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M I N U T E S T O WA R : Picnic in Hell<br />
beautiful possession. That is the most important<br />
right that we must, respect and honour. The right to<br />
life!<br />
The technology of the aid workers is intriguing.<br />
The technocrats here are the elite rulers through<br />
their authority and power of their technology. The<br />
refugees have nothing while the others, the media<br />
journalists and aid workers are the powerful. I<br />
know they are here to help. They are not the ones<br />
initiating the abuses, but the disparity does seem<br />
apparent.<br />
Firouz also seems to be on an emotional<br />
pendulum swing while I must be the recipient to<br />
his recurring bouts of anger. I do not know whether<br />
the anger is more focused on me or the general<br />
situation. He sadly can not seem to release this<br />
anger and this I find this really difficult to deal with.<br />
He is not happy with himself and not happy with<br />
the sound quality on the tape, but the manner in<br />
which he deals with this anger is to inflict it on those<br />
around him. This forms a stain which is difficult to<br />
erase especially when I am with him twenty four<br />
hours a day. Of course this is only my opinion.<br />
After hanging the billboard, I had decided that<br />
what we could give to these people a concert. We<br />
had paid an exhibition tax to hang the billboard<br />
from the wall of the Cultural Centre, and now we<br />
were going to pay the musicians to sing. A few<br />
posters and every roll of sticky tape in town was<br />
how we were going to advertise the concert, and I<br />
think the western journalists just laughed quietly to<br />
themselves. We are hoping for at least five hundred<br />
to come, but I will be happy with two hundred<br />
people in the town square in front of the billboard.<br />
That will be enough.<br />
On Thursday we searched for the Mayor in his<br />
office where we were informed he was at present<br />
in Tirana on business. We then tried to invite the<br />
Deputy Mayor, and if Safet Sula did not know what<br />
was going on at least his deputy could attend. We<br />
felt that it was important to invite the Deputy Mayor.<br />
Ray at the Press Conference was still iterating<br />
what we had seen the days before. A variation on<br />
the same theme: ‘That UNHCR believe there were so<br />
many wide spread abductions of men that took place<br />
during that forced evacuation of peoples almost<br />
been turned into a killing field at times. About three<br />
days ago police then moved in and separated many<br />
men out. One man reported to us that 24 people<br />
from his family had been killed and he had seen their<br />
bodies.’<br />
Today we began distributing the invitations for<br />
the concert throughout the city and amongst the<br />
people at each of the camps. More copies had been<br />
done, when I had an argument with Firouz at the<br />
United Arab Emirates camp. He wanted to film the<br />
children but I wanted to distribute the invitations<br />
instead.<br />
His loyalty is unquestionable. His commitment<br />
to the ideals are solid. But his moods are so<br />
difficult, but the same can be said for me. I find<br />
that sometimes he misunderstands and believes<br />
that I am here only to make a documentary rather<br />
than contribute by erecting a billboard. So instead<br />
of desiring to put these invitations up, he started<br />
complaining that I was disorganised in my schedule<br />
and that the invitations should have been done a<br />
week before. And if they had been he would have<br />
had time to do his filming.<br />
We walked to the Irish camp, one of the more<br />
distant camps and placed invitations on cork<br />
information boards. At every point people would<br />
crowd around gawking and staring. There is so little<br />
in these people’s lives that even this badly typed<br />
invitation is something important to these people.<br />
We have to go ahead and without anticipation see<br />
what will happen. I must try and make a good event<br />
from this no matter what might occur. The billboard<br />
is up and I can see it from so many different angles.<br />
It is now part of the city square and the surrounding<br />
area.<br />
That afternoon I had walked across the town to<br />
Frank Kennedy, the Director of the International<br />
Red Cross in Kukes, and had also spoken with<br />
Ray Wilkinson the Press Officer for UNHCR. The<br />
International Red Cross quarters were on located<br />
on the second floor of a non-descript corner shop.<br />
When I went upstairs the aid workers were deep in<br />
conference. I had to wait for half an hour downstairs,<br />
but when I went up I could feel that there was<br />
an energy change or shift which suggested a real<br />
positive influx. I could feel a healing energy that<br />
was there and how it was capable of being utilised.<br />
Frank met me with open arms and was enthusiastic<br />
about the billboard and concert which I had done.<br />
He felt that more things of this nature ought to be<br />
done; that not enough was being done for the people<br />
from a visionary, or how do you say, inspiring point<br />
of view.<br />
I rendezvoused with Salliarne, the Tiranan<br />
academic late that night and gave him the<br />
translation of my text. I also sat with Dieter, the<br />
Munich cameraman and the other Public Broadcast<br />
Television people from Germany and when the lights<br />
fused in a black out we used tiny torches while we<br />
ate the fish. I had a wonderful conversation with<br />
one of the German camera operators, whose name<br />
escapes me now, about Beirut and his experiences<br />
during the war in 1983 there.