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NEWS & HAPPENINGS<br />

36TH NATIONAL ART & CRAFT EXHIBITION 2062<br />

The 36 th National Arts and Craft<br />

Exhibition organized by the Nepal<br />

Association of Fine Arts (NAFA) was<br />

participated in by 161 art<strong>is</strong>ts in<br />

Contemporary Painting, 23 sculptors in<br />

Contemporary Sculpture, 48 art<strong>is</strong>ts in<br />

Traditional Arts and 44 craftsmen and<br />

women in Craft div<strong>is</strong>ion. Besides th<strong>is</strong>,<br />

works of 43 art<strong>is</strong>ts were exhibited in the<br />

Non-Competing department.<br />

In Contemporary Painting,<br />

Asha Dangol’s ‘Tantrik<br />

Prem’ won first prize with<br />

And while Kirti’s work <strong>is</strong> to be appreciated<br />

for clean paraphrasing of complex forms,<br />

Jasmin’s work d<strong>is</strong>plays a definite maturity<br />

and style. Gautam R Tuladhar’s ‘Everyday<br />

Prayer’ and Roshan<br />

Pradhan’s ‘Feelings of 2005<br />

second, to Sundar Sinkhwal’s ’21 Tara’, and<br />

third to Devendra Sinkhwal’s ‘Bajra Jogini’.<br />

Special prizes went to Bijaya S Jyapoo’s<br />

‘Buddha’ and Kunchhang Lama’s<br />

‘Buddha Jivani’.<br />

Kriti Chand’s ‘Rachana’ and Jasmin<br />

Bhandari’s ‘The Street’, coming in second<br />

and third respectively. In keeping with the<br />

profound nature of h<strong>is</strong> prize winning<br />

work, Asha has added a tense grip to the<br />

subject by using very few basic colours.<br />

Hanger’ were recipients of special prizes.<br />

In Contemporary Sculpture, Sudarshan<br />

B Rana’s ‘Paribesh’, a two piece mixed<br />

medium exhibit connected by space and<br />

expression, won the first prize, while<br />

Bhuwan Thapa’s woodcraft, ‘Current<br />

Situation’, was placed second and Bijaya<br />

Maharjan’s Opexci medium ‘Desire’<br />

received the third prize. Special prizes went<br />

to Narendra P Bhandari’s ‘Passing’ and<br />

Roshan Marjan’s ‘Family’. In the<br />

Traditional department, first prize went to<br />

Ram P Shrestha’s ‘Ghammapal Mahankal’,<br />

Bibhusan N Tamrakar’s ‘Mah<strong>is</strong>ashur<br />

Mardini’, Binod Shakya’s ‘Mahankal’ and<br />

Shyam KC’S ‘Hanuman Dhoka’ won first,<br />

second and third prizes respectively in the<br />

Craft div<strong>is</strong>ion while Shyam S Yadav’s ‘Ram<br />

Mala’ and Thirtha M Sthapit’s<br />

‘Swaymbhunath’ received special prizes.<br />

Regional award winners were Chhetra L<br />

Kayastha (West Region), Uttam Shakya<br />

(Middle Region) and Tirtha Niraula (East<br />

Region) for ‘Dui Thopa Aansu’,<br />

‘Akshobhya Mandal’ and ‘Ganesh’<br />

respectively. S<br />

FRAGMENTS OF A JOURNEY<br />

Aditi Sadhu Chakraborty’s 2 nd solo<br />

exhibition titled ‘Fragments of a Journey’<br />

was held at the Park Gallery from 18 th to<br />

31 st January 2006. The art<strong>is</strong>t has described<br />

her works as responses to her experiences<br />

in her life’s journey. Intelligent colour<br />

schemes are a particularly attractive element<br />

of her paintings and enliven the various<br />

different fragments in her canvases. Although Aditi claims to<br />

have responded spontaneously while bestowing the fragments<br />

with form and colour, the neat symmetry in all her canvases<br />

forces one to think that perhaps the art<strong>is</strong>t could not have escaped<br />

a very conscious move towards creating a basic harmony.<br />

Which <strong>is</strong> not a bad thing really, since the results have turned out<br />

to be very pleasing to the eye as well as to the senses. .The<br />

d<strong>is</strong>cerning viewer will surely appreciate the art<strong>is</strong>t’s originality<br />

even if shades of cub<strong>is</strong>m do seem to have a role to play in<br />

defining her style. S<br />

CULTURAL STUDIES GROUP OF NEPAL<br />

The Cultural Studies Group of Nepal (CSGN) was set up in<br />

2000 to learn more about the arts and cultures of Nepal in a<br />

setting where Nepal<strong>is</strong> and expatriates could share their common<br />

interests in such matters. To achieve th<strong>is</strong> aim, CSGN organizes<br />

a monthly lecture series on the last Friday of every month at<br />

9:30 AM at the Shanker Hotel. CSGN also has a schedule of<br />

mid-monthly studio v<strong>is</strong>its to learn about h<strong>is</strong>toric and religious<br />

sites, local arts, crafts and antiques.<br />

Some lectures held in 2005 were on ‘Nepali Resilience’ by Kunda<br />

Dixit, ‘Life Behind the Camera’ by Dianne Summers, ‘The Plight<br />

of Widows in Nepal’ by Lily Thapa and ‘Lain Singh Bangdel-<br />

Writer, Painter and Art H<strong>is</strong>torian of Nepal’ by Don<br />

Messerschmidt. On Friday, 27 th January 2006, ‘The New Realities<br />

of Nepalese Art’ was presented by Art Curator Sangeeta Thapa.<br />

Her 40 minutes audio-v<strong>is</strong>ual presentation included a brief h<strong>is</strong>tory<br />

of Nepalese art as well as the effects of conflict and<br />

contemporary concerns on the same. S<br />

20 MAR-APR 2006 SPACES

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