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SPACES_16Feb_016_A

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The activities artists are<br />

commencing from days<br />

of the earthquake are<br />

mostly social activities;<br />

building temporary<br />

shelters and using the<br />

skills of art trying to<br />

provide temporaryreliefs<br />

to the victims.<br />

to get connected to our roots in times<br />

of natural instability? Is this debate even<br />

necessary? Natural calamity is sudden that<br />

brings down old architects, so do artists<br />

need to be involved in the recovery or is it<br />

categorized to engineers and technicians<br />

only? And merely by resetting the visuals<br />

is enough or shall we understand that<br />

exists beyond our eyes? Art is the state<br />

of mind and this state of mind makes<br />

the Nepaliness alive; if so then werethe<br />

artists truly involved in the making of the<br />

architects that were devastated by the<br />

earthquake?<br />

There were times when artists were<br />

involved in almost everything; be it<br />

establishment of religion (creating Pauwa<br />

or religious sculpture) or building of<br />

architectures (temples to houses); however<br />

in these ancient times artists were not<br />

credited. And today they are beginning to<br />

be seen as social icon yet there presence<br />

in times of necessity appears limited.<br />

There is a difference between art and<br />

social activities. The activities artists are<br />

commencing from days of the earthquake<br />

are mostly social activities; building<br />

temporary shelters and using the skills of<br />

64 / <strong>SPACES</strong> FEBRUARY 2<strong>016</strong>

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