SPACES_16Feb_016_A
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The activities artists are<br />
commencing from days<br />
of the earthquake are<br />
mostly social activities;<br />
building temporary<br />
shelters and using the<br />
skills of art trying to<br />
provide temporaryreliefs<br />
to the victims.<br />
to get connected to our roots in times<br />
of natural instability? Is this debate even<br />
necessary? Natural calamity is sudden that<br />
brings down old architects, so do artists<br />
need to be involved in the recovery or is it<br />
categorized to engineers and technicians<br />
only? And merely by resetting the visuals<br />
is enough or shall we understand that<br />
exists beyond our eyes? Art is the state<br />
of mind and this state of mind makes<br />
the Nepaliness alive; if so then werethe<br />
artists truly involved in the making of the<br />
architects that were devastated by the<br />
earthquake?<br />
There were times when artists were<br />
involved in almost everything; be it<br />
establishment of religion (creating Pauwa<br />
or religious sculpture) or building of<br />
architectures (temples to houses); however<br />
in these ancient times artists were not<br />
credited. And today they are beginning to<br />
be seen as social icon yet there presence<br />
in times of necessity appears limited.<br />
There is a difference between art and<br />
social activities. The activities artists are<br />
commencing from days of the earthquake<br />
are mostly social activities; building<br />
temporary shelters and using the skills of<br />
64 / <strong>SPACES</strong> FEBRUARY 2<strong>016</strong>