The Journal of Australian Ceramics Vol 50 No 2 July 2011
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<strong>No</strong>w + <strong>The</strong>n<br />
Ian Currie's first book, Stoneware Glazes<br />
A Systematic Approach is no longer in print.<br />
An online version is avai lable here:<br />
http://stonewareglazes.currie.to/.<br />
lan's second book, Revealing Glazes -<br />
Using the Grid method is available for purchase<br />
at http://ian.currie.to/ and<br />
www.australianceramics.com.<br />
Ian Currie's family have posted this note<br />
about asbestos on their website: Ian battled<br />
Mesothelioma, a form <strong>of</strong> cancer caused by<br />
asbestos, for some time before his passing.<br />
He identified the insulation from some <strong>of</strong> his<br />
kilns as his main asbestos exposure. While it is<br />
generally held to be true that asbestos that is<br />
fixed into sheets and then painted will not leak<br />
asbestos fibres, it is also true that this leaves a<br />
time bomb for later generations to fix. If you are<br />
a potter, please take a moment to think about<br />
your workshop/kiln and identify any materials<br />
(kiln insulation, pot boards, etc) that may<br />
contain asbestos and either have them removed<br />
by a pr<strong>of</strong>essional asbestos removal company<br />
or document the materials in your will so that<br />
anyone sorting out your estate is aware <strong>of</strong> the<br />
potential health risks.<br />
<strong>The</strong> association Dialogue Ceramique, led by<br />
the Genevan ceramicist Claude Albana Presset,<br />
devised an impressive project: to commission<br />
one hundred eminent ceramicists from the five<br />
continents to create a series <strong>of</strong> ten bowls, which<br />
were placed in showcases specially designed<br />
by Roland Eberle for a world-wide itinerant<br />
exhibition lasting two and a half years. After India,<br />
China, Korea and France, the Musee Ariana is<br />
hosting the exhibition on one <strong>of</strong> the last stages<br />
<strong>of</strong> its tour, before it continues to the Musee<br />
des Beaux-Arts in La Chaux-de-Fonds and the<br />
Kunstgewerbemuseum in Winterthur. Go here to<br />
view the bowls http://tiny.cc/1001bols.<br />
Andrew Widdis set up a survey earlier this year<br />
on perceptions about ceramic tableware.<br />
Go here for the results or to participate:<br />
www.andrewwiddis.com/news.<br />
Call for applications:<br />
Biennale de la Ceramique <strong>of</strong> Andenne, Belgium<br />
27 + 28 May 2012<br />
Deadline: 31 October <strong>2011</strong><br />
E: infos@biennaledelaceramique.be<br />
www.biennaledelaceramique.be<br />
19 June <strong>2011</strong> - 24 February 2012:<br />
Rediscovering Jonathon Leak is an exhibition<br />
<strong>of</strong> around forty re-constructed pieces, the greater<br />
part <strong>of</strong> which is made up <strong>of</strong> pieces found in a<br />
Sydney clay pit. In 2007, a team <strong>of</strong> archaeologists<br />
had the rare opportunity to excavate a clay-pit tip<br />
on the original site <strong>of</strong> the convict potter Jonathan<br />
Leak, who began establishing his pottery in 1821,<br />
<strong>of</strong>f Elizabeth Street, Sydney, near the brickfields.<br />
Leak had dug clay from the pit in 1824, and then<br />
used it as a tip for broken pottery. Take a visit to<br />
the National Museum <strong>of</strong> <strong>Australian</strong> Pottery,<br />
76 Albury Street, Holbrook NSW 2644;<br />
T: 02 6036 3464. Open Thursday to Tuesday,<br />
9.30am to 4.30pm; closed Wednesday and the<br />
month <strong>of</strong> August.<br />
E: info@australianpottery.net.au<br />
www.australianpottery.net.au<br />
about curating a tableware<br />
installation in Byron Bay<br />
Sally Cleary reports on<br />
Resonate, a group exhibition<br />
at RMIT's First Site Gallery<br />
•<br />
4 THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2011</strong>