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Global Reggae Charts - Issue #5 / September 2017

Inside you can find the latest reggae album and single charts based on votes by radio DJs and music directors from around the world.

Inside you can find the latest reggae album and single charts based on votes by radio DJs and music directors from around the world.

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issue # 5 | september <strong>2017</strong><br />

monthly magazine<br />

featured voter<br />

Karsten Frehe - Germany<br />

featured artist<br />

Hempress<br />

Sativa<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


global reggae charts | issue 4 / august <strong>2017</strong>


editorial<br />

Welcome to a new edition of the <strong>Global</strong> <strong>Reggae</strong> <strong>Charts</strong>! We are five months in and the charts are<br />

becoming. But we are still far from being contempt. Last month, I talked about improving our editorial<br />

concept. This quickly developed into internal talks about overhauling our website.<br />

We launched with a quick implementation of the site in order to get things going without committing<br />

too many resources (after all, this is still a project we realize in our spare time). But by now we<br />

have the core piece, the voting system in place and think that it’s robust enough to proceed on that<br />

basis. Thus, we can now set our eyes on new goals.<br />

Relaunching our site and making it a better experience and a more inviting place on the internet is<br />

high on our priority list. Some ideas are pretty straight forward. Putting more data and content on<br />

the site in a native web format - and not only in the form of our e-zine - is an obvious next step. As<br />

I mentioned in the last edition’s editorial, we don’t aim to become another media outlet. Rather, we<br />

are going to focus on the charts and some industry-specific content.<br />

So far, we haven’t worked out a detailed plan for the relaunch yet. We’ll begin the real work at the<br />

end of the year. However, we are already collecting ideas. Our major question in that regard is:<br />

How can the <strong>Global</strong> <strong>Reggae</strong> <strong>Charts</strong> website provide the utmost value to its users? And, since it<br />

determines the answer to the former question: Who are our users?<br />

In order to get a better idea of the latter, we set up a brief reader poll last month. You can still<br />

participate at http://bit.ly/globalreggae. Moreover, if you have ideas how we can improve globalreggaecharts.com,<br />

please drop us a line at info@globalreggaecharts.com. We are grateful for any<br />

input!<br />

Moreover, we are also very open for new collaborators. So, if you are interested in contributing to<br />

the <strong>Global</strong> <strong>Reggae</strong> <strong>Charts</strong>, we’d be very interested to hear from you. At this point in time, I don’t<br />

want limit your suggestions as helping hands are generally a good thing. But of course there are<br />

a couple of things that would be particularly useful: web development, music and reggae industry-specific<br />

writing (or other content!) or data science. But as I said before: these are only some<br />

things that come to mind. If you are interested in contributing in whatever capacity: write to<br />

info@globalreggaecharts.com. with a brief introduction and some lines on why/how you want to<br />

support. We’ll get back to you as soon as possible!<br />

Cheers<br />

Thomas<br />

Thomas Euler is founder of the German reggae & dancehall blogazine<br />

whagwaan-magazine.de // feedback: info@globalreggaecharts.com<br />

1<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


Album single <strong>Charts</strong> | top 20<br />

Period<br />

Ending 31/08/<strong>2017</strong><br />

Contributing voters: 56<br />

europe<br />

# LM 2M PK Mo Artist Single Label<br />

↑ 1 3 2 1 3 Kabaka Pyramid Can‘t Breathe Ghetto Youths International<br />

↑ 2 15 - 2 4 Samory I Rasta Nuh Gangsta Rorystonelove / Black Dub<br />

+ 3 - - 3 1 Alborosie Living Dread Baco<br />

↑ 4 7 12 4 4 Hempress Sativa Rock It Ina Dance Conquering Lion<br />

5 1 1 1 3 Damian Marley Medication feat. Stephen Marley Universal<br />

+ 6 - - 6 1 Capital Letters Judgement Day Sugar Shack<br />

7 2 4 2 4 Chronixx Skanking Sweet Virgin<br />

8 4 8 3 4 Protoje Blood Money Mr Bongo<br />

↑ 9 13 - 9 2 Estelle Love Like Ours feat. Tarrus Riley VP<br />

10 9 - 7 3 Collie Buddz Good Life Harper Digital<br />

11 10 - 10 2 Jesse Royal Always Be Around Easy Star<br />

↑12 14 6 1 5 Talisman Relijan Sugar Shack<br />

13 6 11 4 4 Morgan Heritage We Are feat. Kabaka Pyramid & Dre Island Cool To Be Conscious<br />

14 11 10 10 5 Hempress Sativa Fight For Your Rights Conquering Lion<br />

+ 15 - - 15 1 Pressure Busspipe Sensi Jah Mikey One & Haze St. Dub<br />

16 8 13 2 5 Havana meets Kingston Carnival feat. Solis & Randy Valentine Baco<br />

+ 17 - - 17 1 Black Roots I Believe feat. Jah Garvey Nubian<br />

+ 18 - - 18 1 Dubmatix Roll Dem feat. Gappy Ranks Dub Arc<br />

+ 19 - - 19 1 Cornell Campbell My Roots Girl Med Tone<br />

+ 20 - - 20 1 Cookie The Herbalist Eaze! feat. Lee „Scratch“ Perry Boomrush<br />

+ 20 - - 20 1 Mungo‘s Hi Fi Amsterdam feat. Eva Lazarus Scotch Bonnet<br />

+ 20 - - 20 1 Jesse Royal Generation feat. Jo Mersa Marley Easy Star<br />

Samory I<br />

Hempress Sativa Kabaka Pyramid Alborosie Dubmatix<br />

global reggae charts | issue 5 / sept <strong>2017</strong> 2


Album <strong>Charts</strong> | top 10<br />

Period<br />

Ending 31/08/<strong>2017</strong><br />

Contributing voters: 44<br />

europe<br />

# LM 2M PK Mo Artist Album Label<br />

↑ 1 2 - 1 2 Samory I Black Gold Rorystonelove / Black Dub<br />

2 1 - 1 2 Chronixx Chronology Virgin<br />

3 3 - 3 2 Damian Marley Stony Hill Republic<br />

↑ 4 5 7 2 5 Inna De Yard The Soul of Jamaica Wagram / Chapter Two<br />

↑ 5 7 8 1 5 Nattali Rize Rebel Frequency Baco<br />

↑ 6 9 - 6 2 Perfect Giddimani Live My Life Again Giddimani<br />

7 6 2 2 3 Morgan Heritage Avrakedabra Cool To Be Conscious<br />

+ 8 - - 8 1 Alborosie Freedom In Dub VP<br />

+ 8 - - 8 1 Christos DC Tessera Honest Music<br />

+ 10 - - 10 1 Illbilly Hitec One Thing Leads to Another Echo Beach<br />

Perfect Giddimani<br />

Alborosie<br />

Illbilly Hitec<br />

Samory I<br />

Christos DC<br />

# = this month’s position on the chart LM = last month’s position on the chart 2M = position two months ago<br />

PK = peak position MO = months on the chart ↑= signifies upward movement + = new entry<br />

#make your vote on<br />

globalreggaecharts.com<br />

3<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


global reggae charts | issue 5 / sept <strong>2017</strong> 4


WEB<br />

RADIO<br />

GERMANY<br />

global reggae charts<br />

featured voter<br />

INTERVIEW<br />

For the fifth issue of our magazine we talked to<br />

Karsten Frehe, who presents his show „Forward the<br />

Bass“ at the awarded internet station Byte FM.<br />

<strong>Global</strong> <strong>Reggae</strong> <strong>Charts</strong>: Can you please introduce<br />

yourself and your radio show!<br />

Karsten: My name is Karsten Frehe and I am working<br />

as an art and geography teacher at a school in<br />

Hamburg. For a really long time now, <strong>Reggae</strong> and<br />

especially Dub have also been very important to me.<br />

I started Irie Ites (Germany) in 1995. Since then I have<br />

been writing reviews and articles for different magazines,<br />

especially the German Riddim mag, as well. In<br />

November 2014 I started my radio show at ByteFM.<br />

ByteFM is a very well-known and influencial German<br />

webradio based in Hamburg. Check it out at www.<br />

byte.fm.<br />

short FACTS<br />

Station: Byte FM<br />

Location: Hamburg<br />

Show: Forward The Bass<br />

Host: Karsten Frehe<br />

On air: Monday 18:00 to 19:00 CEST (UTC+2)<br />

https://www.byte.fm/sendungen/<br />

forward-the-bass/<br />

GRC: What are the features you like better about<br />

radio than the website? And the other way around?<br />

K: Radio is more spontaneous and I can play a big<br />

variety of tunes without having to write articles or<br />

reviews about the artists. I include old and new tunes<br />

with different flavours of reggae inspired music. The<br />

website takes a lot more time to work on. You need to<br />

listen to the music closely in order to write a proper<br />

review or article.<br />

GRC: What spectrum of music do you play in your<br />

show and which artists have you found most inspiring<br />

lately?<br />

GRC: You have been involved with Irieites.de for a<br />

long time. How did you become a radio DJ?<br />

K: Irie Ites started as a radio show in 1995 and is still<br />

running at a local public radio in Kassel. After that<br />

the sound system, website and label were founded.<br />

I left Kassel in 1998 and others took over the radio<br />

show. But radio has always been a major interest of<br />

mine, so I knocked on the door of ByteFM and since<br />

then I’ve been broadcasting again.<br />

K: Like I have said, the variety is pretty big. I am a<br />

fan of roots reggae, digital dancehall, rock steady,<br />

ska and especially dub. I am not a big fan of modern<br />

roots any more, because the lyrical contents and the<br />

music seem to stay the same and some of the releases<br />

are really uninspired. But I definitely find loads of<br />

fine and exciting music in the global dub scene. Here<br />

is a little namedropping, of what I have been playing<br />

lately: Stand High Patrol, Roger Robinson, Dub Dynasty,<br />

Dubmatix, Vibronics, Aldubb and a lot more.<br />

Next to that scene, you can find jewels of releases in<br />

other genres of reggae, like the amazing rock steady<br />

album „Nothing More To Say“ by The Frightnrs. Of<br />

the newer releases, I have been playing almost every<br />

tune from the exceptional album „Hira“ by Meta &<br />

The Cornerstones.<br />

5<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


Hempress<br />

Sativa<br />

global reggae charts | issue 5 / sept <strong>2017</strong> 8


ARTIST FEATURE<br />

global reggae charts<br />

featured artist<br />

Women in <strong>Reggae</strong><br />

Text: Thomas Euler // whagwaan-magazine.de<br />

<strong>Reggae</strong> and dancehall historically both had their fair<br />

share of highly talented and artistically impactful<br />

women. Still, by and large the two genres certainly<br />

qualify as male-dominated. For every Marcia Griffith,<br />

Sister Nancy, Tanya Stephens or Lady Saw, there<br />

always used to be a multiple of male artists with<br />

comparable standing. At least when judging on the<br />

grounds of their commercial success which often<br />

didn’t measure up to the critical acclaim and the<br />

fan’s appreciation. Multiple factors contributed to<br />

that development, ranging from industry dynamics<br />

(some might describe them as patriarchal) to societal<br />

structures.<br />

What certainly didn’t contribute is a lack of talent. Through<br />

the years, the great ladies of reggae have created<br />

some of the genre’s very best records, among<br />

them several all-time classics. As such, it is great to<br />

see that today’s generation of reggae and dancehall<br />

artists features a number of women at the forefront:<br />

Jah9, Etana and Spice are among Jamaica’s most notorious<br />

artists. And the Australian singer Nattali Rize<br />

has gained momentum internationally (her current<br />

album Rebel Frequency topped the <strong>Global</strong> <strong>Reggae</strong><br />

<strong>Charts</strong> for two months straight).<br />

And once you look under the surface and dig a bit<br />

deeper than the highest-profile names, you’ll find a<br />

lot more. There is a whole bunch of highly talented<br />

and very promising young women like Xana Romeo,<br />

Toian, LMK, Marcy Chin, Ishawna, Sevana or<br />

Shanique Marie. None of them appears to be contempt<br />

with the status-quo of women in reggae. And,<br />

more importantly, none them seems particularly affected<br />

by historical limitations the genre might have<br />

put in front of female artists.<br />

Another name that definitely needs to be mentioned<br />

in that context is Hempress Sativa. In early <strong>2017</strong>, she<br />

released her debut album Unconquerebel which<br />

gained a lot of positive feedback from fans, critics<br />

and fellow musicians alike. Before that, her single<br />

Rock It Ina Dance had already achieved notoriety<br />

on dances and radio alike. The song illustrated that<br />

Hempress is well-versed in old school dancehall<br />

vibes and capable of reworking them into a fresh<br />

sound. To get there, she worked with no other than<br />

Hopeton Overton Brown - better known as Scientist.<br />

Having a reggae and dub legend in her inner circle -<br />

Scientist mixed another three songs from the album<br />

- is a good indication of her appreciation for the<br />

music’s pioneers.<br />

Which isn’t a coincidence. Her father, Albert “Ilawi<br />

Malawi” Johnson, used to be a selektor at Jah Love<br />

Muzik, a Sound System that was pretty popular from<br />

the late 70’s throughout the 80’s. Growing up in a<br />

musical household meant Kerida Johnson (Sativa’s<br />

birth name) came in contact with reggae music from<br />

a very early age. In comparison to other kids whose<br />

parents are music fans, though, said contact wasn’t<br />

limited to listening to the music. Instead, by virtue<br />

of having a music professional as a parent, she also<br />

learnt what it means to be in the music industry.<br />

That, interestingly, isn’t an uncommon theme among<br />

today’s generation of Jamaican artists. Here is a brief<br />

(and very incomplete!) list of artists whose parents<br />

were professionally involved with reggae in some<br />

capacity:<br />

- Chronixx (father: Chronicle, singer)<br />

- Protoje (mother: Lorna Bennett, singer)<br />

- Keznamdi (both parents: Chakula, band)<br />

- Xana Romeo (father: Max Romeo, singer)<br />

- Marley siblings (father: Bob Marley, singer;<br />

- Stephen & Ziggy also: mother: Rita Marley, singer)<br />

- Queen Ifrica (father: Derrick Morgan, singer)<br />

- Ishawna (father: Don Angelo, singer)<br />

- Meleku (father: Sizzla, singer)<br />

- and many more<br />

7<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


global reggae charts<br />

featured artist<br />

Now, don’t get me wrong: That’s neither a criticism<br />

nor would I dare say that “your career is simply the<br />

child of your parent’s success. It still takes talent,<br />

effort and one’s creative vision - and in many cases<br />

very likely a lot of thick skin to deal with such accusations<br />

and the inner conflicts they can produce.<br />

Instead, I regard it as an entirely positive thing. More<br />

knowledge about how the game is being played makes<br />

for better players and results.<br />

And this can easily be witnessed when looking at<br />

Hempress Sativa’s work. Although her career is arguably<br />

still in its early stages, she has put out some<br />

very ripe music already. She clearly has the vibes<br />

and the talent. Also, she managed to work with some<br />

great collaborators; Scientist is only one example.<br />

Others are drummer Kirk Bennett, guitarist Earl<br />

“Chinna” Smith or Errol “Flabba” Holt who bring<br />

many combined decades of reggae experience to the<br />

(studio) table. And, most importantly, she knows how<br />

to bring all this together into a compelling package.<br />

A feat that takes many years of experience. Which<br />

she started to make from early on.<br />

Projecting the future is generally an inaccurate science<br />

and probably twice so in the world of music.<br />

But if Kerida Johnson continues on her current path,<br />

it’s hard to see why her next endeavors shouldn’t be<br />

leading her to good places. She is one of the most<br />

exciting female reggae artists. And she’s part of a<br />

generation that could change the entire perception of<br />

what it means to be a woman in reggae.<br />

title: Hempress Sativa - Unconquerebel<br />

label: Conquering Lion Records<br />

release date: 07|01|<strong>2017</strong><br />

global reggae charts | issue 5 / sept <strong>2017</strong><br />

8


ON Air<br />

global reggae charts<br />

radio shows<br />

Canada<br />

Radio Regent<br />

ItaL rOOts RaDio<br />

with Sweet T & MAdCast-Fuji<br />

Tuesday - 3:00 pm EDT/UTC-4<br />

Germany<br />

Antenne Münster<br />

COOL & DEADLY<br />

with Roots Operator Wolle<br />

4. Saturday - 8:00 pm CEST/UTC+2<br />

Germany<br />

Radio Regentrude<br />

GLOBAL REGGAE CHARTS<br />

with Brigitte Reinert<br />

Last Friday - 8:00 pm CEST/UTC+2<br />

Italy<br />

Radio Popolare Network<br />

REGGAE RADIO STATION<br />

with Vitowar<br />

Last Sunday - 11:45 pm CEST/UTC+2<br />

Italy<br />

Atom Radio<br />

<strong>Global</strong> <strong>Reggae</strong> <strong>Charts</strong><br />

Sunday 5:00 pm CEST/UTC+2<br />

Norway<br />

Radio Nova<br />

Oslo <strong>Reggae</strong> Show<br />

with Dominic Reuben & Selecta Harmony<br />

Last Tuesday 21:30 - 23:30 CEST/UTC+2<br />

UK<br />

Black Country Radio<br />

RIDDIM SESSIONS<br />

with Kevin Moore<br />

Friday - 1:00 am BST/UTC+1<br />

UK<br />

Radio St. Austell Bay 105.6 FM<br />

A-Z of <strong>Reggae</strong><br />

with Mark Norman<br />

Last Sunday - 4:00 pm BST/UTC+1<br />

UK<br />

Vibes FM<br />

REGGAEMYLITIS<br />

with Sarah C<br />

Last Wednesday - 6:00 pm BST/UTC+1<br />

USA<br />

Islandah Radio<br />

GLOBAL REGGAE CHARTS<br />

with Duke Locario<br />

Last Friday - 10:00 pm EDT/UTC-4<br />

Venezuela<br />

Radio Nacional de Venezuela<br />

DESDE EL GHETTO<br />

with George Dread<br />

2. & 4. Saturday - 11:00 am VET/UTC-4<br />

9<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


global reggae charts<br />

voters<br />

global<br />

VoterS<br />

Argentina<br />

La De Dios / Music Director<br />

Australia<br />

2BOB Radio / Roots‘n‘<strong>Reggae</strong> Show<br />

897FM / Ital Galore<br />

Belgium<br />

Radio Centraal / Back 2 Bass<br />

Canada<br />

CFRU-FM / The Crooked Beat<br />

Radio Regent / ItaL rOOts RaDio<br />

Costa Rica<br />

Radio Urbano 105.9FM / Di Docta Show<br />

Croatia<br />

<strong>Reggae</strong>.hr / Editor<br />

Denmark<br />

Station Amager / <strong>Reggae</strong> Moods<br />

France<br />

La Grosse Radio - <strong>Reggae</strong> / Program Director<br />

Radio Mille Pattes / Zion High Station<br />

World-A-<strong>Reggae</strong> / Editor<br />

Germany<br />

Ablazin Radio / Host<br />

Antenne Münster 95.4 / Cool & Deadly<br />

ByteFM / Forward The Bass<br />

Freies Radio Kassel / Irie Ites Radioshow<br />

querfunk / DREADheadz AJ<br />

Radio Leinehertz 106.5 / Wha Gwaan<br />

Radio Regentrude / Music Director<br />

Radio StHörfunk / Sluggish Radio Show<br />

Radio Top40 / Host<br />

Radio Z 95.8 / Rastashock<br />

<strong>Reggae</strong>ville / Author<br />

<strong>Reggae</strong>ville / CEO<br />

Radio Xanthi One / Music Director<br />

<strong>Reggae</strong>Yard / <strong>Reggae</strong>Yard<br />

Israel<br />

Kol Hanegev 106.4 FM / Ba Ba <strong>Reggae</strong><br />

Italy<br />

Atom Radio / Host<br />

Jammonite Radio / <strong>Reggae</strong> New Releases<br />

Radio Popolare Network / <strong>Reggae</strong> Radio Station<br />

Radio Popolare Verona / Exodus<br />

Radio Web-Base / <strong>Reggae</strong> Music<br />

Jamaica<br />

Blitz Radio 2000 / Music Director<br />

Netherlands<br />

Impact AM / Music Director<br />

NPO FunX / Music Director<br />

World A <strong>Reggae</strong> / CEO<br />

Norway<br />

Radio Nova / Oslo <strong>Reggae</strong> Show<br />

Poland<br />

Polskie Radio Czwórka / Strefa Dread<br />

Radio Kampus / Dancehall Masak-Rah<br />

Radio Oko / <strong>Reggae</strong> Jazda<br />

Russia<br />

Daily Vibes / Editor<br />

Switzerland<br />

Jam On Radio / Music Director<br />

UK<br />

fuzionlive.com / <strong>Reggae</strong> Takeover<br />

Radio St Austell Bay / A-Z of <strong>Reggae</strong><br />

<strong>Reggae</strong> Roots Review / <strong>Reggae</strong> Roots Review<br />

Vibes FM / <strong>Reggae</strong>mylitis<br />

USA<br />

Island Stage Magazine / CEO<br />

KAZI 88.7 FM / <strong>Reggae</strong> Evolution<br />

KDUR FM / Heart Beat of Zion<br />

KPOV 88.9 FM / The Coop<br />

<strong>Reggae</strong> King Radio / <strong>Reggae</strong> Rhapsody<br />

<strong>Reggae</strong> Music Forward / Host<br />

WBZC 88.9 FM / Sounds of the Caribbean<br />

WORT 89.9 FM / Tropical Riddims<br />

WZBC Boston College Radio 90.3 FM /<br />

Raggamuffin International<br />

Venezuela<br />

Radio Nacional de Venezuela / Desde El Ghetto<br />

global reggae charts | issue 5 / sept <strong>2017</strong> 10


media partners<br />

Imprint<br />

Publisher:<br />

Boomrush Productions<br />

Tondernstr. 14<br />

26127 Oldenburg<br />

Germany<br />

Editor-in-Chief:<br />

Felix Rühling<br />

info@globalreggaecharts.com<br />

Author:<br />

Thomas Euler<br />

whagwaan-magazine.de<br />

Art Director:<br />

Solvey Schönknecht<br />

Advertising:<br />

Felix Rühling<br />

info@globalreggaecharts.com<br />

© Boomrush Productions <strong>2017</strong><br />

All rights reserved.<br />

Reproduction in part or whole is strictly<br />

prohibited without prior consent or<br />

authorization from the publisher.<br />

Website:<br />

https://globalreggaecharts.com<br />

11<br />

global reggae charts | issue 5 / sept <strong>2017</strong>


global reggae charts | issue 5 / sept <strong>2017</strong>

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