The Journal of Australian Ceramics Vol 49 No 2 July 2010
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Community<br />
Dreams become reality<br />
in Daylesford<br />
Dawn Whitehand reports on t he launch <strong>of</strong> a new ceramics co-operative<br />
A warm breeze stirred through the car park <strong>of</strong> Door Three on the afternoon <strong>of</strong> Saturday 17 April,<br />
fanning the rising anticipation <strong>of</strong> the eight co-ordinators <strong>of</strong> the newly formed Daylesford Region<br />
<strong>Ceramics</strong> Co-operative Ltd. <strong>No</strong>w a legal entity, the Co-operative was to be <strong>of</strong>ficially launched at 4 pm,<br />
whereupon memberships would be accepted and fundraising activities could begin.<br />
Situated within Victoria's mineral spa country, the natural beauty and resources <strong>of</strong> Daylesford have,<br />
for many decades, attracted artists and people seeking alternative lifestyles. <strong>The</strong> idea for a ceramics<br />
co-operative in this country town was first seeded amongst a small group <strong>of</strong> TAFE ceramic students<br />
at the University <strong>of</strong> Ballarat. <strong>The</strong>se students shared a vision for a communal ceramic space that would<br />
enable the exchange and sharing <strong>of</strong> resources and facilities such as studios, equipment, kilns and a<br />
gallery. <strong>The</strong> small group met regularly and almost two years later the dreams <strong>of</strong> Kath Wrattan, Sue<br />
Mitchell and Desiree Radi Mansbridge - joined by fellow co-ordinators M inna Graham, Jo Arrow,<br />
Melanie Earl, Kim Haughie and me (Dawn Whitehead) - have come to fruition. <strong>The</strong> Co-operative is now<br />
a functional body.<br />
<strong>The</strong> women making up the board <strong>of</strong> directors are all at varying stages <strong>of</strong> their ceramic careers, and<br />
all share a passion for the provision <strong>of</strong> a practical and supportive space for people to develop their skill<br />
and creative base in ceramics. Having successfully completed the TAFE <strong>Ceramics</strong> Diploma last year, Kath<br />
Wratten is currently enrolled in second year <strong>of</strong> the University <strong>of</strong> Ballarat Visual Arts Undergraduate<br />
degree, majoring in ceramics; Sue Mitchell, Minna Graham, Jo Arrow and Kim Haughie are all at<br />
varying stages <strong>of</strong> the TAFE Diploma course, with Haughie recently selected to participate in the Gangjin<br />
International Ceramic Artist's Exhibit, Workshop and Tour, for the 38th Gangjin Celadon Cultural Festival<br />
in South Korea . Desiree Radi Mansbridge completed her Honours Degree at the University <strong>of</strong> Ballarat<br />
in 2008, and since then has been working as a full time studio potter. Radi Mansbridge is working<br />
towards a solo exhibition at Tin Sheds Arts, Malmsbury in June, <strong>2010</strong>. Melanie Earl brings administrative<br />
experience to the co-op, though she also shares a passion for ceramics. Earl has participated in ceramics<br />
short courses and is currently undertaking a short course in photography. In December 2009, I was<br />
awarded my PhD from the University <strong>of</strong> Ballarat, and have recently returned from a ceramics residency at<br />
AIR Valla uris in France.<br />
Why a ceramics co-op in Daylesford7 Besides the practicality <strong>of</strong> ceramicists needing studio space,<br />
Radi Mansbridge notes, "<strong>Ceramics</strong> was a lucrative business before the introduction <strong>of</strong> plastics and<br />
cheap Chinese imports. Most potters today subsidise their clay passion w ith part-time teaching or work.<br />
Slowly ceramics courses are being axed from secondary and tertiary education. Of the courses that do<br />
remain, fees are on the increase and, as a result, the number <strong>of</strong> emerging ceramic artists is slowly but<br />
surely decreasing." <strong>The</strong> vision <strong>of</strong> the founding directors is to counter this trend via a non-pr<strong>of</strong>it ceramics<br />
co-operative that w ill stimulate, support and nurture creative enterprise in the local community. <strong>The</strong> aim<br />
is to generate a space to exchange and share resources, ideas, knowledge and skill in the making <strong>of</strong><br />
objects from clay. <strong>The</strong>y also believe the facility will reinvigorate and promote a sustainable local industry,<br />
a highly relevant concept in a world dominated by globalisation and mass industry.<br />
86 THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2010</strong>