Be Magazine 2016 EN

The Magazine
for Belgian Furniture
#12 ― 2016
•
Brussels Furniture Fair
6‒9 November 2016
BE ― 1

PRODUCTION
Furniture Fair Brussels
Hof ter Vleestdreef 5 box 7
BE 1070 Brussels
Tel +32 2 558 97 20
be@furniturefairbrussels.be
www.furniturefairbrussels.be
CHIEF EDITOR
Lieven Van den Heede
COORDINATION & FINAL EDITING
Veerle Tuytschaever
EDITOR
frances van der steen / franpress
DESIGN & LAY-OUT
Siegrid Demyttenaere / Waterproof2000
TRANSLATIONS
German: Doris Grollmann, Lisa Degen, Josten LU
English: Gregory Ball, Vicky Morrison
French: Aline Gustot
INFORMATION
BE was conceived and created for the promotion and support of
The belgian furniture sector. BE is published in 4 languages and is distributed internationally
in various european countries. It is forbidden to offer BE for sale.
REPRODUCTION
No part of this publication may be reproduced or transmitt ed in any form or by any means, electronic or
mechanical, including photocopy, recording or any other information storage or retrieval system, without
prior permission in writing from the publisher.
REGISTERED PUBLISHER
Furniture Fair Brussels
L. Van den Heede
Hof ter Vleestdreef 5 box 7
BE 1070 Brussels / Belgium
PHOTO COVER
VANDECASTEELE
•
BE ― 2

Brussels Furniture Fair
Changing times •
It is with considerable pride that we bring you the 12th
edition of BE Magazine, THE yearbook of Belgian manufacturers
exhibiting at the forthcoming Brussels Furniture
Fair. Indeed, this year we have every reason to be delighted.
The tide is turning, and the consumer market is evolving
fast.
Our manufacturers are responding in detail to all the new
developments. They are focusing on the changes we have
seen in the housing market. On the consequences of
increased levels of stress that stem from our ‘24/7 online’
lifestyle – which largely takes place in a sitting position.
And on the opportunities offered by new (industrial) technologies.
This detailed response is creating a new dynamic
that is surprising, realistic and above all, inspiring.
The time is ripe for ‘space saving’ solutions: pieces of furniture
that make small spaces seem more spacious. More
and more designs have open bases, and mechanisms are
increasingly hidden from view. Now is the time to develop
new ‘reset’ functions: pieces of furniture that contribute
to physical and mental recovery. This new generation of
reclining comfort ranges from a power-napping concept
to a zero gravity position. A new era of cherishing has
dawned, featuring natural and cultural riches, new tactile
textures, and colours designed to be restful or uplifting.
So our message is: take your time and have a good look
at it all. We invite you to browse through this BE Magazine
and to pause every now and then to take a closer look at
one of the many interesting innovations. This will give you
a taste of what our Belgian exhibitors will be presenting
at the Fair itself. We hope that you will be as enchanted
by it as we are! And once you’ve whetted your appetite,
we invite you to come and experience the products in
real life at the Furniture Fair. You are uniquely placed to
understand that a piece of furniture is something that you
need to see, feel and try out for yourself. You can discover
all this – and so much more – at your convenience at the
Brussels Furniture Fair. We look forward to welcoming
you!
Our motto is still the same: there’s always time to do
business enjoyably!
LIEVEN VAN DEN HEEDE
Brussels Furniture Fair, 6-9 November 2016
BE ― 1

03 Belgian Design
04 Emmanuel Gardin
06 PJ Mares
08 Mathias de Ferm
10 ― Frederik Delbart
13 ― Trendstyles 2017
We Care!
14 ― About the Planet
36 ― About the People
58 ― About the Future
76 ― Brussels by Night
97 ― Address list
•
BE ― 2

In the spotlight:
Four Belgian Designers •
Every year, we make a selection from
the most promising and up-and-coming
designers in Belgium. And we’re spoilt for
choice! On that front, Belgium is creating
a storm. Our designers are making a heavyweight
contribution to the (industrial)
design world.
The four designers selected for BE 2016 are
Emmanuel Gardin, Fredrik Delbart, Mathias
De Ferm and the duo PJ Mares. What are
their visions, ambitions and strengths?
What lies behind statements such as ‘less –
but better design’, ‘industrial naivety as a
driving force’, ‘the social added value
of design’ or ‘design as a symbiosis of
extremes’? One thing that all these designers
have in common is commitment:
to the planet, its people and our future.
EMMANUEL GARDIN
PHOTO © JONATHAN BERGER
PJ SCHERPEREEL & TOM MARES
MATHIAS DE FERM
FREDERIK DELBART
PHOTO © PATRICIA GOOIJENS
BE ― 3

Emmanuel Gardin
Metamorphosis design •
MEDUSA
Krizalid is a phonetic way of writing ‘chrysalid’
(‘chrysalis’ in English): it is a metaphor
for the process of metamorphosis in the
insect world. An example is the caterpillar
in its cocoon that emerges as a splendid
butterfly. As an industrial designer he
is spellbound by metamorphoses: both in
the production process and in the use of
the product. He makes a clear distinction
between industrial designers and other designers.
‘Anyone can design something: by
thinking up a shape and putting it down on
paper. But for an industrial designer, the real
challenge is to change this form into a tangible,
affordable product for the general public.’
He distances himself from exclusive design,
‘because the prices mean the product
is only affordable for a limited public. I don’t
consider that design, but art. By contrast,
Ikea is the very best of industrial design.’
When it comes to product development, he
does not aspire to invent high-tech articles.
On the contrary, he goes for ‘low-tech’, and
actually increases the simplicity of production.
He looks for technical dodges that do
SUNRISE
Emmanuel Gardin (1980) set up
Krizalid Studio in 2008: its name is
both intriguing and symbolic. As
well as being an industrial designer,
he is also creative director of the
Belgian Lindadura label. He distances
himself from exclusivity and
consumerism. He aims for better
design, but less of it. •
ARUMI - GANDIA BLASCO
BE ― 4

BELGIAN DESIGN ― BE 2016 ●
Lower tech •
KINO
the atmospheric light changes into reading
lamp. The user himself controls the metamorphosis
of the light.
MORTAR SET - ROYAL BOCH
RECTOVERSO - LINADURA
not require serious investment. He aims for
a production process with the minimum of
technical tools, resources and materials. ‘In
this way, the economic base is broadened
and sustainability optimised.’
What is the ultimate showpiece for his design
vision? The Recto Verso collection: a
fold-it-yourself aluminium bookshelf, coffee
table and desks. Each design is based
on one single aluminium sheet, only 2mm
thick, with perforated folding lines. Each
product makes use of opposite corners:
bent left or right – recto or verso – for its
design and for stability (the bookshelf can
carry up to 30 kg!), and for its practicality:
the slots can be used for magazines and
suchlike. The user himself carries out the
metamorphosis from aluminium sheet to
product and also determines its use.
In short: Emmanuel Gardin’s design world
revolves around metamorphoses: from
idea right through to everyday use. •
www.krizalidstudio.com
One telling example is the Kino lamp: a flat
sheet of beech plywood only 1.2 mm thick
is manually transformed into a quasi-sculptural,
3-dimensional volume. The tension in
the bent material gives shape to the light.
His purpose is to create better design: he
seeks simple solutions for practical matters,
for both the producer and the consumer.
He is able to study an object endlessly, asking
‘what could be done better?’ Only then
does he take up the challenge. ‘That makes
the design interesting and well-considered.’
He distances himself from consumerism:
the enormous urge to consume more and
more. His motto is ‘better design, but less
of it’.
Take the Sunrise lamp (a prototype) as an
example: by sliding the shade up or down,
IKA
BE ― 5

PJ Mares
The best of two worlds •
PJ Mares stands for Peter-Jan Scherpereel
(1966) and Tom Mares (1983). Together they
run an interior design studio – including a
furniture workshop – in Brussels. They concentrate
on handmade furniture and interiors.
Their collaboration and designs are characterised
by a symbiosis of extremes. •
This two-man company dates from 2014.
Before that time they worked independently
of each other, Peter-Jan as an architect
and interior designer, Tom as an
interior and furniture designer. Following
a collective commission, they spontaneously
joined forces.
They complement each other perfectly:
like yin and yang. As an architect, Peter-
Jan has a practical, spatial vision. How
does a design function in the surrounding
space? How is it used? As a furniture
designer, Tom has more of an eye for details.
How is the design to be made? They
both share the view that design should be
functional and may be extreme and full of
contradictions. They look for the best of
two worlds in everything they do. Natural
materials combined with strident colours.
Austere graphic areas with details
reminiscent of an Airstream. A high-tech
process with traditional craftsmanship.
Designing and producing in their own
workshop.
A new design is grafted onto the past: not
copy-paste, but an archetypical image,
a concept from the collective memory.
It seems familiar, but still… The image of
DWS05
PJ SCHERPEREEL & TOM MARES
BE ― 6

BELGIAN DESIGN ― BE 2016 ●
Functional and extreme •
BUTTERFLY SHELVES
NOMAX
the small desks evokes associations with
your schooldays: this is the context. Yet
each desk is different: the materials reflect
a classic design style, and refer to a particular
period in time. Walnut gives the desk
an American feel; ash represents the Scandinavian
style. Teak and leather suggest refined
Italian design. ‘The materials push the
desks apart, but always within the context
of this one design genre.’
PJ Mares is highly graphically inclined. This
can be seen in the non-conformist patchwork
of materials and colours. It breaks
with what one expects from natural materials
and therefore natural tints: sulphur yellow,
a sort of reddish orange, and a mint
colour called ‘PJ Mares Green’! A green tint
with a fair amount of blue: this makes it both
fresh and warm, and that means it matches
the warm wood. They show daring in taking
the mixture of materials and colours to
extremes.
sofa, a bookcase, lighting and other items.
Supernomax represents the evolution
from custom work made piece by piece
to custom work within a well-delineated
structure.
The ultimate principle that guides PJ Mares
is the ability of the design to fit the lives of
the occupants. A piece of furniture or an
interior only comes to life when it is used:
through the things you put in it and the
traces you leave on it. •
www.pjmares.com
OONA RACK
In the Nomax kitchen, a metal framework
is filled with a colourful collection of natural
materials. Drawers in solid walnut; here a
front in marble, there one in brass; shelves
in brushed aluminium or PJ Mares Green.
Apart from this, Nomax is the product of
ultra-high-tech and authentic handwork.
The steel supporting structure was made
by 3D folding, while the drawers are made
with dovetail joints. This kitchen concept
is extended into Supernomax: an all-round
concept suited to supporting a table, a
BATHROOM SINK
BE ― 7

Mathias De Ferm
Socially relevant design •
FRAME WITH PIETER VANDERHENST
His list of achievements includes international
awards and designs for renowned
manufacturers.
From the very beginning, Mathias had a
particular penchant for furniture: because
they are craft objects. And also because of
the materials used: wood and metal. In the
meantime he has designed more than just
furniture: chopping boards, urban barbecues,
wooden outhouses, and interiors. He
works on both a large and small scale, for
serial production and one-off projects, for
the masses and for a select target group.
So he is simply a designer, with no label to
force him into any specific category.
His creativity is fuelled by his critical, analytical
mind. He draws attention to points that
could do with improvement. Most of the
designs are ‘born out of a need’: fuelled by
situations in his daily life. Others are created
at the request of a proactive client. In any
case, ‘designing means aiming for added
value, from various points of view’.
MATHIAS DE FERM
Mathias De Ferm (1985)
is a product and furniture
designer with an additional
specialisation in
metal and woodwork. His
mission is to create added
value. This ranges from
practical details to a social
dimension. ‘Design
embraces so much more
than just a fine form.’ •
The added value may lie in the production:
the ‘Marguerite’ table is incredibly simple to
assemble: using just one spanner. Or it may
lie in possible new applications of a production
process. A woodworking company
which among other things makes façade
LUMINE
MARGUERITE - JOLI
BE ― 8

A sense of togetherness •
BELGIAN DESIGN ― BE 2016 ●
BBQ
cladding, patio decking, roof panelling and
enclosures? That can tackle anything?
Frame* is a tailor-made design concept for
carports, pergolas, pool houses, garden
storage and garden offices.
POINTVIRGULE
The added value may lie in user-friendliness.
His 4cm-thick chopping board has
bevelled edges that ensure the best possible
grip when cutting and lifting. The added
value may be in the accessibility, such as
making outdoor living achievable for urban
people. ‘Not everyone has a garden.’ His
barbecue is made for balconies: it hangs,
half-floating, over the balustrade. By contrast,
the Butch* is a barbecue module for
public spaces such as parks. A sound construction
in the form of a trapezium, suitable
for a whole range of settings. In one line,
separate, in a circle.
As Mathias emphasises, ‘When creating
added value, the challenge often lies in the
production or use. But the basic principle
for every design is always maximum sustainability
and social dynamic’.
Sustainability here means more than ecologically
sound production with recyclable
materials. ‘Collecting and processing
waste, separating the materials and so on:
this whole process brings economic and
ecological costs with it.’ He interprets sustainability
as products having a long lifespan
and usable life, ‘Thanks to timeless design,
flawless quality, and, as time passes,
more and more emotional value.’
TRAVERSE - ROYAL BOTANIA
He makes the social dimension his first
priority: every design should bring people
together in a convivial group. This feeling
of belonging together provides moments of
inestimable worth. How can a design make
this experience more agreeable? In this respect,
the Traverse table is suited to all situations.
It is perfect for a cosy tête à tête, but
also for a larger group of up to 6 people, but
all in a small area. When folded out it only
occupies 85 by 150 cm.
Cooking, barbecuing, dining, sitting outdoors…
These moments make life more
pleasant! •
www.mathiasdeferm.be
* Frame and Butch were designed in association
with Pieter Vanderhenst.
CUTTING BOARD
TAILLE POKER - SITINO
BE ― 9

Frederik Delbart
Intuitive ultimate design •
IDEM
He is fascinated by textures, structures and
fine materials: how far can you go? How
can you combine different materials and
give them a coherent form? He seeks out
the limits, then goes beyond them – sometimes
slightly too far. ‘Then I have to take a
step backwards.’ He says that his quest is
purely intuitive, based on a positive ‘industrial
naivety’.
‘I don’t have a manufacturer’s expert knowledge
as far as materials, production process
and suchlike are concerned, but I do have
a lot of respect for this expertise! I enter the
design process with an open mind, have no
obstructions, see more possibilities, question
everything. The project grows out of the
dialogue between the company and myself.
Boundaries are explored – and shifted.’
FREDERIK DELBART ― PHOTO © PATRICIA GOOIJENS
Frederik Delbart (1988) graduated in Industrial
Design from ‘La Cambre’ in Brussels in 2011.
Since then several of his designs have been
put into production: from furniture and lighting
to an ‘aquabike’. Sounds promising! One
of his qualities is ‘industrial naivety: this is not
a shortcoming, but is in fact the strength of
an industrial designer.’
MIA
BE ― 10

BELGIAN DESIGN ― BE 2016 ●
The ultimate revelation was his traineeship
with Bram Boo. ‘Thanks to him I discovered
the impact of emotion in an object, and how
personality can even influence functionality.
How you develop your own identity and are
able to translate it into a design.’ His time as
a designer at Philips gave him professionalism
and industrial knowhow.
For the Sibling lamp – actually his graduation
project – Frederik Delbart explored
several frontiers: between high-tech and
craft, wood and glass, and present and future.
His starting point was to incorporate
the latest OLED technique into a contemporary
yet timeless design. At the time, this
light source was no further than the prototype
stage. In the meantime, the design has
already won 4 prestigious awards.
He does not let himself be held back by
what is ‘impossible’. The Mia candleholder
(sconce) is folded from a single piece of
metal, without screws or welds. The Idem
stool is a take-away construction comprising
11 identical pieces of solid oak.
Whatever the approach to a design is,
the process ends with a seemingly simple
product. The design and the materials
make the object timeless. Time and use
give it a personal character.
Frederik can already see an evolution in his
design work: his industrial expertise has
grown, the simplicity of the objects is becoming
more elegant.
THE LOVERS - PER USE
Due respect
for
expertise •
SIBLINGS - PER USE
BE ― 11

BELGIAN DESIGN ― BE 2016 ●
SUNSET - VAN DEN WEGHE / DAMN° MAGAZINE - BELGIAN PAVILION, LONDON DESIGN BIENNALE
RECTOVERSO - VAN DEN WEGHE
Corners and edges are rounded off, volumes
reduced to a minimum. Challenges
that lead to the ultimate design: in terms of
form, materials, construction and industrial
knowhow.
VERTEBRAE - PER USE
Take one of his latest designs, the RectoVerso
table. Both the table top and the trestles
are in marble. In fact this means a sandwich
construction with a core in aluminium
honeycomb sheeting. The trestle has three
hinged legs. The table top uses marble of
various origins and colours: the upper side
and the underside are different. They merge
almost seamlessly into each other. Anyone
who sees the table spontaneously touches
it and continues intuitively stroking and feeling
it. ‘This is triggered by the unexpected
contrast between the brushed texture and
the smooth marble.’ And what’s more, this
marble table is safe to transport yourself!
The identity of each design is appositely expressed
by the evocative names: The Siblings,
The Lovers, Muse, Idem, Vertebrae
etc. This too is part of the design process:
the marketing. •
www.frederikdelbart.com
BIQUA © BEELDCOLLECTIEF
BE ― 12

TRENDSTYLES 2017 ― BE 2016 ●
We Care!
about the PLANET,
its PEOPLE & our FUTURE
In a world of terrorism, environmental
pressure and economic crises we see a
shift from a ME to a WE attitude. A sense
of collective responsibility, since the big
issues are everyone’s problem. We all
want to take some minor action to transform
the bigger picture.
Social media bring like-minded individuals
together to spread the message easily
and quickly. Big data, gathered by all
kinds of media, become very important
in understanding the customer’s needs.
These databases are now interpreted in
a human way, and for designers this is
the new inspiration platform. The new
products will come alive through the
customer’s experience and through
social networks and review sites.
Companies and brands that deliver accountability
and are transparent will be
successful, since the new generation of
customers wants to know what they are
buying and where it comes from. Sustainability
is now a lifestyle and conscious
living has become cool. The future
belongs to activist entrepreneurs that
don’t produce more, but do more.
BE ― 13

We Care!
About the Planet
Climate change and the depletion of natural
resources is no longer a theoretical problem.
We are all concerned and want to do something
about it, on a small or large scale.
Designers, scientists and bioscience-engineers
work together on new intelligent materials, repurposing
natural resources to create products for
modern use.
Re-connecting with natural forces and resources,
people are trying to live in harmony with nature.
Designers are now reviewing and experimenting
with the power of forgotten plants and minerals
in order to create new design materials.
Giving a new meaning and look to traditional
crafts, using primitive processes. Knowledge
and traditions inspire contemporary designers
in new ways.
People seek various forms of mental clarity,
escapism and tranquillity. We like to manage our
own well-being. Health has become part of social
status, there is a real drive towards wellbeing and
food is the new fashion; these health consumers
have become a huge target group.
PMS 4545 PMS 5425 PMS 7470 PMS 289 PMS 2745 PMS 4545 PMS 5425 PMS 7470 PMS 289 PMS 2745
BE ― 14

TRENDSTYLES 2017 ― BE 2016 ●
Colours are coming from
the earth with a human twist.
Shapes and materials are
organic, and are often rough
and unfinished
BE ― 15

Saving natural energy •
We care about the planet. That’s why manufacturers
come up with pieces of furniture
that restore humans’ contact with the natural
world. They draw people’s attention to the
unique character of natural materials. They
draw their attention to the natural power and
beauty of precious (raw) materials. They draw
their attention to the natural rhythms of life
away from the city, in the countryside. And
they surround them with the incomparable,
pure colours of the natural world.
Exclusive vintage
At first glance, all eyes are on the upholstery:
a sophisticated, uni-colour vintage
velvet. This exclusive woven velvet has a
short pile. The ‘vintage’ look invites closer
inspection, which reveals a total absence of
bare patches, but instead features delicate
hints of ‘wear’. The viscose (76%) creates a
subtle, silky gloss, with a stunning interplay
of light and dark. The single colour actually
enhances the vintage relief and the shading
effect. This ‘soft-touch’ Hampton velvet is
exclusive to Neostyle Benelux.
In terms of modelling, Percy fits firmly into
the ‘comfortable and compact’ category.
Neostyle has thereby further developed its
well-known customising formula: in addition
to all the sizes and functions on offer, the
feet can be finished in any colour. There are
10 standard colours included in the package,
whilst for all other RAL colours there is
a small surcharge.
NEOSTYLE – PERCY
BE ― 16

WE CARE ABOUT THE PLANET ― BE 2016 ●
VIP AND FRIENDS – COUCH
Combinations
of materials •
King-size
Clusters is a group of five round tables at
five different heights. All tabletops are in
either Carrara marble or yellow bronze veneer
(comprised of 2-3 mm solid brass on
wood), and these vary in diameter from 40
to 80 cm. Clusters thus represents a step
up from the petty-bourgeois ‘nest of tables’
concept. These tables are fit for king-size
settings.
VIP AND FRIENDS – CLUSTERS
BE ― 17

Energizing
luxury •
PASSEPARTOUT – ZICO
A good all-rounder
This handy little gem fits beneath any coffee
table or alongside any sofa, and is suitable
for every occasion. Pastille is always 37.5 cm
high, but its diameter varies. The small
model (ø 90 cm) is tautly upholstered, while
the large version (ø 110 cm) features supersoft
upholstery, and comes with an extra
plush covering layer.
PASSEPARTOUT – PASTILLE
BE ― 18

Fenix mix
Two deep lines cut through the sideboard.
The horizontal line divides the drawers from
the doors; whilst the vertical line divides a
single door and drawer from the rest. Both
lines run right across the cupboard and
around the corners.The symmetrical divisions
thus created are reminiscent of Mondrian’s
abstract painting style.
Altea has translated his painted lines into
recessed strips, which are fashioned from
Fenix ® . The black can also be muted to taupe
or either dark or light anthracite. And the
main coloured panels are finished in brushed
oak – in either natural, white or smoke grey.
This bi-colour material combination of oak
and Fenix ® also has its practical advantages.
Any minor damage can simply be repaired
with an iron. That’s why Fenix is available for
all tabletops, including the extension leaves.
The display cabinets prove that asymmetry
can sometimes work out symmetrically.
These exist in 2 mirror-image variants, with
the glass window set on either the right or
the left-hand side. Thus when two of the
cabinets are positioned side by side, they
form a perfect, symmetrical whole.
THEUNS – ALTEA
Evolution
Year after year, Leda is gradually evolving
towards a more contemporary style. Yet it
achieves this without undermining the timeless
nature of the design and upholstery,
and with respect for the company’s artisanal
heritage. Its traditional, customised pieces
are and will remain 100% Belgium-made.
LEDA – KARMA
Karma is the latest development in this
evolution. Although the model’s country
roots are unambiguous, the styling is
somewhat sleeker. The inside-out seam is
truly contemporary, although this is only
employed very discretely. Without this
seam, the sofa becomes the Kosmo model.
A matt black block foot or steel sled
base underlines the contemporary look.
The balance between contemporary and
timeless is highly nuanced.
BE ― 19

MICHELDENOLF – CARRARA
BE ― 20

WE CARE ABOUT THE PLANET ― BE 2016 ●
Solid materials •
Semi-artisanal
As always, the focus is on minimal design in solid oak. In line with the current trend,
brushed oak is used in combination with marble and wrought iron. It is no coincidence that
all three materials have a rich artisanal history.
The refined top (2 cm) is fashioned from solid marble: white Carrara from Italy or brown
Emperador from Spain. Consequently the cupboards have a wrought iron support: the
metal is semi-artisanally worked before being finished with a powder coating. The same
applies to the profile handles on the fronts. Together these form a striking, yet subtle detail.
BE ― 21

Double base
The suffix ‘TU’ alludes to this table’s dual
purpose. When used as a stand-alone model,
it is a simple console table – 50 cm deep
and 220, 260 or 300 cm long. However, part
of the concept is to position two of these tables
side by side. Thus configured, the two
console tables form a versatile dining table
that is a generous 1 metre wide and seemingly
‘never ending’.
This double base explains the simple design
and the raw, unpolished finish. The oak is
sanded, burnt and finished with matt wax.
Table TU is the perfect complement to spontaneous
lifestyles.
VIPS AND FRIENDS – TABLE TU
From Bruges or Brussels
Bruges and Brussels have one thing in common:
their centuries-old lacemaking tradition.
It was the fabric’s lightness and openwork
motifs that provided the inspiration
behind this chair. The metal back appears
to be dotted with lace mats. These give the
laser-cut metal a more romantic cachet,
conjuring up anything from a flea market to
flower power retro.
UNIC DESIGN - LORE
BE ― 22

WE CARE ABOUT THE PLANET ― BE 2016 ●
Internationalisation
LEE & LEWIS – GEMMA
Gemma is a re-styling of the Margeritte
collection. The key difference can be
summed up very simply: more visible
wood. With Margeritte, the pieces
are finished from top to toe in handbrushed
colour; whilst with Gemma the
cornices, tops and tabletops are left in
natural teak. However, the edges have
been fully sandblasted. The bi-colour
effect creates a broader, more international
appeal.
Wood on wood
This is minimal design in 100% teak: part solid,
part veneer. By definition, the drawers and
doors have handleless fronts. A black framework
in the display cabinet provides the only
decorative touch. Contrary to expectations, it
is not fashioned from metal, but from wood.
This is a deliberate choice, as it means that the
doors shut with a whisper. The sound of wood
on wood is so much more pleasant.
LEE& LEWIS – POLO
BE ― 23

MEUBAR – ARUBA
Country lifestyle
Delhi conjures up a simple country lifestyle.
The range features robust pieces with a
lived-in feel, which are designed to withstand
wear and tear. The solid acacia has
been treated to create a weathered quayside
look, which is enhanced by its grey-washed
finish. To chime with this, the handles have
a rusted look but are clean to the touch. The
glass doors have an old-fashioned feel to
them, with a black line delineating the facet
cut glass.
The bench at the dining table – rather unusual
for Bauwens – is a stylish alternative to
the standard chairs and fits perfectly with
this style.
BAUWENS – DELHI
BE ― 24

Stationary wall-away system
Allure features an innovative mechanism that was developed in house: a dual motor wall-away system.
This has led to a comprehensive upgrade: a technical enhancement whose advantages are both practical
and visual. This dual motor innovation banishes the problems associated with the single motor wallaway
system for good. The new system avoids the gaping hole beneath the arm with a view of an (ugly)
metal rail frame on the floor. With the new system, the armrests/sides remain stationary on the ground
and the mechanism stays out of sight. The reclining functions are set in motion in a highly focused way:
only the seat and the back move, and these are completely independent of each other. A sofa with this
dual motor mechanism can be positioned even closer to the wall. Just calculate how much space can
be won. See how magnificent it is: both in terms of the way it works, and the way it looks.
Increasingly similar
The Abby couch is equipped with all that is
needed for optimal reclining comfort, right
down to a bar feature. Everything is operated
mechanically. The real element of surprise
is the upholstery: a superior quality PU
leather with a ‘real leather’ feel. Here, feeling
is believing. This reproduction leather is increasingly
similar to the natural original.
NEOSTYLE - ALLURE
DEZ - ABBY
BE ― 25

Energizing rural lifestyle •
Expected
KDB FURN – FINESSE
KDB Furn is synonymous with custom-made
country lifestyle furniture.
However, there is more to this
than meets the eye, because even
this style is subject to trends. KDB
is moving towards a modern restyling,
and the resulting range is slightly
sleeker and more tactile than was
customary in the past. However, all
this has been achieved without altering
the traditional quality and customised
approach. Only European oak -
partly solid and partly veneer - is used
for the pieces. Moreover, KDB Furn
works with a wider palette of colours
than is standard, with poetic names
such as papyrus, oyster and shell.
The Finesse programme is merely
a careful step in the new direction,
so the ultimate destination is full of
promise.
Evergreen
A classic amongst classics, this model is suitable for both lifestyle interiors
and other decorative styles. Its Chesterfield arm is gently angled to create
a natural arm position. The many loose cushions conjure up a feeling of
cosiness, and a flounce running around the base provides a stylish finishing
touch.
VARAM – VOLARE
VARAM – VOLARE
BE ― 26

WE CARE ABOUT THE PLANET ― BE 2016 ●
LIGNA – AMALFI
Bed-level comfort
Pure enjoyment •
With a few simple steps, you can give Amalfi
either a country or a vintage look. It’s all a
question of choice: between a cubist or a
Chesterfield arm, two buttons or none in the
loose back cushions, and a natural cotton/
linen fabric or a robust corduroy. There is
even a choice of seating comfort: a HR 35
cold foam or an authentic box spring interior.
Country lounging
HIMA – BELIN
Belin is a lifestyle sofa in an imposing lounge
format. The three-seater is a generous 260
cm wide, and features fluffy seat and back
cushions that are sumptuously padded with
Dacron. A single button positioned at the
heart of the back cushions is an allusion to
deep tufting. Naturally, Belin is presented in
a cotton or linen fabric. The decorative cushions
can be upholstered in velvet, in which
case the button is used to provide a bi-colour
accent.
BE ― 27

Decorative waves
The fronts in the Jonas range are decorated
with elongated waves. These underline the
subtle contrast between black and white,
with anthracite-coloured waves and glass
fronts set against the grey-white ‘Pesaro’
oak. Fronts are framed and lit like paintings,
most strikingly in the sideboard. Doors are
recessed beneath the tops and between the
sturdy, bevelled supports. Recessed into the
tops is atmospheric LED lighting, which provides
the perfect finishing touch.
BAUWENS - JONAS
Country-style
undulations •
DEZ – HOUSTON
BE ― 28

BATTON – DORIAN
Pearl foot
Perla’s most striking feature is its column
foot, whose teardrop shape alludes to ‘the
tear of the sea’ or the pearl. In this case, the
pearl is set on a metal base. A more poetic
interpretation might be to characterise the
tear as being cradled in a goblet on a platter.
But regardless of how you describe it, this
column is a true pearl – both visually and in
terms of its construction.
The entire surroundings are reflected in the
hemispherical metal base. Although the table
appears to be perched at the pinnacle
of a spinning top, on the slimmest of points,
it is in fact highly stable, thanks to an ingenious
construction concealed inside the foot.
The uppermost, conical section is manufactured
from high-end plastic by a company
that usually supplies the automotive industry.
The metal is available in either a nickel-coated
or a lacquered (6 colours) finish, whilst
the plastic is coloured to match the oval, extendable
tabletop (2 sizes). As is customary,
this can be delivered in a range of ceramic
and glass finishes.
DEKIMPE – PERLA, DESIGN ULRICH KÖSSL
BE ― 29

Comfortable arms
SOFABED – WINGS
The Wings sofa bed derives its name from
its handy armrests. Their slanted top works
well as a headrest for full-length lounging on
the sofa. However this slanted area is in fact
a flap: the arm offers storage space for the
pillow and other bedding.
BE ― 30

WE CARE ABOUT THE PLANET ― BE 2016 ●
Pluralistic
EVAN – BOLZANO
Here, uniformity gives way to diversity.
Bolzano is the epitome of unequal volumes,
surfaces and divisions. Chunky fronts are
juxtaposed with slim panels and set alongside
open areas to create a dynamic depth
effect. The texture of the walnut set against
the matte, beige lacquer only serves to
strengthen this asymmetric look. Strategically
placed LED spotlights further enhance
the depth effect.
Anti-stress & Comfort •
Modern offshoot
DEZ - ANTISTRESS
Antistress – a new Avanti offshoot – is a
collection of more modern recliners. These
Scandinavian-inspired models are set on a
swivel base. This can either take the form
of a chrome-plated trumpet base, a star
base or a wooden base plate. The reclining
functions comprise an adjustable back and
foldaway footrest.
BE ― 31

D&D – TABU + KUBA
Night-time gold
Kuba comes under the Tabu label. Its bronze-coloured frames accentuate the artistic fronts,
which feature a mysterious, dusky decor of gold and wood shades. Closer inspection reveals a
riot of gold leaf on weathered wood. These panels hint at a glorious past, and bring a touch of
glitter and glamour to the vintage look. An added advantage is that the MDF panels are laminated
with a PET film, which is of a better quality than melamine foil. They are subsequently coated in a
transparent, high-gloss lacquer. This means that as well as being truly splendid, Kuba is durably
finished.
Toppers
Evita is a crystallised mix of leading
models. What is comfortable to sit on?
What looks good? All this has resulted
in its generously stuffed cushions,
low back with foldaway headrest, and
pouffe-like end module. Evita falls firmly
into the 1+1 = 3 category.
UP2DATE – EVITA
BE ― 32

WE CARE ABOUT THE PLANET ― BE 2016 ●
Timeless
Kristian links a traditional, classic style to a
more contemporary look. A characteristic
feature of these pieces is their brushed oak,
which is part solid, part veneer. The range
is available in three contemporary shades:
sahara, dark grey and white.
A more classic style is apparent in pieces
such as the high sideboard with drawers.
In terms of finish, however, these are firmly
modern: the door and drawer panels are
smooth and the table is super sleek. In contrast,
the chairs feature tufted backs. Overall
this creates a timeless combination.
BAUWENS - KRISTIAN
Shutter bar
The standout feature of this nostalgic, country
style bedroom is the authentic shutter
bars used on the wardrobes. Panel doors
help to create the impression of solid wood.
Moreover, the oak wood structure is stylishly
combined with slate, which is used as
a decorative trim on the headboard and foot
end, and for the top of the chest of drawers,
bedside tables and blanket chest. In this
kind of interior, a mirror on the wardrobe is
the perfect fit.
MEUBAR – CALCUTTA
BE ― 33

BE ― 34

WE CARE ABOUT THE PLANET ― BE 2016 ●
MOOME – VIC
BE ― 35

We Care!
About the People
Big Data provide companies and designers with
an insight into consumer attitudes and behaviour,
giving targeted and intelligent recommendations.
Designers use the human interpretation
of these data as a new platform for inspiration,
as a new design toolbox, and with this stream of
content create a new visual language. This translates
into 3D modelling graphics and wireframes;
working with the impact of colour and an eclectic
language of digital collage. Designers start
using our or their own brain as a design tool.
Science fiction ideas are no longer found only
in laboratories, but also at home. Robots have
made their entry into many households as useful
social helpers. Decoding DNA becomes a useful
tool for the development of a new level of personalisation.
Co-working spaces are the new temporary network
communities for solo-entrepreneurs who
are mobile nomads. They connect and build new
communities together to work, live and relax collectively
for an uncertain period of time. Social
marketplaces are well known in these communities;
no money is involved, by liking stuff you can
sell stuff. Consumer electronics need to simplify
while retaining future-facing functionality.
WHITE cool grey 4 BLACK PMS 211 PMS 359 PMS 192 PMS 263 PMS 292 PMS 267 PMS 021
BE ― 36

TRENDSTYLES 2017 ― BE 2016 ●
This results in a vibrant,
pop-inspired colour palette.
Designers draw inspiration
from geometric shapes and
patterns, as well as grids
and metric systems from
the world of science.
BE ― 37

Being smart •
We care about the people. That’s why manufacturers come up with
smart solutions that meet the needs and expectations of a new generation
of consumers. In our stressful 24/7 society, people need time to
recuperate both physically and mentally. They need a sense of space,
even if they live in smaller homes. They need cheerful colours that
brighten up their living spaces. On top of all this, they want maximum
freedom to shape their micro living environments themselves. They
are chasing the interior of their dreams.
BE ― 38

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
Moome
Smart constructions
Frames is the apex of minimalistic (and) takeaway
design. This shelving unit is a compilation
of 10 steel frames. Although fashioned
from a uniform square tube (15 x 15 mm),
these elongated frames fluctuate in format.
The dimensions of the component struts
vary and follow a geometric series, with each
frame connecting to the next in the series.
MOOME – FRAMES / DESIGN GERARD DE HOOP
Bottomless shelves
This shapes the construction: the frames
slide together both horizontally and vertically
to create a 3-dimensional grid. The result is
phenomenal: a fascinating puzzle of crisscrossing
lines made up of a diverse range
of interwoven volumes. The horizontally positioned
frames serve as shelves: an empty
frame with an open space in between? A
gaping hole? It all works! The bottomless
shelf determines where the book or object
can sit. One option is to cover the open
space with a glass sheet; another is to fill it
with metal tubs (for plants or other bits and
pieces).
The geometric series is also prompted by
efficiency. When lying flat, the 10 frames all
fit into one another in size order, creating a
single broad framework. This offers advantages
for both logistics and production. A 39
cm-deep shelving unit fits into a box that is
a mere 3 cm high. The wall shelving unit can
also be used as a room divider. When thus
deployed, Frames is the epitome of spatial
transparency. •
BE ― 39

Smart
and beautiful •
Securely lashed
In the spirit of Henry Van de Velde, the Henry
dining room chair has been designed with
the minimum of lines. It consists of a square
tubular frame plus an unavoidable plank as
a seat. The comfort lies in the back, which
comprises a rather flat cushion, softly stuffed
with Dacron on cold foam and reinforced internally
with a rigid plank. Two leather belts
(complete with buckles) are used to securely
lash down the cushion, fixing it in exactly the
right position.
VIPS AND FRIENDS – HENRY
The frame can be finished in either black or
copper look, and the seat plank in oak or
black. Cushions can be personalised in a
choice of 7 fabrics and 4 imitation leathers;
and the belts come in 2 universal models:
cognac leather and dark brown suede.
JOLI – MARGUERITE CUBE
BE ― 40

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
JOLI – MARGUERITE CONSOLE
All-Over
Over the years, Joli has diversified its collection.
The pace has been intensified from
gradual to high speed. Indoor has been
made outdoor-proof. Tables have been complemented
by chairs and cupboards, and the
dining room concept has been expanded to
include (home) office applications.
The final step is the transition into every room
in the house. Dining tables have been lowered
to create coffee and side tables. They
have been narrowed to create console formats,
thus making them suitable for the hall
and bedroom. In this way, models have been
expanded to create entire families, and a design
is used as a common thread that runs
through both the house and the garden.
JOLI – FOREST OAK
BE ― 41

Retro stability
A table set on three feet is always perfectly stable.
There are times when these disappear from
furniture ranges, only to reappear with a vengeance.
Now is another such time when this retro
look is suddenly all the rage. The Tripod Triple is
available as a 40 or 45 cm-high side table, with
either a round (ø 50 cm) or a triangle-inspired
tabletop. The shape of the latter resembles the
percussion instrument: a triangle with rounded
corners; but with the addition of three curved
sides. The height difference makes it possible
to use the tables in a ‘nest-like’ formation: they
can be partially slid underneath one another. As
a dining table, the Tripod Triple has a circular
tabletop in 3 sizes (ø 70, 90 or 100 cm). The
styling is simply a question of colouring in: there
are 10 laminate shades and 16 epoxy lacquers,
plus high-gloss or matt chrome.
PERFECTA – TRIPOD TRIPLE
BE ― 42

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
Smart constructions •
BE ― 43

Customizing •
More, more and still more
The Adatto made-to-measure concept is
continuously being fine-tuned to create
more and more individualised interior solutions.
There are more materials such as
glass (matt and satined) and 2 new ceramic
surfaces for the fronts. To be specific, these
are the select white Calacatta and beige
Terra marbles (in addition to the current ceramic
collection). More veneer options such
as walnut in addition to oak.
More lacquer colours such as metallic bronze
and Atlantic blue. More sizes, such as the 120
cm width for the horizontal modules like drawers
and upward-opening cupboards. And like
the 40 cm recess height, a perfect size for folders/ring
binders and books. With this, Adatto
also has its eye on the professional market.
There is certainly no end to customising in
sight. Adatto is a concept in progress.
NEOCOCOON – ADATTO
BE ― 44

Skin-melamine •
WE CARE ABOUT THE PEOPLE ― BE 2016 ●
Fingerprint-proof
MDR – COSMOPOLITAN
Cosmopolitan’s combination of white elm and
anthracite drawers already creates a trendy impression.
But in addition to the usual sideboards,
plus TV, bar and display cabinets, MDR has come
up with a more fashionable, modular alternative.
This consists of wall-mounted components that
can be affixed either horizontally or vertically; and
freestanding pieces that can be configured to
create a multimedia unit. The anthracite element
deserves a special mention: this uni-coloured,
super-matt Skin melamine is fingerprint-proof. As
the cupboards feature push-to-open fronts, this
is a very compelling sales argument.
Comfort-types
The Viventis concept starts with personalised
seating comfort in the back and the
seat, which are totally separate from each
other. For the back, there is a choice between
two comfort types for the loose cushions.
Type 1 is plushly filled with silicones
and foam flakes, whilst type 2 is slightly
firmer with cold foam in a sandwich configuration.
The seat comes in 3 comfort types: a
classic sprung interior, a box spring interior,
or a pocket spring base. It is then time to
choose between the various model and size
options: 10 arms, 3 backs (2 heights), 4 feet
(10 colours), etc. The desired outcome is a
sofa that both looks good and is comfortable
to sit on.
MECAM - VIVENTIS
BE ― 45

PureLine •
Shading effect
A contemporary sofa is not only for sitting
on, but also for (online) living. Evora is fitted
with all modern conveniences. As well as
function buttons, the PureLine control panel
also has a USB port. Taking inspiration from
classic sofas, the back heights have been
increased to 102 cm, and the cushions are
downy and generously stuffed. The nonchalant
design of the seats is visually enhanced
by the ‘shading effect’ leather. Namibo is
a smooth, flat, semi-aniline leather (with a
5-year guarantee). Any kind of rippling creates
a fluctuating effect of light and shadow
flowing over into each another.
RECOR - EVORA
BE ― 46

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
MINTJENS – CASCADE
Design oak
Cascade is the translation of Italian design into a typically Mintjens style. The key starting point
is oak veneer, which although brushed, does not feature the usual knots. This can also be
described as design oak (six colours). Additional design materials are brushed steel and matt
lacquered, acidified glass (three colours). Then simply let the mixing and matching begin - from
compact to XXL walls. Cupboard modules can either be wall-mounted or freestanding, and can
sit either on metal feet or a wooden plinth. Thanks to a ‘magic’ system, dining tables can be
lengthened without having to move the feet. The secret lies in the rails. Regardless of whether
the tabletop is 155, 180 or 220 cm long, an additional 1-metre leaf is always supplied.
Twofold
The Twice concept begins with a table and
ends with an all-encompassing range. The
styling process is twofold.
For the tables, it is a case of choosing a finish
for the metal support and the oak tabletop.
There is a diverse range of possible
shapes, sizes and finishes on offer. Coffee
tables, side tables, cupboards and other accessories
can be configured in a similar way.
Pieces can be stand alone or styled as a coherent
whole.
JC UNIVERSAL – TWICE
BE ― 47

Power nap
When it comes to the development and reinterpretation
of sleeping comfort, Kreamat is moving into
new territory. Sleeping at night has already been
extended to relaxing in the bedroom in the evening.
But now comes power napping in the afternoon:
outside the bedroom, at home and at work.
The Sedes concept is designed to offer a place to
rest in our 24-hour economy. A power nap is far
from a superfluous luxury; it is vitally important. Its
advantages are increasingly being acknowledged
and lauded. Your energy levels, creativity, ability to
concentrate and productivity are all boosted. (Time
managers swear by them.)
Visually, the Sedes concept is an ultra-thick mattress
(32 cm) set on a platform (16 cm high). Everything
to do with high-tech sleeping comfort has
been camouflaged. There is neither a slatted base,
nor a box spring. The mattress (7 comfort zones)
is electrically adjustable in a fully autonomous way.
The integrated mechanism runs down the whole
length of the mattress. During adjustment, the mattress
appears to be ‘taking flight’ from the platform.
KREAMAT – SEDES
The platform is fashioned from epoxy lacquered
MDF that is a mere 1 mm thick! This too is a phenomenal
piece of engineering. The slanting design
in black underscores the sense of floating (away).
The idea is to rest for a short time, so that afterwards
you can resume work fully energised. That
is the benefit of a power nap!
Extended
Mecam has successfully extended its market
exclusivity in Belgium for the slide-torelax
system. Therefore this invisible and
smoothly integrated footrest is being utilised
to the full in the models. This year, the Wall
Away system has also been perfected: the
back can be positioned almost horizontally,
meaning that it is almost as flat as a bed in a
sleeping position. Even when in this position,
the sofa can still stand comfortably close to
the wall.
MECAM - VINCE
BE ― 48

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
ROM – SIGNATURE
That deckchair feeling
Rom is synonymous with the 20 cm custommade
concept, and guarantees smart home
comfort in the broadest sense of the word.
The company is a pioneer in the application
of state-of-the-art technologies from a variety
of disciplines. The source of the latest innovation
is the field of astronautics.
In parallel to the well-known 20 cm custommade
concept, Signature offers loose back
cushions as an additional option. These add
an extra dimension to the configuration, as
you would expect from Rom. Signature is
clearly designed to appeal to new target audiences.
Specifically, the Signature collection has
been fitted with an ‘extraterrestrial’ reclining
position. This is a new intermediate position
that comes about before the backrest
and/or footrest start moving. Sitting
in this position is like being in a deckchair.
When you sit down in the unfolded lounger,
you end up ‘with your derrière on the floor’.
Your upper legs and upper body are tilted
upwards, with your hips lying at the lowest
point. This reclining position is good for
you! It is similar to astronauts’ posture in
space. To a certain extent, this deckchair
feeling mimics a feeling of weightlessness.
That is the new intermediate reclining position
in action.
Another renowned ‘NASA trump card’ is
the visco-elastic foam. All Signature seats
have a covering layer of 4 cm memory foam
above a 10 cm-thick HR cold foam core.
MEDAL – OHIA
BE ― 49

Pure poetry •
Outline
Duke’s modelling draws on a number of different
styles: from cubist, to country and
retro. A narrow profile is used to frame its
broad block arm, whilst its sharp lines are alternated
with soft edges. Thanks to these interactions,
Duke has a multipurpose appeal.
VARAM – DUKE
BE ― 50

Visually-appealing sizes
BELFORM – ARTIGO
The semi-loose cushions derive maximum benefit from the ergonomic softness and durable
shape retention of Eucafeel foam. Artigo’s standout feature is its multiple elements. These are calculated
so as to create ready-made solutions within certain boundaries. Every element is a compromise
between dimensions and modelling: it is important that the sizes are visually appealing.
Adjustable
Chill is the flagship model in a new, contemporary comfort
class, with a design that fully lives up to fashionable expectations.
Its solid block cushions and arms sit on a visible
wooden platform with chamfered edges, whilst a black metal
sled base lends the piece a design allure.
BELFORM - CHILL
BE ― 51

Frame handle
Frame is an abstract composition of rectangles with some positioned horizontally, some vertically. Its linear
design is meticulously carried through into the finest details. The fronts are further delineated with an edging
profile: a frame that also serves as a handle. Dividing lines between the cupboard carcass and the fronts, or
between open and closed sections, are marked by a recessed frame. This dark brown shadow line creates a
sharp contrast with the chalked pine.
EVAN – FRAME
Extra: active seat
Fusion offers more custom-made solutions
than Varam typically offers. The most versatile
of these is the choice between a 59
and 54 cm seat depth. These 5 cm make
all the difference between lounging and active
sitting, which makes Fusion appeal to a
wider audience. After all, why should a more
modern taste be linked to age? Moreover,
the seat modules now come in a choice of 3
seat widths: 55, 80 and 90 cm.
It goes without saying that there is a huge
selection of fabrics/leathers, feet and reclining
functions, so the sofa can be configured
exactly as the customer wants it.
VARAM – FUSION
BE ― 52

PASSEPARTOUT - AVELINO
Elegantly
voluminous •
Raised blocks
Avelino’s voluminous seat blocks are horizontally
layered, and comprise a sleek base,
a loose seat cushion and a relatively high,
plump back cushion. The vertical building
blocks such as the arm and the backrest
are raised up slightly above the floor. This
makes Avelino feel less heavy.
BE ― 53

GERLIN - MAGNUM
Play of colours •
Dynamic colours
Magnum is flying the flag for a new dynamic at Gerlin.
Commercially successful shades such as grey and
brown hues are being brightened up with fresh colours
like red, yellow, blue and green. The new colour spectrum
goes hand in hand with additional texture in the
fabrics. This means that reclining features are profiled
and perceived in a more modern way. For the consumer,
colours are of paramount importance.
Refined handwork
B-SEATED BY BSM – 777
The 777 concept - pronounced ‘triple seven’ – stands
for a new discipline within the B-Seated division. The
three figures stand for 7 models, 7 fabrics and 7 colours.
This is the very first bespoke collection in which
the chairs are authentically hand-upholstered, piece by
piece. So, covers, straight modelling and fake tufting
are firmly out. Both ergonomically and aesthetically,
this is design at a higher level. The same applies to
the materials: original Nosag springs, HR cold foam,
A-class oak (5 colours), powder-coated metal (2 colours),
and invisible welded seams – plus an exclusive
fabric collection. Customers have complete freedom to
decide how they would like the chair to be upholstered.
In principle, every surface and seam can be in a different
colour.
BE ― 54

Sink right in! •
MOOME – PLOUF, DESIGN INEKE HANS
For all ages
Plouf says it all: this is an armchair that you
can fall into. The concept is ultimately based
on a beanbag, but offers a much greater
degree of comfort when sitting down and
standing up. The fluffy cushions are filled
with a mix of down and latex sticks, and the
basic metal frame keeps everything under
control. Secure webbing beneath the cushions
creates an extremely comfortable seat.
The result is a beanbag chair into which you
can retreat – opening up that beanbag feeling
to every generation.
MOOME – DAISY, DESIGN KARLIEN IMMANTS
BE ― 55

MOBITEC – MOODS
Hybrid family
Lindsay is a new offshoot of the Mobitec
brand. It is a Scandinavian-style design
with a large amount of visible wood - in this
case, trendy light beech or oak. The striking
thing about the construction is its diagonal
perspective: the feet are angled, the apron
slopes diagonally upwards, and the underside
of the seat cushion is chamfered. Both
seat and back are ergonomically styled and
comfortably upholstered (Nosag).
Lindsay was originally conceived for the
project market, hence the generous gap between
its seat and back, as well as its four
different heights. However, upon closer inspection,
the model is clearly universally applicable,
so is also suitable for home use.
BE ― 56
MOBITEC – LINDSAY

WE CARE ABOUT THE PEOPLE ― BE 2016 ●
MOBITEC – MOODS
MOBITEC – MOODS
In a class of its own
Doma’s soft cubist modelling defies expectations. It does not fit
in with the stereotypical image of recliners. Neatly hidden behind
the back cushion is the headrest, which is invisibly and vertically
integrated into the back. Moreover, the touch buttons are set in
a unique position: on the same level as the seat. Doma is truly
in a class of its own.
MECAM - DOMA
BE ― 57

We Care!
About the Future
Water is one of the main issues. We need to
reduce the use of water in production processes
(especially in the textile industry). Cleaning the
oceans and using the plastics recovered from
them as a raw material, as well as reducing the
use of plastics and replacing them by other
resources have inspired many designers. All
shades of water blues and - greens will become
the key colours of 2017.
Anticipating the waste stream, upcycling redundant
products into valuable, desirable materials
and designs. Designers are looking for creative
affordable ways to make sustainable products
and find new raw materials in the dustbin to start
from. The result is not looking recycled nor upcycled
but sophisticated and precious.
The new generation doesn’t want to live in a
throwaway society anymore, and designers anticipate
this by making products that either last
for a long time or that are meant to be recycled
soon after use. Designing for de-growth: going
for longevity instead of the flashiness of the new.
Today we prefer more classic to trendy design
and go shopping for trans-seasonal clothing.
PMS 282 PMS 488 PMS 186 PMS 7456 PMS 283 PMS 573 PMS 3275 PMS 461 PMS 5315 warm grey 8
BE ― 58

TRENDSTYLES 2017 ― BE 2016 ●
A range of sophisticated,
saturated pastel colours from
the ocean. New upcycled and
recyled materials resemble
rocks or crystals. Shapes and
patterns are inspired by the
underwater world.
BE ― 59

Anticipating waste •
We care about the future. That’s why manufacturers
come up with solutions that reduce waste. Throwing
things away has been replaced by cherishing, respecting
and re-evaluating. They cherish nostalgic designs
that are etched into people’s memories. They cherish
our rich industrial heritage. They cherish robust materials
that are the ultimate in durable, primordial strength.
They cherish the long-lost, uncomplicated lifestyle
from the pre-hectic age. And they cherish life in and
around the home, with family, friends and guests.
PERFECTA – COLLEGE
BE ― 60

PERFECTA – COLLEGE
Perfecta.
Back to school
Will these chairs that hark back to the
schools of yesteryear conjure up good (or
bad?) memories? In any case, they have
undergone a refreshing metamorphosis. The
frame is available in chrome and 16 epoxy
lacquers, from neutral white to green or baby
blue; while the typical Formica seat and
back can be supplied in 5 colours. So let
the game of mix and match begin: uni or bicolour?
One key advantage of these chairs
is that they are ‘Made in Belgium’.
The standard school model on four feet has
been expanded to include a sled base variant.
Moreover, the College chair has been
joined by the low stool Tab (from tabouret)
and bar stool options designed for use both
at home and in the hospitality industry.
BE ― 61

Black beauty
This model takes both its name and colour
from the black Dahlia. The polypropylene
seat draws its inspiration from the pumpkinshaped
variety. It is deliciously roomy to sit
on, without being disproportionately wide.
The edges are elegantly folded in an imitation
of the furled flower petals.
For now, this Dahlia is only available in monochrome
black. Just like the flower, it looks
pretty exclusive.
Graceful as
flower petals •
CHAIRZ – DAHLIA
Narrow alongside wide
This range is all about industrial
style, and Kora conjures up the
idea of planks set into metal scaffolding.
The melamine foil suggests
weathered planks – of various
widths, in an alternating pattern
of narrow, wide and extra wide.
The natural wood texture and
weathered colour differences are
photographically precise. These
nuances are further enhanced by
the combination with slate on the
cupboards and black metal frames
on the sides. The obligatory LED
lighting runs vertically, like a support
beam. The allusion to scaffolding
is abundantly clear!
MEUBAR – KORA
BE ― 62

WE CARE ABOUT THE FUTURE ― BE 2016 ●
MINTJENS – SOHO
Industrial oak
Soho is designed to chime with the young urban industrial style.
The image may be industrial vintage, but there is no compromise
when it comes to quality standards. On the contrary: Soho is
veneered with character oak, a delicate process that delivers an
authentic, weathered look. Think of the beams that come from
old factory buildings and other ruins, which are full of fissures
and cracks. The character oak veneer is cut from the heart of the
tree trunk, which is full of fissures. Until recently, it had seemed
impossible to process this into veneer and use it in a piece of
furniture. This is far from self-evident. The fissures in the veneer
are strengthened and accentuated using a black background,
and the result is stunning.
Soho combines this character oak with seemingly untreated steel
(coated with transparent lacquer). The steel is used for the visible
hardware: suitcase handles and T handles. It is also used
for the profiles in the cupboards, the table and the hanging constructions.
This explains the ‘industrial style’. Which leaves the
‘young urban’ appellation, and that is simple to explain. Soho is
a furniture range designed to chime with this target group’s favoured
mode of living and lifestyle. They are looking for compact,
transparent and playful solutions - and Soho has these qualities
in abundance.
BE ― 63

We Care!
About the Future
Natural textures •
VANDECASTEELE
BE ― 64

WE CARE ABOUT THE FUTURE ― BE 2016 ●
Concrete touch
Roca outshines all the concrete look-alikes.
Both the countertops and the boards are the
thickness of two thumbs, i.e. 5 cm. You can
see the characteristic colour nuances of cement.
And you can touch the erratic texture
of the concrete: in some places it is more or
less flat, whilst in others it is quite raw and
bumpy. This is quite simply exceptional. Instead
of mimicking woodgrain, this 3-D melamine
creates concrete textures that appeal
to the senses.
Dust-free split
Cornwall features pilasters that are as thick
as heavy beams, and fronts formed of separate
planks with gaps in between them. But
believe it or not, this is actually a melamine
range! The 3 planks really are positioned
separately, with a 1 cm space between each
one that mimics the natural shrinkage that
causes splits between solid wood planks.
So will your cupboard get dusty? Of course
not! The planks are screwed onto a panel,
ensuring that the gaps are ‘boarded up’
from the rear. On the front, the gaps remain
open to a depth of 18 mm.
This construction further adds to the solid
wood look. The oak shade selected determines
how roughly hewn the piece looks:
the light natural colour says ‘lifestyle’ through
and through, while the darker Tabacco tends
towards a more rustic look. The same reasoning
applies to the choice of either a
sturdy plinth or an open base beneath the
cupboards.
D&D – ROCA
RECOR - CORNWALL
BE ― 65

Sturdy
Horizontally, this solid cubist sofa forms a
continuous, flat plane. The grooved line in
the side panels links to the line in the back
marking the foldaway headrests. Decorative
seams add a sporty touch, and the seat is an
overt allusion to quilted puffa jackets. Nore
offers both sturdy support and soft comfort.
HIMA – NORE
Solid look •
Multiple-choice package
The Rachelle bedroom offers more options
than is customary for MDR. For the sliding
door cupboards, the dimensions have been
expanded to include 2 possible heights (200 cm
and 220 cm) and 5 possible widths. In addition
to the conventional bed set, a modular
concept has been introduced: a bed frame
with 3 types of headboard.
MDR – RACHELLE
BE ― 66

WE CARE ABOUT THE FUTURE ― BE 2016 ●
Shadow effect
The Eden bedroom is all about minimalistic
design, as evidenced by its handleless
fronts and linear surfaces with their
horizontal interplay of lines. As always with
Mintjens, Eden’s foundations lie firmly in
nature. This can be seen in the brushed
oak veneer with its striking knots, and optional
ecological Silk lacquer finish. Oak’s
inherent sturdiness is emphasised separately:
through the double-planked structure
of the cupboard, drawer fronts, headboard
and foot end. When viewed from the
front, the planks are layered one on top
of the other; whilst from the side you see
three abutting planks, the middle of which
is slightly recessed. This opens up fresh
perspectives! By (optionally) colouring this
more deep-set plank in black, you enhance
the natural shadow effect. This black line is
then carried through into the feet.
Eden’s other notable features are of a practical
nature. The slanted headboard acts as
a back support, and the upright mirror conceals
a coat rack; indeed it is this metal coat
hanger that attaches the mirror to the wall.
MINTJENS SLEEPLINE – EDEN
BE ― 67

Outdoor tree trunk
These tree trunk tables for indoor use can
also be taken outside. The difference lies
in the wood: solid oak is used for indoors,
whilst outdoor models are fashioned from
teak with built-in gaps between the planks.
For all models, the edges of the table follow
the contours of the authentically sawn tree
trunk planks. Indoors, the table can be set
on metal feet, glass supports or a wooden
frame. For outdoor models, a teak support
is supplied as standard.
Inside and outside •
VANDECASTEELE – TRUNCK
BE ― 68

WE CARE ABOUT THE FUTURE ― BE 2016 ●
Webbing
Natural materials are currently dominating
interior trends. Ideally, these materials have
also been artisanally worked. The Riet chair
translates this trend into metal. A closer look
at the back reveals a ‘webbing mat’. Its perforated
design made up of circles and diamonds
is a stylised version of a braided rattan
pattern. Shades such as bronze, gold,
copper, silverline and graphite help to give
the metal a warmer feel.
Marlboro-stijl
Its Western leather upholstery transforms
this cubist piece into a robust sofa for likeminded
interiors. The Wesco model finished
in Western leather is perfect for an uncomplicated
lifestyle, evoking the freedom of the
wild natural world. A metal support creates
a more modern feel; whilst wooden feet can
be used to fashion a more rugged, Marlboro-style
look.
UNIC DESIGN - RIET
BELFORM – WESCO
BE ― 69

We Care!
About the Future
SOFABED – HAMMOCK
BE ― 70

WE CARE ABOUT THE FUTURE ― BE 2016 ●
Lighter and airier
There is nothing to suggest that Hammock
and Mio are sofa beds. Their open bases
make them perfectly at home in the living
room. The 12 cm-high feet give them an
open base, with all the attendant advantages.
A nice additional detail is that the type of foot
selected sets the tone for the room. The difference
in effect created by Scandinavian
wood or metal is dramatic.
It goes without saying that it is impossible to
fit a slatted base into these sofa bed models:
instead they feature a lightweight wire mesh.
SOFABED – MIO
BE ― 71

Contemporary
looks •
Options galore
Remco basically comprises a
black or white polypropylene seat
set on oak feet. Upholstery can
be limited to the seat cushion, or
can extend to the entire seat. The
standard fabric is a uni-coloured
black, but for a bespoke finish,
Camira Fabrics’ entire collection
is at your disposal.
CHAIRZ – REMCO
Universal category
This style is designed for younger living – in a
Scandinavian-tinted, light-filled environment.
Hence the natural oak, the typical solid
wood feet, the creamy white, and here and
there a ribbed front panel.
The Mila collection is designed to be universal,
so is not tied to any particular age
category or type of room. A cupboard would
be equally at home in a child’s room or in
an adult’s bedroom or living room. The piece
evolves with its user.
RECOR – MILA
BE ― 72

WE CARE ABOUT THE FUTURE ― BE 2016 ●
PASSEPARTOUT – TITO
Arm bookshelf
An open bookshelf is offered as a handy
armrest alternative. This all-in-one solution
is practical, decorative and space-saving. It
creates room for houseplants, accessories,
reading material, a lamp and social media
equipment. This arm bookshelf is available
as an optional replacement for the left-hand
armrest. The wood from which the bookshelf
is fashioned reappears in the angled,
conical feet.
The cushions are beautifully delineated with
faux-piping: tautly sewn, hollow piping in
glossy nylon. This semi-classic detail attests
to the upholsterer’s superior skill.
BE ― 73

From hip to elegant
Jana is a versatile model whose plump
cushions and broad arms can be interpreted
in a variety of different ways.
As a 3-2-1-seat sofa in black leather, Jana
is the epitome of chic. Decorative seams in
the back serve to emphasise the voluminous
arms. Here, Jana’s luxurious comfort
is elegantly clothed. As a crisply upholstered
sofa complete with lounge module,
Jana immediately looks hipper. A large
storage pocket in the side is all part of the
look, and further adornments are unnecessary.
This sofa simply needs to provide
what it is designed to provide: a place to
chill out and relax.
UP2DATE – JANA
Chill out and relax •
Doubly hygienic
Gent combines open base modelling
with Aqua-Clean fabrics. This is
doubly hygienic: it is easy to clean
beneath the sofa, and the upholstery
can be carefully wiped with a damp
cloth. To remove stains, a little water
is all it takes.
HIMA – GENT
BE ― 74

Back tot he 60s, 70s or 80s? •
WE CARE ABOUT THE FUTURE ― BE 2016 ●
Seventies revival
This is a collection that screams out ‘seventies’. However its monobloc seating elements
have the very modern addition of NOSAG springs and are upholstered on all sides.
The Beveren range still features the old, familiar ingredients such as the seating element
positioned in a corner (with an angled back). Contemporary additions are the lounge element
plus the interconnected pouffe/seating module: a two-seater format with a one-person
back. The retro seating area has been updated for convenience with 2 gadget elements: an
armrest and a small table, both set on a chrome-plated frame. The U-profile simply slides
under and rests against the seating block. This means that both the arm and the small tables
are always ‘close at hand’.
LIGNA – BEVEREN
Outdoor island
Elano is a compact seating island concept.
Whilst the stand-alone modules are fairly
limited in terms of their dimensions and finishes,
they do offer plenty of room for manoeuvre
when it comes to configuration.
The teak platform is partitioned using
square block cushions. To create back
cushions, these rest on aluminium brackets
that are steplessly adjustable. There is
complete flexibility as to the way the space
on the platform is configured. The coffee table
is the same height as the platform, so
a cushion placed on top of it will allow for
full-length lounging. Just like the teak, the
cushions are available in a single colour. Beyond
this, Elano is a question of adjustment.
Everything fits together perfectly, meaning
that almost anything is possible: from a conventional
sofa to a corner formation.
VANDECASTEELE – ELANO
BE ― 75

VELDEMAN - FINESSE
BE ― 76

We Care!
Brussels by Night
BRUSSELS BY NIGHT ― BE 2016 ●
The world of sleeping comfort is a world apart:
both in terms of consumers’ experience and
in terms of retail and industrial practicalities
– and this is borne out at the Furniture Fair. In
the international world of sleeping comfort,
our Belgian manufacturers play a leading role.
They are renowned for their innovative spirit.
Brussels by Night 2016 will once again prove to
be the epicentre of pioneering developments.
And this is no overstatement. More than ever,
the latest innovations offer practical solutions
to burning questions.
A key theme is that living spaces – and therefore
also bedrooms – are getting smaller. This
is a real challenge! Belgian manufacturers are
coming up with open base, almost transparent
constructions, and even mechanisms. Visually,
these create a generous feeling of space. Another
key theme is that people are under stress
for ever-longer periods: due to work, social
media and other ‘24/7 online’ factors. A further
challenge is that people are sitting still far too
much and for far too long, with all the associated
health risks that this implies. ‘Sitting is the
new smoking’. Due to this continuous stress
and sitting, it is now more important than ever
for sleeping comfort to facilitate the necessary
physical and mental recovery. And this is a major
challenge for Belgian manufacturers.
Brussels by Night offers some surprising
answers to these crucial questions.
BE ― 77

Veldeman – Finesse
Sophisticated design – smart technology •
The Finesse heralds a new generation of wellness at home.
This open base design includes invisibly mounted mechanisms
and incredibly healthy features such as the antisnore
and zero gravity positions. It also features some
very handy tools for control and usage.
The sprung box spring base has been minimised
to a height of 8 cm, whilst still retaining
its ergonomic superiority. Its core is made up
of 500 mini pocket springs per m². The top is
upholstered with a 3D fabric, whose ventilating
properties have been optimised by positioning
ventilation grilles in the base plate.
These are strategically placed and are neatly
finished with a plastic cover. This has resulted
in the Finesse being awarded VIV label
certification: Vertical Integrated Ventilation.
VELDEMAN - FINESSE
The slim, open base design is built around
an extremely sturdy support structure. Literally
everything is attached to the metal
frame: the headboard, the (mobile) bedside
tables and the LED floor lighting. The only
BE ― 78

BRUSSELS BY NIGHT ― BE 2016 ●
parts standing on the floor are the four feet.
Even the linear motors and the transformers
are invisibly – and firmly – anchored to the
frame. (Thus the twin beds always form a
uniform whole: there is no visual difference
between adjustable and non-adjustable bed
halves.) Instead of the usual hinges, there
are robust profiles. A cable management
system conceals all the cables. Plastic bearings
muffle sound, ensuring that the Finesse
merely whispers while in motion.
Healthy positions
In addition to the usual head and foot positions,
plus massage functions, the Finesse 2
offers a range of extremely healthy positions,
designed to maximise oxygen supply and
blood circulation. These encourage physical
recovery day after day. The AS (anti-snore)
function lightly raises both your head and
your feet to an angle of 7-8°. On the one
hand, this enables you to breathe freely in
and out. Your larynx is not blocked and your
airways can open fully. (In fact, snoring is
actually ‘gasping for breath’.) On the other
hand, your blood circulation improves. Your
feet are no longer at the lowest level. Your
heart is in balance with the rest of your body
and therefore needs to pump less fast. The Z
function (Zero Gravity) is designed to mimic
a feeling of weightlessness in bed. Your upper
body and knees lie at an upward angle of
28°. Your pelvis lies at the deepest point of
the bed. Your (stomach) muscles can relax
to an optimal degree. You have less pressure
on your chest and can breathe more easily.
Your legs are less heavy. The blood circulation
and oxygen supply rapidly return to the
correct levels. As these two positions are especially
healthy, the AS and Z functions are
pre-programmed as standard.
menu). Moreover, the Finesse App can be
used with total anonymity. Both react to the
function buttons with the speed and accuracy
of GPS. This is particularly apparent with
the synchronisation setting: the two bed
halves follow each other in a fraction of a
second. The remote control works via Bluetooth
4.0.
Purist or soft
The final aspect is the styling. The metal feet
and the bridging decorative frame can easily
be upholstered with the help of ready-made
Deco sets. These 3D, upholstered accessories
with integrated magnets click seamlessly
into the frame’s metal profiles. The Deco
sets immediate create a different effect.
Thus the Finesse can either remain in its distilled,
purist form or be styled more softly. •
Smartphone level
The Finesse can be operated with a remote
control and a smartphone, and in terms of
user-friendliness, there is little or no difference
between the two. The remote control
is also equipped with a torch, the date, the
time and an alarm clock (with an options
VELDEMAN - FINESSE
BE ― 79

Light and airy
Artesia is putting the box spring into a
more spacious perspective. The box has
been slimmed down to just 22 cm high and
stands on a metal bow arch frame. Glass
night tables are supported by the oversized
headboard. The whole construction is positioned
a short distance away from the wall
to allow room for the LED light. This indirect
mood lighting serves to better enhance the
airy dimensions of the box.
UP2DATE – ARTESIA
Floating illusion
The Aria bed defies both the imagination and the laws governing
the mechanics of materials. Its box spring rests upon
an ultra-slim metal frame, which is the epitome of transparent
minimalism. Partly solid and party hollow, the tubing is just 2.5
cm in diameter. Moreover, the bed does not require the standard
middle foot. The frame is well concealed beneath the box
spring. This is a mere 11 cm thick, but its bevelled (tapered)
edges make it seem even slimmer. All this creates the illusion
that Aria is a feather-light, floating bed, and bedding only serves
to augment this dreamy effect.
NILLSPRING – ARIA
BE ― 80

Fully automatic
The CC system was already suitable for
heavy, electrically adjustable beds with thick
mattresses, thanks to an integrated, lightweight
mechanism. Therefore the electrically
adjustable folding mechanism is the logical
next step. With a single touch of the remote
control, the bed appears or disappears. At
the same time, the living room functionality
has been enhanced: a dresser unfolds to
create a table that seats 6-8 people.
Abracadabra
bed •
BOONE – CC 2.0
Graceful
The elegant headboard strikes a balance
between romanticism and minimalism. Its
undulating curves have been muted, and
its volume has been reduced to thickness
of 10 cm. On the side of the bed is a single
decorative touch - a pattern comprising
four rows of vertical piping.
UP2DATE – STAVANGER
BE ― 81

JARITEX - BOX DECO
Generous
box springs •
JARITEX - BOX ROYALE
BE ― 82

BRUSSELS BY NIGHT ― BE 2016 ●
Up-styling
The Urban collection actually dates back
to 2010, when its predecessor, the Wow
concept, was launched. Six years on, this
is now out of date. The update of the Wow
has become the Urban, which represents
an upgrade in terms of both styling (sleeker)
and customising (more options). There is a
choice of 3 types of box springs, 3 headboards,
2 toppers, 9 fabric colours and 2
types of feet (stainless steel or wenge). Will
it be the basic 20 or 30-cm high box spring,
or the more luxurious, adjustable version?
POLYPREEN – URBAN
POLYPREEN – URBAN
BE ― 83

Luxurious guest room
Ami is aimed at family and friends. It immediately
transforms a spare room into a super
deluxe guest room. During the day, there
is a haute couture divan: a secluded spot,
screened by soft, high sides and equipped
with all the decorative and roll cushions that
anyone could need. At night this is transformed
into a sleeping area for two. A trundle
bed is concealed inside the box spring,
and the bedding is stored in the upholstered
blanket chest.
Super deluxe sleepover •
STYLDECOR – AMI
BE ― 84

VAN LANDSCHOOT – HENSON DESIGN 2.0
New look
Five years ago, Van Landschoot caused a
furore with the Henson Design collection,
and now it is high time for a restyling. The
headboards, feet and fabric collection have
been fine-tuned to bring them in line with
contemporary interior trends. This metamorphosis
has prompted the launch of
Henson Design 2.0.
BE ― 85

The Princess
and the Pea •
MAGNITUDE – HANS CHRISTIAN, DESIGN STUDIO| NEDDA
Fairy-tale bed
‘Hans Christian’ is a fairy-tale bed concept
upholstered using special “3D effects”. The
name alludes to its source of inspiration:
H.C. Andersen. The design plays on his fairy
tale ‘The Princess and the Pea’. Indeed,
the bed frame appears to consist of a pile
of mattresses that have been heaped up at
random. To achieve this look, it is not upholstered
as ‘one solid block’, but instead
makes use of an ingenious technique.
The pseudo-mattresses are all different, both
in terms of height and of upholstery. They
even appear to be loosely stacked. But nothing
could be further from the truth. The pseudo-mattresses
are delineated using horizontal
indentations. These grooves gently flow over
into deeper slots, which create an illusion of
space between the ‘mattresses’. Contrary
to expectations, this ‘pile’ is in fact integrally
upholstered (not layer by layer), despite the
fact that each pseudo-mattress has a distinct
look and feel. There are 9 fixed colour combinations,
ranging from uni to bright.
The 48 cm-high bed frame is set on 8 cmhigh
concealed feet: this creates the illusion
that the bed is floating, as well as being more
BE ― 86

BRUSSELS BY NIGHT ― BE 2016 ●
Both luxurious
and minimalistic •
Tightly rounded
Versailles strikes a fine balance between
minimal design and luxurious
comfort. The headboard is precisely
delineated with piping, whilst its front is
subtly rounded. The corners of the box
spring are stylised in a correspondingly
soft way.
STYLDECOR – VERSAILLES
hygienic. The bedside table consists of a
walnut ladder with upholstered rungs which
are clearly not intended for standing on. This
reinforces the illusion of sleeping on a ‘tall
mountain’ of mattresses. The real mattress is
actually set both within and on top of a slatted
base, and is surrounded on both sides and
at the foot end by a 12 cm-wide bed frame .
The Hans Christian bed is a clever feat of
high-end craftsmanship with a strong eye for
detail. Even the pea has not been forgotten!
It introduces a musical note, playing a nostalgic
lullaby. •
BE ― 87

Recor Bedding – i-Bed
One Size Fits All & Always •
Recor Bedding is introducing a unique, self-regulating sleeping system!
At its core is a universal, low-tech slatted base, without any kind
of high-tech measuring system. And yet the base is designed to suit
everyone and to always be ergonomically sound. Simplicity is the key
to the i-Bed base: everyone can understand it and see how it works.
And with this, Recor Bedding is rowing against the stream.
Always good
The i-Bed base operates according to the laws
of mechanics. Picture a seesaw. If you push
down on one side, then the other side rises up
of its own accord. With the i-Bed base, when
one slat is pushed down, another automatically
rises up. This creates a natural balance.
All this is entirely down to the construction:
all the slats are connected in a zigzag pattern
and react to one another’s movements.
They rest upon black zigzag profiles that are
set into red V-shaped profiles (see photo).
The pivotable dual hoods ‘balance’ on the
top of the ‘zigzag’. At the foot, the profiles
are linked to one another via a flexible hinge
(like in a pair of scissors). Zigzag works like
a seesaw, creating a balanced interaction
between the slats. Downward pressure in
one place (for example by the hips) is compensated
by upward pressure elsewhere (for
example at the waist). There is therefore no
need for the slatted base to be individually
adjusted per body zone: it is self-regulating.
The spinal column always lies in a straight
line: regardless of (fluctuating) body weight,
build and the changes in sleeping position
during the night!
Mirror, mirror…
RECOR BEDDING: I-BED
The i-Bed base is deliberately distancing
itself from high-tech measuring systems.
The consumer does not need to provide
any (sensitive) personal information such
as weight and age. The salesperson has
no need of computer software, and is not
obliged to present scientifically grounded
sales arguments. What’s more, the obligatory
lie-down test ‘to mimic the situation at
home’ is no longer a requirement.
BE ― 88

BRUSSELS BY NIGHT ― BE 2016 ●
SMARTSLEEVE – BOUNCE
RECOR BEDDING: I-BED
Bouncy comfort
thick air pad offers the ultimate ‘sleeping on
air’ experience, in which ergonomic comfort
and refreshing ventilation go hand in hand.
Elastic Lycra on the side ensures that the
air pad fits snugly around any mattress. The
SmartSleeve Bounce has been developed in
collaboration with CSIRO (Commonwealth
Scientific and Industrial Research Organisation)
from Melbourne.
The i-Bed base speaks for itself. Convincing
proof of its effectiveness can be delivered by
placing two mirrors beside the test bed. An
upright mirror on the floor shows the interactive
way in which the self-regulating flexibility
works, whilst a sloping mirror against
the wall shows the position of the back. It
really can be that simple. The consumer immediately
feels, sees and understands how
the slatted base works – and that it works
effectively. This enables sleep specialists to
limit both the duration of the sales talk, and
the investment required.
Complete
The i-Bed base underpins the i-Bed sleeping
system. It can be used in 3 different
ways: either freestanding, built into the i-Bed
framework or integrated into the i-Bed Box
(box spring). The i-Bed mattress is a new
Visco Gel quality: a gel foam top layer and a
visco middle layer on HRC foam – encased
in Aegis® ticking. The unique combination
of this mattress and the i-Bed base guarantees
a perfect lying position and support.
The i-Bed is available with all the headboards
and options that are offered with the existing
Carte Blanche and Queens concepts.. •
Cable construction
Forget heavy motors, arms, rods and the
associated motor-driven mechanisms. This
slatted base runs on an ultra flat motor that
is a mere 4 cm high, and which sets the base
in motion using ultra-slim steel wires. Nevertheless,
it has a load carrying capacity of
150 kilos. This cable construction represents
a breakthrough in the world of flatter motors.
The entire system fits snugly between the
ELSACH – VISION
The follow-up to the SmartSleeve mattress
protectors is the SmartSleeve Bounce - a
mattress air pad that offers an improved, refreshing
night’s sleep. The air pad comprises
2 layers of Cairfull, SmartSleeve’s renowned
high-tech 3D fabric. Sandwiched between
these layers is a core of reticulated foam, or
quick dry foam. This unique combination results
in 400 x more air circulation inside the
fabric (CSIRO tested). Thus this slim, 2cmframe
and the slats. It sits on two transverse
support profiles in the frame, with no heavy
mounting points. When the slatted base is
in motion, the mechanism on the underside
remains perfectly level. This means that even
when viewed from a distance, nothing can
be seen protruding below the frame. So regardless
of the position, the space beneath
the base always stays free.
BE ― 89

We Care!
Brussels by Night
POLYPREEN – MOOD
BE ― 90

BRUSSELS BY NIGHT ― BE 2016 ●
An explosion
of colours •
WOLMAT – TRENTO
REVOR – CAPRI SOHO
BE ― 91

Pillow top
Which trend is likely to follow the Scandinavian
box spring with topper? The expectation
is that it will be the hotel box spring with
pillow top. Here the topper is fixed to the
mattress. It is generously stuffed and sumptuously
layered to create a deliciously soft
feeling of superior luxury. The Hotel Line offers
the option of either a single or a double
pillow top on the mattress. To conform with
hotel regulations, the ticking is made from
flame retardant, anti-allergic damask.
Moreover, the Hotel Line collection also offers
all the standard options in terms of bed
comfort, styling and accessories.
REVOR – HOTEL LINE
BE ― 92

Urgently needed
This straightforward child’s bedroom is supplemented
by a similarly straightforward
desk range. Frodo is confined to those
items that are most urgently needed: a desk
(4 sizes), an add-on table, a drawer unit and
2 tall filing cabinets. This is already quite a
professional look for young people, hence
the combination of graphite with brushed
metal.
Made-to-measure •
MDR – FRODO
MATHY BY BOLS – MADAKET DESK
Sliding and turning
This modular desk is designed to fit around a child and his or
her bedroom. It is supported by a side panel-cum-bookshelf and
a cupboard unit (1 drawer, with or without a door). There are 2
possible formats for the made-to-measure desktop: either rectangular,
or with a bend in the middle. Creating the perfect desk
is a matter of sliding and turning.
BE ― 93

Safe and efficient
The EN safety requirements for (semi) high
sleeper beds stipulate that the ladder must
be secured to the front. This rule limits the efficient
use of the space beneath the bed, but
Mathy by Bols has come up with a compromise
solution: the split ladder. This enables
every single cubic cm beneath the high sleeper
to be used. There is a pull-out desktop that
runs across the entire length and width of the
bed, plus 5 generous storage drawers that
can be fully extended. The lower half of the
ladder is attached to the desk, whilst the top
half is affixed to the safety rail. This combination
fits beneath the Dominique (127 cm) and
New Classic (129 cm) high sleeper beds.
MATHY BY BOLS - DOMINIQUE
Racing in Pink
VIPACK – GIRLS RACER
In the car bed category, this is a special design
for cool, speed-loving girls. It’s a race
car in pretty pink, right down to the wheel
rims. The racing driver is perfectly placed to
play it cool: all she has to do is relax behind
the wheel.
Re-designing the train
Mathy by Bols is continuing with its nostalgic
holiday journey. Following on from the Caravan
and Tent single beds comes the Wagon
bunk bed. The inspiration for its stylish design
has been drawn from an old-fashioned
train carriage. You will recognise the archetypical
lines of the rounded roof, the couchette
windows, the door in the middle, and
the train wheels that serve as handles on
the 2 pull-out drawers. At the front of the
carriage, there is the option to ‘couple’ on
a desk and a bookcase. The Wagon can be
painted in a choice of 26 colours: with a single
colour as standard, and bi-colour as an
option (5% surcharge).
MATHY BY BOLS – WAGON
BE ― 94

BRUSSELS BY BY NIGHT ―/ BE BE 2014 2016 ●
NEYT - FINN
Modern dimensions
Finn is a child’s bedroom in a timeless
white wood texture. It is the dimensions
that make it truly modern.
The headboard is 97 cm high: a subtle
nod to the monumental rear wall panels
found in far more luxurious bedrooms.
The 200 cm-high semi-open
bookcase is the same height as the
wardrobe. Its 52 cm width is virtually
the same as the wardrobe’s depth.
This paves the way for the highly contemporary
option of positioning the
bookcase at right angles to the wardrobe.
A touch of luxury
NEYT - NOOR
The Noor baby and child’s bedroom delivers the allure of top-notch design on a budget.
White fronts are playfully juxtaposed with weathered oak cupboards. The rather wide bars on
the cot exude a quality feel, while the feet on the various pieces (wardrobe included) create a
lighter, airier interior. The metal look handles provide the finishing touch.
BE ― 95

VIPACK – DENVER
Compact and smart •
A student’s room
Denver is the ideal solution for those cramped
student rooms. The cabin bed becomes a
generous 200 x 59 cm desk – complete with
feet and a rear wall panel. This opens up a
wealth of options: the board can be used
for sticking, planning, pinning, magnets and
writing. When the bed is tipped over, everything
on the desk can stay where it is, thanks
to the generous distance between the bed
and the desk. The changeover is lightweight
to manage and can ‘be done with one
hand’. The tipping mechanism is based on
a high quality gas spring: the bed or desk
can remain stationary in any position. For
added security, blocking systems have been
built in: a pin for the desk and a clamp for
the bed.
BE ― 96

BAUWENS GASTON
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MEUBAR
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BOONE
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CHAIRZ CLASSO
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DEKIMPE
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THEUNS
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ELSACH
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EVAN FURNITURE
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GERLIN
MEUBELFABRIEK
PASSE PARTOUT
VAN LANDSCHOOT
KWAPLASSTRAAT 75
A & A DECRUY (MDR)
WILFORDKAAI 10 BC
AALTERBAAN 119
8820 TORHOUT
IZEGEMSTRAAT 95
9140 TEMSE
9990 MALDEGEM
WWW.GERLIN.BE
8800 RUMBEKE
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WWW.MDR.BE
HIMA
PERFECTA
VANDECASTEELE
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MECAM
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3650 DILSEN-STOKKEM
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BE ― 97

BRUSSELS FURNITURE FAIR
ALLÉE HOF TER VLEESTDREEF 5 B7
B-1070 BRUSSELS
T +32 2 558 97 20
F +32 2 558 97 30
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BE ― 98