The Journal of Australian Ceramics Vol 49 No 2 July 2010
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Consider this<br />
to approach the publisher <strong>of</strong> the journal or book to obtain that permission, or even possibly the author/s<br />
themselves.<br />
On the other hand, if you want to take photos or video <strong>of</strong> work on permanent public display, such<br />
as a public artwork or building, copyright does generally not apply and you are free to do so. <strong>The</strong>re<br />
are exceptions. If you want to shoot film at a particular location, for example, Bondi Beach, for a<br />
commercial, advertisement, magazine article or television series, permission must be first obtained from<br />
the local council and a fee paid. If this seems complicated, it is.<br />
Copyright law can be incredibly convoluted and, from reading the extensive material supplied free<br />
online by the Copyright Council <strong>of</strong> Australia, it appears that for every rule there seems to be a hundred<br />
exceptions or special circumstances. It is worth noting that the few cases <strong>of</strong> concerning copyright<br />
violation brought to court every year are mounted by large commercial organisations w ith deep pockets<br />
sufficient to pay for lawyers with expertise in this field .<br />
So where does this leave the individual ceramicist without these resources but who feels that there<br />
has been a copyright violation using their work?<br />
For further information you could approach NAVA (National Association for the Visual Arts Ltd) which<br />
will provide advice to artist members. You could check out the brief and straightforward information on<br />
copyright provided on the NAVA website www.visualarts.net.au. email nava@visualarts.net.au. or<br />
phone 02 9368 1900.<br />
You could access the more in-depth information provided on the Copyright Council <strong>of</strong> Australia 's<br />
website www.copyright.org.au. or for limited legal advice register online as a CCA customer (this<br />
service is free).<br />
For legal advice you can also contact <strong>The</strong> Arts Law Centre <strong>of</strong> Australia website,<br />
www.artslaw.com.au or phone 1800 221457.<br />
For queries about copyright licensing, you could contact Viscopy via their website<br />
www.viscopy.org.au. or phone 02 9310 2018.<br />
A simpler way <strong>of</strong> dealing with this, after checking out your rights, might be to approach in person the<br />
organisation/person violating copyright and point it out to them as they might not be aware that this is<br />
the case. Copyright is there to protect the owners <strong>of</strong> copyright, which may seem obstructive when you<br />
want to obtain or use copies <strong>of</strong> others' material, but is something that you appreciate when you are the<br />
copyright owner. Caution and respect are the keywords when considering issues <strong>of</strong> copyright.<br />
My thanks to the Copyright Council <strong>of</strong> Australia, NAVA and Viscopy for their help.<br />
Please note: <strong>The</strong> above Information is for general guidance only and should not be considered as legal advice.<br />
I. Quote from the Government-appointed committee report which led to the introduction <strong>of</strong> Australia's current Copyright Act and is quoted on the<br />
<strong>Australian</strong> Copyright Council ~bsite - Copyright purposes and sources; 'NW'W',copyright,org .aulinformationldt0161wpOO13<br />
© Karen Weiss <strong>2010</strong><br />
THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2010</strong> 59