The Journal of Australian Ceramics Vol 49 No 2 July 2010

Contributors
Steve Cummings: My father thrust a camera
into my hands at the age of 14 and I've
been hooked ever since. I've had my own
photographic business for more than 25
years, and over that time I have collaborated
with many artists in helping them to promote
their work. I also shoot for a number of
TAFE college ceramics departments. Working
creatively with other artists is one of the most
satisfying areas of my business.
PO Box 1073, Brookvale NSW 2100
M: 041B 642 836; www.lightplay.com.au
See pages 50, 51 and 53,
Christopher Sanders: Good strong
technically proficient photographic images
add impact to your marketing and exhibition
proposals. I listen to your needs before I
shoot, so we are both happy with the results.
Years of teaching and photo training are now
my 'tools of trade'. Please check my web site
testimonials.
Clifton Hill VIC 3068
M: 0411489680
www.christophersanders.zenfolio.com
See page 52,
Inga Walton has long had a great passion
for ceramics. Her father is an internationally
renowned Refractories Engineer; purge
plugs, ladles and gone-wrong sections of
industrial kilns have been sitting forlornly
around the house awaiting assessment
for many years. She has contributed to
ten previous issues of JAC, and also writes
for Ceramic Review, Ceramics: Art and
Perceptionffechnical and Neue Keramik .
E: mail@australianceramics,com
See pages 69 - 71 .
Karen Weiss: My affair with clay has been
a long and loving one. It has opened other
paths for me - as a writer, a teacher and a
community artist. Clay and words are my
favourite media and my greatest pleasu re is
passing my enjoyment of them on to others.
Karen Weiss - Assoc Dip Vis Arts
(Ceramics) MA in Writing;
T: 02 9130 8439; M : 0423173 639
E: writepot@bigpond.net.au
See pages 58 - 59.
THE JOURNAL OF AUSTRALIAN CERAMICS JULY 2010 3