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BizBahrain_December_2016

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What is the message you’re trying to<br />

convey through your art?<br />

You know, my work is based on the<br />

Arabic proverbial tradition, when the<br />

name comes after the message. Arabic<br />

proverbs became one of the main forms<br />

of communication, partly because of<br />

their ability to add wisdom to day-to-day<br />

conversations. So I always try to write<br />

messages, or something that has meaning<br />

that is relevant to the place where I’m<br />

painting. For example what I am writing<br />

in Bahrain will be different from what I<br />

am going to paint in Paris or South Africa.<br />

I really try to make sure that what I am<br />

writing, the people of the community can<br />

connect to it. The goal that I have is using<br />

this art as a way of bringing people and<br />

culture and generations all together. And<br />

I saw it happening. You look at the media<br />

today talking about using Arabic script<br />

to bring culture together, it can be ironic,<br />

but I definitely experienced it and saw<br />

how it works. You see how people get so<br />

emotional. Arabic script has this power of<br />

bringing emotion, even if you don’t read<br />

Arabic or you don’t have a connection<br />

with the Arabic world.<br />

Can you tell us what you’re doing<br />

in Bahrain and the message you're<br />

conveying?<br />

So here in Bahrain, this is a<br />

commissioned project for Bahrain Bay.<br />

The goal was to bring more art into the<br />

public space. I used this poem from Ali Al<br />

Sharqawi, a poet from Bahrain, a famous<br />

poem that has been turned into a song.<br />

So this is my way. After this project I will<br />

leave, but I am leaving that (my work) here<br />

and I want people to get this connection<br />

and know the artwork. And for me it<br />

will make no sense to use poetry from<br />

somewhere else. I know Ali Al Sharqawi<br />

is really well known and respected for his<br />

poetry.<br />

In your opinion, what kind of value does<br />

art add to cities and countries?<br />

I think despite the aesthetic beauty<br />

that is a part of it, the power of art allows<br />

and opens conversations between people;<br />

you can raise an issue just by painting,<br />

open a discussion about a problem<br />

like a community. It can bring light to<br />

community by painting in a place, and<br />

you can bring people together just by<br />

creating an art piece. I explained that<br />

in so many places, how you can bring<br />

people from totally different backgrounds<br />

and they come together just to create<br />

something. I always try to have this<br />

collaborative thing going where I bring<br />

people from a community to help me in a<br />

certain way and many places I see people<br />

get together. Art is a way to bring people<br />

from different points of view which they<br />

will never admit if they didn’t meet at a<br />

neutral zone like this.<br />

You being here and working in this public<br />

space has created quite a lot of buzz.<br />

People are excited. So I think you have<br />

brought the community together already.<br />

Oh I hope so.<br />

You have said earlier in other interviews<br />

and on your website that you bring<br />

cultures together through your art, so I<br />

guess this here, is what you meant?<br />

Yes exactly this! I painted a few<br />

years ago in Brazil, inside the Vidiga<br />

Favela and this is what I did. I used this<br />

poem from this woman from the Favela,<br />

Gabriela Torres Barbosa, and the poem<br />

was actually homage to the people of<br />

the Favela. So I translated it in Arabic<br />

and then painted on this rooftop. And<br />

people in the beginning were intrigued<br />

to see this, I think they never had any<br />

connection with Arab people or Arabic<br />

before, so I explained to them that this is<br />

what I do, I am an artist, I use Arabic script<br />

as my medium of art. And amazingly,<br />

they connected to it when I told them<br />

the meaning of it. And then they grew<br />

to respect the piece and they preserve it<br />

because then the piece becomes part of<br />

them, part of the community. This is how<br />

we bring art and use it, and how we bring<br />

culture together. An Arab artist, painting<br />

a Portuguese saying inside a Brazilian<br />

community!<br />

I remember this woman came to me<br />

(in Brazil) and told me look I have this<br />

thing I had in my house for 20 years and<br />

it was actually a frame with a verse from<br />

the Quran and she didn’t know what<br />

it meant. She was like, I had this and<br />

nobody could ever tell me what it meant.<br />

When I explained to her, she was so happy<br />

to finally know what this frame that was<br />

hanging in her house for years meant.<br />

What has been your impression of<br />

Bahrain in your time here?<br />

Bahrain is a small place but super<br />

cozy and I feel like people are so<br />

welcoming. For example I put this stuff on<br />

Instagram saying “Bahrain? If you know<br />

this spot, bring kadak.’<br />

And yesterday I think I had so much<br />

kadak. So many people… not even talking<br />

to us, just dropping it inside the tent<br />

and driving off in their cars. So it’s kind<br />

of a big village and it’s what I love the<br />

most about Bahrain, the fact that they<br />

preserved the culture and the old ways…<br />

like when you go to Muharraq and you see<br />

how the old houses have been maintained<br />

and preserved. I think this is encouraging<br />

for the Arab society to see how you<br />

preserve your heritage and you are proud<br />

of it and make it modern in certain ways;<br />

you carry your tradition and your past and<br />

move with it to the future.<br />

It’s been a hectic schedule.<br />

Yeah we start maybe 8.30 in the<br />

morning and yesterday we stayed maybe<br />

till 8pm so yeah we have to. The weather<br />

has been good. We have the breeze from<br />

the sea so it’s ok.<br />

What’s next?<br />

I have a few gallery shows. One in<br />

Cairo, from a project I did a few months<br />

ago and then I have a show in Italy in<br />

March and then India for a personal<br />

project, which is highly confidential, so I<br />

don’t want to say anything.<br />

16 <strong>December</strong> <strong>2016</strong>

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