The Journal of Australian Ceramics Vol 50 No 2 July 2011
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Editor: Vicki Grima<br />
<strong>The</strong> Reedy Marsh Woodlire Challenge judging panel,<br />
Andrew Bryant. Elaine 0 Henry and Vicki Grima,<br />
resplendent in VB beer carton crowns; photo: Alana Blanch<br />
As I worked on various articles in this issue, I was reminded<br />
<strong>of</strong> the strong ceramics community that surrounds us in<br />
Australia, with four fabulous days at Woodfire TAS <strong>2011</strong>, two<br />
weeks <strong>of</strong> passionate discussion on the email discussion list<br />
(following my posting on 23 May <strong>of</strong> Susie McMeekins WEDGE<br />
article from issue <strong>50</strong>11), and the support shown on the June<br />
long weekend to Gundaroo potters Ian Jones and Moraig<br />
McKenna after a fire destroyed their house and gallery.<br />
<strong>The</strong> strength <strong>of</strong> the connections, the ease with which new<br />
bonds are made and the generosity <strong>of</strong> everyone in sharing<br />
knowledge, experience, time and creativity, is inspiring. As<br />
life constantly reminds us, change is around us wherever we<br />
look, and it is our readiness to accept that reality that will<br />
lead us to find new solutions to current issues, especially<br />
those challenges which we face in the education sector. I<br />
enjoyed listening to Torbj0rn Kvasb0, in his opening speech<br />
at Inside Woodfire: fifty <strong>Australian</strong> stories, as he reminded us to reach outside our ceramics world<br />
to connect with the broader community so that we can grow in new, exciting ways. <strong>The</strong>re are several<br />
inspiring examples in this issue <strong>of</strong> pEi"ople who do that - potters like Malcolm Greenwood, Janetta Kerr<br />
Grant, Sally Gordon and Christopher Plumridge who are collaborating with design companies, cookbook<br />
w riters, restaurateurs and glass artists to create a point <strong>of</strong> difference with their beautiful tableware;<br />
craft centres like the Jam Factory in Adelaide that became an integral part <strong>of</strong> the local film festival event,<br />
providing 1000 bowls; and many ceramics students who are exploring the medium in new ways as they<br />
attend the tertiary institutions around the country. This diverse, sometimes challenging, work is shown<br />
on pages within this issue.<br />
Our new blog, http://jacpromotion<strong>2011</strong>.com, is up and running to mark the <strong>50</strong>th anniversary <strong>of</strong> the<br />
publication <strong>of</strong> <strong>The</strong> journal <strong>of</strong> <strong>Australian</strong> <strong>Ceramics</strong> (JAC). Around thirty ceramicists, drawn from JAC's<br />
education pages over the last ten years, are participating in an online conversation about their work and<br />
how the journal has acted as an educational, research and promotional tool. <strong>The</strong>ir conversations will<br />
provide material for a special exhibition in December <strong>2011</strong> at Manly Art Gallery and Museum. Check out<br />
their studios, and hear about their latest projects in (he upcoming months.<br />
And last, but not least. <strong>The</strong> <strong>Australian</strong> <strong>Ceramics</strong> Association is now taking applications for<br />
<strong>The</strong> Trudie Alfred Bequest <strong>Ceramics</strong> Scholarships, a generous project which will help up to<br />
5 students a year continue their ceramics study. Read about it on our last page (128),<br />
then spread the word within your community.<br />
~.<br />
Editor's notes:<br />
To view folders <strong>of</strong> Woodfire TAS 201 1 images, go to www.woodfiretasmania.com.au<br />
To check out the archived messages from the email discussion,<br />
visit http://tinyurl.com/discussionlistarchive.<br />
To participate in our new blog, join us at http://jacpromotion<strong>2011</strong>.com<br />
2 THE IOURNAl OF AUSTRALIAN CERAMICS IUlY <strong>2011</strong>