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KOSOVO 1999

KOSOVO 1999 Peace Project Foundation.

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M I N U T E S T O WA R : Picnic in Hell<br />

beautiful possession. That is the most important<br />

right that we must, respect and honour. The right to<br />

life!<br />

The technology of the aid workers is intriguing.<br />

The technocrats here are the elite rulers through<br />

their authority and power of their technology. The<br />

refugees have nothing while the others, the media<br />

journalists and aid workers are the powerful. I<br />

know they are here to help. They are not the ones<br />

initiating the abuses, but the disparity does seem<br />

apparent.<br />

Firouz also seems to be on an emotional<br />

pendulum swing while I must be the recipient to<br />

his recurring bouts of anger. I do not know whether<br />

the anger is more focused on me or the general<br />

situation. He sadly can not seem to release this<br />

anger and this I find this really difficult to deal with.<br />

He is not happy with himself and not happy with<br />

the sound quality on the tape, but the manner in<br />

which he deals with this anger is to inflict it on those<br />

around him. This forms a stain which is difficult to<br />

erase especially when I am with him twenty four<br />

hours a day. Of course this is only my opinion.<br />

After hanging the billboard, I had decided that<br />

what we could give to these people a concert. We<br />

had paid an exhibition tax to hang the billboard<br />

from the wall of the Cultural Centre, and now we<br />

were going to pay the musicians to sing. A few<br />

posters and every roll of sticky tape in town was<br />

how we were going to advertise the concert, and I<br />

think the western journalists just laughed quietly to<br />

themselves. We are hoping for at least five hundred<br />

to come, but I will be happy with two hundred<br />

people in the town square in front of the billboard.<br />

That will be enough.<br />

On Thursday we searched for the Mayor in his<br />

office where we were informed he was at present<br />

in Tirana on business. We then tried to invite the<br />

Deputy Mayor, and if Safet Sula did not know what<br />

was going on at least his deputy could attend. We<br />

felt that it was important to invite the Deputy Mayor.<br />

Ray at the Press Conference was still iterating<br />

what we had seen the days before. A variation on<br />

the same theme: ‘That UNHCR believe there were so<br />

many wide spread abductions of men that took place<br />

during that forced evacuation of peoples almost<br />

been turned into a killing field at times. About three<br />

days ago police then moved in and separated many<br />

men out. One man reported to us that 24 people<br />

from his family had been killed and he had seen their<br />

bodies.’<br />

Today we began distributing the invitations for<br />

the concert throughout the city and amongst the<br />

people at each of the camps. More copies had been<br />

done, when I had an argument with Firouz at the<br />

United Arab Emirates camp. He wanted to film the<br />

children but I wanted to distribute the invitations<br />

instead.<br />

His loyalty is unquestionable. His commitment<br />

to the ideals are solid. But his moods are so<br />

difficult, but the same can be said for me. I find<br />

that sometimes he misunderstands and believes<br />

that I am here only to make a documentary rather<br />

than contribute by erecting a billboard. So instead<br />

of desiring to put these invitations up, he started<br />

complaining that I was disorganised in my schedule<br />

and that the invitations should have been done a<br />

week before. And if they had been he would have<br />

had time to do his filming.<br />

We walked to the Irish camp, one of the more<br />

distant camps and placed invitations on cork<br />

information boards. At every point people would<br />

crowd around gawking and staring. There is so little<br />

in these people’s lives that even this badly typed<br />

invitation is something important to these people.<br />

We have to go ahead and without anticipation see<br />

what will happen. I must try and make a good event<br />

from this no matter what might occur. The billboard<br />

is up and I can see it from so many different angles.<br />

It is now part of the city square and the surrounding<br />

area.<br />

That afternoon I had walked across the town to<br />

Frank Kennedy, the Director of the International<br />

Red Cross in Kukes, and had also spoken with<br />

Ray Wilkinson the Press Officer for UNHCR. The<br />

International Red Cross quarters were on located<br />

on the second floor of a non-descript corner shop.<br />

When I went upstairs the aid workers were deep in<br />

conference. I had to wait for half an hour downstairs,<br />

but when I went up I could feel that there was<br />

an energy change or shift which suggested a real<br />

positive influx. I could feel a healing energy that<br />

was there and how it was capable of being utilised.<br />

Frank met me with open arms and was enthusiastic<br />

about the billboard and concert which I had done.<br />

He felt that more things of this nature ought to be<br />

done; that not enough was being done for the people<br />

from a visionary, or how do you say, inspiring point<br />

of view.<br />

I rendezvoused with Salliarne, the Tiranan<br />

academic late that night and gave him the<br />

translation of my text. I also sat with Dieter, the<br />

Munich cameraman and the other Public Broadcast<br />

Television people from Germany and when the lights<br />

fused in a black out we used tiny torches while we<br />

ate the fish. I had a wonderful conversation with<br />

one of the German camera operators, whose name<br />

escapes me now, about Beirut and his experiences<br />

during the war in 1983 there.

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