Ink Drift - July
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Issue 12 - Fear<br />
The Banyan Tree of Deuli<br />
crime even before he is taken to the tree<br />
because he will be forever damned with<br />
nightmares and guilt.”<br />
He went on marveling and laughing<br />
some more, ignorant of the fact that I<br />
was lagging behind, once again frozen<br />
in my steps. I bent down on a knee and<br />
started to tie my shoe lace again, keeping<br />
my eyes to the ground.<br />
“Some see them; I killed a dog and now<br />
I see, too”, I remembered the words<br />
of the boy. I killed my wife and I see,<br />
too, the realization came to me. I had<br />
learned to ignore the truth but after<br />
twenty-seven years it came rushing<br />
through my memories like water from a<br />
broken dam. It all came back: the sunny<br />
afternoon in the hills of Mussoorie, the<br />
sunset, the cliff; that simmering dissatisfaction<br />
I had harbored against my<br />
wife; she had inherited a fortune from<br />
her industrialist father yet was loath to<br />
invest even a single penny in my dream<br />
project.<br />
For her movie-making was only a<br />
business and when it came to balance-sheets<br />
and prospects of profit,<br />
even her husband’s aspirations turned<br />
to dust. “It wouldn’t work in the first<br />
place,” she had said, rejecting the script<br />
brusquely. That was when I had decided<br />
she needed to go. I had pushed her<br />
down the cliff. Her death got me enough<br />
to make a start in film-making. And so<br />
far I had no reason to complain. All was<br />
well, until now.<br />
“Boss, are you okay?” someone placed<br />
a hand on my shoulder and it took me<br />
the stupendous courage to stop myself<br />
from screaming. It was one of my crew<br />
members bending over with anxiety.<br />
“You’ve been sitting like that for more<br />
than a minute.” He pointed at the looming<br />
foliage of the banyan up ahead. “Let’s<br />
get into the shade; I’ll get you some water.<br />
Your face is white, you’re sweating.<br />
Come on.”<br />
I took his proffered hand and got up on<br />
my feet. Dragging my feet toward the<br />
tree was the most difficult task possible<br />
then. I didn’t want anyone to get the<br />
impression I could see the dead. The boy<br />
gave me a bottle of water and I closed my<br />
eyes as I tilted my head backward for the<br />
drink. I didn’t want to see what was up<br />
there.<br />
“What are the pages of our script doing<br />
here,” I heard the screenwriter shout.<br />
“The pages are all missing. And there<br />
were notes scribbled on it!”<br />
My cameraman gestured at me. “Boss,<br />
the equipment is still malfunctioning. I<br />
don’t get why. I mean we have fresh cells,<br />
a tip-top generator, and all other riff-raff<br />
and yet.”<br />
CHIRR-CREAK-CHIRR-CREAK—the<br />
ropes groaned above me.<br />
I didn’t hear what the man was saying. I<br />
lifted my eyes and to my immense relief,<br />
saw only the branches and snaking roots<br />
hanging down and the crows on them.<br />
They were still there; blinking their<br />
beady, dark eyes, cocking their pointed<br />
bills left and right. They were all looking<br />
at me, I know I wasn’t imagining that.<br />
“Boss?” the cameraman repeated. I<br />
pulled my gaze away, forced myself to<br />
not look up anymore. For I knew I would<br />
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