The Journal of Australian Ceramics Vol 53 No 2 July 2014
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<strong>Australian</strong> <strong>Ceramics</strong> Triennale 2015<br />
<strong>The</strong> Triennale theme for 2015 is 'Stepping Up ...' reflecting the need for us all to take action on a<br />
number <strong>of</strong> fronts - to be active participants in our communities, our futures and our national conference<br />
as arts lovers, practitioners and educators. And the ideal city for this call to action is Canberra, because<br />
it is a city <strong>of</strong> action (even the public bus system is called Action).<br />
Canberra is the centre <strong>of</strong> action in national government (it's where the decisions that affect us all are<br />
actually made), and there is local action in the revitalising <strong>of</strong> a city through public policy that specifically<br />
targeted inner city areas for development as cultural and arts precincts (Braddon and New Acton), and<br />
town centres through the building <strong>of</strong> new Arts Centres (Bel conn en Town Centre).<br />
It is a place <strong>of</strong> action supporting local artists through newly refurbished centres (Watson Art Centre)<br />
and established residencies (Strathnairn Arts and the <strong>Australian</strong> National University), access studios and<br />
artist-run spaces (<strong>Australian</strong> National Capital Artists and Gorman House), and good, easy to access<br />
community arts organisations (Craft ACT, Craft and Design Centre, Canberra Potters' Society, <strong>Australian</strong><br />
National Capital Arts), and the list goes on ...<br />
And all this has happened in a city <strong>of</strong> under 400,000 people as a result <strong>of</strong> the Territory Government's<br />
strategic planning under the previous chief minister, Jon Stanhope and his successor Katy Gallagher,<br />
both <strong>of</strong> whom are great supporters <strong>of</strong> community and arts access.<br />
<strong>The</strong> venue for the main conference will be the Canberra <strong>The</strong>atre Centre (adjacent to Craft ACT and<br />
Civic Square), with events also at the <strong>Australian</strong> National University and the new Nishi/New Acton<br />
complex. All these venues are within walking distance from each other so they physically represent<br />
the Triennale partnership between Craft ACT, the Territory Government and the ANU, with the walk<br />
between each dotted with pop-ups and other amusements (not to forget good c<strong>of</strong>fee!).<br />
<strong>The</strong> structure <strong>of</strong> the conference will be somewhat different from previous ACTs. Gone are the large<br />
(and frustrating) panels where no one has the time to expand in depth on their topic, and no one<br />
gets a chance to ask questions through time overruns. In their place will be a series <strong>of</strong> moderated<br />
conversations that will maximise audience involvement through Q&A sessions following short<br />
presentations.<br />
<strong>The</strong> sub-themes will canvas ways in which we deal with change, whether it be by way <strong>of</strong> new<br />
technologies, education, or economic world power shifts towards Asia . <strong>The</strong>y will also address ways in<br />
THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2014</strong> 101