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Ink Drift - July

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Issue 12 - Fear<br />

The Banyan Tree of Deuli<br />

crime even before he is taken to the tree<br />

because he will be forever damned with<br />

nightmares and guilt.”<br />

He went on marveling and laughing<br />

some more, ignorant of the fact that I<br />

was lagging behind, once again frozen<br />

in my steps. I bent down on a knee and<br />

started to tie my shoe lace again, keeping<br />

my eyes to the ground.<br />

“Some see them; I killed a dog and now<br />

I see, too”, I remembered the words<br />

of the boy. I killed my wife and I see,<br />

too, the realization came to me. I had<br />

learned to ignore the truth but after<br />

twenty-seven years it came rushing<br />

through my memories like water from a<br />

broken dam. It all came back: the sunny<br />

afternoon in the hills of Mussoorie, the<br />

sunset, the cliff; that simmering dissatisfaction<br />

I had harbored against my<br />

wife; she had inherited a fortune from<br />

her industrialist father yet was loath to<br />

invest even a single penny in my dream<br />

project.<br />

For her movie-making was only a<br />

business and when it came to balance-sheets<br />

and prospects of profit,<br />

even her husband’s aspirations turned<br />

to dust. “It wouldn’t work in the first<br />

place,” she had said, rejecting the script<br />

brusquely. That was when I had decided<br />

she needed to go. I had pushed her<br />

down the cliff. Her death got me enough<br />

to make a start in film-making. And so<br />

far I had no reason to complain. All was<br />

well, until now.<br />

“Boss, are you okay?” someone placed<br />

a hand on my shoulder and it took me<br />

the stupendous courage to stop myself<br />

from screaming. It was one of my crew<br />

members bending over with anxiety.<br />

“You’ve been sitting like that for more<br />

than a minute.” He pointed at the looming<br />

foliage of the banyan up ahead. “Let’s<br />

get into the shade; I’ll get you some water.<br />

Your face is white, you’re sweating.<br />

Come on.”<br />

I took his proffered hand and got up on<br />

my feet. Dragging my feet toward the<br />

tree was the most difficult task possible<br />

then. I didn’t want anyone to get the<br />

impression I could see the dead. The boy<br />

gave me a bottle of water and I closed my<br />

eyes as I tilted my head backward for the<br />

drink. I didn’t want to see what was up<br />

there.<br />

“What are the pages of our script doing<br />

here,” I heard the screenwriter shout.<br />

“The pages are all missing. And there<br />

were notes scribbled on it!”<br />

My cameraman gestured at me. “Boss,<br />

the equipment is still malfunctioning. I<br />

don’t get why. I mean we have fresh cells,<br />

a tip-top generator, and all other riff-raff<br />

and yet.”<br />

CHIRR-CREAK-CHIRR-CREAK—the<br />

ropes groaned above me.<br />

I didn’t hear what the man was saying. I<br />

lifted my eyes and to my immense relief,<br />

saw only the branches and snaking roots<br />

hanging down and the crows on them.<br />

They were still there; blinking their<br />

beady, dark eyes, cocking their pointed<br />

bills left and right. They were all looking<br />

at me, I know I wasn’t imagining that.<br />

“Boss?” the cameraman repeated. I<br />

pulled my gaze away, forced myself to<br />

not look up anymore. For I knew I would<br />

PAGE 23<br />

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