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TRAKS MAGAZINE #9

TraKs Magazine: everything about the new independent Italian music: interviews, reviews, news and a lot of free music! In this "Bands Edition": Sam and the Black Seas, A Total Wall, Moma, Egosystema, Movin K and many others

TraKs Magazine: everything about the new independent Italian music: interviews, reviews, news and a lot of free music!
In this "Bands Edition": Sam and the Black Seas, A Total Wall, Moma, Egosystema, Movin K and many others

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interview<br />

Movin k<br />

A progressive rock influenced band, Movin<br />

K publish Watin 4 the Dawn: we asked some<br />

questions to the five-piece combo.<br />

Can you tell the main stages of the band before<br />

“Waitin 4 the Dawn”?<br />

Movin’ K project was created in 2006 by the<br />

main members of BLACK RIDERS, a progband<br />

that spurred a strong interest in Italian<br />

underground prog scene during the period<br />

1996-2002; the work of Black Riders it’s been<br />

honoured by several awards dedicated to<br />

upcoming bands and in 1999 the band was<br />

selected to perform as support band for POR-<br />

CUPINE TREE at Prog Fest 1999 in Vigevano<br />

(Italy). From 2007 Movin’ K started touring<br />

around Italy and joining several music contests<br />

with great success (Music Village 2008,<br />

Tour Music Fest 2008, Stage Alive Contests<br />

2010 (winners), Strane Officine 2012 (finalist),<br />

Emergenza Festival 2012 (finalist), Prato<br />

Music Festival 2015 (winners)); furthermore<br />

the band it’s been selected to join some important<br />

festivals such as “Musica per i Borghi”<br />

in 2010, “Yes Weekend Festival” in 2012<br />

and “Blue Street Festival” in 2016. At the end<br />

of August 2010 the band played live at the<br />

“Maloemelo” and at “Waterhole” in Amsterdam<br />

for their first performances in Europe.<br />

In 2016 Movin’ K won their regional selections<br />

to join “Arezzo Wave Love Festival”,<br />

the most important event in Italy dedicated<br />

to upcoming bands; in summer 2017 they<br />

have reached the national finals of “Road to<br />

Pistoia Blues” contest. Before the beginning of<br />

“Waitin’ 4 the Dawn” recording sessions, Movin’<br />

K realized 2 albums (“Along the Way of<br />

the Great Dolphin” in 2008 and<br />

“Until your Breath is over”<br />

in 2012) and in 2014 the EP<br />

“Park your Butt” that was a<br />

little preview of the new album.<br />

The music pathway of the<br />

band is part of the artistic career<br />

of its creative engine Francesco<br />

K Epiro, author, arranger, producer,<br />

composer and performer who<br />

worked with several artists such as<br />

Naif Herin, Ronnie Jones, Horndogz, Davide<br />

Dugros, Stefano Frison, Davide DaG Gullotto,<br />

Thierry Zins, Simona Cancian, Mikol Frachey,<br />

Kiol. Epiro is also a composer of soundtracks,<br />

music for piano solo and new age<br />

music projects.<br />

The front-woman of Movin’ K, Maria Rita<br />

Briganti, is a talented esteemed singer, vocal<br />

coach at “Arcademia”<br />

academy in<br />

Omegna (VB) and<br />

vocal coach at “Lorien<br />

Studio” Music<br />

School in Milan;<br />

she also is the gospel<br />

choir director<br />

of “Black Inside”<br />

ensemble. Maria<br />

Rita is a student of<br />

Maestro ALBERT<br />

HERA and in 2015<br />

debuts as singer,<br />

dancer and actress<br />

in the musical “Madame La Gimp”, directed<br />

by Fabrizio Rizzolo. Francesco K Epiro and<br />

Maria Rita Briganti in 2015 formed the “MK<br />

Acoustic Duo”, an acoustic project<br />

with which they present the Movin’<br />

K repertory re-arranged for<br />

vox and piano solo, together with<br />

some selected covers, in several<br />

special live performances.<br />

With what premise and feelings<br />

did you approached<br />

the work on “Waitin 4 the<br />

Dawn”?<br />

“Waitin’ 4 the Dawn” was<br />

born with the intent of pouring into<br />

the work a spiritual, existential and human<br />

path through the sincere transformation of<br />

emotionality into music. From the writing<br />

of the first songs to the final definition of the<br />

album, the band followed an emotional flow<br />

free from particular canons and labels for<br />

what concerns their own music, choosing<br />

to adapt every single song to the feeling that<br />

inspired the composition. The intention was<br />

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