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NEWS & HAPPENINGS<br />
36TH NATIONAL ART & CRAFT EXHIBITION 2062<br />
The 36 th National Arts and Craft<br />
Exhibition organized by the Nepal<br />
Association of Fine Arts (NAFA) was<br />
participated in by 161 art<strong>is</strong>ts in<br />
Contemporary Painting, 23 sculptors in<br />
Contemporary Sculpture, 48 art<strong>is</strong>ts in<br />
Traditional Arts and 44 craftsmen and<br />
women in Craft div<strong>is</strong>ion. Besides th<strong>is</strong>,<br />
works of 43 art<strong>is</strong>ts were exhibited in the<br />
Non-Competing department.<br />
In Contemporary Painting,<br />
Asha Dangol’s ‘Tantrik<br />
Prem’ won first prize with<br />
And while Kirti’s work <strong>is</strong> to be appreciated<br />
for clean paraphrasing of complex forms,<br />
Jasmin’s work d<strong>is</strong>plays a definite maturity<br />
and style. Gautam R Tuladhar’s ‘Everyday<br />
Prayer’ and Roshan<br />
Pradhan’s ‘Feelings of 2005<br />
second, to Sundar Sinkhwal’s ’21 Tara’, and<br />
third to Devendra Sinkhwal’s ‘Bajra Jogini’.<br />
Special prizes went to Bijaya S Jyapoo’s<br />
‘Buddha’ and Kunchhang Lama’s<br />
‘Buddha Jivani’.<br />
Kriti Chand’s ‘Rachana’ and Jasmin<br />
Bhandari’s ‘The Street’, coming in second<br />
and third respectively. In keeping with the<br />
profound nature of h<strong>is</strong> prize winning<br />
work, Asha has added a tense grip to the<br />
subject by using very few basic colours.<br />
Hanger’ were recipients of special prizes.<br />
In Contemporary Sculpture, Sudarshan<br />
B Rana’s ‘Paribesh’, a two piece mixed<br />
medium exhibit connected by space and<br />
expression, won the first prize, while<br />
Bhuwan Thapa’s woodcraft, ‘Current<br />
Situation’, was placed second and Bijaya<br />
Maharjan’s Opexci medium ‘Desire’<br />
received the third prize. Special prizes went<br />
to Narendra P Bhandari’s ‘Passing’ and<br />
Roshan Marjan’s ‘Family’. In the<br />
Traditional department, first prize went to<br />
Ram P Shrestha’s ‘Ghammapal Mahankal’,<br />
Bibhusan N Tamrakar’s ‘Mah<strong>is</strong>ashur<br />
Mardini’, Binod Shakya’s ‘Mahankal’ and<br />
Shyam KC’S ‘Hanuman Dhoka’ won first,<br />
second and third prizes respectively in the<br />
Craft div<strong>is</strong>ion while Shyam S Yadav’s ‘Ram<br />
Mala’ and Thirtha M Sthapit’s<br />
‘Swaymbhunath’ received special prizes.<br />
Regional award winners were Chhetra L<br />
Kayastha (West Region), Uttam Shakya<br />
(Middle Region) and Tirtha Niraula (East<br />
Region) for ‘Dui Thopa Aansu’,<br />
‘Akshobhya Mandal’ and ‘Ganesh’<br />
respectively. S<br />
FRAGMENTS OF A JOURNEY<br />
Aditi Sadhu Chakraborty’s 2 nd solo<br />
exhibition titled ‘Fragments of a Journey’<br />
was held at the Park Gallery from 18 th to<br />
31 st January 2006. The art<strong>is</strong>t has described<br />
her works as responses to her experiences<br />
in her life’s journey. Intelligent colour<br />
schemes are a particularly attractive element<br />
of her paintings and enliven the various<br />
different fragments in her canvases. Although Aditi claims to<br />
have responded spontaneously while bestowing the fragments<br />
with form and colour, the neat symmetry in all her canvases<br />
forces one to think that perhaps the art<strong>is</strong>t could not have escaped<br />
a very conscious move towards creating a basic harmony.<br />
Which <strong>is</strong> not a bad thing really, since the results have turned out<br />
to be very pleasing to the eye as well as to the senses. .The<br />
d<strong>is</strong>cerning viewer will surely appreciate the art<strong>is</strong>t’s originality<br />
even if shades of cub<strong>is</strong>m do seem to have a role to play in<br />
defining her style. S<br />
CULTURAL STUDIES GROUP OF NEPAL<br />
The Cultural Studies Group of Nepal (CSGN) was set up in<br />
2000 to learn more about the arts and cultures of Nepal in a<br />
setting where Nepal<strong>is</strong> and expatriates could share their common<br />
interests in such matters. To achieve th<strong>is</strong> aim, CSGN organizes<br />
a monthly lecture series on the last Friday of every month at<br />
9:30 AM at the Shanker Hotel. CSGN also has a schedule of<br />
mid-monthly studio v<strong>is</strong>its to learn about h<strong>is</strong>toric and religious<br />
sites, local arts, crafts and antiques.<br />
Some lectures held in 2005 were on ‘Nepali Resilience’ by Kunda<br />
Dixit, ‘Life Behind the Camera’ by Dianne Summers, ‘The Plight<br />
of Widows in Nepal’ by Lily Thapa and ‘Lain Singh Bangdel-<br />
Writer, Painter and Art H<strong>is</strong>torian of Nepal’ by Don<br />
Messerschmidt. On Friday, 27 th January 2006, ‘The New Realities<br />
of Nepalese Art’ was presented by Art Curator Sangeeta Thapa.<br />
Her 40 minutes audio-v<strong>is</strong>ual presentation included a brief h<strong>is</strong>tory<br />
of Nepalese art as well as the effects of conflict and<br />
contemporary concerns on the same. S<br />
20 MAR-APR 2006 SPACES