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What is the message you’re trying to<br />
convey through your art?<br />
You know, my work is based on the<br />
Arabic proverbial tradition, when the<br />
name comes after the message. Arabic<br />
proverbs became one of the main forms<br />
of communication, partly because of<br />
their ability to add wisdom to day-to-day<br />
conversations. So I always try to write<br />
messages, or something that has meaning<br />
that is relevant to the place where I’m<br />
painting. For example what I am writing<br />
in Bahrain will be different from what I<br />
am going to paint in Paris or South Africa.<br />
I really try to make sure that what I am<br />
writing, the people of the community can<br />
connect to it. The goal that I have is using<br />
this art as a way of bringing people and<br />
culture and generations all together. And<br />
I saw it happening. You look at the media<br />
today talking about using Arabic script<br />
to bring culture together, it can be ironic,<br />
but I definitely experienced it and saw<br />
how it works. You see how people get so<br />
emotional. Arabic script has this power of<br />
bringing emotion, even if you don’t read<br />
Arabic or you don’t have a connection<br />
with the Arabic world.<br />
Can you tell us what you’re doing<br />
in Bahrain and the message you're<br />
conveying?<br />
So here in Bahrain, this is a<br />
commissioned project for Bahrain Bay.<br />
The goal was to bring more art into the<br />
public space. I used this poem from Ali Al<br />
Sharqawi, a poet from Bahrain, a famous<br />
poem that has been turned into a song.<br />
So this is my way. After this project I will<br />
leave, but I am leaving that (my work) here<br />
and I want people to get this connection<br />
and know the artwork. And for me it<br />
will make no sense to use poetry from<br />
somewhere else. I know Ali Al Sharqawi<br />
is really well known and respected for his<br />
poetry.<br />
In your opinion, what kind of value does<br />
art add to cities and countries?<br />
I think despite the aesthetic beauty<br />
that is a part of it, the power of art allows<br />
and opens conversations between people;<br />
you can raise an issue just by painting,<br />
open a discussion about a problem<br />
like a community. It can bring light to<br />
community by painting in a place, and<br />
you can bring people together just by<br />
creating an art piece. I explained that<br />
in so many places, how you can bring<br />
people from totally different backgrounds<br />
and they come together just to create<br />
something. I always try to have this<br />
collaborative thing going where I bring<br />
people from a community to help me in a<br />
certain way and many places I see people<br />
get together. Art is a way to bring people<br />
from different points of view which they<br />
will never admit if they didn’t meet at a<br />
neutral zone like this.<br />
You being here and working in this public<br />
space has created quite a lot of buzz.<br />
People are excited. So I think you have<br />
brought the community together already.<br />
Oh I hope so.<br />
You have said earlier in other interviews<br />
and on your website that you bring<br />
cultures together through your art, so I<br />
guess this here, is what you meant?<br />
Yes exactly this! I painted a few<br />
years ago in Brazil, inside the Vidiga<br />
Favela and this is what I did. I used this<br />
poem from this woman from the Favela,<br />
Gabriela Torres Barbosa, and the poem<br />
was actually homage to the people of<br />
the Favela. So I translated it in Arabic<br />
and then painted on this rooftop. And<br />
people in the beginning were intrigued<br />
to see this, I think they never had any<br />
connection with Arab people or Arabic<br />
before, so I explained to them that this is<br />
what I do, I am an artist, I use Arabic script<br />
as my medium of art. And amazingly,<br />
they connected to it when I told them<br />
the meaning of it. And then they grew<br />
to respect the piece and they preserve it<br />
because then the piece becomes part of<br />
them, part of the community. This is how<br />
we bring art and use it, and how we bring<br />
culture together. An Arab artist, painting<br />
a Portuguese saying inside a Brazilian<br />
community!<br />
I remember this woman came to me<br />
(in Brazil) and told me look I have this<br />
thing I had in my house for 20 years and<br />
it was actually a frame with a verse from<br />
the Quran and she didn’t know what<br />
it meant. She was like, I had this and<br />
nobody could ever tell me what it meant.<br />
When I explained to her, she was so happy<br />
to finally know what this frame that was<br />
hanging in her house for years meant.<br />
What has been your impression of<br />
Bahrain in your time here?<br />
Bahrain is a small place but super<br />
cozy and I feel like people are so<br />
welcoming. For example I put this stuff on<br />
Instagram saying “Bahrain? If you know<br />
this spot, bring kadak.’<br />
And yesterday I think I had so much<br />
kadak. So many people… not even talking<br />
to us, just dropping it inside the tent<br />
and driving off in their cars. So it’s kind<br />
of a big village and it’s what I love the<br />
most about Bahrain, the fact that they<br />
preserved the culture and the old ways…<br />
like when you go to Muharraq and you see<br />
how the old houses have been maintained<br />
and preserved. I think this is encouraging<br />
for the Arab society to see how you<br />
preserve your heritage and you are proud<br />
of it and make it modern in certain ways;<br />
you carry your tradition and your past and<br />
move with it to the future.<br />
It’s been a hectic schedule.<br />
Yeah we start maybe 8.30 in the<br />
morning and yesterday we stayed maybe<br />
till 8pm so yeah we have to. The weather<br />
has been good. We have the breeze from<br />
the sea so it’s ok.<br />
What’s next?<br />
I have a few gallery shows. One in<br />
Cairo, from a project I did a few months<br />
ago and then I have a show in Italy in<br />
March and then India for a personal<br />
project, which is highly confidential, so I<br />
don’t want to say anything.<br />
16 <strong>December</strong> <strong>2016</strong>