><br />

Boy” in a village near Óbidos,<br />

Portugal.<br />

luisgteves@gmail.com<br />

“A fragmentação”<br />

47x33cm - mixed media - 2010<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Manuel Alexandrino<br />

Portugal<br />

I was borned in Sabugal, Portugal, and I’m living in Lisbon. During my pr<strong>of</strong>essional career, I bought paintings and drawings both as a collector and as<br />

someone who truly appreciates art. After my retirement in 2003, I took up <strong>the</strong> study <strong>of</strong> painting and drawing and attended <strong>the</strong> National Society <strong>of</strong><br />

Fine <strong>Art</strong>s in Lisbon for 4 years. In order to continue my development, I have continued to frequent <strong>the</strong> NSFA until <strong>the</strong> present day, whilst also painting<br />

at home. Since 2006, I have taken part in both solo and collective exhibitions in Lisbon and its environs. Painting for me is pure pleasure.<br />

alexandrino1948@gmail.com<br />

“Number 3”<br />

90x90cm - mixed media - 2013<br />

“Number 4”<br />

100x80cm - mixed media - 2013<br />

“Number 6”<br />

80x100cm - mixed media - 2013<br />

80 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Number 9”<br />

100x80cm - mixed media - 2013


Russia<br />

Maria Bobrovskaya<br />

Free artist (painting, batik, author bears etc.). She participated in international art exhibitions, competitions, international auctions.<br />

Awards: Medal “For promoting ideas <strong>of</strong> peace” (Al-liance“Peacemaker”), gold medal New York Realism Fine <strong>Art</strong> in <strong>the</strong> category <strong>of</strong> FANTASY.<br />

Her works are in collections Alliance “Peacemaker”, private collections <strong>of</strong> Russia, Germany and Bulgaria. The work represented in galleries in Moscow,<br />

Sochi, New York, Paris. Member <strong>of</strong> <strong>the</strong> Pr<strong>of</strong>essional Union <strong>of</strong> <strong>Art</strong>ists, <strong>the</strong> International <strong>Art</strong> Fund, JADA.<br />

studiomb.narod.ru/index.htm | studiomb@mail.ru<br />

“Snow storm”<br />

60x80cm - acrylic on canvas - 2009<br />

“Wind”<br />

60x80cm - acrylic on canvas - 2006<br />

“Chinese tea”<br />

60x50cm - acrylic on canvas - 2008<br />

“Tree under snow”<br />

60x80cm - acrylic on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Maria Manuel Pires<br />

Portugal<br />

Maria Manuel Pires was born in Portugal into an artistic family whose<br />

nurture and influence helped to develop her taste for art from an early<br />

age. Maria’s passion drove her to study for herself <strong>the</strong> great masters <strong>of</strong><br />

painting, painting techniques and different artistic movements. Beginning<br />

her career in 1997, she has exhibited in a wide number <strong>of</strong> individual and<br />

collective exhibitions both national and international. She has won three<br />

gold medals, one silver and an Honourable Mention at international art<br />

exhibitions.<br />

artemariamanuelpires.blogspot.com | mariamanuelpires@gmail.com<br />

“Templo da Criação”<br />

90x80cm - oil on canvas - 2012<br />

“Cheiro das Amarras”<br />

90x79cm - oil on canvas - 2007<br />

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“O Bailado”<br />

60x100 - oil on canvas - 2010


Portugal<br />

Maria Tereza<br />

After 13 years <strong>of</strong> working in <strong>the</strong> media industry as an archivist,<br />

something happened that totally transformed my life…<br />

Painting had always been an art form that I’d been passionate<br />

about and, in 1999, in a defining moment, I rediscovered this<br />

same art. In <strong>the</strong> throes <strong>of</strong> a catastrophe, I decided to experiment…<br />

The first painting was created, and <strong>the</strong>n it took <strong>of</strong>f…<br />

Awaken! Discover! Attempt!<br />

…without any technical support, I’ve created numerous pictures:<br />

acrylic paintings with chopsticks, and backgrounds with a palette<br />

knife – a particular technique <strong>of</strong> mine.<br />

…and I’m self-taught!<br />

My work always reflects my motto: “In every painting, one’s<br />

feelings”.<br />

“To sow”<br />

50x80cm - acrylic on canvas - 2009<br />

aminhapinturanaif.blogspot.pt/ | nobru1996@hotmail.com<br />

“Nota de música”<br />

40x30cm - acrylic on canvas - 2006<br />

“Fado”<br />

30x40cm - acrylic on canvas - 2009<br />

“Old time”<br />

30x40cm - acrylic on canvas - 2008<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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MariAn Simpson<br />

Ireland<br />

MariAn Simpson was born in Dublin, Ireland but was<br />

formally trained in England where she gained her B. A.<br />

(Hons) in Fine <strong>Art</strong>.<br />

MariAn has now made her home on Portugal’s Silver<br />

Coast where she is inspired by <strong>the</strong> beautiful scenes which<br />

surround her home, namely <strong>the</strong> Lágoa de Óbidos, <strong>the</strong><br />

stunning local beaches, <strong>the</strong> beautiful medieval town <strong>of</strong><br />

Óbidos and <strong>the</strong> old parts <strong>of</strong> Caldas da Rainha. MariAn’s<br />

ability to capture <strong>the</strong> light, atmosphere and different<br />

moods evoked by this beautiful area result in colourful<br />

and light filled paintings. MariAn is also inspired by her<br />

travels and, in addition, she enjoys painting commissions,<br />

including portraits.<br />

MariAn has participated in many successful solo and<br />

group exhibitions and her work hangs in many homes in<br />

Britain, Ireland, France, Portugal, Sweden, Australia and<br />

<strong>the</strong> U.S.A.<br />

www.mariansimpson.com | marianartist@aol.com<br />

“January Sky”<br />

120x70cm - oil on canvas - 2013<br />

“Conversa com a vizinha”<br />

50x80cm - oil on canvas - 2011<br />

84 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Market at Edfu in Egypt, looking back”<br />

50x60cm - oil on canvas - 2010


Ireland<br />

MariAn Simpson<br />

“La Mezquita de Cordoba”<br />

92x73cm - oil on canvas - 2010<br />

“White morning”<br />

100x80cm - oil on canvas - 2010<br />

“Outro lado da lagoa”<br />

101x81cm - oil on canvas - 2011<br />

“Winter’s day in <strong>the</strong> park”<br />

90x70cm - oil on canvas - 2011<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Mariana Oros<br />

Romania<br />

Mariana Oros was born in Beius, Romania. She studied painting at <strong>Art</strong> College and has<br />

participated in various group exhibitions both nationally and internationally. Mariana’s<br />

artworks can be found in private collections around <strong>the</strong> world, she has appeared on TV and<br />

her work is illustrated in many publications. In 2010, she received <strong>the</strong> GOLD BRUSH award at<br />

<strong>the</strong> international art assembly held in <strong>the</strong> <strong>Art</strong> Gallery LIKUM in Brcko, Bosnia- Herzegovina.<br />

Mariana’s maxim is not to forget her roots: as an artist she seeks to realise a rhythm, evolved<br />

over time, to reveal and express an elusive perception, a reminiscence, an abstract sense <strong>of</strong><br />

something which took hold in her childhood and which drives her on.<br />

marianaoros.weebly.com | maribaets@yahoo.com<br />

“Poveste in Miez de Noapte”<br />

60X60cm - oil on canvas - 2013<br />

“Din colectia legendele Fanfarei - Vioara care nu tace 2”<br />

30X80cm - oil on canvas - 2013<br />

86 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Orizont de Primavara”<br />

60X80cm - oil on canvas - 2013


Mexico<br />

Marítza Reachi<br />

Marítza Reachi was born in Mexico City; hence her art is largely inspired by Mexico’s<br />

culture and by its people. She is also greatly influenced by her friends and family and,<br />

indeed, it was her grandfa<strong>the</strong>r from whom she first learned how to paint in oils.<br />

marciano.artblog.fr | reachi_85@hotmail.com<br />

“Banny with dog”<br />

50x65cm - oil on paper - 2013<br />

“The bird”<br />

50x70cm - acquarelle on paper - 2013<br />

“El chelista”<br />

50x65cm - oil on paper - 2013<br />

“The light”<br />

50x65cm - oil on paper - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

| 87


Marvel<br />

Ne<strong>the</strong>rlands<br />

“The Cherry”<br />

150x90cm - acrylic on canvas - 2012<br />

Marvel, artistic name <strong>of</strong> Marianne Velzeboer, was born<br />

in <strong>the</strong> Ne<strong>the</strong>rlands in 1951. She has formal training in<br />

music and got a degree in Calligraphic <strong>Art</strong> and History <strong>of</strong><br />

Writing, becoming herself a master, teaching music and<br />

calligraphy.<br />

Her new life in Portugal gave her <strong>the</strong> space to extend her<br />

passion for <strong>the</strong> beauty in art and calligraphy, with a long<br />

existing wish: she started to paint.<br />

In her search for her new artistic identity, she discovered<br />

that she is mastering a wide range <strong>of</strong> styles and<br />

techniques.<br />

Eventually she entered multiple group and single<br />

exhibitions in several countries and is represented in<br />

private and corporate collections.<br />

quintadabordada@sapo.pt<br />

“Water Life”<br />

80x120cm - oil on canvas - 2009<br />

88 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Metamorphosis”<br />

80x120cm - acrylic on canvas - 2011


Ne<strong>the</strong>rlands<br />

Marvel<br />

“Joie de Vivre”<br />

150x90cm - acrylic on canvas - 2011<br />

“Manel”<br />

60x80cm - acrylic on canvas - 2012<br />

“Sentinel”<br />

60x80cm - acrylic on canvas - 2012<br />

“Love’s Aberrations”<br />

100x100cm - acrylic on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Meliza<br />

Portugal<br />

Meliza was Born in Gondomar in Portugal in September 1946. Her interest in art and design began in <strong>the</strong> 1970s with textile painting and she also<br />

attended oil painting and watercolour classes in a private school in Lisbon.<br />

Later on, in <strong>the</strong> 1990s, <strong>the</strong> development <strong>of</strong> her painting was largely influenced by African art, mostly due to her experiences in Africa where she lived.<br />

Meliza put her art aside for many years, but, having retired in early 2013, she has once again picked up her brushes and is now, using a different<br />

technique, producing work painting with acrylics.<br />

marizita.lsm@hotmail.com<br />

“Fragâncias”<br />

40x30cm - acrylic on canvas - 2013<br />

“Fado”<br />

50x40cm - acrylic on canvas - 2013<br />

90 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Rosas”<br />

30x30cm - acrylic on canvas - 2013


Martinique<br />

Mickael Caruge<br />

Mickael Caruge is a painter from <strong>the</strong> French island <strong>of</strong> Martinique. He works in<br />

acrylics, producing portraits founded in realism with <strong>the</strong> aim <strong>of</strong> challenging <strong>the</strong><br />

concept <strong>of</strong> boundaries within <strong>the</strong> context <strong>of</strong> racial identity. The “social body” is<br />

<strong>the</strong> subject for his work which focuses on <strong>the</strong> displacement <strong>of</strong> black people. His<br />

current work, which explores <strong>the</strong> absorption <strong>of</strong> culture by <strong>the</strong> body, comes under<br />

<strong>the</strong> heading <strong>of</strong> “Caribbean Boundaries”and features canvases on a set <strong>of</strong> <strong>the</strong>mes<br />

which present a sociological anchoring peculiar to <strong>the</strong> Caribbean. He uses graphic<br />

elements and codes to focus on plural human identity and <strong>of</strong>fers a closer look at<br />

universality.<br />

www.flickr.com/photos/9750573@N02 | lion200882@hotmail.com<br />

“Oakland California”<br />

90x70cm - acrylic on canvas - 2012<br />

“Reunion”<br />

130x90cm - acrylic on canvas - 2013<br />

“St Lucia”<br />

100x 80cm - acrylic on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Militão dos Santos<br />

Brazil<br />

www.militaodossantos.com | militaodosantos@yahoo.com.br<br />

“Rio, Cidade Maravilhosa”<br />

60x40cm - acrylic on canvas - 2011<br />

“Paraty - RJ”<br />

60x40cm - acrylic on canvas - 2011<br />

92 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Vista Chinesa - RJ”<br />

60x40cm - acrylic on canvas - 2013


Portugal<br />

Nicolau Campos<br />

Should be highlighted <strong>the</strong> seriousness that it has, one by one, each piece from his<br />

collection, without worrying about <strong>the</strong> style or technical side, without jeopardizing<br />

<strong>the</strong> latency <strong>of</strong> life that originates around it, each character shows <strong>the</strong> element<br />

establishing itself, cold, almost insensitive to what happens, such as wanting to<br />

mark <strong>the</strong> indestructible and <strong>the</strong> proximity to <strong>the</strong> ever-lasting.<br />

It will not be an exaggeration to comment that Nicolau Campos looks for immortality<br />

in <strong>the</strong> figure, and that through it, <strong>the</strong> immortality <strong>of</strong> <strong>the</strong> being, <strong>the</strong>refore <strong>the</strong> sordid<br />

utilization <strong>of</strong> what is represented, <strong>the</strong> simplicity <strong>of</strong> space and it’s wholeness and his<br />

walk to where <strong>the</strong> substantial answer has a clear vision and remark ability <strong>of</strong> his<br />

particular universe.<br />

nicolaucampos.artelista.com | nicolau.campos@sapo.pt<br />

“União de Facto”<br />

63x24x12cm - limestone (lioz) sculpture - 2008<br />

“Nazarena”<br />

168x44x23cm - limestone (lioz) and marble sculpture - 2012<br />

“Justiça I”<br />

40x100x80cm - marble sculpture - 2010<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

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Nicolau Campos<br />

Portugal<br />

“Dois pesos…”<br />

158x55x6cm - Limestone (lioz) sculpture - 2009<br />

“Touro III”<br />

23x34x11cm - Limestone (lioz) sculpture - 2010<br />

94 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


Puerto Rico<br />

Orlando Castro-Ortiz<br />

“Urbano y Tropical”<br />

3”x3” ¼ “5”x13” and 3”x 13” ¼ (triptych)<br />

oil on canvas on wood tridimensional - 2011<br />

Orlando Castro-Ortiz was<br />

born on July 26, 1961<br />

in Puerto Rico. He has a<br />

B.A. in Fine <strong>Art</strong>s from <strong>the</strong><br />

University <strong>of</strong> Puerto Rico<br />

and a Master in Fine <strong>Art</strong>s<br />

from <strong>the</strong> Interamerican<br />

University <strong>of</strong> Puerto Rico.<br />

His preferred medium is oil<br />

and his main subject matter<br />

is inspired by <strong>the</strong> female<br />

form, <strong>of</strong>ten linked to <strong>the</strong><br />

tropical landscape. He is<br />

currently using <strong>the</strong> spatula<br />

and oil bars on different<br />

surfaces. He is drawn by<br />

curved lines and volumes.<br />

In addition to his exhibitions<br />

in Puerto Rico, he has<br />

also participated in art<br />

biennials, fairs and several<br />

international exhibitions in<br />

Americas and Europe. His<br />

work also has been awarded<br />

locally and internationally.<br />

Says <strong>the</strong> artist: “<strong>Art</strong> is a form<br />

<strong>of</strong> expression where you<br />

create o<strong>the</strong>r dimensions<br />

and your imagination is <strong>the</strong> limit. I am inspired by corporeal landscape with its<br />

natural and mysterious beauty”.<br />

www.orlandocastroortiz.com | orlandocastroortiz@gmail.com<br />

“Cundiamor Urbano II”<br />

19”x44” - oil and oil stick on canvas - 2008<br />

“Gruta Nocturna”<br />

26”x44” - oil on canvas - 2011<br />

“Pasión Nocturna”<br />

24”x44” ½ - oil on canvas - 2011<br />

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Osama Hashem<br />

Egypt<br />

Workshop design <strong>the</strong> supervision <strong>of</strong> Dr: Gralv Atsart Habn German<br />

author Goe<strong>the</strong> 1995. Osama Hashem is Graduatde <strong>of</strong> <strong>the</strong> Academy <strong>of</strong><br />

<strong>Art</strong>s – Higher Institute <strong>of</strong> Theatrical <strong>Art</strong>s with a general grade <strong>of</strong> Very<br />

Good “With Honor” Department <strong>of</strong> Decor 1997. Graduated Diploma<br />

in June 1999 from <strong>the</strong> Academy <strong>of</strong> <strong>Art</strong>s – Higher Institute <strong>of</strong> Theatrical<br />

<strong>Art</strong>s department <strong>of</strong> Decore, majoring in Theatrical Decore with grade<br />

Good after a two years study.<br />

<strong>State</strong> Prize <strong>of</strong> technical innovation in <strong>the</strong> decor <strong>the</strong> decision <strong>of</strong> <strong>the</strong><br />

Minister <strong>of</strong> Culture No. 145 <strong>of</strong> 2001.<br />

He is Member <strong>of</strong> <strong>the</strong> Egyptian Syndicate <strong>of</strong> <strong>Art</strong>ists agent number (1583)<br />

Division <strong>of</strong> Theater Decore 2012.<br />

end1000000@hotmail.com<br />

“Universe -Sun Moon Land in Sea Star”<br />

100x70cm - acrylic on paper - 2013<br />

“Moment”<br />

100x70cm - acrylic on paper - 2013<br />

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“Solo Break free”<br />

45x35cm - acrylic on canvas - 2013


Mexico<br />

Patricia Molina<br />

Mexican Visual <strong>Art</strong>ist born in 1959. Patricia is currently involved in giving<br />

new life to an ancient Turkish technique known as Ebru, more commonly<br />

known as paper marbling. This method, whilst having its origin in<br />

ancient times, <strong>of</strong>fers tremendous potential for <strong>the</strong> contemporary artist,<br />

be it figurative or abstract, to produce unique monoprints. It presents<br />

enormous scope not least in <strong>the</strong> array <strong>of</strong> palettes available, which range<br />

from subtle to intensely vibrant. Patricia Molina is refining <strong>the</strong> process;<br />

manipulating <strong>the</strong> density <strong>of</strong> <strong>the</strong> oil as it’s floated on <strong>the</strong> water and<br />

proudly demonstrating <strong>the</strong> endless ability <strong>of</strong> <strong>the</strong> technique to produce<br />

lyrical narrative painting. Patricia believes that it facilitates boundless<br />

ways <strong>of</strong> creating infinite fusions <strong>of</strong> colour.<br />

http://www.patriciamolinart.com | paty_molina@yahoo.com<br />

“Destellos de Amor”<br />

32x27cm - mixed media - 2013<br />

“Emanando”<br />

27x32cm - mixed media - 2013<br />

“Sortilegio”<br />

32x27cm - mixed media - 2013<br />

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Paulo Tercio<br />

UK<br />

Contemporary artist Paulo Tercio studied both at <strong>the</strong> Slade School <strong>of</strong> Fine <strong>Art</strong>s and So<strong>the</strong>by’s Institute <strong>of</strong> <strong>Art</strong> in London. Like Frida Kahlo and Tracey<br />

Emin his compelling creations are visual representations translated from his personal world. His paintings featured here are mesmerising, awe<br />

inspiring disclosures.<br />

A fecund Imagination is surely at <strong>the</strong> heart <strong>of</strong> <strong>the</strong> alluring force <strong>of</strong> his work. A citizen <strong>of</strong> <strong>the</strong> universe whose “stirring art” create bridges between past<br />

and present, soul development and refinement <strong>of</strong> <strong>the</strong> mind.<br />

Fashion Designer Arkadius quoted: “Real art is <strong>the</strong> one which stirs strong emotions in you. It always gives you space for your own interpretation <strong>of</strong><br />

<strong>the</strong> world portrayed by <strong>the</strong> artist. Paulo Tercio’s work is very memorable, poetic although also full <strong>of</strong> pain at times. His use <strong>of</strong> lighting is uniquely<br />

mysterious and thought provoking.”<br />

Immaculate Conception, his much anticipated solo exhibition is due next year.<br />

www.paulotercio.com | info@paulotercio.com<br />

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“The Ecstasy Of Paulo Tercio”<br />

24x18in - oil on canvas - 2012


UK<br />

Paulo Tercio<br />

“Collapse Of The Ego”<br />

30x24in - mix media (oil on canvas 24 karat gold leaf) - 2013<br />

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| 99


Paulo Tercio<br />

UK<br />

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“Nothing Is What It Seems II”<br />

31x24in - mix media (oil on canvas 24 karat gold leaf) - 2013


UK<br />

Paulo Tercio<br />

“Your Happiness Is My Happiness”<br />

30x24in - oil on canvas - 2012<br />

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Paulo Themudo<br />

Portugal<br />

To fully appreciate <strong>the</strong> work <strong>of</strong> Paulo Themudo you have to unlock his<br />

innermost secret chambers, for his paintings are poetic works <strong>of</strong> colour<br />

carrying messages for us all <strong>of</strong> pain, joy, passion and love. He cannot<br />

contemplate life without painting and he complements his painting with his<br />

writing. Using his intuition, he paints with an inquiring academic freedom<br />

which probes and explores various techniques leading to <strong>the</strong> creation <strong>of</strong><br />

sincere works, - spontaneous and impulsive.<br />

Like his native town <strong>of</strong> Matosinhos, (Portugal) which is steeped in fishing<br />

traditions, Paulo too, has surpassed <strong>the</strong> draw <strong>of</strong> traditionalism. With an<br />

unconventional discipline, he creates for us an abstract dimension and, by<br />

using design, colour and movement, he liberates our imagination.<br />

His ghostly figures awaken in us a riot <strong>of</strong> emotions that lead us to a new<br />

vision <strong>of</strong> humanity. The bright hues set against <strong>the</strong> darker or duller shades,<br />

illustrate a discerning confidence. His works are explosive, yet maintain a<br />

serene symphony <strong>of</strong> inner balance. His art goes beyond <strong>the</strong> imagination <strong>of</strong><br />

<strong>the</strong> ordinary man, at times managing to surprise even himself, thus it would<br />

be a mistake and premature to try to classify <strong>the</strong> work <strong>of</strong> Paulo.<br />

To apply a Freudian analysis, it is only <strong>the</strong> future than can tell us much about<br />

Paulo Themudo.<br />

angelo vaz<br />

painter<br />

paulo<strong>the</strong>mudoarte.wix.com/paulo-<strong>the</strong>mudo | paulo.<strong>the</strong>mudo@gmail.com<br />

“Existence”<br />

60x80cm - acrylic on canvas - 2013<br />

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“União Incondicional”<br />

60x80cm - acrylic on canvas - 2013<br />

“Strange & Beautiful”<br />

60x80cm - acrylic on canvas - 2013


USA<br />

Rachelle Woo Chuang<br />

Rachelle Woo Chuang lives a creative life as an artist, designer, educator, curator<br />

and tutor. For several years she has been an adjunct faculty in <strong>the</strong> <strong>Art</strong> Departments<br />

<strong>of</strong> Biola University, Chapman University and Irvine Valley College in Sou<strong>the</strong>rn<br />

California. Her handmade paper sculptures, artist books and letterpress work are<br />

published in 500 Handmade <strong>Book</strong>s Volumes 1 and 2, 1000 <strong>Art</strong>ist <strong>Book</strong>s, 500 Paper<br />

Objects and The Vandercook 100 to name a few. Her paper sculptures explore form<br />

and structure which allude to <strong>the</strong> book form through <strong>the</strong> rhythm <strong>of</strong> blank pages.<br />

www.rachellewchuang.com | rachellewchuang@gmail.com<br />

“Enclosed Embrace”<br />

12”h x 14”w x 5”d - handmade paper: gelatin and mica-coated abaca,<br />

waxed linen thread - 2011<br />

“Concealing/Revealing”<br />

16”h x 6”w x 4”d - handmade paper: gelatin and mica-coated abaca - 2011<br />

“Textual Armament”<br />

Configuration is variable according to display - this view: 14”h x 12”w x 7”d -<br />

handmade paper: gelatin and mica-coated abaca, black denim; encaustic on<br />

found paper, waxed linen thread - 2011<br />

“Lost in <strong>the</strong> Forest”<br />

12”h x 19”w x 2”d - letterpress, ink jet, commercial paper - 2012<br />

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Rogério Sousa<br />

Portugal<br />

Rogério Sousa was born in 1961 at São Vicente<br />

Ferreira, island <strong>of</strong> S. Miguel-Azores. This autodidact<br />

painter works in a bank, is also a politician, a<br />

photograph and organizes sports events. Besides<br />

all this activities he dedicates a part <strong>of</strong> his life to<br />

painting but it was only since 2010 that he decided<br />

to share his works participating in several public and<br />

independent exhibitions. The Azores islands are <strong>the</strong><br />

main source <strong>of</strong> inspiration for this artist, essentially<br />

using a style with Post-Impressionists influences,<br />

enphasizing its bright colours and naturalistic <strong>the</strong>mes.<br />

Nowadays <strong>the</strong> artist keeps searching and innovating<br />

his own style, adopting new views regarding shapes<br />

and light.<br />

sousarogerio@live.com.pt<br />

“Lagoa Serena”<br />

60x100cm - oil on canvas - 2011<br />

“Minha Terra”<br />

40x60cm oil on canvas - 2012<br />

“Mudança”<br />

50x70cm - oil on canvas - 2012<br />

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“Sossego”<br />

60x90cm - oil on canvas - 2013


Portugal<br />

Rosário Falcão<br />

Rosário Falcão was born in Portugal, in 1962. She graduated in Economics<br />

and completed a post graduate study in European Studies. She lived in Czech<br />

Republic for three years (from 2000 to 2003), where she began her studies in<br />

visual arts and painting. When she returned to Portugal, she attended <strong>the</strong> atelier<br />

<strong>of</strong> <strong>the</strong> painter Noémia Gameiro and, since <strong>the</strong>n, she has integrated <strong>the</strong> atelier <strong>of</strong><br />

Anabela Faia. She paints in oil and her <strong>the</strong>mes are diverse but always related to<br />

<strong>the</strong> things that surprise and inspire her. Since 2006 Rosario has participated in<br />

several group painting exhibitions.<br />

www.galeriaaberta.com/rfalcao.html | familia.p.falcao@gmail.com<br />

“Two roses”<br />

80x60cm - oil on canvas - 2013<br />

“Sounds”<br />

80x80cm - oil on canvas - 2012<br />

“Memories”<br />

80x100 cm - oil on canvas - 2012<br />

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Roseni de Mello Schauerte<br />

Brazil<br />

Roseni de Mello Schauerte was born in Volta Redonda, Rio de Janeiro in 1964. She studied<br />

pedagogy at Faculdade de Filos<strong>of</strong>ia, Ciências e letras(FERP), Rio De Janeiro from 1982 to1986.<br />

Roseni has had solo and group exhibitions in a number <strong>of</strong> places, including <strong>the</strong> Carrousel du Louvre<br />

– Paris (Salon International d‘<strong>Art</strong> Contemporain) and La Galerie <strong>Art</strong> & Events de Paris. Her art is<br />

characterized by vivid compositions <strong>of</strong> abstract, styles both modern, futuristic and traditional. For<br />

eleven years, <strong>the</strong> artist living in Germany and in 2004 <strong>the</strong> artist opened his own gallery.<br />

www.schau-art-galerie.de | deschauerte@hotmail.de<br />

“Mulher Fatal”<br />

70x100cm - acrylic on canvas - 2013<br />

“Ternura”<br />

70x100 - acrylic on canvas - 2013<br />

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“Sensualidade”<br />

80x100cm - acrylic on canvas - 2013


Portugal<br />

Roy<br />

Roy “<strong>the</strong> Hand” show <strong>the</strong> <strong>Art</strong> <strong>of</strong> inside mind. Syn<strong>the</strong>sis <strong>of</strong><br />

energy renewal transferred from closing <strong>Art</strong> to opening<br />

times sight. Present in Worldwide books, magazines and<br />

expositions, develop interest about <strong>the</strong> Wave and Times<br />

<strong>of</strong> change, expressions, philosophy and task. All forms <strong>of</strong><br />

images are dedicated to eyes <strong>of</strong> life experience around<br />

symbolic meeting places, to promote positive future.<br />

The <strong>Art</strong>ist work it’s engaged to knowledge, research and<br />

vision. Roy is Ph.D awarded and recognized in Medicine<br />

and Sports with title <strong>of</strong> Great Master, also as <strong>Art</strong>ist, since<br />

1972, recently in Europe, Japan and USA Hall <strong>of</strong> Honors.<br />

pr<strong>of</strong>.ribeiro_holisticXXI@live.com.pt<br />

“Tormenta”<br />

100x100cm - oil on canvas - 2013<br />

“Wild”<br />

25x30cm - mixed technique on canvas - 2012<br />

“Cut”<br />

60x50cm - oil on canvas - 2013<br />

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Roy<br />

Portugal<br />

Syn<strong>the</strong>sis <strong>of</strong> Energy about Creation <strong>of</strong> Materia and fields <strong>of</strong> Mutation to group again<br />

Au<strong>the</strong>nticity.<br />

17,5x23,5cm - Pen drawing in paper - 2012<br />

17,5x23,5cm - Pen drawing in paper - 2012<br />

17,5x23,5cm - Pen drawing in paper - 2012<br />

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Portugal<br />

Rute Inês<br />

«Did you know that <strong>the</strong>re are insects that shine in symmetrical lines <strong>of</strong> argent silver and whose wings recoil in <strong>the</strong> same way <strong>of</strong> those <strong>of</strong> birds’?»<br />

- Rute Inês.<br />

Rute was born in Lisbon on 30th May 1974 and it wasn’t long<br />

before her creative talents resulted in <strong>the</strong> designs for <strong>the</strong> covers<br />

<strong>of</strong> two poetry books, both published in 1993. After a long absence,<br />

Rute returned to her first love: - art. Since 2010 her work has been<br />

represented in national group shows and, in 2012, she made her<br />

international debut in a collective exhibition held in <strong>the</strong> Italian<br />

capital <strong>of</strong> Rome. She received an honorable mention, gold class, at<br />

<strong>the</strong> 2nd International Juried <strong>Art</strong> Exhibition <strong>of</strong> Estoril (March 2013)<br />

for her work “Prome<strong>the</strong>us’s Gift”.<br />

www.facebook.com/RuteInes.author | casulodourado@hotmail.com<br />

“Prome<strong>the</strong>us’s Gift” (detail)<br />

50x70cm - mixed media (oil and indian ink on canvas) - 2012<br />

“(I) Mago” (detail)<br />

50x60cm - oil on paper - private collection - 2010<br />

“This one Is for Mo<strong>the</strong>r” (detail)<br />

70x50cm - oil on canvas - private collection - 2011<br />

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Ryan Demaree<br />

USA<br />

As a Surrealist painter I have always found it<br />

key within my work to search for that which lies<br />

beyond <strong>the</strong> immediate world, that is, to search<br />

for meaning in <strong>the</strong> events <strong>of</strong> <strong>the</strong> everyday and<br />

to portray <strong>the</strong>m through my eyes as an artist.<br />

For me that is what calls me to be a surrealist<br />

painter, <strong>the</strong> dire urge and instinct to search for<br />

meaning in a chaotic world and to convey it<br />

through symbolic gestures in <strong>the</strong> form <strong>of</strong> paint.<br />

At <strong>the</strong> end <strong>of</strong> <strong>the</strong> day, <strong>the</strong> world is a set and man<br />

is an ape.<br />

1-ryan-demaree.artistwebsites.com<br />

ozzrya91@hotmail.com<br />

“ The Origin Of Species [A Recurring Process]”<br />

40x38in - oil on canvas - 2013<br />

“Lascaux”<br />

84x66in - oil on canvas - 2010<br />

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“Solar Broadcast [Transition]”<br />

60x48in - oil on canvas - 2012


Brazil<br />

Semini Kwsta<br />

Semini Kwsta - Visual <strong>Art</strong>ist<br />

The artist Semini Kwsta manages to redefine impressionism and<br />

expressionism, whilst flirting with Fauvism. The movement and liveliness<br />

<strong>of</strong> her work, created with vibrant colour and positive and expressive<br />

brushwork, evoke <strong>the</strong> essence, without trying to imitate it, <strong>of</strong> <strong>the</strong> great<br />

figurative painting which dominated <strong>the</strong> end <strong>of</strong> <strong>the</strong> nineteenth and <strong>the</strong><br />

beginning <strong>of</strong> <strong>the</strong> twentieth centuries.<br />

The originality <strong>of</strong> Semini’s work lies in her refusal to succumb to<br />

novelty. Her work has no foundation in <strong>the</strong> fads <strong>of</strong> postmodernity or<br />

in contemporary quirks which have <strong>of</strong>ten reduced <strong>the</strong> artist to mere<br />

promoter or performer, subservient to <strong>the</strong> work itself.<br />

The surface <strong>of</strong> each <strong>of</strong> Semini’s pictures is so heavily sculpted that it may<br />

be compared to a roughly hewn stone wall or a glutinous mass. Despite<br />

this, <strong>the</strong> final effect is one <strong>of</strong> fluidity, imparted both by <strong>the</strong> gestural<br />

quality <strong>of</strong> <strong>the</strong> brushstrokes and by <strong>the</strong> visual lightness generated by <strong>the</strong><br />

manipulation <strong>of</strong> colour.<br />

seminikost@yahoo.com.br<br />

“Mestiça”<br />

90x100cm - oil on canvas - 2012<br />

“Passeio no bosque”<br />

120x90cm - oil on canvas - 2012<br />

“Tathi”<br />

30x40cm - oil on canvas - 2010<br />

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Sergei Yujanin<br />

Russia<br />

Sergei Yujanin was born in Moscow in 1963. In 1981 he studied at <strong>the</strong><br />

Moscow MADI Institute. Sergei has drawn and painted all his life but<br />

has struggled to gain recognition. Sergei regards his artistic activity as a<br />

hobby.<br />

compressor5@yandex.ru<br />

“Attention”<br />

61X55cm - oil on <strong>the</strong> tree - 2011<br />

“The eye <strong>of</strong> SURBARAN”<br />

60X40cm - pastel on paper - 2009<br />

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“The Missing <strong>of</strong> O”<br />

61X55cm - oil on <strong>the</strong> tree - 2011


Portugal<br />

Sérgio O. Sá<br />

Sérgio O. Sá was born in 1943, in<br />

Portugal. Graduated at Plastic <strong>Art</strong>s<br />

by <strong>the</strong> Oporto Superior School <strong>of</strong><br />

Fine <strong>Art</strong>s and master at <strong>Art</strong> History<br />

by Lusíada University in Lisbon.<br />

Plastic artist and historian, with<br />

several publications about art,<br />

art historian and ethnography, he<br />

had various individual exhibitions<br />

and participation at about three<br />

hundred collective ones, in Portugal,<br />

Andorra, Argentina, Belgium, Brazil,<br />

Colombia, Egypt, England, France,<br />

Italy, Japan, Lithuania, Macedonia,<br />

Mexico, Poland, Romania, South<br />

Korea, Spain, Switzerland and<br />

United <strong>State</strong>s. Represented in<br />

public collections in Portugal,<br />

Spain, Italy, Poland and Egypt.<br />

sergio.o.sa@sapo.pt<br />

“Memory Bridge”<br />

120x80cm - acrylic on canvas - 2011<br />

“Ca<strong>the</strong>dral”<br />

80x60cm - acrylic on canvas - 2010<br />

“Yonder”<br />

80x54cm - acrylic on canvas - 2010<br />

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Shiva Aini<br />

Iran<br />

My love for art is so great that I would do anything to be successful at<br />

it. I spend many days and nights throwing myself into <strong>the</strong> struggle to<br />

reach its pinnacle. I am consumed by it. I see art, especially drawing and<br />

painting, as a medium through which I can speak. I believe that my body<br />

was created to give voice via my art; that <strong>the</strong> sensations inside me can be<br />

released only by crying out through my work.<br />

www.shiva-aini.com | shivaeini@rocketmail.com<br />

“Identity I”<br />

100x120cm - mixed-media (acrylic, chalk, text) - 2013<br />

“Identity III”<br />

120x100cm - mixed-media (acrylic, chalk, text) - 2013<br />

“Identity II”<br />

100x150cm - mixed-media (acrylic, chalk, text) - 2013<br />

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Brazil<br />

Silvia Alba<br />

Silvia Alba (Silvia Beatriz Albarello), was born on November 1, 1965 in<br />

Frederick Whesthalen, Rio Grande do Sul, Brazil. She is a Graduate and<br />

Post Graduate in Literature from <strong>the</strong> University <strong>of</strong> West Paulista. Silvia is<br />

a teacher and self-taught fine artist and has participated in cultural events<br />

to promote art and culture. She has taken part in several exhibitions in<br />

Brazil, Spain and Portugal and has won gold, silver and bronze medals.<br />

Her work is also catalogued by <strong>the</strong> Secretary <strong>of</strong> <strong>the</strong> <strong>State</strong> <strong>of</strong> Paraná SAP.<br />

Silvia Alba was honoured with <strong>the</strong> “Comenda Fluminense de Bela <strong>Art</strong>e”<br />

in Niterói, Rio de Janeiro.<br />

www.artmajeur.com/pt/artist/silviaalba | artesilviaalba@hotmail.com<br />

“Letícia”<br />

107x87cm - oil on canvas - 2012<br />

“Querência do Sul”<br />

87x67cm - oil on canvas - 2012<br />

“Janelas de Deus”<br />

85x65cm - oil on canvas - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 115


Sônia Castro<br />

Brazil<br />

Sônia Castro was born on July 11, 1955 in Salvador, Bahia, Brazil.<br />

From an early age she had aspirations to be an artist and, at <strong>the</strong> age<br />

<strong>of</strong> 16, Sônia produced her first painting, entitled “Country house <strong>of</strong><br />

Salvador” and participated in her first group exhibition in <strong>the</strong> Panorama<br />

Gallery. Her vocation, however, lay in healthcare and she became a<br />

physio<strong>the</strong>rapist working in a public hospital. Her familiarity with <strong>the</strong><br />

human form became a natural reference for her figurative art work.<br />

Sônia also graduated in Business Administration and Law, going on to<br />

practise <strong>the</strong> latter. She studied too, at <strong>the</strong> Panorama School <strong>of</strong> <strong>Art</strong>s<br />

taking part in workshops under Pr<strong>of</strong>essor Euller and Waldo Robatto at<br />

<strong>the</strong> Faculty <strong>of</strong> Fine <strong>Art</strong>s in <strong>the</strong> Federal University <strong>of</strong> Bahia. Sônia has<br />

since taken part in several collective exhibitions.<br />

castrosonia2@hotmail.com<br />

“Encantos do Rio Vermelho”<br />

90X90cm - acrylic on canvas - 2013<br />

“Festa do Bonfim”<br />

100X80cm - acrylic on canvas - 2012<br />

“Tarde em Itapoã”<br />

100X100cm - acrylic on canvas - 2013<br />

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“Natureza I”<br />

120X80cm - acrylic on canvas - 2013


Portugal<br />

Taita M. Cunha<br />

Taita M. Cunha was born in Huambo,<br />

Angola, on March 29th 1959, and<br />

spent her adolescence in Caala,<br />

Huambo, Angola. She currently<br />

lives in Almada, Lisbon, Portugal.<br />

She graduated in Engineering and<br />

Quality Management.<br />

It wasn’t until January 2009, that<br />

she started to teach herself to draw.<br />

Her drawings depict images<br />

which challenge mental flexibility,<br />

embracing <strong>the</strong> <strong>the</strong>ory <strong>of</strong> Gestalt<br />

psychology which reasons that<br />

“<strong>the</strong> whole is greater than <strong>the</strong> sum<br />

<strong>of</strong> its parts”. The multiple optical<br />

illusions, and <strong>the</strong> fact that some <strong>of</strong><br />

<strong>the</strong>m can be read in several ways,<br />

transport one’s visual perception<br />

into <strong>the</strong> realms <strong>of</strong> fantasy. It takes<br />

more than a mere glimpse to<br />

appreciate <strong>the</strong>ir depth.<br />

www.facebook.com/TaitaMCunha<br />

teresa.m.cunha@hotmail.com<br />

“Na selva”<br />

42x 29,5cm - gouache on paper - 2010<br />

“Jardim tropical”<br />

90 x 60cm - acrylic on canvas - 2013<br />

“Cry <strong>of</strong> freedom”<br />

70x50cm - acrylic on canvas - 2013<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 117


Teresa Martins<br />

Portugal<br />

Teresa Martins is a Portuguese creative artist, very intense and talented, has<br />

dedicated herself for years to painting in various styles and materials. In 2006 she<br />

decided to change and experiment with a new support – glass. A constant and strong<br />

will to discover and continuously search new challenges has prompted this artist’s<br />

evolution as a creator <strong>of</strong> new forms <strong>of</strong> seeing, feeling and communicating. Has<br />

conducted dozens <strong>of</strong> national and international exhibitions and won several awards<br />

worldwide. Has works all over <strong>the</strong> world.<br />

Her work is available at www.teresamartins.com.<br />

www.teresamartins.com | mt.cruzmartins@gmail.com<br />

“Proud”<br />

60x80cm - stained glass on acrylic - 2010<br />

“Protection”<br />

60x80cm - stained glass on acrylic - 2011<br />

“Under <strong>the</strong> Sun”<br />

77x57cm - stained glass on glass - 2010<br />

118 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


Canada<br />

Vovanne<br />

Vovanne was born in 1967 in Ormstown, Canada. She studied in different sphere like,<br />

interior design and visual art. She also completed a degree in education and a program<br />

in art <strong>the</strong>rapy. She taught visual arts in high-schools, as well as drawing and art history in<br />

college. She considers art as an exutory, as a mean to express herself. In her artistic evolution<br />

she is inspired by her life experiences and social affect. She used all kinds <strong>of</strong> material and<br />

techniques to put forward messages and perceptions. That is why aes<strong>the</strong>tically each <strong>of</strong> her<br />

artwork seems <strong>of</strong> a different nature. As she morally and spiritually grows, <strong>the</strong> subjects and<br />

interpretations <strong>of</strong> her art are endless.<br />

vovanne@hotmail.com<br />

“La Faille”<br />

60x90cm - mixte média -2012<br />

“Le coeur du sixième sceaux”<br />

estampe numérique - 2012<br />

“Anorexie”<br />

60x70cm - mixte média - 2012<br />

“Infertilité inexpliquée”<br />

500x305cm - assemblage, installation - 2012<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 119


Wedad Alnasser<br />

Jordan<br />

Wedad Alnasser, is an artist from Jordan, who, after completing her master’s degree in law in 2006, was inspired to take up art, a decision which<br />

was to become her salvation. Starting with self-portraits she explored <strong>the</strong> battleground <strong>of</strong> her personal experiences <strong>of</strong> alienation. From <strong>the</strong>se she<br />

progressed into combining her own inward perspective with that <strong>of</strong> <strong>the</strong> wider political view (Exile). Now, exile and <strong>the</strong> dramatic changes that comes<br />

with it, have become <strong>the</strong> defining features <strong>of</strong> her interpretation <strong>of</strong> <strong>the</strong> “postmodern life style”.<br />

alhoush.com/wedad-al-nasser | wedadalnasser.blogspot.pt | wedad.alnaser@gmail.com<br />

“Exile II”<br />

63x70cm - acrylic on wood - 2013<br />

“Exile I”<br />

41x75cm - acrylic on wood - 2013<br />

120 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“Exile III”<br />

54x75cm - acrylic on wood - 2013


Brazil<br />

Weslei Rodrigues<br />

The working <strong>of</strong> stone, or any o<strong>the</strong>r noble, natural<br />

material, demands a great precision. Weslei Rodrigues<br />

is a sculptor who creates art objects, busts, and<br />

concrete monuments. Since <strong>the</strong> age <strong>of</strong> 6 he has<br />

concerned himself with <strong>the</strong> sense <strong>of</strong> volume, devoting<br />

less attention to detail, and focusing instead on <strong>the</strong><br />

personality <strong>of</strong> <strong>the</strong> subject.<br />

Weslei Rodrigues was born in 1987 in Governor,<br />

Valadares, Minas Gerais, Brazil. Some <strong>of</strong> his major<br />

works include <strong>the</strong> impressive “Christ <strong>the</strong> Redeemer” in<br />

Itabirinha, Brazil, which is 15 metres tall, and <strong>the</strong> “Sapo<br />

da Ilha” (Island Frog) which has a height <strong>of</strong> 1.8 metres<br />

and a diameter <strong>of</strong> 1 metre.<br />

In 2004, he contributed to <strong>the</strong> 2 metre high statue <strong>of</strong><br />

“St. Paul <strong>of</strong> <strong>the</strong> Cross” with his addition <strong>of</strong> “Christ on<br />

<strong>the</strong> Cross”, and <strong>of</strong> an angel on <strong>the</strong> base <strong>of</strong> <strong>the</strong> sculpture,<br />

both lending grace and a sense <strong>of</strong> completion to <strong>the</strong><br />

whole.<br />

www.artistaplasticoweslei.blogspot.com<br />

wesleirm@hotmail.com<br />

“Cristo de Itabirinha”<br />

15m high - concrete - 2009<br />

“Lavradora deficiente”<br />

80x40cm - concrete - 2011<br />

“O Pr<strong>of</strong>eta Moisés”<br />

75x28cm - concrete - 2009<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 121


Zita Dantas<br />

Portugal<br />

Zita Dantas is a self-taught artist<br />

working mostly with oil on canvas.<br />

She was born in Mozambique<br />

and is especially fascinated by<br />

<strong>the</strong> warm colours <strong>of</strong> Africa and<br />

its people. Zita favours figurative<br />

painting, specifically faces and<br />

landscapes. She finds a great<br />

fulfillment in painting in oils and<br />

her pictures are <strong>the</strong> result <strong>of</strong><br />

dedication and <strong>the</strong> search for<br />

personal satisfaction.<br />

www.zitadantas.com<br />

zitadantas@gmail.com<br />

“Mamana”<br />

50x40cm - oil on canvas - 2009<br />

“Sapatilhas”<br />

40x35cm - oil on canvas - 2013<br />

“Eh! Mamanó Tatanó”<br />

50x60cm - oil on canvas - 2013<br />

122 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

“A Serenidade na Natureza”<br />

54x65cm - oil on canvas - 2010


<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 123


CONTACTS<br />

A. Jim - fineartamerica.com/pr<strong>of</strong>iles/annette-jimerson.html |annettejimerson@gmail.com<br />

Acácio Cainete - www.acaciocainete.com |acaciocainete@gmail.com<br />

Alberto Besso (Bachet) - albertobesso1@gmail.com<br />

Alcida Maria - alcidamorais.wix.com/alcida | sonhar-a-pintura.blogspot.pt | alcidamorais.webnode.pt | alcidamorais@gmail.com<br />

Alexander Breskin - www.breskinart.com | breskinart@mail.ru | manager@breskinart.com<br />

Alexis Cole - www.alexisart.co.uk | alexis@alexisart.co.uk<br />

Amcoc - ana.amcoc28@gmail.com<br />

Ana Maria Malta - cnap.pt/artistas/ana-maria-malta | tecnalidade@netcabo.pt<br />

Ana S<strong>of</strong>ia Neves - s<strong>of</strong>iapn.blogspot.pt | https://www.facebook.com/pages/Pinturas-de-Ana-S<strong>of</strong>ia-Neves/480188955408638 | a.neves4@gmail.com | +351 910 619 500<br />

Anunciação Gomes - sa<strong>of</strong>gomes@iol.pt<br />

Awatef Alsafwan - www.artbreak.com/work/show/310482-awatef-awatef | awatef.j@gmail.com<br />

Bela Maleth - www.gottiart.com | gotti_art@yahoo.com<br />

Beth Sales - www.123hjemmeside.no/bethart-elisabeth | plus.google.com/101888550914563934717/posts | beth.sales@hotmail.com<br />

Cândida Brito - candidabrito@sapo.pt<br />

Carlos Helmut - www.yessy.com/chjapp | galeriaaberta.ning.com/pr<strong>of</strong>ile/chjapp |chjapp@terra.com.br<br />

Cecila Flaten - www.flaten.cl | flaten@flaten.cl<br />

Célia Alves - www.artmajeur.com/es/art-gallery/celia-alves/138178 | celiapenalves@gmail.com<br />

César Teles - www.artmajeur.com/pt/artist/pedrocesar | pedroctf@gmail.com<br />

Christine Eyres - www.christine-eyres.com.au | christine.eyres@bigpond.com<br />

Christine M. Vorwerk - www.artcmv.com | christine.vorwerk@googlemail.com<br />

Clara Ferreira - claravferreira@sapo.pt<br />

Conceição Rosa - conceicaorosa3@gmail.com<br />

Damião Vieira - http://damiaovieira64.blogspot.pt | damiaovieira64@gmail.com<br />

David Gonçalves Ribeiro - david.rib1953@gmail.com<br />

De Mar - demar7@gmail.com<br />

Dulcídio - www.dulcidio.com | tommydul.blogspot.pt | tommydul@outlook.com<br />

Edmundo Cruz - www.edmundocruz.pt | edmcruz@gmail.com<br />

Eduardo Motcceli - www.galeriaaberta.net/pr<strong>of</strong>ile/EduardoMotcceli | vendas@atelierexportaarte.com.br<br />

Elena Bissinger - fineartamerica.com/pr<strong>of</strong>iles/elena-bissinger.html | aditonilena@yahoo.com<br />

Elisabeth Coppens - elise.coppens@live.be<br />

Emma Crudgington - http://www.artvipgallery.com/pr<strong>of</strong>ile/EmmaCrudgington | emmor6@aol.com<br />

Faba - mfaba13@aol.com<br />

Fernando Cacela - fernando_cacela@hotmail.com<br />

Giuseppe Ranzini - www.giusepperanzini.com.br | giusepperanzini@terra.com.br<br />

Gnievyshev Oleksii - www.artwanted.com/artist.cfm?artid=71308 | gnev@e-mail.ua<br />

Gordo Letters - cargocollective.com/Gordoletters | gordoletters@gmail.com<br />

Gustavo Fernandes - www.gustav<strong>of</strong>ernandes.com | Facebook: Gustavo Fernandes Hiperrealistic <strong>Art</strong>ist | gustav<strong>of</strong>@netcabo.pt<br />

Helena Lobato - https://sites.google.com/site/atelierdahelenalobato | lobatos@sapo.pt<br />

Ieva Sara Breiksa - ieva.sara78@gmail.com<br />

Irena Orlov - http://www.irenaorlov.com | irenaorlov@att.net<br />

Irina Corduban - irinacorduban.wix.com/art-and-tuition|ina_ornament@yahoo.com<br />

Janice Baker - jansy20@att.net<br />

Jiselda Salbu Gigi - www.brasilartist.no | ateliegigi@uol.com.br |+ 47-97907611 | | Sype: Jiselda.oliveira7<br />

João Bello - www.joaobello.pt | joaobello.artistaplastico@gmail.com | +351 910189311<br />

João Galh<strong>of</strong>o - www.artesgalh<strong>of</strong>o.com | joao@artesgalh<strong>of</strong>o.com<br />

João Iglésias - http://www.escultorjoaoiglesias.com | joaoiglesias@kanguru.pt<br />

Johnlijo Bluefish - www.blufishmotion.com | studiobluefish@blufishmotion.com<br />

José Fortunato - www.artwanted.com/fortunato | josemfortunato@gmail.com<br />

José Travassos - josetravassos.blogspot.pt | davincigallery.net/art/jose-travassos.html | travassos.jose@gmail.com<br />

Joseph A. Burgos - www.angelfire.com/movies/<strong>the</strong>wizard/1.html | www.art-3000.com/artist/agner | poet-artist-bio.angelfire.com | AGNER@webtv.net<br />

Julia Dijkstra - julia_lu92@yahoo.com.br<br />

Julian Baslyk - jules<strong>of</strong><strong>the</strong>@gmail.com<br />

Julie-Mila Bouffard - www.juliemilabouffard.com | juliemilabouffard@outlook.com<br />

Julien Séror - troisportesouvertessurtroisunivers.blogspot.fr | www.julienseror.com| facebook: Julien Séror <strong>Art</strong>work | j.seror@free.fr<br />

Justyna Piaskowska - www.justynapiaskowskadrawings.co.uk | justyna33@hotmail.com<br />

Kelly A. Kopacz - www.kopaczonlinestudio.com | myart79@yahoo.com<br />

Kim Juchul - www.artslant.com/website/juchul-kim | kjc0530@daum.net<br />

Lance MG - plobm99@gmail.com<br />

Lúcia Lupenny - lupenny_rodrigues@hotmail.com<br />

Luís Guilherme Teves - luisgteves@gmail.com<br />

Manuel Alexandrino - alexandrino1948@gmail.com<br />

Maria Bobrovskaya - studiomb.narod.ru/index.htm | studiomb@mail.ru<br />

Maria Manuel Pires - artemariamanuelpires.blogspot.com | mariamanuelpires@gmail.com<br />

Maria Tereza - aminhapinturanaif.blogspot.pt/ | nobru1996@hotmail.com<br />

MariAn Simpson - www.mariansimpson.com | marianartist@aol.com<br />

Mariana Oros - marianaoros.weebly.com | maribaets@yahoo.com<br />

Marítza Reachi - marciano.artblog.fr | reachi_85@hotmail.com<br />

Marvel - quintadabordada@sapo.pt<br />

Meliza - marizita.lsm@hotmail.com<br />

Mickaël Caruge - www.flickr.com/photos/9750573@N02 | lion200882@hotmail.com<br />

Militão dos Santos - www.militaodossantos.com | militaodosantos@yahoo.com.br<br />

Nicolau Campos - nicolaucampos.artelista.com | nicolau.campos@sapo.pt<br />

Orlando Castro-Ortiz - www.orlandocastroortiz.com | orlandocastroortiz@gmail.com<br />

Osama Hashem - end1000000@hotmail.com<br />

Patricia Molina - http://www.patriciamolinart.com | paty_molina@yahoo.com<br />

Paulo Tercio - www.paulotercio.com | info@paulotercio.com<br />

Paulo Themudo - paulo<strong>the</strong>mudoarte.wix.com/paulo-<strong>the</strong>mudo | paulo.<strong>the</strong>mudo@gmail.com<br />

Rachelle Woo Chuang - www.rachellewchuang.com | rachellewchuang@gmail.com<br />

Rogério Sousa - sousarogerio@live.com.pt<br />

Rosário Falcão - www.galeriaaberta.com/rfalcao.html | familia.p.falcao@gmail.com<br />

Roseni de Mello Schauerte - www.schau-art-galerie.de | deschauerte@hotmail.de<br />

ROY - pr<strong>of</strong>.ribeiro_holisticXXI@live.com.pt<br />

Rute Inês - www.facebook.com/RuteInes.author | casulodourado@hotmail.com<br />

Ryan Demaree - 1-ryan-demaree.artistwebsites.com | ozzrya91@hotmail.com<br />

Semini Kwsta - seminikost@yahoo.com.br<br />

Sergei Yujanin - compressor5@yandex.ru<br />

Sérgio O. Sá - sergio.o.sa@sapo.pt<br />

Shiva Eini - www.shiva-aini.com | shivaeini@rocketmail.com<br />

Silvia Alba - www.artmajeur.com/pt/artist/silviaalba | artesilviaalba@hotmail.com<br />

Sônia Castro - castrosonia2@hotmail.com<br />

Taita M. Cunha - www.facebook.com/TaitaMCunha | teresa.m.cunha@hotmail.com<br />

Teresa Martins - www.teresamartins.com | mt.cruzmartins@gmail.com<br />

Vovanne - vovanne@hotmail.com<br />

Wedad Alnasser - alhoush.com/wedad-al-nasser | wedadalnasser.blogspot.pt | wedad.alnaser@gmail.com<br />

Weslei Rodrigues - www.artistaplasticoweslei.blogspot.com | wesleirm@hotmail.com<br />

Zita Dantas - www.zitadantas.com | zitadantas@gmail.com<br />

124 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>


ARTISTS<br />

A<br />

A. Jim<br />

Acácio Cainete<br />

Alberto Besso (Bachet)<br />

Alcida Maria<br />

Alexander Breskin<br />

Alexis Cole<br />

Amcoc<br />

Ana Maria Malta<br />

Ana S<strong>of</strong>ia Neves<br />

Anunciação Gomes<br />

Awatef Alsafwan<br />

B<br />

Bela Maleth<br />

Beth Sales<br />

C<br />

Cândida Brito<br />

Carlos Helmut<br />

Cecila Flaten<br />

Célia Alves<br />

César Teles<br />

Christine Eyres<br />

Christine M. Vorwerk<br />

Clara Ferreira<br />

Conceição Rosa<br />

D<br />

Damião Vieira<br />

David<br />

De Mar<br />

Dulcídio<br />

E<br />

Edmundo Cruz<br />

Eduardo Motcceli<br />

Elena Bissinger<br />

Elisabeth Coppens<br />

Emma Crudgington<br />

F<br />

Faba<br />

Fernando Cacela<br />

G<br />

Giuseppe Ranzini<br />

Gnievyshev Oleksii<br />

Gordo Letters<br />

Gustavo Fernandes<br />

H<br />

Helena Lobato<br />

I<br />

Ieva Sara Breiksa<br />

Irena Orlov<br />

Irina Corduban<br />

J<br />

Janice Baker<br />

Jiselda Salbu Gigi<br />

João Bello<br />

João Galh<strong>of</strong>o<br />

João Iglésias<br />

Johnlijo Bluefish<br />

José Fortunato<br />

José Travassos<br />

Joseph A. Burgos<br />

Julia Dijkstra<br />

Julian Baslyk<br />

Julie-Mila Bouffard<br />

Julien Séror<br />

Justyna Piaskowska<br />

K<br />

Kelly A. Kopacz<br />

Kim Juchul<br />

L<br />

Lance MG<br />

Lúcia Lupenny<br />

Luís Guilherme Teves<br />

M<br />

Manuel Alexandrino<br />

Maria Bobrovskaya<br />

Maria Manuel Pires<br />

Maria Tereza<br />

MariAn Simpson<br />

Mariana Oros<br />

Marítza Reachi<br />

Marvel<br />

Meliza<br />

Mickaël Caruge<br />

Militão dos Santos<br />

N<br />

Nicolau Campos<br />

O<br />

Orlando Castro-Ortiz<br />

Osama Hashem -<br />

P<br />

Patricia Molina<br />

Paulo Tercio<br />

Paulo Themudo<br />

R<br />

Rachelle Woo Chuang<br />

Rogério Sousa<br />

Rosário Falcão<br />

Roseni de Mello Schauerte<br />

ROY<br />

Rute Inês<br />

Ryan Demaree<br />

S<br />

Semini Kwsta<br />

Sergei Yujanin<br />

Sérgio O. Sá<br />

Shiva Eini<br />

Silvia Alba<br />

Sônia Castro<br />

T<br />

Taita M. Cunha<br />

Teresa Martins<br />

V<br />

Vovanne<br />

W<br />

Wedad Alnasser<br />

Weslei Rodrigues<br />

Z<br />

Zita Dantas<br />

<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 125


126 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong><br />

Depósito legal nº 366472/13<br />

Impresso por<br />

RAINHO & NEVES Lda.<br />

4520-612 - SÃO JOÃO DE VER - FEIRA - PORTUGAL


<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> | 127

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