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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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2 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
<strong>State</strong> Of The <strong>Art</strong><br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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4 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
<strong>State</strong> Of The <strong>Art</strong><br />
<strong>Art</strong>ist’s <strong>Book</strong> - <strong>Vol</strong>ume <strong>II</strong><br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - International <strong>Art</strong>ist’s <strong>Book</strong><br />
ISBN: 978-989-98331-0-4<br />
Copyright 2013 Galeria Aberta<br />
Publish by<br />
Galeria Aberta<br />
Av. Nossa Senhora dos Remédios, 236, 1. esq.<br />
2775-611 CARCAVELOS, PORTUGAL<br />
Galeria Aberta<br />
All signed texts are published under written authorization from <strong>the</strong> authors who retain <strong>the</strong> copyright. All biographic information was provided by <strong>the</strong><br />
respective artist under <strong>the</strong>ir sole responsibility. All photographs <strong>of</strong> artworks were provided by <strong>the</strong> respective artist and licensed for this publication.<br />
All artists featured in <strong>the</strong> “<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>” retain <strong>the</strong> copyright© for each <strong>of</strong> <strong>the</strong> individual images. No part <strong>of</strong> this book may be<br />
reproduced or transmitted in any form or by any means, without written permission from <strong>the</strong> copyrights owners. All rights reserved.<br />
6 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Contents<br />
Foreword<br />
Prologue<br />
Note from <strong>the</strong> publisher<br />
Alexandra Costa Gomes<br />
Alik Vetr<strong>of</strong><br />
Ana Flores<br />
Ana Maria Malta<br />
Ana Palhas<br />
Ana Pedro<br />
Anita Kovacevic<br />
Anna Zacchi<br />
Antonieta Martinho<br />
Bruce Burt<br />
Bryan Stacy<br />
Christine M. Vorwerk<br />
Claudio Cassuto<br />
Dália V. Rêgo<br />
David<br />
David Ronald Jones<br />
Dulcídio<br />
Ed Ribeiro<br />
Elsa Oliveira<br />
Filomena Sousa<br />
Frank Mann<br />
Gabriela Casinhas<br />
Gulnar Sacoor<br />
Henrik Brondsted<br />
Inês Terrahe<br />
Irina Corduban<br />
Isabel Souza<br />
Isaura Xavier<br />
Jan Jansen<br />
João Galh<strong>of</strong>o<br />
Jorge Vilaça<br />
José Fortunato<br />
Joseph Virgone<br />
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7<br />
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45<br />
47<br />
Juchul Kim<br />
Lance W. McClurg<br />
Leida Rodríguez Vila<br />
Leila Ullmann<br />
Leyla Aysel Munteanu<br />
Lúcia Lupenny<br />
Lucie Boswell<br />
Luís Liberato<br />
Luís Rebelo<br />
Luisa de Souza<br />
Manuel Alexandrino<br />
Maria Claudino<br />
Maria Lucia Veiga<br />
Maria Manuel Pires<br />
Maria Tereza<br />
MariAn Simpson<br />
Marvel<br />
Meliza<br />
Miguel Relego<br />
Nicolau Campos<br />
Paula Pereira<br />
Paulo Tercio<br />
Paulo Themudo<br />
Pedro Charters d’Azevedo<br />
Regina Affonso<br />
Rui Nery Monteiro<br />
Ruth Stirnimann<br />
Sandra Borges<br />
Sara Vieira<br />
Sarvin Haghighi<br />
Shawn Shannon<br />
Shiva Aini<br />
Sônia Castro<br />
Tinoh<br />
Vasco Torres<br />
VIFER<br />
Vike Pedersen<br />
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<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Foreword<br />
Welcome to volume <strong>II</strong> <strong>of</strong> <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong>, <strong>Art</strong>ist’s <strong>Book</strong>. You might question was <strong>the</strong>re really a need to release ano<strong>the</strong>r<br />
volume so soon after <strong>the</strong> publication <strong>of</strong> <strong>the</strong> first one in 2013? Clearly yes, <strong>the</strong> demand exists both from <strong>the</strong> artist seeking<br />
representation and wider exposure, and for <strong>the</strong> public, whose thirst to uncover <strong>the</strong> work <strong>of</strong> <strong>the</strong> wealth <strong>of</strong> artists from<br />
around <strong>the</strong> world, remains unsated. This book also satisfies <strong>the</strong> need <strong>of</strong> <strong>the</strong> artist to be seen alongside his contemporaries<br />
and to explore <strong>the</strong>ir work, so it is indeed, an artist’s book!<br />
Here we have a volume which dips into a huge ocean <strong>of</strong> artistic talent and has succeeded in landing a catch <strong>of</strong> precious and<br />
rare pearls <strong>of</strong> <strong>the</strong> art world.<br />
The artists represented here are concerned with <strong>the</strong> visual message, <strong>the</strong>y don’t rely on wordy descriptions or concepts,<br />
instead <strong>the</strong>y rely on portraying <strong>the</strong>ir idea and message through <strong>the</strong> use <strong>of</strong> paint as has been <strong>the</strong> case from <strong>the</strong> time <strong>of</strong> <strong>the</strong><br />
first cave paintings. A code, developed over <strong>the</strong> ages through education, instinct, culture and <strong>the</strong> subconscious, equips us<br />
with <strong>the</strong> knowledge to decipher <strong>the</strong>se pictures. The artist is content for <strong>the</strong> viewer to interpret <strong>the</strong> work without recourse<br />
to knowing <strong>the</strong> innermost feelings or intentions present in <strong>the</strong> artist’s mind at <strong>the</strong> time <strong>of</strong> its execution. Often <strong>the</strong> image will<br />
mean different things to different people and this is a reflection <strong>of</strong> life where we all see things from our own viewpoint: <strong>the</strong><br />
story can have more than 2 sides. We shouldn’t try to classify or categorize too strictly as this will inhibit <strong>the</strong> appreciation <strong>of</strong><br />
what <strong>the</strong> eye beholds. This is not to say that we should suspend our intellectual process, ra<strong>the</strong>r we should allow it to expand<br />
to include that which is beyond verbal description in <strong>the</strong> way that we accept feelings which defy explanation. Who <strong>of</strong> us can<br />
say why <strong>the</strong>y prefer blue to red and who is qualified to say that <strong>the</strong>y are right or wrong?<br />
Without being in <strong>the</strong> presence <strong>of</strong> <strong>the</strong> artist we are challenged to enter <strong>the</strong> painting in an effort to comprehend <strong>the</strong> meaning<br />
behind it. This takes time so, whilst it may be considered important that <strong>the</strong> artwork is forceful enough to make us want to<br />
stop and look more closely, we can <strong>of</strong>ten overlook something which is deserving <strong>of</strong> closer scrutiny and, once we start to pick<br />
at it, we can unravel <strong>the</strong> most marvellous <strong>of</strong> representations.<br />
MariAn Boyle Simpson<br />
8 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Prologue<br />
Fine <strong>Art</strong> is a form <strong>of</strong> communication encompassing vision, touch and sound.<br />
It is communicated in many forms demonstrated through using different techniques developed over time since those first<br />
expressed in <strong>the</strong> caves <strong>of</strong> our ancestors.<br />
This 2nd Edition <strong>of</strong> <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> | International <strong>Art</strong>ist’s <strong>Book</strong>, edited by <strong>the</strong> Galeria Aberta / <strong>Art</strong> Vip Gallery, shows us a<br />
global collection <strong>of</strong> contemporary works <strong>of</strong> art which combine to <strong>of</strong>fer a pr<strong>of</strong>ound knowledge <strong>of</strong> existing artistic heritage,<br />
each artist serving society at <strong>the</strong> behest <strong>of</strong> beauty, culture, customs and tradition.<br />
The promotion <strong>of</strong> artists by art critics, exhibitions, social networks, or through any o<strong>the</strong>r medium, is important for <strong>the</strong>ir (re)<br />
cognition as artists and as a forum for <strong>the</strong> reception <strong>of</strong> <strong>the</strong>ir artworks.<br />
Galeria Aberta, through staging exhibitions, producing books and o<strong>the</strong>r initiatives, provides this service, ensuring that <strong>the</strong><br />
work is presented at a level <strong>of</strong> quality capable <strong>of</strong> creating a social impact within <strong>the</strong> art world.<br />
This book is not a dictionary, but a compilation <strong>of</strong> artists interested in promoting <strong>the</strong>ir work with a trusted organization<br />
which is interested in protecting <strong>the</strong> needs <strong>of</strong> <strong>the</strong> artist.<br />
There are many artists for who art, as well as being <strong>the</strong>ir pr<strong>of</strong>ession, is a way <strong>of</strong> life: <strong>the</strong>y live and brea<strong>the</strong> <strong>the</strong>ir art and,<br />
through study and talent, strive to achieve recognition and success.<br />
This publication is essentially a global group exhibition revealing itself to a world-wide audience sensitive to <strong>the</strong> aes<strong>the</strong>tic<br />
qualities shown here in a multitude <strong>of</strong> formats. A group <strong>of</strong> diverse, self-motivated artists all communicating through common<br />
elements, namely – colour and design.<br />
One may question whe<strong>the</strong>r this book is a suitable form <strong>of</strong> communication for marketing artistic achievement, but <strong>the</strong>se days<br />
all forms <strong>of</strong> communication are valid and Galeria Aberta is a principled organization with <strong>the</strong> best interests <strong>of</strong> <strong>the</strong> artist being<br />
its primary objective.<br />
The artists featured in this publication should be considered as artists from <strong>the</strong> upper echelons <strong>of</strong> <strong>the</strong> world <strong>of</strong> fine art.<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> | International <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>. <strong>II</strong>, edited by <strong>the</strong> Galeria Aberta / <strong>Art</strong> Vip Gallery, continues with <strong>the</strong> same<br />
strong personality <strong>of</strong> <strong>the</strong> first volume with a team that identifies and maintains <strong>the</strong> visible face <strong>of</strong> ART!<br />
Angelo Vaz (art critic and curator)<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Note from <strong>the</strong> publisher<br />
Once again new artists, alongside established ones, have <strong>the</strong> opportunity to show <strong>the</strong>ir art in <strong>the</strong> <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s<br />
book <strong>Vol</strong>. <strong>II</strong>. Selecting contemporary artists based on <strong>the</strong>ir most recent artwork is never an easy task. My goal is to present<br />
a wide range <strong>of</strong> contemporary quality artists.<br />
Galeria Aberta has an extensive experience <strong>of</strong> promoting art and artists; a mission which it has undertaken for <strong>the</strong> past<br />
thirteen years. I believe that we’ve struck <strong>the</strong> right balance and have succeeded in how casing a wide variation in terms <strong>of</strong><br />
origins, styles and careers. From Naïve <strong>Art</strong> to Modern <strong>Art</strong>, <strong>the</strong> selected works demonstrate a recognizable high quality and<br />
innovation.<br />
In <strong>the</strong> “<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong> <strong>II</strong>”, are represented 70 artists from 23 countries.<br />
I want to thank Angelo Vaz, Bela Xavier, Paulo Themudo, Margarida Serra and MariAn Simpson for <strong>the</strong>ir team work and<br />
commitment to <strong>the</strong> project <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong>.<br />
António Dulcídio<br />
(T. Dul)<br />
Galeria Aberta/<strong>Art</strong> Vip Gallery<br />
10 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong> | 11
Alexandra Costa Gomes<br />
Portugal<br />
Trained as an engineer, his pr<strong>of</strong>essional life was developed in <strong>the</strong> area <strong>of</strong> <strong>State</strong> financing and in <strong>the</strong> sector <strong>of</strong> international economic relations. The<br />
passion for painting was constantly present in a particularly absorbing pr<strong>of</strong>essional life and it assumed a key place after 2000 thanks to systematic<br />
training at <strong>the</strong> Sociedade Nacional de Belas <strong>Art</strong>es.<br />
His plastic work reveals great sensibility to <strong>the</strong> Earth and <strong>the</strong> landscape. There is an understanding that culture is affirmed and that an ongoing and<br />
fruitful dialogue takes place between roots and <strong>the</strong> present. If culture is associated with sowing <strong>the</strong> seed in <strong>the</strong> Earth, art is, in its essence, <strong>the</strong> cult<br />
<strong>of</strong> <strong>the</strong> understanding <strong>of</strong> nature and humanity. He has participated in numerous collective exhibitions and has recently had individual exhibitions at<br />
<strong>the</strong> Centro Nacional de Cultura and in <strong>the</strong> Gallery <strong>of</strong> <strong>the</strong> Casino Estoril.<br />
aigdc@mac.com<br />
“Universo deslumbrante <strong>II</strong>”<br />
60x80cm - acrylic on canvas - 2010<br />
“A Montanha e o seu retrato I”<br />
80x100cm - acrylic on canvas - 2006<br />
“Anywhere is my land”<br />
80x100cm - acrylic on canvas - 2008<br />
12 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Casas no ocaso”<br />
65x80cm - acrylic on canvas - 2007
Ukraine<br />
Alik Vetr<strong>of</strong><br />
The work on <strong>the</strong> paintings Vetr<strong>of</strong> makes references to specific places, even some plants, and<br />
reducing <strong>the</strong>ir hyperbolizing, opening space, manifested silhouettes become more abstract.<br />
Communications <strong>of</strong> examining <strong>the</strong> relationship between man and <strong>the</strong> urban infrastructure.<br />
Daily interaction with underground passages, communications, bridges and streets, people do<br />
not pay attention to <strong>the</strong>m, hardly notice <strong>the</strong>m.<br />
Without claiming to be <strong>the</strong> new style so not having a conceptual artist reveals <strong>the</strong> new dark<br />
places. It was at dusk, at night, <strong>the</strong>se objects come to life with great power and passion,<br />
exposing its essence and poetry, hiding during <strong>the</strong> day for <strong>the</strong> gray and dull colors. Vetr<strong>of</strong> uses<br />
a technique in <strong>the</strong> style <strong>of</strong> <strong>the</strong> early Renaissance, processing it in an abstract impressionist style<br />
and embodying in a unique conceptual style copyright.<br />
http://www.portalart.co.uk/subsection.htm?sectionId=2&artistId=3 | vetr<strong>of</strong>.a@gmail.com<br />
“The slope <strong>of</strong> <strong>the</strong> estuary”<br />
50x50cm - oil on canvas - 2014<br />
“The first snow”<br />
40x50cm - oil on canvas - 2014<br />
“Peresypskyi mist, Odessa art-tunnel”<br />
100x120cm - oil on canvas - 2012<br />
“Hrushevskoho Street Kiev Ukraine”<br />
45x5 cm - diptych oil on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Ana Flores<br />
Portugal/South Africa<br />
Ana Flores was born in 1964 in Lourenço Marques (now known as<br />
Maputo), in Mozambique. She moved to South Africa in 1974 where she<br />
now lives and works.<br />
The hidden sensuality <strong>of</strong> bygone times, toge<strong>the</strong>r with present-day<br />
customs and life-styles, are Ana’s artistic inspiration. Africa runs in her<br />
blood! She describes her relationship with this mysterious and striking<br />
continent as that <strong>of</strong> mo<strong>the</strong>r & daughter.<br />
An internationally recognized artist, she is represented in many public<br />
and private collections. Her work has been featured on international<br />
television, in newspapers, in trade magazines and in c<strong>of</strong>fee-table art<br />
books.<br />
Ana works in various techniques and mediums but her preference is for<br />
oil on canvas.<br />
www.facebook.com/ANAFLORESART<br />
AnaFlores<strong>Art</strong>@gmail.com<br />
“Transcending Nomadic Love - Kalahari Desert”<br />
101,5x76,5x4cm - oil on canvas - 2014<br />
“Mntwana we Afrika na Macansi”<br />
76 x76x4cm - oil on canvas - 2010<br />
“Raul Flores”<br />
122x95x4cm oil and gold & silver leaf on canvas - 2013<br />
14 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Zebra”<br />
150x100cm - mixed media on canvas - 2014
Portugal<br />
Ana Maria Malta<br />
Ana Maria Malta was born on <strong>the</strong> 26th March 1949 in Vila Franca de Xira, Portugal. She<br />
has participated in over 300 collective and individual exhibitions throughout Portugal,<br />
Spain, France, Italy, Germany, Denmark, Brazil, Japan and <strong>the</strong> United <strong>State</strong>s.<br />
Ana Maria has received several awards and she was honoured in Vila Franca de Xira<br />
with <strong>the</strong> Medal <strong>of</strong> Cultural Merit. Her work can be found in both public and private<br />
collections all over <strong>the</strong> world. She is also featured in several art publications, both<br />
national and international.<br />
tecnalidade@netcabo.pt<br />
“Primeiras Chuvas <strong>II</strong>I”<br />
42x29,7cm - watercolour on Canson paper - 2011<br />
“Primeiras Chuvas IV”<br />
42x29,7cm - watercolour on Canson paper - 2011<br />
“Primeiras Chuvas A”<br />
42x29,7cm - watercolour on Canson paper - 2011<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Ana Palhas<br />
Portugal<br />
Ana Paula Bruno Palhas was born on 3rd March 1961, in <strong>the</strong> small city <strong>of</strong><br />
Grândola in Portgual’s Alentejo region.<br />
She has always been fascinated by <strong>the</strong> arts especially by painting.<br />
After some years <strong>of</strong> self-tuition she attended <strong>the</strong> Alencores Painting<br />
School. There, under <strong>the</strong> tutelage <strong>of</strong> Pr<strong>of</strong>essor Charles Hejnal, she<br />
discovered <strong>the</strong> magic <strong>of</strong> colour and gained <strong>the</strong> necessary techniques<br />
to help her develop her work. For Ana, realism is <strong>the</strong> style which most<br />
satisfies her ambitions and which she loves most.<br />
Ana enjoys <strong>the</strong> privilege <strong>of</strong> living in a region close to both <strong>the</strong> beauty <strong>of</strong><br />
<strong>the</strong> sea and <strong>the</strong> colours <strong>of</strong> <strong>the</strong> Alentejo countryside which provide <strong>the</strong><br />
motives and <strong>the</strong> inspiration for her painting.<br />
Since 2005 she has participated in single and collective exhibitions. She<br />
was awarded <strong>the</strong> gold medal in <strong>the</strong> 3rd Salão Internacional de <strong>Art</strong>e da<br />
Galeria Aberta in Estoril.<br />
ppalhas1961@gmail.com<br />
“Óbidos com o seu encanto”<br />
100x80cm - oil on canvas - 2011<br />
“Merecido descanso”<br />
60x50cm - dry pastel - 2014<br />
“A aguardar um novo dia”<br />
60x50cm - dry pastel - 2014<br />
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“Ribeira entre duas margaridas (Grândola)”<br />
120x90cm - oil on canvas - 2012
Portugal<br />
Ana Pedro<br />
Ana Pedro, was born in Angola in 1975 and came to<br />
Coimbra in Portugal to complete her studies. She is a<br />
retired technology education teacher and lives in Porto. In<br />
2010 Ana began to exhibit her works and has participated<br />
in 26 collective exhibitions in Portugal, Spain, Belgium,<br />
Italy and France and in 7 solo exhibitions in Portugal.<br />
Several <strong>of</strong> her works are represented in both public and<br />
private institutions. She is a member <strong>of</strong> <strong>the</strong> association<br />
forum ARTS-Coimbra-Portugal.<br />
anapedro7@gmail.com<br />
“Composition 11”<br />
100x100cm - acrylic on canvas - 2012<br />
“Composition 4”<br />
90x60cm - acrylic on canvas - 2012<br />
“Composition 6”<br />
90x60cm - acrylic on canvas - 2012<br />
“Composition 9”<br />
90x60cm - acrylic on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Anita Kovacevic<br />
Austria<br />
Anita Kovacevic is a Canadian internationally published and exhibited fine<br />
art photographer, working primarly in monochrome and occasionally in<br />
warm tones and color.<br />
Born in 1975 in Slovenia and after many years <strong>of</strong> wandering in many<br />
countries, she is currently living in Salzburger Land in Austria.<br />
Anita creates fine art photographs, but she also has interest in street<br />
and photojournalistic photography. Her images are to be found in private<br />
collections in <strong>the</strong> USA, Canada, Germany, France, etc., and she has<br />
been published both in print and online as well as exhibited in various<br />
countries.<br />
www.fineartbyanita.com | info@fineartbyanita.com<br />
“Opening to You”<br />
3648x2736 pixels - digital black and white photography - 2013<br />
“Perfect Sense <strong>II</strong>I”<br />
3648x2736 pixels - digital black and white photography - 2014<br />
“In <strong>the</strong> fog”<br />
2511x2521 pixels - digital black and white photography - 2012<br />
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“Perfect Sense IV”<br />
3166x2661 pixels - digital black and white photography - 2014
Brazil<br />
Anna Zacchi<br />
Anna Zacchi, a Brazilian, is dedicated to being an artist, architect, urban planner and designer.<br />
As an artist she enjoys nature and seeks to portray her taste in simple paintings. Anna’s hands draw what her imagination sees, it’s <strong>the</strong> freedom given<br />
to <strong>the</strong> mind where <strong>the</strong> pencil takes care <strong>of</strong> <strong>the</strong> drawing.<br />
Since childhood she has had an interest in art and science & technology, collecting awards along <strong>the</strong> way. She has participated in exhibitions <strong>of</strong><br />
architecture and design and, even before she graduated, received a prize for New Talent in Architecture graduating as <strong>the</strong> third best student in <strong>the</strong><br />
college.<br />
www.annazacchi.com | info@annazacchi.com<br />
“Dawn (nature collection)”<br />
16,54x22,05in - watercolor pencil drawing - 2013<br />
“Seasons (nature collection)”<br />
16,54x22,05in - pastel with natural leaves - 2012<br />
“The construction (nature collection)”<br />
16,54x22,05in - watercolour - 2012<br />
“The small house to play (projects collection)”<br />
16,54x22,05in - watercolour - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Antonieta Martinho<br />
Portugal<br />
Antonieta Martinho was born in <strong>the</strong> Democratic Republic <strong>of</strong> Congo. She graduated<br />
in medicine from <strong>the</strong> University <strong>of</strong> Lisbon in 1974. Antonieta has always shared her<br />
life with art and has a special affinity with painting. She started to learn how to paint<br />
in 2006 and is currently improving her knowledge <strong>of</strong> <strong>the</strong> techniques <strong>of</strong> oil painting<br />
at <strong>the</strong> National Society <strong>of</strong> Fine <strong>Art</strong>s in Lisbon. Her artistic output begins with <strong>the</strong><br />
exploration and deconstruction <strong>of</strong> selected images: she manipulates <strong>the</strong> various<br />
forms as <strong>the</strong>y emerge, transforming <strong>the</strong>m into new, abstracted metaphors. At<br />
times, some <strong>of</strong> <strong>the</strong>se allegorical images impress on <strong>the</strong> imagination an expression,<br />
an atmosphere and an intensity where <strong>the</strong> symbolism creates a language which<br />
becomes our own.<br />
baiao.antonieta@gmail.com<br />
“Diwali <strong>II</strong>”<br />
100x100 cm - oil on canvas - 2011<br />
“Diwali I”<br />
100x150 cm - oil on canvas - 2011<br />
“Do Imaginário I”<br />
100x100 cm - oil on canvas - 2012<br />
20 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Do Imaginário <strong>II</strong>”<br />
100x100 cm - oil on canvas - 2012
Puerto Rico<br />
Bruce Burt<br />
Bruce Burt, graduated from <strong>the</strong> University <strong>of</strong> Massachusetts at Amherst, with a masters<br />
degree in Painting. While residing in New York City, he worked with <strong>the</strong> Guggenheim<br />
Museum as teacher <strong>of</strong> painting and film. In 2001, he moved to Puerto Rico, having<br />
exhibitions at <strong>the</strong> University <strong>of</strong> Mayaguez, Museum <strong>of</strong> Eugenio Maria de Hostos,<br />
Museum <strong>of</strong> Alfredo Ramirez de Arellano, and <strong>the</strong> Museum <strong>of</strong> <strong>the</strong> Americas, San Juan,<br />
P.R., while also participating in many Galleries on <strong>the</strong> West Cost and San Juan. His<br />
paintings are conceptualization <strong>of</strong> subject matter, <strong>the</strong> Pop <strong>Art</strong> series convey positive<br />
energy with a symbolic message and his boldness <strong>of</strong> color in a realistic way.<br />
www.bruceburtartist.com | albru@prtc.net<br />
“Archives <strong>of</strong> Happiness”<br />
40x60in - acrylic on canvas - 2013<br />
“Pier 91”<br />
40x60in - acrylic on canvas - 2013<br />
“Lady <strong>of</strong> <strong>the</strong> Night”<br />
50x40in - acrylic on canvas - 2014<br />
“Desert Heat”<br />
40x60in - acrylic on canvas - 2014<br />
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Bryan Stacy<br />
USA<br />
My legal name is Bryan Stacy (AKA:<br />
LEAF) and I have been making art<br />
for as long as I can remember. After<br />
battling <strong>the</strong> rough world <strong>of</strong> street-life<br />
and underground graffiti culture for<br />
many years (and loving it), I eventually<br />
got serious when I met my late mentor<br />
and learned to hone my craft. I now<br />
practice many types <strong>of</strong> art out <strong>of</strong> my<br />
Tattoo Parlor/<strong>Art</strong> Factory (Anvil & Ink)<br />
in Wilmington NC, and travel as much<br />
as I can to paint murals, tattoo, and<br />
meet o<strong>the</strong>r artists. Go big, stay up,<br />
and stay inspired by <strong>the</strong> world around<br />
you, enjoy <strong>the</strong> leaves as <strong>the</strong>y change<br />
and never forget who you are...<br />
http://www.bryanstacyart.com<br />
bryanstacyart@gmail.com<br />
“LEAFILLONE (Rebel Alliance)”<br />
14 foot - florescent light fixture with welded frame and rag<br />
paper, mixed media - 2013<br />
“Deadman’s Hand”<br />
42x14in - bench-top - enamel and acrylic - 2013<br />
“Demon Pig”<br />
2x3.5 foot - chalkboard, enamel, acrylic, and airbrush - 2014<br />
22 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Wishmaster”<br />
20x32in - glass window - enamel and acrylic - 2013
Germany<br />
Christine M. Vorwerk<br />
Christine M. Vorwerk is a German artist, whose work consists <strong>of</strong> drawings,<br />
abstract paintings, and photography.<br />
The common topic <strong>of</strong> <strong>the</strong> images belonging to <strong>the</strong> cycle “EQUINOX” is that<br />
state in nature when, twice a year, day and night are <strong>of</strong> equal length all<br />
over <strong>the</strong> earth, marking <strong>the</strong> beginning <strong>of</strong> spring and autumn. It is a state in<br />
which all dynamic powers <strong>of</strong> nature appear balanced and stable, referring<br />
to mental and emotional balance: equanimity.<br />
Thus, for example, <strong>the</strong> ram’s horn in EQUINOX <strong>II</strong> alludes to <strong>the</strong> beginning<br />
<strong>of</strong> spring, called first point <strong>of</strong> Aries. At <strong>the</strong> same time <strong>the</strong> influence <strong>of</strong> past<br />
seasons is still present, represented by autumn’s pears and <strong>the</strong> winter<br />
bleakness <strong>of</strong> <strong>the</strong> stones.<br />
www.artcmv.com | Christine.vorwerk@googlemail.com<br />
“EQUINOX I, Amaryllis”<br />
40x60cm(15.7x23.6in) - mixed media drawing on Fabriano Cardboard - 2012<br />
“EQUINOX <strong>II</strong>, Ram’s Horn”<br />
60x40cm(23.6x15.7in) - mixed media drawing on Fabriano Cardboard - 2014<br />
“EQUINOX IV, Pears with Bumblebee”<br />
40x18cm(15x7.0in) - mixed media drawing on Fabriano Cardboard - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Claudio Cassuto<br />
United Kingdom<br />
There is doubtless a word in Italian for <strong>the</strong> mood that pervades Claudio’s work.<br />
As long as it’s seen to be fun, <strong>the</strong>n he is happy. So let’s just say “Commedia<br />
dell’<strong>Art</strong>e”. Whatever inspiration he discovered was gleaned from found and stored<br />
objects, which suddenly came to life when restored and recycled. In Napoleon’s<br />
Famous Words illustrated here, old wooden printing blocks in <strong>the</strong> colours <strong>of</strong><br />
<strong>the</strong> French flag suddenly become reality. The mirror effect allows <strong>the</strong> viewer<br />
to read it backwords.! Nature’s Bounty shows reconsctructed flowers made<br />
using both miniature clo<strong>the</strong>s’ pegs, paper shredding and a piece <strong>of</strong> tree bark.<br />
Double Vision is a mirrored effect composition using partly glass bricks. Recently<br />
Claudio came second out <strong>of</strong> over 1.500 artists in <strong>the</strong> EAC <strong>Art</strong> Awards with this<br />
composition “Napoleon’s Words”. The award ceremony took place at <strong>the</strong> House <strong>of</strong><br />
Lords in London. This artwork attracted great attention and some comments can be<br />
seen below: “This is an extraordinary piece <strong>of</strong> contemporary artwork. The subject<br />
is very unique, with fabulous creativity. I hope that many people like myself get to<br />
appreciate his talent and geniality.” Sara de la Torre<br />
“Technically hard to construct, it is very well made, poetic and dynamic, vibrant<br />
colours it entertains and delights... a sculpture, it’s a youthful, happy piece! Great<br />
Claudio! Whitechapel gallery maybe?” Imogen Milward<br />
cassuto@btinternet.com<br />
“Double Vision”<br />
14x12x7in - mixed media - 2013<br />
“Napoleon’s Famous Words”<br />
22x5x4in - mixed media - 2012<br />
“Nature’s Bounty”<br />
15x11in - mixed media (private collection) - 2013<br />
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Portugal<br />
Dália V. Rêgo<br />
Born in Lisbon, Dália V. Rêgo has<br />
been a teacher for more than<br />
thirty years. She studied decorative<br />
art and, in order to consolidate<br />
her practical skills with a deeper<br />
knowledge <strong>of</strong> <strong>the</strong> art <strong>of</strong> painting,<br />
she has since completed a painting<br />
course at <strong>the</strong> Sociedade Nacional<br />
de Belas <strong>Art</strong>es in Lisbon,<br />
Taking <strong>the</strong> various sensations she<br />
experiences, she interprets <strong>the</strong>m<br />
onto <strong>the</strong> canvas through coloured<br />
abstractions that suggest harmony<br />
and equilibrium. Dália interprets<br />
movement and everyday objects<br />
and <strong>the</strong>ir relationship to each<br />
o<strong>the</strong>r; she imbues <strong>the</strong>m with <strong>the</strong><br />
colour and form suggested to her<br />
by <strong>the</strong> impressions <strong>the</strong>y make in<br />
her considerations <strong>of</strong> <strong>the</strong>m.<br />
daliavalerego@gmail.com<br />
“La Coruja”<br />
100X81cm - acrylic on canvas - 2014<br />
“Máscara Africana”<br />
65X55cm - acrylic on canvas - 2014<br />
“O Jerbo”<br />
80X60cm - acrylic on canvas - 2014<br />
“La Passionata”<br />
120X100cm - acrylic on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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David<br />
Portugal<br />
Born in 1953 in Lamego, David is a self-taught artist who has participated<br />
in several exhibitions in local communities.<br />
He has some <strong>of</strong> his works in <strong>the</strong> Ne<strong>the</strong>rlands, France and Germany.<br />
david.rib1953@gmail.com<br />
“Costa da Caparica - 1960”<br />
60x50cm - acrylic on canvas - 2012<br />
“Descarregando o moliço”<br />
60x50cm - acrylic on canvas - 2012<br />
“Lemes de moliceiros”<br />
60x40cm - acrylic on canvas - 2012<br />
26 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Canal Central ‘Aveiro’ - 1960”<br />
150x80cm - acrylic on canvas - 2012
USA<br />
David Ronald Jones<br />
David’s drawing style developed as a young boy, He was born in St. Asaph,<br />
North Wales and went to school in <strong>the</strong> area until moving to England to<br />
earn undergraduate honors degrees in Mechanical Engineering and<br />
Economics from <strong>the</strong> University <strong>of</strong> Birmingham. Subsequently David<br />
moved to Paris, France and lived <strong>the</strong>re for six years during which he was<br />
honored to have his first art show <strong>of</strong> his Indian ink and brush drawings on<br />
Canson paper. This Paris exhibition depicting “The Body as Architecture”<br />
was sponsored and curated by Dr. Caroline Boyle-Turner, <strong>the</strong> noted<br />
art historian, who later became <strong>the</strong> curator for <strong>the</strong> Rijksmuseum and<br />
subsequently founded The Pont-Aven School <strong>of</strong> Contemporary <strong>Art</strong> in<br />
Brittany, France. David moved to <strong>the</strong> United <strong>State</strong>s in 1980 and spends<br />
his days and nights creating works <strong>of</strong> art he hopes will speak to people in<br />
<strong>the</strong> depth <strong>of</strong> <strong>the</strong>ir being bringing light to <strong>the</strong> imagination, <strong>the</strong> mind and<br />
<strong>the</strong> eyes. He is very proud <strong>of</strong> his recently completed series <strong>of</strong> large oil<br />
paintings titled “The Cycle <strong>of</strong> Life”. These paintings depict <strong>the</strong> seven<br />
stages we all go through as we experience life which are: Special;<br />
Invincible; Pressure; Vulnerable; Fragile; Acceptance; and finally Wisdom<br />
and Preparation.<br />
www.davidronaldjones.com | davidronaldjones@gmail.com<br />
“Pressure”<br />
40x30in - oil on canvas - 2011<br />
“Provence”<br />
14x18in - oil on canvas - 2012<br />
“Spooked”<br />
20x16in - oil on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Dulcídio<br />
Portugal<br />
Dulcídio defines <strong>Art</strong> as communication, dreams, emotions, protest, aes<strong>the</strong>ticism, and <strong>the</strong> ultimate human realization. “The good things in life are<br />
made with art”. The need to communicate and personal fulfilment are what drive him to create. Dulcídio is essentially driven by his emotional<br />
responses but, more importantly, he finds his personal balance when creating a painting. Dulcídio exposes his inner sensitivities for <strong>the</strong> viewer<br />
to analyse and understand, welcoming <strong>the</strong>ir responses and evaluation. Should <strong>the</strong> viewer fail to react <strong>the</strong>n he experiences a disturbing sense <strong>of</strong><br />
disappointment.<br />
Much <strong>of</strong> Dulcídio works are thought provoking,<br />
laced with social comment; crying out to be<br />
regarded as a serious alert to <strong>the</strong> problems<br />
faced by today’s society. In o<strong>the</strong>r works we<br />
see his fascination with light and surrealism<br />
<strong>of</strong>ten realised through his depictures <strong>of</strong><br />
creatures from <strong>the</strong> sea. As a keen scuba diver,<br />
Dulcídio has <strong>of</strong>ten immersed himself in <strong>the</strong><br />
surreal world <strong>of</strong> <strong>the</strong>se alien-like forms and his<br />
fascination with <strong>the</strong>m is plain.<br />
Pulsating life forms propel through <strong>the</strong><br />
blackness and we can almost feel <strong>the</strong><br />
movement as <strong>the</strong>y resonate on <strong>the</strong> canvas.<br />
Seen within a dark space, light penetrates <strong>the</strong><br />
darkness both from <strong>the</strong> outside and from <strong>the</strong><br />
life forms <strong>the</strong>mselves which glow with an inner,<br />
energetic luminosity. Each organism radiates<br />
its own light and illuminates <strong>the</strong> shadowy<br />
world in which it thrives.<br />
This darkness is not threatening; it is more akin<br />
to a comforting cocoon nurturing its progeny.<br />
The joy <strong>of</strong> <strong>the</strong> beauty <strong>of</strong> <strong>the</strong> subject matter felt<br />
by Dulcídio is evident, transmitting freedom<br />
and abandonment to <strong>the</strong> elements which give<br />
<strong>the</strong>m life.<br />
O<strong>the</strong>r images are more thought provoking,<br />
juxtaposing unfamiliar elements which become<br />
unified within an eerily lit, serene environment<br />
<strong>of</strong>ten reminiscent <strong>of</strong> <strong>the</strong> work <strong>of</strong> Dali or Max<br />
Ernst but transmitting tranquility ra<strong>the</strong>r than<br />
disquiet.<br />
Dulcídio is <strong>the</strong> founder, manager and president<br />
<strong>of</strong> <strong>the</strong> Galeria Aberta - <strong>Art</strong>ists Association. He<br />
is represented in several collections in Portugal,<br />
Spain and Denmark.<br />
by MariAn Simpson<br />
www.dulcidio.com<br />
antoniodulcidio@gmail.com<br />
“The crab in love with <strong>the</strong> flower”<br />
60x40cm - oil on linem - 2014<br />
28 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Portugal<br />
Dulcídio<br />
“Jellyfish I”<br />
70x70cm - oil on canvas - 2010<br />
“Jellyfish <strong>II</strong>”<br />
70x70cm - oil on canvas - 2010<br />
“Jellyfish V”<br />
60x60cm - oil on canvas - 2010<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Dulcídio<br />
Portugal<br />
“Ladybug and <strong>the</strong> flower”<br />
50x40cm - oil on canvas - 2010<br />
“Ladybug <strong>II</strong>”<br />
61X50cm - oil on canvas - 2010<br />
30 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Ladybug <strong>II</strong>I”<br />
30x40cm - oil on canvas - 2010
Portugal<br />
Dulcídio<br />
“Deconstruction <strong>of</strong> a still life”<br />
80x60cm - oil on canvas - 2014<br />
“Loose notes”<br />
90x90cm - oil on canvas - 2011<br />
“St. Mat<strong>the</strong>w Passion”<br />
80x80x4cm - oil on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Ed Ribeiro<br />
Brazil<br />
Today, Ed Ribeiro is renowned for his unusual art <strong>of</strong> allowing paint to drip and flow<br />
to help create images which reflect elements taken from both African culture<br />
and <strong>the</strong> ancient Orixás, deities from <strong>the</strong> Yoruba religion which signify energy and<br />
nature. When contemplating <strong>the</strong> work <strong>of</strong> this artist, we are able to feel <strong>the</strong> energy<br />
and strength that Ed Ribeiro delicately and passionately conveys to each canvas.<br />
Defined through positive energies and an inner force, each work <strong>of</strong> art is<br />
unequalled, occupying a unique position in <strong>the</strong> art market whilst maintaining<br />
an awareness <strong>of</strong> its overall standing and purpose.<br />
https://www.facebook.com/artistaedribeiro<br />
edribeiro@edribeiro.com.br<br />
“Iemenjá”<br />
122x91cm - oil on canvas - 2008<br />
“Xangô”<br />
100x80cm - oil on canvas - 2006<br />
32 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Oxóssi”<br />
122x91cm - oil on canvas - 2008<br />
“Ogum”<br />
122x91cm - oil on canvas - 2008
Portugal<br />
Elsa Oliveira<br />
Elsa Oliveira was born in Montalegre in Portugal and graduated from <strong>the</strong><br />
University <strong>of</strong> Coimbra with a degree in Biology. She was a teacher, author<br />
and labour activist. In 2002, Elsa began her art training at <strong>the</strong> studio <strong>of</strong><br />
Zoran/Teresa Trigalhos and, since 2006, she has exhibited regularly in<br />
Portugal’s central region including its capital, Lisbon.<br />
Elsa is now resident in Sao Paulo in Brazil and, in 2013-2014, she had 2<br />
solo exhibitions <strong>the</strong>re and participated in 2 projects in <strong>the</strong> Gallery <strong>of</strong> Casa<br />
de Portugal. In conjunction with <strong>the</strong> Anjos <strong>Art</strong> Gallery she also took part<br />
in <strong>the</strong> 2014 Seville International Fair. Elsa’s work is represented in both<br />
public and private collections. She is a member <strong>of</strong> SNBA, IMARGEM and<br />
<strong>the</strong> GROUP ARTEFACTO.<br />
elsaoliveira014@gmail.com<br />
“Movimento I”<br />
80x100cm - oil on canvas - 2012<br />
“Romance”<br />
120x80cm - oil on canvas - 2011<br />
“Movimento <strong>II</strong>”<br />
100x120cm - oil on canvas - 2012<br />
“Simbioses”<br />
120x80cm - oil on canvas - 2011<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Filomena Sousa<br />
Portugal<br />
Filomena Sousa is a Portuguese artist whose essentially abstract works are based entirely<br />
on <strong>the</strong> fruits <strong>of</strong> her imagination inspiring her to create fluid works guided by instinct.<br />
She applies colour directly to <strong>the</strong> paper by brush or with her hands in <strong>the</strong> manner <strong>of</strong><br />
<strong>the</strong> fauvists and <strong>the</strong> expressionists. Her painting is instinctive, lyrical and expressionist<br />
where colour is left to create <strong>the</strong> form.<br />
Filomena is represented in <strong>the</strong> BANIF (Portuguese bank) private collection and has<br />
participated in numerous exhibitions with a number <strong>of</strong> well-known and respected artists<br />
such as Santamarina, Alice Racer, Mario Silva and Pedro Albuquerque. She is a member<br />
<strong>of</strong> several contemporary Portuguese and Spanish art groups.<br />
ecomenica@gmail.com<br />
“Flôr”<br />
80x60cm - pastel on canvas, hand painting - 2013<br />
“Categórico”<br />
80x80cm - acrylic on canvas, hand painting - 2014<br />
“Orgasmo”<br />
100x80cm - acrylic on canvas, hand painting - 2014<br />
34 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Majestoso”<br />
100x100cm - acrylic on canvas, hand painting - 2014
USA<br />
Frank Mann<br />
Born in Washington, D.C., Frank Mann has exhibited widely with major exhibitions in New York, Amsterdam, Paris, Barcelona, and Berlin. His work has<br />
been included in exhibitions in Asia, including Seoul, Taipei, and Tokyo, in <strong>the</strong> United <strong>State</strong>s, in New York, Miami, and Seattle, and in South America,<br />
in Buenos Aires, and Sao Paulo. A recent installation <strong>of</strong> his paintings was exhibited at La Chappelle des Salelles, St. Maurice D’Ibie, (Ardeche) France,<br />
as part <strong>of</strong> <strong>the</strong> International Festival D’<strong>Art</strong> Contemporain. He lives and works in New York City.<br />
www.oculusonline.net | fm@frankmann.com<br />
“Oculus nº 1”<br />
70x85cm - oil on canvas - 2011<br />
“Oculus nº 3”<br />
70x85cm - oil on canvas - 2011<br />
“Oculus nº 7”<br />
70x85cm - oil on canvas - 2011<br />
“Oculus nº 11”<br />
70x85cm - oil on canvas - 2011<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Gabriela Casinhas<br />
“O náufrago”<br />
30x60cm - acrylic on canvas - 2012<br />
Portugal<br />
Gabriela Casinhas was<br />
born in Lisbon in 1984<br />
where her passion for <strong>the</strong><br />
arts manifested itself at an<br />
early age. She studied at<br />
<strong>the</strong> Faculty for Architecture<br />
and Fine <strong>Art</strong>s in Lisbon<br />
where she gained both<br />
her Bachelor’s degree<br />
and Master’s degree in<br />
design. Since 2004 she has<br />
dedicated herself full time<br />
to painting and design. In<br />
2013 she opened her own<br />
art studio printing textiles<br />
and producing promotional<br />
items. Gabriela has taken<br />
part in dozens <strong>of</strong> exhibitions<br />
and has produced more<br />
than 100 works <strong>of</strong> art.<br />
arte21galeria@gmail.com<br />
“A teia”<br />
60X80cm - acrylic on canvas - 2012<br />
36 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Flor do campo”<br />
60x70cm - acrylic on canvas - 2014<br />
“O paraíso”<br />
40x80cm -acrylic on canvas - 2011
Portugal<br />
“Série Diálogos - Mondrian-Rothco n. 15”<br />
40x50cms - mixed media - 2011<br />
“Série Diálogos - Mondrian-Rothco n. 21”<br />
24x30cms - mixed media - 2011<br />
Gulnar Sacoor<br />
‘’<strong>Art</strong>e tells <strong>the</strong> unspeakable, expresses<br />
<strong>the</strong> inexpressible and translates <strong>the</strong><br />
untranslatable - Leonardo da Vinci’’<br />
This self-taught artist was born in<br />
Mozambique and has lived in Portugal<br />
since 1974. She began painting in<br />
1984 since when she has attended<br />
many painting, drawing and art history<br />
courses in different Portuguese art<br />
schools amongst <strong>the</strong>m <strong>the</strong> National<br />
Society for Fine <strong>Art</strong>s and Lisbon<br />
University. Gulnar has participated in<br />
many solo and collective exhibitions<br />
since 2000 and is represented in public<br />
and private collections in Portugal<br />
and abroad. In <strong>the</strong> process <strong>of</strong> her<br />
development, she has experimented<br />
with many different techniques but<br />
she is currently concentrating on<br />
<strong>the</strong> use <strong>of</strong> acrylic, mixed media and<br />
collage.<br />
Gulnar is a member <strong>of</strong> The National<br />
Society <strong>of</strong> Fine <strong>Art</strong>s in Portugal and<br />
Galeria Aberta. Her complete portfolio<br />
may be viewed at www.ggsacoor.com.<br />
ggs@netcabo.pt<br />
“Série Diálogos - Mondrian-Rothco n. 23”<br />
27x35cms - mixed media - 2011<br />
“Série paisagens nº 7”<br />
120x90cms - mixed media - 2007<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Henrik Brondsted<br />
Danmark<br />
Born in Copenhagen, Denmark, Henrik Brondsted bought his first Leica M3 at <strong>the</strong> age <strong>of</strong><br />
15 and got a commission <strong>of</strong> three portraits.<br />
Henrik explores <strong>the</strong> human face to get beyond <strong>the</strong> surface\and his pictures can be<br />
described as poetic realism<br />
taking inspiration from <strong>the</strong> french filmtradition <strong>of</strong> Marcel Carné and Nouvelle Vague.\<br />
Henrik has been a teacher at <strong>the</strong> University <strong>of</strong> Copenhagen\lecturing in visual media. He<br />
has received a gold medal in an international photo competition for best black and white<br />
portrait.<br />
www.henrikbrondsted.com | henrik@henrikbrondsted.com<br />
“The athlete”<br />
film (photography) - 2013<br />
“Marie”<br />
film (photography) - 2013<br />
“Pernille”<br />
film (photography) - 2013<br />
38 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“The poet”<br />
film (photography) - 2014
Portugal<br />
Inês Terrahe<br />
Inês BF Terrahe is a Portuguese resident who was born<br />
in <strong>the</strong> Ne<strong>the</strong>rlands in 1986. During her adolescence,<br />
she embarked upon a voyage <strong>of</strong> discovery <strong>of</strong> <strong>the</strong> arts<br />
including drawing, poetry, photography and music.<br />
However, it wasn’t until she was 17 and she started an<br />
introductory course at <strong>the</strong> Portuguese National Society<br />
<strong>of</strong> <strong>Art</strong>, that she discovered her real love <strong>of</strong> painting. Ever<br />
since <strong>the</strong>n she has embraced art as her main pastime,<br />
using oil and acrylic to express herself through colour,<br />
whilst still maintaining her love for photography.<br />
http://nesbf.deviantart.com<br />
ines.terrahe@gmail.com<br />
“Fogo ardente”<br />
120x100cm - acrylic on canvas - 2011<br />
“As cores da música”<br />
100x100cm - acrylic on canvas - 2010<br />
“Red&you”<br />
120x100cm - acrylic on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Irina Corduban<br />
“Gentle touch”<br />
4499x6720px - 2014<br />
“Tortured artist”<br />
3168x4752px - 2014<br />
United Kingdom<br />
Irina’s digital art is a body <strong>of</strong> work which she embarked<br />
upon following her decision to abandon her more<br />
traditional easel painting. She is now struggling to<br />
understand her fundamental condition as an artist by<br />
evaluating and analysing her past work. She subscribes<br />
to <strong>the</strong> view that creative work is a process <strong>of</strong> failing<br />
repeatedly until you find <strong>the</strong> answer.<br />
For Irina, creativity is <strong>the</strong> individual expression <strong>of</strong><br />
one’s needs, desires and existence. The world, in all<br />
its beauty, generates ideas and <strong>the</strong> observation <strong>of</strong><br />
its magnificence inspires her to take risks in order to<br />
fur<strong>the</strong>r her creativity.<br />
Irina deems that <strong>the</strong> power <strong>of</strong> inspiration can<br />
concentrate <strong>the</strong> mind enough to make one immune<br />
to internal and external pressures. She believes that<br />
one can harness energy from duress and, coupled<br />
with desire and ability, channel this potential into<br />
creativeness. As an artist she is informed by, and<br />
experiments with, emotions and sensations which give<br />
rise to her creative depictions.<br />
Irina’s artistic path has been heavily influenced by her<br />
religious upbringing. She finds parallels in traditional,<br />
religious paintings <strong>of</strong> penance, torture, pain and<br />
punishment endured for <strong>the</strong> sake <strong>of</strong> one’s beliefs, to<br />
<strong>the</strong> struggles experienced in creating one’s art.<br />
She also finds stimulation and inspiration in <strong>the</strong><br />
contradictions in her mind. Images taken from many<br />
sources such as her childhood, her dreams, days and<br />
nights, good and evil are all exposed through her art like<br />
<strong>the</strong> reflections in a shop window merging <strong>the</strong> outside<br />
with <strong>the</strong> inside. The real world is combined with <strong>the</strong><br />
invented world leading us to question <strong>the</strong> deceptions<br />
so prevalent within <strong>the</strong> environment in which we live.<br />
http://irinacorduban.wix.com/art-and-tuition<br />
ina_ornament@yahoo.com<br />
“Chinese”<br />
3658x3801px - 2014<br />
40 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Angels <strong>of</strong> destiny”<br />
3168x4752px - 2014
Brazil<br />
Isabel Souza<br />
These works are part <strong>of</strong> <strong>the</strong> “Olhares do Brasil”, a solo exhibition<br />
<strong>of</strong> artist Isabel Souza, to commemorate <strong>the</strong> 125 th anniversary<br />
<strong>of</strong> Méier, <strong>the</strong> neighbourhood where <strong>the</strong> artist lives and works.<br />
The artist has recorded her observations <strong>of</strong> a Brazil that has<br />
been influenced by many nationalities, making <strong>the</strong> country a<br />
rich environment for <strong>the</strong> study <strong>of</strong> <strong>the</strong> traditions and beliefs<br />
that have been absorbed into its culture.<br />
ma.isabelsouza@gmail.com<br />
“Crianças do Brasil”<br />
60x90cm - oil on canvas - 2012<br />
“Senhora de Copacabana”<br />
60x90cm - oil on canvas - 2012<br />
“Avante!”<br />
60x90cm - oil on canvas - 2012<br />
“Sou brasileiro”<br />
50x70cm - oil on canvas -2012<br />
“Carioca sim senhor”<br />
oil on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Isaura Xavier<br />
Portugal<br />
Isaura Xavier was born in Porto, Portugal, on March<br />
<strong>the</strong> 12th 1947. Despite her love <strong>of</strong> art and a great<br />
desire to make a career <strong>of</strong> it, she followed advice<br />
from her family and her English teacher and took<br />
a degree in German Philology at Lisbon University.<br />
However, after she was married and whilst she was<br />
teaching English to 10 year olds, she attended art<br />
school and began to realize her longed for dream<br />
<strong>of</strong> painting. Her first exhibition was in Ermesinde,<br />
near Porto in 1986. Since <strong>the</strong>n, she has had 20<br />
solo exhibitions and has also participated in<br />
several collective ones throughout Portugal and,<br />
in 2010, took part in one in Denmark. <strong>Art</strong> for her<br />
is steeped in <strong>the</strong> values <strong>of</strong> her childhood and her<br />
deep feelings for her country’s history, traditions<br />
and landscape. Isaura believes that art is <strong>the</strong> most<br />
engaging way <strong>of</strong> meeting God and his creations; it<br />
is <strong>the</strong> fundamental project <strong>of</strong> her life to use art to<br />
help o<strong>the</strong>rs discover <strong>the</strong> beauty in <strong>the</strong> world.<br />
www.paintingsilove.com/artist/isaura<br />
isaurax@gmail.com<br />
“Convite à Esperança”<br />
100x90cm - óleo sobre tela - 2011<br />
“Mar Português”<br />
50x70cm - oil on canvas - 2012<br />
42 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Ao Luar”<br />
70x50cm - oil on canvas - 2012
Denmark<br />
Jan Jensen<br />
The mainstream <strong>of</strong> modern art reflects our busy<br />
schedules - continually on <strong>the</strong> move. The ability<br />
to keep pace with this fast-moving current means<br />
adopting a competitive edge - it’s about being<br />
in front. In <strong>the</strong> international world <strong>of</strong> art <strong>the</strong><br />
constant flow <strong>of</strong> images is immense. <strong>Art</strong>ists who<br />
continue to express <strong>the</strong>mselves through painting<br />
find <strong>the</strong>mselves frustrated as <strong>the</strong>y furiously try<br />
to accumulate broad, expressionist marks on<br />
kilometres <strong>of</strong> canvas. Jan doesn’t bo<strong>the</strong>r. He starts<br />
where <strong>the</strong> o<strong>the</strong>rs left <strong>of</strong>f. For Jan, time is not a thief,<br />
but an expansive source allowing him to practise<br />
his perceptive craftsmanship. His pictures are not<br />
modern - <strong>the</strong>y are timeless!<br />
www.jan-jen-sen.dk<br />
janjensen1049@gmail.com<br />
“Robinson Crusoe”<br />
210x130cm - acrylic on wood - 2013<br />
“Balkanibal”<br />
150x120cm - acrylic on canvas - 2013<br />
“Ragnarok”<br />
120x130cm - acrylic on canvas - 2013<br />
“Cloth-art”<br />
70x50cm - acrylic on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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João Galh<strong>of</strong>o<br />
Portugal<br />
João Galh<strong>of</strong>o was born in <strong>the</strong> south, in <strong>the</strong><br />
village <strong>of</strong> Redondo, Evora, in 1962. From<br />
an early age showed great aptitude for <strong>the</strong><br />
arts.<br />
He began his artistic activity in <strong>the</strong> 1980s,<br />
joining <strong>the</strong> Faculty <strong>of</strong> Fine <strong>Art</strong>s <strong>of</strong> Lisbon.<br />
Here was a pupil <strong>of</strong> <strong>the</strong> painter Luisa D’Orey<br />
in <strong>the</strong> areas <strong>of</strong> Drawing <strong>the</strong> Human Figure<br />
and Anatomy and student <strong>of</strong> Pr<strong>of</strong>. Dr. <strong>Art</strong>hur<br />
Ramos in <strong>the</strong> areas <strong>of</strong> Drawing and Painting,<br />
Body and Portrait teachers that marked his<br />
artistic career in <strong>the</strong> areas <strong>of</strong> Painting and<br />
Sculpture. Completed in 2103 about 200<br />
exhibits.<br />
www.artesgalh<strong>of</strong>o.com<br />
joao@artesgalh<strong>of</strong>o.com<br />
“Praça do Rossio”<br />
80x100cm - oil on canvas - 2014<br />
“Marquês do Pombal”<br />
100x80cm - oil on canvas - 2014<br />
“Amália Rodrigues”<br />
80x100cm - oil on canvas - 2014<br />
44 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Torre de Belém”<br />
100x80cm - oil on canvas - 2014
Portugal<br />
Jorge Vilaça<br />
Jorge Vilaça’s relationship with<br />
art began at an early age in<br />
Santo Tirso in Portugal’s north<br />
where he was born, and it<br />
continues to develop through<br />
<strong>the</strong> constant interchange<br />
inspired by all <strong>the</strong> places he<br />
visits. His passion for painting<br />
and photography dawned<br />
in 2006, since when he has<br />
pursued a vigorous and<br />
coherent path, marked by<br />
his participation in various<br />
exhibitions and publications.<br />
His approach reflects his<br />
buzzing, inquisitive, artistic<br />
personality, driving him to<br />
study, explore and experiment<br />
with various techniques, mixing<br />
<strong>the</strong>m and making <strong>the</strong>m his<br />
own. His works exude a great<br />
sensuality, but also show a shy<br />
teenager seeing <strong>the</strong> world for<br />
<strong>the</strong> first time.<br />
www.jorgevilaca.eu<br />
vilaca.jorge@gmail.com<br />
“Adam”<br />
200x70cm - oil on canvas - 2013<br />
“Eve”<br />
200x70cm - oil on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Jorge Vilaça<br />
Portugal<br />
Who is Lilith ...<br />
Lilith is primarily <strong>the</strong> search for his own statement.<br />
She is also <strong>the</strong> tempting, seductive and alluring by <strong>the</strong>ir disturbing<br />
powers.<br />
She is silent and secret.<br />
She is one that men fear though feeling attracted to her ...<br />
46 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Lilith”<br />
61x26,5cm - oil on canvas - 2013
Portugal<br />
José Fortunato<br />
José Manuel Fortunato was born in 1946,<br />
at Oporto, Portugal, and graduated as<br />
Mechanical Engineering at IST, Lisbon.<br />
He is a self taught painter and has long<br />
used oil pastel, water colour and water<br />
colour graphite. He started painting with<br />
oil on canvas in 1997.<br />
Fortunato was a former Associate<br />
Member <strong>of</strong> ISMP – International Society<br />
<strong>of</strong> Marine Painters (A non pr<strong>of</strong>it US<br />
Corporation).<br />
He is an effective member <strong>of</strong> Galeria<br />
Aberta.<br />
Fortunato joined several Exhibitions,<br />
at Marina de Lagos, Algarve at “Ordem<br />
dos Engenheiros”, Lisboa and “Museu da<br />
Marioneta”, Lisboa.<br />
He published several serigraphy’s, is<br />
represented in art books and has some <strong>of</strong><br />
is art works in private collections.<br />
www.artwanted.com/fortunato<br />
josemfortunato@gmail.com<br />
“Amo-te minha Floresta”<br />
40x30cm - oil on canvas - 2012<br />
“Luz Coada”<br />
40x30cm - oil on canvas - 2012<br />
“Outono Escaldante”<br />
40x30cm - oil on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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José Fortunato<br />
Portugal<br />
“Bosque da Alegria”<br />
40x30cm - oil on canvas - 2012<br />
“Bosque da Ilusão”<br />
40x30cm - oil on canvas - 2012<br />
“Ena a Lua”<br />
41x33cm - oil on canvas - 2013<br />
48 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Princesse de Mérida et sa chienne”<br />
41x33cm - oil on canvas - 2013
Italy<br />
Joseph Virgone<br />
Joseph Virgone was born in Italy in 1946 and lives in Tullins in <strong>the</strong><br />
Rhône-Alpes Region <strong>of</strong> France. This international, contemporary master<br />
has devoted all his life to art, creating several thousand paintings and<br />
sculptures. He has had many exhibitions in galleries, sanctuaries and<br />
museums including; Sou<strong>the</strong>rn Nevada Museum in Las Vegas, USA;<br />
Museum <strong>of</strong> <strong>the</strong> Americas in Doral, Florida; Museums Alatri and Monreale<br />
in Italy; Macclesfield in <strong>the</strong> UK; and <strong>the</strong> Faculty <strong>of</strong> Fine <strong>Art</strong>s in Luxor,<br />
Egypt. Joseph Virgone’s art is expressed with passion, mystery, poetry,<br />
originality, spiritual tumult, and rich imagination providing a glimpse into<br />
a fascinating universe.<br />
http://www.virgone.com<br />
joseph@virgone.com<br />
“Bataille des Dieux”<br />
100x100cm - acrylic on canvas - 2010<br />
“L’Impassible”<br />
76x110cm - acrylic on board - 2013<br />
“Le Génie”<br />
89x130cm - acrylic on canvas - 2009<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Juchul Kim<br />
South Korea<br />
A few years ago, Juchul Kim became fascinated with bridges and began to wonder about <strong>the</strong>ir function. She started to see <strong>the</strong> bridge in terms <strong>of</strong> its<br />
history, its cultural exchanges and as a means <strong>of</strong> communication.<br />
In <strong>the</strong> October <strong>of</strong> 2011, Juchul Kim spent time in Europe and New York and it was during <strong>the</strong>se visits that she observed many more bridges. She saw<br />
<strong>the</strong>m immersed in <strong>the</strong> landscape, directing <strong>the</strong> focus <strong>of</strong> her work and linking all <strong>the</strong> essential elements. When she paints bridges, she is reminded <strong>of</strong><br />
Simon and Garfunkel`s song, “Bridge Over Troubled Water”. Now, sensing <strong>the</strong> arduous journey <strong>of</strong> life in <strong>the</strong> 21 century passing below a bridge, she<br />
is inspired to try to paint a picture <strong>of</strong> it.<br />
www.godart.kr | kjc0530@daum.net<br />
“Incheon Bridge, Korea”<br />
106x50cm - oil on canvas - 2011<br />
“Gwangan bridge, Korea”<br />
194x130,3cm - oil on canvas - 2014<br />
50 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Tower Bridge, London”<br />
72,7x60,6cm - oil on canvas - 2014
USA<br />
Lance W. McClurg<br />
Lance W. McClurg is a urban photographer who has recently relocated<br />
back to <strong>the</strong> United <strong>State</strong>s from Toronto, Ontario Canada. Lance has been<br />
taking photos now for almost 4 years, and his style and visual artistry has<br />
evolved into something quite distinctive. His talent for capturing different<br />
architectural aspects <strong>of</strong> buildings, and in cityscapes imbue his portfolio<br />
with a sense <strong>of</strong> <strong>the</strong> epic, majestic and <strong>the</strong> bold. His success derives from<br />
<strong>the</strong> pursuit <strong>of</strong> all <strong>the</strong> unique moments that are generated from <strong>the</strong> energy<br />
<strong>of</strong> <strong>the</strong> bustle <strong>of</strong> city life. Lance has also recently been named 1st and 5th<br />
place winner in Category 47 – Manipulated photography- Landscape or<br />
still life, in <strong>the</strong> 2013 American <strong>Art</strong> Awards.<br />
www.lancewmcclurgphotography.com<br />
lancemgphotography@gmail.com<br />
“Fly”<br />
567x320 pixels - digital photography - 2012<br />
“Flowers 5”<br />
1024x782 pixels - digital photography - 2010<br />
“Quiet”<br />
1153X2047 pixels - digital photography -2013<br />
“Gargoyle”<br />
1082X1082 pixels - digital photography - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Leida Rodríguez Vila<br />
Puerto Rico<br />
Leida Rodríguez Vila, was born<br />
in San Juan in Puerto Rico and<br />
graduated with a Bachelor <strong>of</strong><br />
<strong>Art</strong>s from <strong>the</strong> Inter-American<br />
University <strong>of</strong> Puerto Rico.<br />
This artist is defined by <strong>the</strong><br />
Museum <strong>of</strong> Contemporary<br />
<strong>Art</strong> <strong>of</strong> Puerto Rico as an<br />
abstract impressionist painter,<br />
skilled in watercolour, pastel,<br />
acrylic and oil. Whilst she<br />
was studying at <strong>the</strong> school<br />
<strong>of</strong> fine art in San Juan, her<br />
development and education in<br />
<strong>the</strong> visual arts was influenced<br />
by artists such as Fran Cervoni,<br />
Dieppa, Jaime Suárez, Myrna<br />
Báez, López Del Campo and<br />
Antonio Martorell. In 2009 she<br />
became greatly involved in <strong>the</strong><br />
development <strong>of</strong> arts projects<br />
and she established <strong>the</strong> <strong>Art</strong>ists’<br />
Coalition <strong>of</strong> Puerto Rico.<br />
www.leidavila.com<br />
arte@leidavila.com<br />
“El Ladrón”<br />
16x24in - oil on canvas - 2013<br />
“El Roble”<br />
22x30in - watercolour on cotton paper 140Lb(300gr) - 2014<br />
“A la deriva”<br />
40x30in - oil on canvas - 2014<br />
52 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“El Manglar”<br />
48x36in - acrylic on canvas - 2014
Brazil<br />
“Alegria”<br />
60x60cm - oil on canvas - 2013<br />
“O brinco”<br />
60x60cm - mixed media - 2014<br />
Leila Ullmann<br />
This Brazilian artist was born in Rio de<br />
Janeiro and her work clearly reflects<br />
this. She has held a great number <strong>of</strong> solo<br />
exhibitions, some <strong>of</strong> <strong>the</strong>m on a permanent<br />
basis, both in her native Brazil and in <strong>the</strong><br />
U.S.A.<br />
Aside from selling many works into private<br />
collections throughout <strong>the</strong> world, Leila<br />
Ullman is represented in several museums.<br />
The private collection <strong>of</strong> Jerry Shover boasts<br />
over 50 <strong>of</strong> her works in <strong>the</strong> U.S.A. and Rio<br />
de Janeiro and, in addition to this, she has<br />
more than 25 works in <strong>the</strong> private collection<br />
<strong>of</strong> Teodoro Euclid in Rio de Janeiro and<br />
over 22 works, including portraits, with <strong>the</strong><br />
private collector Paul Cade, also in Rio de<br />
Janeiro.<br />
In October 2011, Leila won “The Best in<br />
Show Award” at The African American Fine<br />
<strong>Art</strong> Society held in Philadelphia, U.S.A.<br />
leilapoderosa@yahoo.com.br<br />
“Africanidades”<br />
50x40cm - oil on canvas - 2014<br />
“As cores da idade”<br />
35x47cm - oil on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Leyla Aysel Munteanu<br />
Canada<br />
Leyla Aysel Munteanu was born in Hunedoara, Romania in 1967 and moved to Canada in 1998.<br />
She has an impressive list <strong>of</strong> academic achievements including B.Sc., BFA, B.Ed., and MFA.<br />
Leyla works in many different media but enjoys mixed media <strong>the</strong> most. Her work appears in<br />
private collections all over <strong>the</strong> world and she has received awards for her art in many national<br />
and international competitions. She is also featured in many publications, from <strong>the</strong> USA to<br />
Italy. Leyla is interested in expressing situations and feelings, which we experience as human<br />
beings, using a wide variety <strong>of</strong> both traditional and innovative materials.<br />
www.finearts-leylamunteanu.com<br />
lmunteanu@cogeco.ca<br />
“Fire Land 1”<br />
32x32cm(12x12in) - encaustic on board - 2013<br />
“Fire Land 3”<br />
32x32cm(12x12in) - encaustic on board - 2013<br />
“Christiano painting”<br />
50x70cm - acrylic on canvas - 2012<br />
54 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Fire Land 4”<br />
32x32cm(12x12in) - encaustic on board - 2013
Brazil<br />
Lúcia Lupenny<br />
To write about this artist is no easy task. Lúcia Lupenny Rodrigues, considers<br />
herself to be an eclectic artist who has been gracing us with an honest<br />
interpretation <strong>of</strong> art that has found a way to facilitate <strong>the</strong> meaning <strong>of</strong><br />
that which does not translate.<br />
This artist is able to compose and create images which reflect what goes<br />
on behind <strong>the</strong> scenes. She loves <strong>the</strong> smell <strong>of</strong> <strong>the</strong> paint and she sees<br />
<strong>the</strong> colours as givers <strong>of</strong> life and energy.They bestow on her <strong>the</strong> gift <strong>of</strong><br />
silence, a friend that never betrays. It is <strong>the</strong> silence that Lúcia creates in<br />
her work that makes her a creator <strong>of</strong> dreams.<br />
The displayed artworks are private collection.<br />
lupenny_rodrigues@hotmail.com<br />
“Arianrhod”<br />
100X100cm - oil on canvas - 2014<br />
“Anitie”<br />
60x90cm - oil on canvas - 2014<br />
“Lucy”<br />
70x70cm - oil on canvas - 2014<br />
“Bacco d’Joval 73”<br />
70x70cm - oil on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Lucie Boswell<br />
USA<br />
Lucie Boswell was born in 1968 in San Francisco and from an early age knew she wanted to communicate<br />
to <strong>the</strong> world as an artist. After studying art at UC Santa Barbara and photography at <strong>the</strong> renowned Santa<br />
Fe Photographic Workshop, she moved to Los Angeles in 1996 where she has built an impressive resume in<br />
various mediums from photography to painting to mixed media. Her work has been shown in galleries both<br />
nationally and internationally, and published in numerous books and publications. Boswell is also an avid<br />
patron <strong>of</strong> <strong>the</strong> arts, supporting artists, museums and programs around <strong>the</strong> world.<br />
http://www.lucieboswell.30art.com<br />
“MDMA”<br />
25x59in - 3 panel airbrush paint on canvas - 2013<br />
“Liquid Fascination”<br />
20x20in - airbrush paint on canvas - 2014<br />
“Chinatown Gateway”<br />
15x10in - digital photography - 2013<br />
56 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Slick”<br />
28x22in - airbrush paint on canvas - 2012
Portugal<br />
Luís Liberato<br />
Luís Liberato, a self-taught artist, was born in<br />
Guinea-Bissau in 1955 and currently resides<br />
in Lisbon. In 2010 he began to devote himself<br />
exclusively to painting and since <strong>the</strong>n he has<br />
exhibited in both individual and collective shows.<br />
His work is based on memories and he<br />
superimposes a variety <strong>of</strong> media to add depth,<br />
intrigue and interest to his painting. Luís Liberato’s<br />
captivating images leave <strong>the</strong> completion <strong>of</strong> <strong>the</strong><br />
concept to <strong>the</strong> beholder by enticing <strong>the</strong>m to draw<br />
on <strong>the</strong>ir own imagination and memories.<br />
liberatoluis@gmail.com<br />
“Mar vivo”<br />
97x130cm - mixed media on canvas - 2014<br />
“Água viva”<br />
88x143cm - mixed media on canvas - 2014<br />
“Mar novo”<br />
88x143cm - mixed media on canvas - 2014<br />
“Borda d’água”<br />
88x143cm - mixed media on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Luís Rebelo<br />
Portugal<br />
“...very strong. His painting has an organic spirit, it is alive, it moves, it is restless, it<br />
carries us along ... and <strong>the</strong> use <strong>of</strong> <strong>the</strong> palette knife has a certain allure which unlocks<br />
a vision <strong>of</strong> alternative cities, lands, culture, making <strong>the</strong> old seem new, playing with<br />
<strong>the</strong> paint, stirring it, living it, loving it and even hating it, it becomes a living organism<br />
suspended in a fantastic formalism movement. “<br />
Manuel Bontempo in “O Despertar”, 9th January 2009<br />
www.luis-rebelo.com | rebelo.painting@homail.com<br />
“Slow down, <strong>the</strong> silence”<br />
80x100cm - acrylic on canvas - 2013<br />
“Night brings to life new color”<br />
60x50cm - acrylic on canvas - 2014<br />
“The pollen <strong>of</strong> desire”<br />
80x100cm - acrylic on canvas - 2013<br />
58 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“The night makes us lose to meet”<br />
120x100cm - acrylic on canvas - 2014
Portugal<br />
Luíza de Souza<br />
A versatile and creative artist who plays with large, expressive brush strokes, Luisa depicts<br />
flowers, landscapes, and seascapes with warm and meaningful imagery full <strong>of</strong> charm, light and<br />
colour.<br />
Her colourful and sensitively depicted flowers, expressed with blocks <strong>of</strong> intense colour, create<br />
images somewhere between reality and fantasy. Her whimsical landscapes <strong>of</strong> a sweet, summer<br />
afternoon are created with colourful, contrasting hues, and her powers <strong>of</strong> observation, toge<strong>the</strong>r<br />
with her strong personality, provide <strong>the</strong> link between colour and imagination.<br />
João Pedro Marques<br />
luisamarquesdasilva@hotmail.com<br />
“Buganvílias”<br />
30x40cm - oil on canvas - 2011<br />
“Violetas”<br />
20x30cm - oil on canvas - 2012<br />
“Menina no rio”<br />
30x40cm - oil on canvas - 2012<br />
“Latada”<br />
50x60cm - oil on canvas - 2011<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Manuel Alexandrino<br />
Portugal<br />
Unable to indulge his zeal for art during his active pr<strong>of</strong>essional life, Manuel<br />
Alexandrino was not about to deny his passion in later life and so, having taken a<br />
painting course at Lisbon’s Sociedade Nacional de Belas <strong>Art</strong>es (National Society <strong>of</strong><br />
Fine <strong>Art</strong>), he has decided to concentrate on <strong>the</strong> qualities <strong>of</strong> <strong>the</strong> colour and texture<br />
<strong>of</strong> paint on canvas. It may be due to his late start and <strong>the</strong> sheer pleasure he takes in<br />
creating art that accounts for <strong>the</strong> great diversity <strong>of</strong> his work.<br />
His participation in <strong>the</strong> “<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong>” has generated contacts in<br />
London, Rome, Palermo and Florence.<br />
Manuel was born in Sabugal, Portugal and wishes to dedicate this page to his<br />
birthplace and his mo<strong>the</strong>r.<br />
alexandrino1948@gmail.com<br />
“Alentejo”<br />
100x80cm – acrylic on canvas - 2012<br />
“O piano”<br />
89x115cm – acrylic on canvas – 2012<br />
“Terra queimada”<br />
80x80cm – acrylic on canvas – 2014<br />
60 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Vulcão I”<br />
100x80cm – acrylic on canvas – 2013
Portugal<br />
Maria Claudino<br />
Drawing is <strong>the</strong> language <strong>of</strong> all arts... for Maria Claudino it’s her main tool.<br />
Her pictures have an intellectual education which is unusual nowadays. The author grows <strong>the</strong> models which she <strong>the</strong>n transcribes to <strong>the</strong> canvas from<br />
Mo<strong>the</strong>r Nature herself. To interpretate nature <strong>the</strong> author has a concept <strong>of</strong> <strong>Art</strong>, perfected by her mind, a principle which had inspired <strong>the</strong> <strong>the</strong>ory <strong>of</strong><br />
ideas <strong>of</strong> Plato and Aristotle, where it was believed that God had created <strong>the</strong> world and its objects and beings from archetypes or perfect shapes.<br />
Maria Claudino feels herself a co-creator <strong>of</strong> nature and so her still life acquires <strong>the</strong> features <strong>of</strong> <strong>the</strong> original creation, drawing her inspiration from<br />
Nature’s own pieces <strong>of</strong> <strong>Art</strong>.<br />
On her still life, colours run around <strong>the</strong> reds even on <strong>the</strong> darker and rusty colours. Her works areas au<strong>the</strong>ntic and realistic as a photograph but <strong>the</strong><br />
author is able to catch more than <strong>the</strong> photographic lens itself. This ability <strong>of</strong> using her colours and drawings to search <strong>the</strong> purity <strong>of</strong> her still life is<br />
Maria Claudino’s unmatched skill.<br />
By Angelo Vaz<br />
mariaclaudino@gmail.com<br />
“Abundância”<br />
27x35cm - oil on linen - 2010<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Maria Claudino<br />
Portugal<br />
“Equilíbrio”<br />
30x40cm - oil in linen - 2012<br />
“Outono”<br />
34x42cm - oil in linen - 2010<br />
“Simplicidade”<br />
38x46cm - oil on linen - 2014<br />
62 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Reflexos”<br />
38x46cm - oil in linen - 2013
Brazil<br />
Maria Lucia Veiga<br />
Maria Lucia Veiga, 66 years old, was born in Rio de Janeiro.<br />
She achieved her Batchelor’s Degree in Literature at <strong>the</strong> University <strong>of</strong> Brasilia where she later went on to gain a Master’s in Literary Theory.<br />
She attended <strong>the</strong> painting studio <strong>of</strong> Pr<strong>of</strong>essor Lourenço de Bem, in Brasilia between 2003 and 2004 and <strong>the</strong>n, from 2005 and 2006, she studied at<br />
<strong>the</strong> Atelier “<strong>Art</strong>e Ilimitada” in Portugal under <strong>the</strong> guidance <strong>of</strong> Manuel Vilarinho.<br />
During 2005 and later, in 2010, Maria took part in several collective exhibitions in Brazil and Portugal and also held a solo show in Portugal.<br />
Her 2005 painting entitled “Sapo”, won an award at <strong>the</strong> “Proyecto Cultural Sur” in Brasilia.<br />
Nowadays, her major challenge is to try to convey a questioning naivety by pasting children’s drawings onto her paintings leaving us to consider <strong>the</strong>ir<br />
place within <strong>the</strong> art world.<br />
maria-veiga@hotmail.com<br />
“Ouro do Reno”<br />
100x80cm - mixed media - 2014<br />
“Caminhada”<br />
87x68cm - mixed media - 2014<br />
“Jardim Margarida”<br />
75x60cm - mixed media - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Maria Manuel Pires<br />
Portugal<br />
Maria Manuel Pires was born in Portugal into an<br />
artistic family whose nurture and influence helped to<br />
develop her taste for art from an early age. Maria’s<br />
passion drove her to study for herself <strong>the</strong> great<br />
masters <strong>of</strong> painting, painting techniques and different<br />
artistic movements. Beginning her career in 1997,<br />
she has exhibited in a wide number <strong>of</strong> individual and<br />
collective exhibitions both national and international.<br />
She has won three gold medals, one silver and an<br />
Honourable Mention at international art exhibitions.<br />
http://artemariamanuelpires.blogspot.pt<br />
mariamanuelpires@gmail.com<br />
“The Revolt”<br />
100x70cm - oil on canvas - 2010<br />
“Evasion”<br />
100x80cm - oil in canvas - 2012<br />
64 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Glow in <strong>the</strong> woods”<br />
100x80cm - oil in canvas - 2013
Portugal<br />
Maria Tereza<br />
After 13 years <strong>of</strong> working in <strong>the</strong> media industry as an archivist, something happened<br />
that totally transformed my life…<br />
Painting had always been an art form that I’d been passionate about and, in 1999,<br />
in a defining moment, I rediscovered this same art. In <strong>the</strong> throes <strong>of</strong> a catastrophe, I<br />
decided to experiment…<br />
The first painting was created, and <strong>the</strong>n it took <strong>of</strong>f…<br />
Awaken! Discover! Attempt! …without any technical support, I’ve created numerous<br />
pictures: acrylic paintings with chopsticks, and backgrounds with a palette knife – a<br />
particular technique <strong>of</strong> mine.<br />
…and I’m self-taught! My work always reflects my motto: “In every painting, one’s<br />
feelings”.<br />
aminhapinturanaif.blogspot.com | nobru1996@hotmail.com<br />
“Sun flower view”<br />
50x50cm - acrylic on canvas - 2009<br />
“Fly”<br />
40x50cm - acrylic on canvas - 2008<br />
“Frida khalo”<br />
30x40cm acrylic on canvas - 2008<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Maria Tereza<br />
Portugal<br />
“Vigil”<br />
50x40cm - acrylic on canvas - 2009<br />
“Campus”<br />
40x50cm - acrylic on canvas - 2001<br />
“S. Francisco”<br />
27x35cm - acrylic on canvas - 2009<br />
“Milk”<br />
27x35cm - acrylic on canvas - 2008<br />
66 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Ireland<br />
MariAn Simpson<br />
The work featured by MariAn in <strong>Vol</strong>. I <strong>of</strong> <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> was <strong>of</strong><br />
neighbourhood views and scenes from her travels. Here, apart from a<br />
couple <strong>of</strong> seascapes, we can see more <strong>of</strong> her portraits which are rapidly<br />
becoming a strong feature <strong>of</strong> her work. Despite having concentrated on<br />
life painting for much <strong>of</strong> her career, portraiture had taken a back seat<br />
in favour <strong>of</strong> <strong>the</strong> draw <strong>of</strong> her local surroundings. But, since requiting her<br />
desire to paint her fa<strong>the</strong>r on one <strong>of</strong> his many trips to holiday with her, she<br />
has found <strong>the</strong> pull <strong>of</strong> <strong>the</strong> human character an irresistible force. MariAn<br />
manages to marry her love <strong>of</strong> colour and light with <strong>the</strong> ability to capture<br />
<strong>the</strong> likeness <strong>of</strong> <strong>the</strong> sitter whilst maintaining a painterly quality to <strong>the</strong><br />
picture.<br />
www.mariansimpson.com | MariAn<strong>Art</strong>ist@aol.com<br />
“Eva and Sam”<br />
50x50cm - oil on canvas - 2014<br />
“Lagoa, late afternoon”<br />
60x60cm - oil on canvas - 2013<br />
“2 red boats”<br />
70x 120cms - oil on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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MariAn Simpson<br />
Ireland<br />
“Pedro”<br />
60x73cm - oil on canvas - 2012<br />
“Eileen”<br />
50x60cm - oil on canvas - 2014<br />
68 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Inês”<br />
60x60cm - oil on canvas - 2014
Ireland<br />
MariAn Simpson<br />
“Young Actor”<br />
50x70cm - oil on canvas - 2014<br />
“From Blue to Yellow”<br />
50x70cm - oil on canvas - 2014<br />
“Dad”<br />
50 x70cm - oil on canvas - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Marvel<br />
Ne<strong>the</strong>rlands<br />
MARVEL, artistic name <strong>of</strong> Marianne Velzeboer, was born in Beemster, Holland, in 1951.<br />
ART has been a leading drive in her life. She got private education in music, playing <strong>the</strong> concert organ and<br />
piano. Moreover she developed an interest in ancient and heraldic writing, in which she started studies: <strong>Art</strong><br />
<strong>of</strong> Calligraphy as well as History <strong>of</strong> Script.<br />
She became a licensed calligraphist, who extended her skills over many years, taking part in international<br />
seminars organized by <strong>the</strong> world’s prominent pr<strong>of</strong>essionals.<br />
Eventually she became a master herself and started to teach people –next to music- also in this field <strong>of</strong> art, in<br />
private as well as in public places, something she did for about 30 years.<br />
In <strong>the</strong> course <strong>of</strong> time she found herself being inhibited in what she wanted most: working freely in art. New<br />
ways -after beginning a new life in Portugal and some years <strong>of</strong> contemplation on how she wanted to go<br />
on- opened up to her: as a result <strong>of</strong> her passion for calligraphy, and especially <strong>the</strong> world <strong>of</strong> illustration and<br />
colour that is indivisibly related to it, she started to paint. She entered group exhibitions, as well as organized<br />
individual ones in several countries. Her work is represented now in private and corporate collections. This<br />
year a major work has been rewarded with a gold medal.<br />
“Up against <strong>the</strong> Wind”<br />
impressionistic self-portrait - 2008<br />
Quoting MARVEL: ‘Painting is like enjoying or making music. I very <strong>of</strong>ten paint on music, led by its rhythm,<br />
getting inspired at <strong>the</strong> mood it is provoking. I like to adapt to <strong>the</strong> vibrations <strong>of</strong> <strong>the</strong> ambient, to <strong>the</strong> movements<br />
<strong>of</strong> <strong>the</strong> sun and <strong>the</strong> moon or <strong>the</strong> seasons.<br />
Music, poetry, calligraphy, painting, it is all connected, all in one.’<br />
bordada@hotmail.com<br />
“Encounter”<br />
150 x 90cm - acrylic on canvas - 2013<br />
70 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Ne<strong>the</strong>rlands<br />
Marvel<br />
“Dad”<br />
100x100cm - acrylic on canvas - 2014<br />
“Life’s Theatre”<br />
90x120cm - acrylic on canvas (frame is part <strong>of</strong> painting) - 2014<br />
“Broken Circle”<br />
60x80 cm – oil on canvas - 2013<br />
“Full Moon”<br />
60x80 cm – acrylic on canvas - 2014<br />
“Chimeras”<br />
60x80 cm – acrylic on canvas - 2011<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Meliza<br />
Portugal<br />
Meliza was Born in Gondomar in Portugal in September 1946. Her<br />
interest in art and design began in <strong>the</strong> 1970s with textile painting and<br />
she also attended oil painting and watercolour classes in a private school<br />
in Lisbon. Later on, in <strong>the</strong> 1990s, <strong>the</strong> development <strong>of</strong> her painting was<br />
largely influenced by African art, mostly due to her experiences in Africa<br />
where she lived.<br />
Meliza put her art aside for many years, but, having retired in early 2013,<br />
she has once again picked up her brushes and is now, using a different<br />
technique, producing work painting with acrylics.<br />
marizita.lsm@hotmail.com<br />
“Homem com manto”<br />
30x21cm - charcoal on paper - 2013<br />
“O funil metálico com fruto”<br />
21x30cm - acrylic on canvas - 2013<br />
“Senhora”<br />
21x30cm - charcoal on cardboard - 2013<br />
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“Abóboras”<br />
60x40cm - acrylic and pastel on cardboad - 2013
Portugal<br />
Miguel Relego<br />
Miguel Relego makes an appealing connection between painting and jazz, for although<br />
painting is an ancient culture and jazz much more recent, it’s a subject that is frequently<br />
portrayed.Using ei<strong>the</strong>r black and white or strong, warm colours, Miguel turns <strong>the</strong> pleasure<br />
<strong>of</strong> jazz music into a visual delight. Improvisation is one <strong>of</strong> <strong>the</strong> key elements which define<br />
jazz, something which this painter also enjoys, albeit through controlled drawing and<br />
brush strokes. The atmosphere that Miguel Relego lends to this <strong>the</strong>me is like that which<br />
jazz gives to <strong>the</strong> listener. It’s almost as though we can hear <strong>the</strong> notes played by <strong>the</strong> jazz<br />
musicians working as stevedores in <strong>the</strong> old ports <strong>of</strong> New Orleans.<br />
By Ângelo Vaz<br />
miguelrelego@gmail.com<br />
“Trompetista - Hot Club (Sombras)”<br />
30x40cm - acrylic on canvas - 2012<br />
“Betty Carter (vocalista)”<br />
50x80cm - acrylic on canvas - 2012<br />
“Splash”<br />
50x70cm - oil on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Nicolau Campos<br />
Portugal<br />
It would not be an exaggeration to say that Nicolau Campos looks to capture immortality in <strong>the</strong> figure and, by virtue <strong>of</strong> this portrayal, <strong>the</strong> immortality<br />
<strong>of</strong> <strong>the</strong> being. Through this pursuit, he seeks to expose <strong>the</strong> base exploitation <strong>of</strong> what is represented. The simplicity <strong>of</strong> space, <strong>the</strong> direct approach and<br />
<strong>the</strong> unity <strong>of</strong> <strong>the</strong> image, reveal an artist with clear vision and a remarkable ability.<br />
http://nicolaucampos.artelista.com | nicolau.campos1@sapo.pt<br />
“Equilibrista”<br />
178x27x22cm - stone sculpture - 2011<br />
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“Feminino IX”<br />
54x14x10cm - stone sculpture - 2013
Portugal<br />
Nicolau Campos<br />
“Feminino XI”<br />
70x15x8cm - stone sculpture - 2014<br />
“Feminino XIV”<br />
54x13x8cm - stone sculpture - 2014<br />
“Ísis <strong>II</strong>”<br />
123x37x37cm - stone aculpture - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Paula Pereira<br />
Portugal<br />
Paula Branco Pereira was born in 1978 in Portugal. Paula is a teacher<br />
<strong>of</strong> Visual Education and has a master degree in <strong>Art</strong>s. Devotes herself<br />
to painting, installation, performance and photography. Held several<br />
exhibitions in Portugal and abroad. Received two artist diplomas, by<br />
<strong>the</strong> International Academy Citta Di Roma in Italy and N&G in Barcelona.<br />
Some <strong>of</strong> her works were selected for magazine covers, books, posters and<br />
exhibitions. She was <strong>the</strong> jury <strong>of</strong> a painting contest in an Irish Museum.<br />
Won two first prizes in painting and international honors. Was selected<br />
for <strong>the</strong> front cover <strong>of</strong> Hidden Treasure Year<strong>Book</strong>.<br />
https://www.flickr.com/photos/64689502@N06<br />
paula_b_pereira@hotmail.com<br />
I would say my paintings are inspired in many different cultures and my<br />
influences are first and foremost everything I see, feel and experience<br />
traveling, but I have always enjoyed studying <strong>the</strong> particular work <strong>of</strong><br />
Picasso, Klimt, Matisse, Warhol and o<strong>the</strong>r great Masters. In an approach<br />
to interpreting reality, my compositions combine <strong>the</strong> eternal <strong>the</strong>me <strong>of</strong><br />
human figure and portraiture reconstructed with an artistic touch <strong>of</strong><br />
colors, lines, patterns, textures.<br />
I like that my artistic works had <strong>the</strong> very obvious impact <strong>of</strong> inciting<br />
people’s curiosity about <strong>the</strong> implicit narrative and immediately had<br />
people conjuring up a mental image <strong>of</strong> something. But if I’ve made<br />
a picture and that’s how I wanted it to be - hopefully it can speak for<br />
itself and whatever it says to <strong>the</strong> viewer - it’s <strong>the</strong> right message because<br />
<strong>the</strong>re isn’t a wrong and a right message. I want that each person takes<br />
something a little different from <strong>the</strong> same picture and I’m happy with<br />
that.<br />
Paula Pereira<br />
“Frees my mind with color”<br />
50x70cm - mixed media - 2014<br />
“Color strength”<br />
50x70cm - mixed media - 2014<br />
76 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“The cry <strong>of</strong> contempt”<br />
40x50cm - mixed media - 2014<br />
“Color my lips”<br />
50x70cm - mixed media - 2014
United Kingdom<br />
Paulo Tercio<br />
The art <strong>of</strong> Paulo Tercio expresses eternal truths and objects beyond himself. Thus to say <strong>the</strong> outcome is not only fascinating but also nothing short<br />
<strong>of</strong> masterpieces. Tercio was born into a devout catholic family and partly draws on his troubled past for inspiration. His latest state <strong>of</strong> <strong>the</strong> art triptych<br />
seen below comprising <strong>of</strong> Prince JB, Cousins Love Triangle and The Hyena Aunt fur<strong>the</strong>r illustrates this disturbing period in his life. The Virgin and Child<br />
painting seen on <strong>the</strong> next page is on permanent display at The Lady Chapel, St Andrew’s Fulham in London, UK. This exceptional achievement makes<br />
him <strong>the</strong> first ever Portuguese artist to have a permanent display <strong>of</strong> a Virgin and Child painting in an English church.<br />
Fashion Designer Arkadius recently quoted : Paulo’s work is outstanding, very mysterious, powerful, different, not influenced by any art trends <strong>of</strong> <strong>the</strong><br />
moment. The true and original language <strong>of</strong> <strong>the</strong> artist himself! Love it!<br />
www.paulotercio.com | info@paulotercio.com<br />
“Prince JB”<br />
80x40in - oil on canvas - 2014<br />
“Cousins Love Triangle”<br />
80x40in - oil on canvas - 2014<br />
“The Hyena Aunt”<br />
80x40in - oil on canvas - 2014<br />
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Paulo Tercio<br />
United Kingdom<br />
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“Virgin And Child Of St Andrews Fulham”<br />
30x24in - mix media (oil on canvas and 24K gold leaf) - 2013
Portugal<br />
Paulo Themudo<br />
Paulo Themudo is a sensitive artist and man <strong>of</strong> culture. Everything within<br />
him is intuitive, balanced and courteous. Paulo is able, without straying<br />
from <strong>the</strong> technical excellence and elegant, aes<strong>the</strong>tic experience <strong>of</strong> his<br />
work, to focus intensely on <strong>the</strong> message he wants to deliver. He is an<br />
artist who treads his own path, fully aware <strong>of</strong> <strong>the</strong> purpose <strong>of</strong> proclaiming<br />
and affirming, being and expressing, experiencing and fulfilling that<br />
which he really feels.<br />
This artist, notwithstanding some affiliation with abstract expressionism,<br />
doesn’t seek to mimic or follow <strong>the</strong> art <strong>of</strong> o<strong>the</strong>rs, but ra<strong>the</strong>r, through <strong>the</strong><br />
exploration <strong>of</strong> his memories, he is able to show us a whole new universe<br />
peculiar to him.<br />
To talk about <strong>the</strong> public Paulo Themudo, is to speak <strong>of</strong> a creator aware <strong>of</strong><br />
<strong>the</strong> winds <strong>of</strong> change, never ceasing to surprise us by bringing innovation<br />
to a world weary <strong>of</strong> marking time on a road seemingly without refuge.<br />
We could never deny this painter and poet <strong>the</strong> uniqueness <strong>of</strong> his creative<br />
effort. It could be argued, in a sloppy review <strong>of</strong> his work, that <strong>the</strong> very<br />
nature <strong>of</strong> his individualism, allied with his character, is an encumbrance<br />
to his objectiveness. However, a proper assessment <strong>of</strong> <strong>the</strong> painting <strong>of</strong><br />
Paulo Themudo, shows us that he is able to present to us <strong>the</strong> reality<br />
<strong>of</strong> <strong>the</strong> present-day, without judgment and without compulsive and<br />
exaggerated fears and expectations.<br />
Throughout all his artistic outpourings, in both writing and painting, Paulo<br />
Themudo transmits a message <strong>of</strong> revolution, alerting <strong>the</strong> viewer to a<br />
tired and outdated existence that desperately needs to be deconstructed<br />
and rebuilt based on revised expectations.<br />
paulo<strong>the</strong>mudoarte.wix.com/paulo-<strong>the</strong>mudo<br />
<strong>the</strong>mudo@me.com<br />
“Cumplicidade”<br />
80x100cm - acrylic on canvas - 2012<br />
“Mercador de Sonhos”<br />
80x60cm acrylic on canvas - 2013<br />
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Paulo Themudo<br />
Portugal<br />
“Einstein”<br />
30x40cm - mixed techique on paper - 2012<br />
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“L`expression du Rêve”<br />
60x80cm - acrylic on canvas - 2012
Portugal<br />
Paulo Themudo<br />
“O Filós<strong>of</strong>o”<br />
30x40cm - mixed technique on paper - 2012<br />
“Reflexão Introspectiva”<br />
62x48cm acrylic on wood - 2014<br />
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Pedro Charters d’Azevedo<br />
Portugal<br />
Pedro Charters d’Azevedo knows what he wants to achieve with this<br />
<strong>the</strong>me using it in a sensitive, intelligent and balanced way to realise his<br />
aim <strong>of</strong> instilling in us <strong>the</strong> appreciation <strong>of</strong> <strong>the</strong> peculiar things around us –<br />
waste! Starting with this initial aim, <strong>the</strong> artist developed a way to create<br />
awareness <strong>of</strong> <strong>the</strong> senses; sight, hearing and touch. Subsequently, he<br />
has moved away from this principle in order to expound his boundaries<br />
by forsaking drawing from <strong>the</strong> observation <strong>of</strong> form, light and shadow.<br />
Instead, by developing various forms and sources <strong>of</strong> illumination,<br />
shade, texture and movement, he encourages <strong>the</strong> viewer to look inside<br />
himself to reflect and to build upon his artistic knowledge.<br />
By Ângelo Vaz<br />
www.pedrocharters.com<br />
pedrocharters@gmail.com<br />
“Dança com Lixo IX”<br />
120x100cm - waste, acrylic and collage on canvas - 2014<br />
“Dança com Lixo V”<br />
120x100cm - waste, acrylic and collage on canvas -2014<br />
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“Dança com Lixo V<strong>II</strong>”<br />
120x100cm - waste, acrylic and collage on canvas - 2014
Brazil<br />
“Tour <strong>of</strong> school”<br />
60X80cm - acrylic on canvas - 2013<br />
“Mo<strong>the</strong>r and daughters”<br />
60X80cm - acrylic on canvas - 2014<br />
Regina Affonso<br />
Regina Affonso was born in Brazil but is now deeply<br />
rooted in Portugal where she has lived since 1967.<br />
Her artistic talents were nurtured at <strong>the</strong> Fine <strong>Art</strong>s<br />
Centre <strong>of</strong> São João da Madeira.<br />
Regina is a member <strong>of</strong> a number <strong>of</strong> artists’<br />
associations including:<br />
AAAGP - (Association for Friendship and <strong>Art</strong> for<br />
<strong>the</strong> Galician area <strong>of</strong> Portugal), <strong>Art</strong>elista, Aveiroarte,<br />
Majeur, Fineart America, Galeria Aberta, <strong>Art</strong>ebo<br />
and L’Agenzia di <strong>Art</strong>e.<br />
She has enjoyed many solo exhibitions held at<br />
numerous locations throughout Portugal and<br />
has participated in international shows in Brazil,<br />
Uruguay, Spain, Italy, Austria and <strong>the</strong> prestigious<br />
Louvre Museum in Paris.<br />
Her paintings were published in “30 Selected<br />
contemporary international <strong>Art</strong>ists” - 2º vol.<br />
Museum <strong>of</strong> <strong>the</strong> Americas <strong>Art</strong>ists Library and <strong>Art</strong>ists<br />
across continents 2014 - <strong>Art</strong>com.<br />
She was awarded at 4º Expovisão Internacional<br />
96 - Fotografia. Honor Mention at 1ª <strong>Art</strong>e Expo<br />
Oliveira do Bairro - Galeria Aberta - Cais <strong>Art</strong>’s and<br />
Silver medal at l Salão Atravessando Continentes<br />
by <strong>Art</strong>com and Galleria La Pigna. Gold medal by<br />
AAAGP and <strong>Art</strong>Com at Galeria Mun. Montemor-o-<br />
Velho.<br />
Regina’s striking and vibrant art has merited many<br />
awards and her work can be found in collections<br />
in Brazil, Spain, Italy, Portugal, Austria, <strong>the</strong> Azores,<br />
Madeira, Dubai, France, Norway (Oslo) and<br />
Morocco.<br />
www.reginaaffonso.com<br />
reginaaffonso@netcabo.pt<br />
“Mulher de turbante”<br />
73X60cm - acrylic on canvas - 2012<br />
“Beleza feminina”<br />
65x80cm - mixed media - 2012<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Rui Nery Monteiro<br />
Portugal<br />
Born in Praia da Aguda, near Porto in 1958, Rui Nery Monteiro moved to Lisbon that<br />
same year.<br />
At a very young age, he showed great aptitude for abstract dimensional visualisation<br />
that later allowed him to develop his artistic skills.<br />
In 1992, he studied with <strong>the</strong> painter Carmina Samuel, who taught him <strong>the</strong> basics <strong>of</strong><br />
drawing and painting. He attended her classes, building up his private collection that<br />
he shared only with family and friends.<br />
In 1995, he attended painting and drawing classes at <strong>the</strong> “Belas-<strong>Art</strong>es” faculty <strong>of</strong><br />
Lisbon, where he studied until 1998. He had <strong>the</strong> great opportunity to work with Gil<br />
Teixeira Lopes, Manuel Botelho and o<strong>the</strong>r famous artists.<br />
Even after participating in some group shows, he saw his paintings nei<strong>the</strong>r as a<br />
mature statement nor as a rare emotional intelligence. His work has been unseen<br />
publically for <strong>the</strong> last 20 years.<br />
In his own artistic point <strong>of</strong> view, he doesn’t follow trends, fads or recognised<br />
standards. His work isn’t made to please <strong>the</strong> eye or to embellish spaces, but is a<br />
medium to let him express his freedom and inner thoughts.<br />
By Ângelo Vaz<br />
www.ruinerymonteiroartist.pt.vu | rnerymonteiro@gmail.com<br />
“Expressions - Museleem”<br />
150x150cm - oil on canvas - 2014<br />
“Expressions - Condemned to Darkness”<br />
130x150cm - mixed media - 2014<br />
84 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Expressions - Forgotten”<br />
150x150cm - oil on canvas - 2014
Switzerland<br />
Ruth Stirnimann<br />
Ruth Stirnimann is an internationally renowned<br />
artist born in Switzerland and now living and<br />
painting in Kaikoura, New Zealand. She works<br />
in two juxtaposing styles, each complementing<br />
<strong>the</strong> o<strong>the</strong>r like yin and yang; informal abstract<br />
paintings and geometric works. She loves to go<br />
beyond <strong>the</strong> known, making intangible energies<br />
tangible. She has exhibited in many cities around<br />
<strong>the</strong> globe. Ruth’s geometric works are expressions<br />
<strong>of</strong> <strong>the</strong> creative, harmonious vibration underlying<br />
all life forms. She approaches her informal abstract<br />
works with openness, following <strong>the</strong> mysterious,<br />
creative force that flows through her. The many<br />
layers <strong>of</strong> each painting produce a great depth and<br />
pr<strong>of</strong>ound harmony.<br />
www.ruthstirnimann.com<br />
ruth@ruthstirnimann.com<br />
“Geometric on Green”<br />
60x60cm - acrylic on canvas - 2013<br />
“Jubilation around <strong>the</strong> Globe - Hexagon 4”<br />
120cm diameter - acrylic on canvas - 2014<br />
“La Luna - E<strong>the</strong>rial Vibration”<br />
100cm diameter - acrylic on canvas - 2013<br />
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Ruth Stirnimann<br />
Switzerland<br />
“Uniting Humanity - Hexagon 5”<br />
120cm diameter - acrylic on canvas - 2014<br />
“Geometric on Purple”<br />
60x60cm - acrylic on canvas - 2013<br />
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“New Life”<br />
80cm diameter - acrylic on canvas - 2013
Portugal<br />
Sandra Borges<br />
Sandra was born in Lisbon in 1979 and currently lives and works in Sintra. From graduating in 2006, Sandra has gone on to exhibit her work in<br />
Portugal and France and she is represented in both private and public collections. Since 2012 she has also worked as an assistant for several sculptors,<br />
namely Georg Schielle, Auli Kotzen and Diogo Rosa. This work in <strong>the</strong> field <strong>of</strong> sculpture, focusses on giving physical form to <strong>the</strong> traits that define our<br />
intellectual behaviour within <strong>the</strong> bounds <strong>of</strong> our self-imposed limits.<br />
cadernografico.wordpress.com | trieste.sandra@gmail.com<br />
“Eros 1 - Tensão”<br />
35x18x36cm - Mem-Martins black and Negrais<br />
pink limestone - 2010<br />
“Contas”<br />
installation, variable dimensions, brass, Moca creme<br />
and Negrais pink limestone - 2012<br />
“Arraiolos 7 – Pavão”<br />
160x127x37cm - limestone, wood and acrylic paint<br />
Mem-Martins - 2012<br />
“Bring a friend along”<br />
160x120x120cm - Molianos limestone, Jardim da Paz -<br />
Apelação - Loures - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Sara Vieira<br />
Portugal<br />
Sara Vieira was born on May 18 th 1975, in Lisbon, Portugal. She describes herself as a young artist whose figurative work reveals an abstract universe<br />
with a human soul. Her art has a distinctive approach with a defined personal style.<br />
About <strong>the</strong> artist and her work, <strong>the</strong> painter and curator Jorge Rodrigues wrote: “Through her art <strong>the</strong> artist seeks her raison d’être and <strong>the</strong> visibility<br />
<strong>of</strong> <strong>the</strong> invisible. Sara Vieira, in her artistic expression, doesn’t limit herself to brushstrokes, to gesture or to collage. All this is not enough, for it is<br />
frequently in <strong>the</strong> words, or captions, that <strong>the</strong> story is completed as if it were a film. It is in <strong>the</strong>se cinematic scenes that pop influences are evident.<br />
The dreamy quality, <strong>the</strong> eroticism and <strong>the</strong> lyrical naivety are <strong>of</strong>ten sensually provocative. There are elements from <strong>the</strong> film imagery <strong>of</strong> Bergman and<br />
Resnais, toge<strong>the</strong>r with more painterly influences from Andy Warhol and Lichtenstein, which are noticeable in <strong>the</strong> work <strong>of</strong> this artist. This is just <strong>the</strong><br />
beginning; it will not end here, for <strong>the</strong> artistic world <strong>of</strong> Sara Vieira is all encompassing.”<br />
sara.vieira75@gmail.com<br />
“Hope”<br />
100x70cm - oil and acrylic on canvas - 2014<br />
“Yours”<br />
100x100cm - oil and acrylic on canvas - 2014<br />
“O que nos consome”<br />
100 x70cm - oil on 2 canvas - 2010<br />
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“Beauty”<br />
100x81cm - oil and acrylic on canvas - 2013
Iran<br />
Sarvin Haghighi<br />
Born in Iran 1979 in <strong>the</strong> midst <strong>of</strong> <strong>the</strong> Iranian revolution, Sarvin Haghighi<br />
experienced both great joys and harsh challenges from an early age. The<br />
privilege and independence <strong>of</strong> her early childhood quickly gave way to<br />
war and oppression. To fulfill <strong>the</strong> human need for self-expression, Sarvin<br />
took to art as a young girl.<br />
While working at her easel Sarvin captures cherished childhood<br />
memories, honors <strong>the</strong> timeless traditions <strong>of</strong> her people, and comments<br />
on <strong>the</strong> social, political, and cultural dimensions <strong>of</strong> women’s experiences<br />
in contemporary Middle Eastern society.<br />
As an adult, Sarvin has become a global citizen, leaving Tehran for Dubai<br />
and eventually Chicago. While passion for her Persian roots provides<br />
continual inspiration for <strong>the</strong> young artist, it is her cross-cultural exposure<br />
that provides universal subtext to her work. From her beginning as a<br />
single censored voice, Sarvin Haghighi’s art now amplifies <strong>the</strong> powerful<br />
voices <strong>of</strong> many <strong>the</strong> world over who long for peace and freedom.<br />
www.sarvinhaghighi.com | sarv.hghighi@gmail.com<br />
“Censorship”<br />
48x36in - acrylic on canvas - 2013<br />
“The Cocoon Series, 1 <strong>of</strong> 4”<br />
36x48in - acrylic on canvas - 2013<br />
“SH - Those Magic Persian Carpets 2”<br />
36x48in - acrylic on canvas - 2013<br />
“The Cocoon Series, 4 <strong>of</strong> 4”<br />
36x48in - acrylic on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Shawn Shannon<br />
USA<br />
Shawn Shannon is an artist with a diverse set <strong>of</strong> skills; with training<br />
in studio arts, an associate’s degree in special effects makeup, and<br />
a diploma in fantasy art. He is currently pursuing a degree in art<br />
education.<br />
Shawn believes that art is a tool for expressing <strong>the</strong> depth and range<br />
<strong>of</strong> human emotion. It is through his experiences that he brings a<br />
unique vision to <strong>the</strong> world. He hopes that this will bring o<strong>the</strong>rs to an<br />
understanding that by changing <strong>the</strong> way we look at things, we see<br />
<strong>the</strong> world with renewed childlike wonder and imagination.<br />
www.brokenheartfx.com | brokenheartfx@hotmail.com<br />
“Progress”<br />
15x20x1in - acrylic on illustration board - 2012<br />
“The Dark Queen”<br />
30x20x1in - acrylic on illustration board - 2012<br />
90 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Tempest”<br />
20x15x1in - acrylic on illustration board - 2012
Iran<br />
Shiva Aini<br />
Human in today’s world has needs to<br />
survive and tries to meet his needs in any<br />
possible ways. However, if this human is<br />
a child who needs to be held and loved<br />
that will be a whole different matter. A<br />
child is not capable <strong>of</strong> providing what he<br />
needs and <strong>the</strong>re should be a family to<br />
protect and nurture him. Never<strong>the</strong>less,<br />
<strong>the</strong>re are children deprived from this<br />
privilege and due to family member(s)<br />
mental disease, addiction or poverty<br />
<strong>the</strong>se innocent children are subject to<br />
harassment.<br />
These little angels might occasionally be<br />
bitten or burned by <strong>the</strong>ir own parents<br />
or step parents. Children who were<br />
brought to this world despite <strong>the</strong>ir will,<br />
defenseless and vulnerable instead <strong>of</strong><br />
love and affection what <strong>the</strong>y receive is<br />
physical and mental pain. They do not<br />
understand why <strong>the</strong>y were brought to<br />
this world to tolerate such pain and go<br />
through such cruelty or even suffer a<br />
tragic death.<br />
“Child abuse”<br />
50x70cm - acrylic on canvas - 2013<br />
www.shiva-aini.com<br />
amerikanart_008z4@hotmail.com<br />
“Child abuse I”<br />
50x70cm - acrylic on canvas - 2013<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Sônia Castro<br />
Brazil<br />
Sônia Castro was born on July 11, 1955<br />
in Salvador, Bahia, Brazil. From an early<br />
age she had aspirations to be an artist<br />
and, at <strong>the</strong> age <strong>of</strong> 16, Sônia produced her<br />
first painting, entitled “Country house<br />
<strong>of</strong> Salvador” and participated in her first<br />
group exhibition in <strong>the</strong> Panorama Gallery.<br />
Her vocation, however, lay in healthcare<br />
and she became a physio<strong>the</strong>rapist working<br />
in a public hospital. Her familiarity with<br />
<strong>the</strong> human form became a natural<br />
reference for her figurative art work. Sônia<br />
also graduated in Business Administration<br />
and Law, going on to practise <strong>the</strong> latter.<br />
She studied too, at <strong>the</strong> Panorama School<br />
<strong>of</strong> <strong>Art</strong>s taking part in workshops under<br />
Pr<strong>of</strong>essor Euller and Waldo Robatto at<br />
<strong>the</strong> Faculty <strong>of</strong> Fine <strong>Art</strong>s in <strong>the</strong> Federal<br />
University <strong>of</strong> Bahia. Sônia has since taken<br />
part in several collective exhibitions.<br />
castrosonia2@hotmail.com<br />
“O mar”<br />
100X90cm - oil on canvas - 2012<br />
“Baiana”<br />
120x120cm - oil on canvas - 2013<br />
92 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Ponto de Ônibus”<br />
100X100cm - oil on canvas - 2013
Portugal<br />
Tinoh<br />
Maria Ernestina Bastos (Tinoh) was born in Maputo, Mozambique, in 1962. As<br />
a victim <strong>of</strong> <strong>the</strong> process <strong>of</strong> <strong>the</strong> decolonization <strong>of</strong> Mozambique, Tinoh moved to<br />
Portugal at <strong>the</strong> age <strong>of</strong> 14 but, even <strong>the</strong>n, she knew that her African roots would<br />
stay in her body, mind, spirit and artistic expression, forever! Since her childhood,<br />
Tinoh has experimented with <strong>the</strong> visual arts, impressing family and friends with<br />
her works using Styr<strong>of</strong>oam.<br />
Her art, initially influenced by <strong>the</strong> creations <strong>of</strong> such impressionist masters as<br />
Monet, Renoir, Van Gogh and Cézanne, has progressed to <strong>the</strong> use <strong>of</strong> an explosion<br />
<strong>of</strong> colour and texture in order to create original pieces. Movement and liveliness<br />
perfectly describe her paintings.<br />
tinoh.seabra@gmail.com<br />
“Araras”<br />
170x110cm - acrylic on canvas - 2012<br />
“Dança da Diana e do João”<br />
140x70cm - acrylic on canvas - 2011<br />
“Leão”<br />
120x80cm - oil on canvas - 2010<br />
“Cavalos”<br />
100x140cm - acrylic on canvas - 2010<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Vasco Torres<br />
Portugal<br />
Vasco Torres studied aes<strong>the</strong>tics and contemporary arts at <strong>the</strong> Fundação<br />
Calouste Gulbenkian, <strong>the</strong> Centro Cultural de Belém and at <strong>the</strong> Sociedade<br />
Nacional de Belas <strong>Art</strong>es in Lisbon, Portugal. He has undertaken several<br />
<strong>the</strong>oretical and intensive courses with respected teachers such as<br />
Margarida Calado and Cristina Azevedo Tavares <strong>of</strong> <strong>the</strong> Faculdade de<br />
Belas <strong>Art</strong>es, Lisbon. In 1999 he participated in several painting sessions<br />
with <strong>the</strong> painter António Inverno. In 2006/07, Vasco Torres graduated<br />
from <strong>the</strong> Portuguese Catholic University <strong>of</strong> Oporto in contemporary art<br />
history and completed his masters <strong>the</strong>re during 2007/ 2009. He attended<br />
a course <strong>of</strong> etching and aquatint under Joana Latka at <strong>the</strong> Faculdade de<br />
Belas <strong>Art</strong>es <strong>of</strong> <strong>the</strong> Universidade de Lisboa. Since 1989 Vasco has partaken<br />
in several collective and individual exhibitions throughout Portugal. He<br />
is also represented in art publications including books edited by Ernesto<br />
Neves <strong>of</strong> First Gallery, Fernando Infante do Carmo and by Jean Pierre<br />
Blanchon.<br />
http://www.saatchiart.com/VascoTorres<br />
vascomanueltorres@gmail.com<br />
“Joseph”<br />
40X30cm - mix media. collage - 2013<br />
94 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
“Viúva negra”<br />
40X30cm - mix media, collage - 2013
Portugal<br />
VIFER<br />
To look at <strong>the</strong> art <strong>of</strong> VIFER, is like looking at a stage bursting with colour. His<br />
formats and <strong>the</strong>mes are multifaceted but <strong>the</strong> design and colour are always<br />
balanced, as is <strong>the</strong> geometry throughout <strong>the</strong> various subjects that he<br />
presents to us. I am sure that we are in <strong>the</strong> presence <strong>of</strong> a painter with an<br />
artistic make-up that defines itself through <strong>the</strong> unusual personality <strong>of</strong> one<br />
who is self-taught. His experience in Angola was so strong that <strong>the</strong> hot<br />
colours remained forever etched in his psyche. To try to pigeonhole VIFER<br />
into a particular style is wrong. <strong>Art</strong> should not come with any preconceptions<br />
and VIFER believes in this adage, eschewing any kind <strong>of</strong> comment, for he has<br />
nothing to lose having <strong>the</strong> creativity that many crave.<br />
www.vifer-arte.com | vijosifer@gmail.com<br />
“Green explosion”<br />
45x55cm - acrylic on canvas - 2014<br />
“Regression”<br />
70x50cm - acrylic on canvas - 2014<br />
“Geometry bees”<br />
70x50cm - mixed media on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
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Vike Pedersen<br />
Denmark<br />
Born in 1945, Vike Pedersen has created art for more than 40 years.<br />
He has experimented with a wide variety <strong>of</strong> media and techniques<br />
from silkscreen to abstract painting. He is currently focussing on a<br />
combination <strong>of</strong> silkscreen with acrylic on canvas to produce unique<br />
artwork.<br />
Vikes’s vision is to share his interpretation <strong>of</strong> <strong>the</strong> world with <strong>the</strong><br />
viewer and, at times, his work acquires a poetical nature which<br />
evokes a lyrical response.<br />
Vike has had many exhibitions at home and abroad and his work<br />
is found in both private and public collections in Denmark, Italy,<br />
Switzerland and Germany.<br />
www.24-7-366.eu | info@24-7-366.eu<br />
“Evening in <strong>the</strong> city with <strong>the</strong> gang”<br />
80x80cm (31,2x31,2in) - acrylic and silk screen on canvas - 2014<br />
“How to park a bike”<br />
80x80cm (31,2x31,2in) - acrylic and silk screen on canvas - 2014<br />
96 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Denmark<br />
Vike Pedersen<br />
“New level to achieve”<br />
80x80cm (31,2x31,2in) - acrylic and silk screen on canvas - 2014<br />
“Subway ahead”<br />
80x80cm (31,2x31,2in) - acrylic and silk screen on canvas - 2014<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
| 97
98 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
CONTACTS<br />
Alexandra Costa Gomes - aigdc@mac.com<br />
Alik Vetr<strong>of</strong> - http://www.portalart.co.uk/subsection.htm?sectionId=2&artistId=3 | vetr<strong>of</strong>.a@gmail.com<br />
Ana Flores - www.facebook.com/ANAFLORESART | AnaFlores<strong>Art</strong>@gmail.com<br />
Ana Maria Malta - tecnalidade@netcabo.pt<br />
Ana Palhas - ppalhas1961@gmail.com<br />
Ana Pedro - anapedro7@gmail.com<br />
Anita Kovacevic - www.fineartbyanita.com | info@fineartbyanita.com<br />
Anna Zacchi - www.annazacchi.com | info@annazacchi.com<br />
Antonieta Martinho - baiao.antonieta@gmail.com<br />
Bruce Burt - www.bruceburtartist.com | albru@prtc.net<br />
Bryan Stacy - http://www.bryanstacyart.com | bryanstacyart@gmail.com<br />
Christine M. Vorwerk - www.artcmv.com | Christine.vorwerk@googlemail.com<br />
Claudio Cassuto - cassuto@btinternet.com<br />
Dália V. Rêgo - daliavalerego@gmail.com<br />
David - david.rib1953@gmail.com<br />
David Ronald Jones - www.davidronaldjones.com | davidronaldjones@gmail.com<br />
Dulcídio - www.dulcidio.com | antoniodulcidio@gmail.com<br />
Ed Ribeiro - https://www.facebook.com/artistaedribeiro | edribeiro@edribeiro.com.br<br />
Elsa Oliveira - elsaoliveira014@gmail.com<br />
Filomena Sousa - ecomenica@gmail.com<br />
Frank Mann - www.oculusonline.net | fm@frankmann.com<br />
Gabriela Casinhas - arte21galeria@gmail.com<br />
Gulnar Sacoor - ggs@netcabo.pt<br />
Henrik Brondsted - www.henrikbrondsted.com | henrik@henrikbrondsted.com<br />
Inês Terrahe - http://nesbf.deviantart.com | ines.terrahe@gmail.com<br />
Irina Corduban - http://irinacorduban.wix.com/art-and-tuition | ina_ornament@yahoo.com<br />
Isabel Souza - ma.isabelsouza@gmail.com<br />
Isaura Xavier - www.paintingsilove.com/artist/isaura | isaurax@gmail.com<br />
Jan Jansen - www.jan-jen-sen.dk | janjensen1049@gmail.com<br />
João Galh<strong>of</strong>o - www.artesgalh<strong>of</strong>o.com | joao@artesgalh<strong>of</strong>o.com<br />
Jorge Vilaça - www.jorgevilaca.eu | vilaca.jorge@gmail.com<br />
José Fortunato - www.artwanted.com/fortunato | josemfortunato@gmail.com<br />
Joseph Virgone - http://www.virgone.com | joseph@virgone.com<br />
Juchul Kim - www.godart.kr | kjc0530@daum.net<br />
Lance W. McClurg - www.lancewmcclurgphotography.com | lancemgphotography@gmail.com<br />
Leida Rodríguez Vila - www.leidavila.com | arte@leidavila.com<br />
Leila Ullmann - leilapoderosa@yahoo.com.br<br />
Leyla Aysel Munteanu - www.finearts-leylamunteanu.com | lmunteanu@cogeco.ca<br />
Lúcia Lupenny - lupenny_rodrigues@hotmail.com<br />
Lucie Boswell - http://www.lucieboswell.30art.com<br />
Luís Liberato - liberatoluis@gmail.com<br />
Luís Rebelo - www.luis-rebelo.com | rebelo.painting@homail.com<br />
Luisa de Souza - luisamarquesdasilva@hotmail.com<br />
Manuel Alexandrino - alexandrino1948@gmail.com<br />
Maria Claudino - mariaclaudino@gmail.com<br />
Maria Lucia Veiga - maria-veiga@hotmail.com<br />
Maria Manuel Pires - http://artemariamanuelpires.blogspot.pt | mariamanuelpires@gmail.com<br />
Maria Tereza - aminhapinturanaif.blogspot.com | nobru1996@hotmail.com<br />
MariAn Simpson - www.mariansimpson.com | MariAn<strong>Art</strong>ist@aol.com<br />
Marvel - bordada@hotmail.com<br />
Meliza - marizita.lsm@hotmail.com<br />
Miguel Relego - miguelrelego@gmail.com<br />
Nicolau Campos - http://nicolaucampos.artelista.com | nicolau.campos1@sapo.pt<br />
Paula Pereira - https://www.flickr.com/photos/64689502@N06 | paula_b_pereira@hotmail.com<br />
Paulo Tercio - www.paulotercio.com | info@paulotercio.com<br />
Paulo Themudo - paulo<strong>the</strong>mudoarte.wix.com/paulo-<strong>the</strong>mudo| <strong>the</strong>mudo@me.com<br />
Pedro Charters d’Azevedo - www.pedrocharters.com | pedrocharters@gmail.com<br />
Regina Affonso - www.reginaaffonso.com | reginaaffonso@netcabo.pt<br />
Rui Nery Monteiro - www.ruinerymonteiroartist.pt.vu | rnerymonteiro@gmail.com<br />
Ruth Stirnimann - www.ruthstirnimann.com | ruth@ruthstirnimann.com<br />
Sandra Borges - cadernografico.wordpress.com | trieste.sandra@gmail.com<br />
Sara Vieira - sara.vieira75@gmail.com<br />
Sarvin Haghighi - www.sarvinhaghighi.com | sarv.hghighi@gmail.com<br />
Shawn Shannon - www.brokenheartfx.com | brokenheartfx@hotmail.com<br />
Shiva Aini - www.shiva-aini.com | amerikanart_008z4@hotmail.com<br />
Sônia Castro - castrosonia2@hotmail.com<br />
Tinoh - tinoh.seabra@gmail.com<br />
Vasco Torres - http://www.saatchiart.com/VascoTorres | vascomanueltorres@gmail.com<br />
VIFER - www.vifer-arte.com | vijosifer@gmail.com<br />
Vike Pedersen - www.24-7-366.eu | info@24-7-366.eu<br />
<strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong><br />
| 99
ARTISTS<br />
A<br />
Alexandra Costa Gomes<br />
Alik Vetr<strong>of</strong><br />
Ana Flores<br />
Ana Maria Malta<br />
Ana Palhas<br />
Ana Pedro<br />
Anita Kovacevic<br />
Anna Zacchi<br />
Antonieta Martinho<br />
B<br />
Bruce Burt<br />
Bryan Stacy<br />
C<br />
Christine M. Vorwerk<br />
Claudio Cassuto<br />
D<br />
Dália V. Rêgo<br />
David<br />
David Ronald Jones<br />
Dulcídio<br />
E<br />
Ed Ribeiro<br />
Elsa Oliveira<br />
F<br />
Filomena Sousa<br />
Frank Mann<br />
G<br />
Gabriela Casinhas<br />
Gulnar Sacoor<br />
H<br />
Henrik Brondsted<br />
I<br />
Inês Terrahe<br />
Irina Corduban<br />
Isabel Souza<br />
Isaura Xavier<br />
J<br />
Jan Jansen<br />
João Galh<strong>of</strong>o<br />
Jorge Vilaça<br />
José Fortunato<br />
Joseph Virgone<br />
Juchul Kim<br />
L<br />
Lance W. McClurg<br />
Leida Rodríguez Vila<br />
Leila Ullmann<br />
Leyla Aysel Munteanu<br />
Lúcia Lupenny<br />
Lucie Boswell<br />
Luís Liberato<br />
Luís Rebelo<br />
Luisa de Souza<br />
M<br />
Manuel Alexandrino<br />
Maria Claudino<br />
Maria Lucia Veiga<br />
Maria Manuel Pires<br />
Maria Tereza<br />
MariAn Simpson<br />
Marvel<br />
Meliza<br />
Miguel Relego<br />
N<br />
Nicolau Campos<br />
P<br />
Paula Pereira<br />
Paulo Tercio<br />
Paulo Themudo<br />
Pedro Charters d’Azevedo<br />
R<br />
Regina Affonso<br />
Rui Nery Monteiro<br />
Ruth Stirnimann<br />
S<br />
Sandra Borges<br />
Sara Vieira<br />
Sarvin Haghighi<br />
Shawn Shannon<br />
Shiva Aini<br />
Sônia Castro<br />
T<br />
Tinoh<br />
V<br />
Vasco Torres<br />
VIFER<br />
Vike Pedersen<br />
100 | <strong>State</strong> <strong>of</strong> <strong>the</strong> <strong>Art</strong> - <strong>Art</strong>ist’s <strong>Book</strong> <strong>Vol</strong>.<strong>II</strong>
Depósito legal nº 366472/13<br />
Impresso por<br />
RAINHO & NEVES Lda.<br />
4520-612 - SÃO JOÃO DE VER - FEIRA - PORTUGAL<br />
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