TRAKS MAGAZINE #9
TraKs Magazine: everything about the new independent Italian music: interviews, reviews, news and a lot of free music! In this "Bands Edition": Sam and the Black Seas, A Total Wall, Moma, Egosystema, Movin K and many others
TraKs Magazine: everything about the new independent Italian music: interviews, reviews, news and a lot of free music!
In this "Bands Edition": Sam and the Black Seas, A Total Wall, Moma, Egosystema, Movin K and many others
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interview<br />
Movin k<br />
A progressive rock influenced band, Movin<br />
K publish Watin 4 the Dawn: we asked some<br />
questions to the five-piece combo.<br />
Can you tell the main stages of the band before<br />
“Waitin 4 the Dawn”?<br />
Movin’ K project was created in 2006 by the<br />
main members of BLACK RIDERS, a progband<br />
that spurred a strong interest in Italian<br />
underground prog scene during the period<br />
1996-2002; the work of Black Riders it’s been<br />
honoured by several awards dedicated to<br />
upcoming bands and in 1999 the band was<br />
selected to perform as support band for POR-<br />
CUPINE TREE at Prog Fest 1999 in Vigevano<br />
(Italy). From 2007 Movin’ K started touring<br />
around Italy and joining several music contests<br />
with great success (Music Village 2008,<br />
Tour Music Fest 2008, Stage Alive Contests<br />
2010 (winners), Strane Officine 2012 (finalist),<br />
Emergenza Festival 2012 (finalist), Prato<br />
Music Festival 2015 (winners)); furthermore<br />
the band it’s been selected to join some important<br />
festivals such as “Musica per i Borghi”<br />
in 2010, “Yes Weekend Festival” in 2012<br />
and “Blue Street Festival” in 2016. At the end<br />
of August 2010 the band played live at the<br />
“Maloemelo” and at “Waterhole” in Amsterdam<br />
for their first performances in Europe.<br />
In 2016 Movin’ K won their regional selections<br />
to join “Arezzo Wave Love Festival”,<br />
the most important event in Italy dedicated<br />
to upcoming bands; in summer 2017 they<br />
have reached the national finals of “Road to<br />
Pistoia Blues” contest. Before the beginning of<br />
“Waitin’ 4 the Dawn” recording sessions, Movin’<br />
K realized 2 albums (“Along the Way of<br />
the Great Dolphin” in 2008 and<br />
“Until your Breath is over”<br />
in 2012) and in 2014 the EP<br />
“Park your Butt” that was a<br />
little preview of the new album.<br />
The music pathway of the<br />
band is part of the artistic career<br />
of its creative engine Francesco<br />
K Epiro, author, arranger, producer,<br />
composer and performer who<br />
worked with several artists such as<br />
Naif Herin, Ronnie Jones, Horndogz, Davide<br />
Dugros, Stefano Frison, Davide DaG Gullotto,<br />
Thierry Zins, Simona Cancian, Mikol Frachey,<br />
Kiol. Epiro is also a composer of soundtracks,<br />
music for piano solo and new age<br />
music projects.<br />
The front-woman of Movin’ K, Maria Rita<br />
Briganti, is a talented esteemed singer, vocal<br />
coach at “Arcademia”<br />
academy in<br />
Omegna (VB) and<br />
vocal coach at “Lorien<br />
Studio” Music<br />
School in Milan;<br />
she also is the gospel<br />
choir director<br />
of “Black Inside”<br />
ensemble. Maria<br />
Rita is a student of<br />
Maestro ALBERT<br />
HERA and in 2015<br />
debuts as singer,<br />
dancer and actress<br />
in the musical “Madame La Gimp”, directed<br />
by Fabrizio Rizzolo. Francesco K Epiro and<br />
Maria Rita Briganti in 2015 formed the “MK<br />
Acoustic Duo”, an acoustic project<br />
with which they present the Movin’<br />
K repertory re-arranged for<br />
vox and piano solo, together with<br />
some selected covers, in several<br />
special live performances.<br />
With what premise and feelings<br />
did you approached<br />
the work on “Waitin 4 the<br />
Dawn”?<br />
“Waitin’ 4 the Dawn” was<br />
born with the intent of pouring into<br />
the work a spiritual, existential and human<br />
path through the sincere transformation of<br />
emotionality into music. From the writing<br />
of the first songs to the final definition of the<br />
album, the band followed an emotional flow<br />
free from particular canons and labels for<br />
what concerns their own music, choosing<br />
to adapt every single song to the feeling that<br />
inspired the composition. The intention was<br />
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